All that winter Ransome's nights and days were regulated in a perfect order—making statements of account for nine hours on five days of the week and four on Saturdays. Three evenings for the Poly. Gym. One for the Swimming Bath. One for sprinting. One (Saturday) for rest or relaxation after the violence of Rugger. One (Sunday) for the improvement of the mind. On Sundays he was very seldom good for anything else.

But in the spring of nineteen-two something stirred in him, something watched and waited; with a subtle agitation, a vague and delicate excitement, it exulted and aspired. The sensation, or whatever it was, had as yet no separate existence of its own. So perfect, in this spring of nineteen-two, was the harmony of Ransome's being that the pulse of the unborn thing was one with all his other pulses; it was one, indistinguishably, with the splendor of life, the madness of running, and the joy he took in his own remarkable performances on the horizontal bar. It had the effect of heightening, mysteriously and indescribably, the joy, the madness, and the splendor. And it was dominant, insistent. Like some great and unintelligible motif it ran ringing and sounding through the vast rhythmic tumult of physical energy.

Not for a moment did he connect it with the increasing interest that he took in the appearance of the Young Ladies of the Poly. Gym. He was not aware how aware he was of their coming, nor how his heart thumped and throbbed and his nerves trembled at the tramp, tramp of their feet along the floor.

For sometimes, it might be twice a year, the young men and the young women of the Gymnasium met and mingled in a Grand Display.

He was fairly well used to it; and yet he had never got over his amazement at finding that girls, those things of constitutional and predestined flabbiness, could do very nearly (though not quite) everything that he could, leaving him little besides his pre-eminence on the horizontal bar. And yearly the regiment of girls who could "do things" at the Poly. increased under his very eyes. Their invasion disturbed him in his vision of their flabbiness; it rubbed it into him, the things that they could do.

Not but what he had felt it—he had felt them—all about him, outside, in the streets where they jostled him, and in the world made mostly of mahogany, the world of counters and of desks, of pens where they too were herded and shut up and compelled, like him, to toil. Queer things, girls, for they seemed, incomprehensibly, to like it. Their liking it, their businesslike assumption of equality, their incessant appearance (authorized, it is true, by business) at the railings of his pen, the peculiar disenchanting promiscuity of it all, preserved young Ransome in his eccentricity of indifference to their sex. In fact, if you tried to talk about sex to young Ransome (and Mercier did try) he would denounce it as "silly goat's talk," and your absorption in it as "the most mutton-headed form of Flabbiness yet out."

But that was before the Grand Display of the autumn of last year, when Winny Dymond appeared in the March Past of Section I of the Women's Gymnasium; before he had followed Winny as she ran at top speed through all the turnings and windings of the Combined Maze.

There were about fifty of them, picked; all attired in black stockings, in dark-blue knickerbockers, and in tunics that reached to the knee, red-belted and trimmed with red. Stunning, he called them; so much so that they fair took away his breath.

That was what he said when it was all over. By that time he was ashamed to confess that at the moment of its apparition the March Past had been somewhat of a shock to him. He had his ideas, and he was not prepared for the uniform; still less was he prepared for a personal encounter with such quantities of young women all at once.

All sorts of girls—sturdy and slender girls; queer girls with lean, wiry bodies; deceptive girls with bodies curiously plastic under the appearance of fragility; here a young miracle of physical culture; there a girl with the pointed breasts and flying shoulders, the limbs, the hips, the questing face that recalled some fugitive soul of the woods and mountains; long-nosed, sallow, nervous Jewish girls; English girls with stolid, colorless faces; here and there a face rosy and full-blown, or a pretty tilted profile and a wonderful, elaborate head of hair. One or two of these heads positively lit up the procession with their red and gold, gave it the splendor and beauty of a pageant.

They came on, single file and double file and four abreast, the long line doubling and turning upon itself; all alike in the straight drop of the arms to the hips, the rise and fall of their black-stockinged legs, the arching and pointing of the feet; all deliciously alike in their air of indestructible propriety. Here you caught one leashing an iniquitous little smile in the corners of her eyes under her lashes; or one, aware of her proud beauty, and bearing herself because of it, with the extreme of indestructible propriety.

There were no words to express young Ransome's indifference to proud beauty.

If he found something tender and absurd in the movements of all those long black stockings, it was for the sake and on account of the long black stockings worn by little Winny Dymond.

Winny Dymond was not proud, neither was she what he supposed you would call beautiful. She was not one of those conspicuous by their flaming and elaborate hair.

What he first noted in her with wonder and admiration was the absence of weediness and flabbiness. Better known, she stirred in him, as a child might, an altogether indescribable sense of tenderness and absurdity. She stood out for him simply by the fact that, of all the young ladies of the Polytechnic, she was the only one he really knew—barring Maudie Hollis, and Maudie, though she was the proud beauty of the Polytechnic, didn't count.

