Not being able to drink beer and eat turnip radishes, and the theatres all being closed, I went off to the mountains and made for Herrenchiemsee, the lovely lake on which the wide world’s wonder, King Ludwig’s gorgeous palace, is situated. Weird and woful is the tale of Bavaria’s mad monarch, Ludwig II. He was cursed with that form of insanity which is called ‘la folie des grandeurs.’ He rode about in carriages of eye-dazzling magnificence, the panels of which were hand-painted by great artists at a cost of a thousand pounds per panel, and his carriages were always drawn by eight cream-white horses. He dressed himself up as Lohengrin and sailed about the