For Maudie was ear-marked, so to speak, as the property (when he could afford a place to put her in) of Fred Booty. Ransome would no more have dreamed of cultivating an independent acquaintance with Maudie than he would of pocketing the silver cup that Booty won in last year's Hurdle Race. It was because of Maudie, and at Booty's irresistible request, that he, the slave of friendship, had consented, unwillingly and perfunctorily at first, to become Miss Dymond's cavalier. Maudie, also at Booty's passionate appeal, had for six months shared with Winny Dymond a room off Wandsworth High Street, so that, as he put it, he might feel that she was near him; with the desolating result that they weren't by any means, no, not by a long chalk, so near. For Maudie, out of levity or sheer exuberant kindness of the heart, had persuaded Winny Dymond to join the Polytechnic. In her proud beauty and in her affianced state she could afford to be exuberantly kind. And Booty in his vision of nearness had been counting on the long journey by night from Regent Street to Wandsworth High Street alone with Maudie; and, though Miss Dymond practically effaced herself, it wasn't—with a girl of Maudie's temperament—the same thing at all. For Maudie in company was apt to be a little stiff and stand-offish in her manner.

Then (one afternoon in the autumn of last year it was) Booty sounded Ransome, finding himself alone with him in the mahogany pen when the senior clerks were at their tea. "I say," he said, "there's something I want you to do for me," and Ransome, in his recklessness, his magnificence, said "Right-O!"

He said afterward that he had gathered from the expression of his friend's face that his trouble was financial, a matter of five bob, or fifteen at the very worst. And you could trust Boots to pay up any day. So that he was properly floored when Boots, in a thick, earnest voice, explained the nature of the service he required—that he, Ransome, should go with him, nightly, to a convenient corner of Oxford Street, and there collar that kid, Winny Dymond, and lug her along.

"Do you mean," asked Ransome, "walk home with her?"

Well, yes; that, Booty intimated, was about the size of it. She was a Wandsworth girl, and they'd got, he supposed, all four of them, to get there.

He was trying to carry it off, to give an air of inevitability to his preposterous proposal. But as young Ransome's face expressed his agony, Booty became almost abject in supplication. He didn't know, Ranny didn't, what it was to be situated like he, Booty, was. Booty wanted to know how he'd feel if it was him. To be gone on a girl like he was and only see her of an evenin' and then not be able to get any nearer her, because of havin' to make polite remarks to that wretched kid she was always cartin' round. At that rate he might just as well not be engaged at all—to Maudie; better engage himself to the bloomin' kid at once. It wasn't as if he had a decent chance of bein' spliced for good in a year or two's time. His evenin's and his Sundays and so forth were jolly well all he'd got. It was all very well for Ransome, he wasn't gone on a girl, else he'd know how erritatin' it was to the nerves. And if Ranny hadn't got the spunk to stand by a pal and see him through, why, then he'd cut the Poly. and make Maudie cut it too.

To most of this Ranny was silent, for it seemed to him that Boots was mad, or near it. But at that threat, so terrible to him, so terrible to the Polytechnic, so terrible to Booty, and so palpable a sign of his madness, he gave in. He said it was all right, only he didn't know what on earth he was to say to her.

Booty recovered his natural airiness. "Oh," he threw it off, "you say nothing."

And for the first night or so, as far as Ransome could remember, that was what he did say.

And he wasn't really clever at collaring her, either. There was something elusive, fugitive, uncatchable about Winny Dymond. It was Booty, driven by love to that extremity, who collared Maudie and walked off with her, with a suddenness and swiftness that left them stranded and amazed. "Fair pace-makin'," Ransome called it.

And Winny struggled and strove with those little legs of hers (jolly little legs he knew they were, too, in their long black stockings), strove and struggled, as if her life depended on it, to overtake them. And it was then that Ransome felt the first pricking of that sense of tenderness and absurdity.

He felt it again after a long silence when, as they were going toward Wandsworth Bridge, Winny suddenly addressed him.

"You know," she said, "you needn't trouble about me."

"I'm not troublin'," he said. "Leastways—that is—" he hesitated and was lost.

"You are," said she, with decision, "if you think you've got to see me home."

He said he thought that, considering the lateness of the hour and the loneliness of the scene, it was better that he should accompany her.

"But I can accompany myself," said she.

He smiled at the vision of Miss Dymond accompanying herself, at eleven o'clock at night, too—the idea! He smiled at it as if he saw in it something tender and absurd. He knew, of course, for he was not absolutely without experience, that girls said these things; they said them to draw fellows on; it was their artfulness. There was a word for it; Ransome thought the word was "cock-a-tree." But Winny Dymond didn't say those things—the least like that. She said them with the utmost gravity and determination. You might almost have thought she was offended but for the absence in her tone of any annoyance or embarrassment. Her tone, indeed, suggested serene sincerity and a sort of sympathy, the serious and compassionate consideration of his painful case. It was as if she had been aware all along of the frightful predicament he had been placed in by Fred Booty; as if she divined and understood his anguish in it and desired to help him out. That was evidently her idea—to help him out.

And as it grew on him—her idea—it grew on him also that there was a kind of fascination about the little figure in its long dark-blue coat.

She wasn't—he supposed she wasn't—pretty, but he found himself agreeably affected by her. He liked the queer look of her face, which began with a sort of squarishness in roundness and ended, with a sudden startling change of intention, in a pointed chin. He liked the clear sallow and faint rose of her skin, and her mouth which might have been too large if it had not been so firm and fine. He liked, vaguely, without knowing that he liked it, the quietness of her brown eyes and the faint, half-wondering arch above them; and quite definitely he liked the way she parted her brown hair in the middle and smoothed it till it lay in two long, low waves (just discernible under the brim of her hat) upon her forehead. He did not know that long afterward he was never to see Winny Dymond's eyes and parted hair without some vision of strength and profound placidity and cleanness.

All he said was he supposed there was no law against his occupying the same pavement; and then he could have sworn that Winny's face sent a little ghost of a smile flitting past him through the night.

"Well, anyhow," she said, "you needn't talk to me unless you like."

And at that he threw his head back and laughed aloud. And quite suddenly the moon came out and stared at them; came bang up on their left above the River (they were on the bridge now) out of a great cloud, a blazing and enormous moon. It tickled him. He called her attention to it, and said he didn't remember that he'd ever seen such a proper whopper of a moon and with such a shine on him. They hadn't half polished him, he said. Any one would think that things had all busted, got turned bottom side upward, and it was the bally old sun that was up there, grinnin' at them, through the hole he'd made.

"The idea!" said Winny; but she laughed at it, a little shrill and irresistible titter of delight always, as he was to learn, her homage to "ideas." He had them sometimes; they came on him all of a sudden, like that, and he couldn't help it; he couldn't stop them; he got them all the worse, all the more ungovernably, when Booty lunged at him, as he did, with his "Dry up, you silly blighter, you!" But that anybody should take pleasure in his ideas, that was an idea, if you like, to Ransome.

They got on after that like a house on fire.

But only for that night. For many nights that followed Winny proved more fugitive, more uncatchable than ever. As often as not, when they arrived in Oxford Street, she would be gone, fled half an hour before them, accompanying herself all the way to Wandsworth. Once he pursued her down Oxford Street, coming up with her as she boarded a bus in full flight; and they sat in it in gravity and silence, as strangers to each other. But nearly always she was too quick for him; she got away. And never (he thanked Heaven for that, long afterward), never for a moment did he misunderstand her. She made that impossible for him; impossible to forget that in her and all her shyness there was no art at all of "cock-a-tree," only her fixed and funny determination not "to put upon him."

And so the seeing home of Winny Dymond became a fascinating and uncertain game, fascinating because of its uncertainty; it had all the agitation and allurement of pursuit and capture; if she had wanted to allure and agitate him, no art of "cock-a-tree" could have served her better. He was determined to see Winny Dymond home.

And all the time it grew, it grew on him, that sense of tenderness and absurdity. He found it—that ineffable and poignant quality—in everything about her and in everything she did—in the gravity of her deportment at the Poly.; in her shy essaying of the parallel bars; in the incredible swiftness with which she ran before him in the Maze; in the way her hair, tied up with an immense black bow in a door-knocker plat, rose and fell forever on her shoulders as she ran. He found it in the fact he had discovered that her companions called her by absurd and tender names; Winky, and even Winks, they called her.

That was in the autumn of nineteen-one; and he was finding it all over again now in the spring of nineteen-two.

At last, he didn't know how it happened, but one night, having caught up with her after a hot chase, close by the railings of the Parish Church in Wandsworth High Street, in the very moment of parting from her he turned round and said, "Look here, Miss Dymond, you think I don't like seeing you home, don't you?"

"To be sure I do. It must be a regular nuisance, night after night," she answered.

"Well, it isn't," he said. "I like it. But look here—if you hate it—"

"Me?"

She said it with a simple, naÏve amazement.

"Yes, you."

He was almost brutal.

"But I don't. What an idea!"

"Well, if you don't, that settles it. Don't it?"

And it did.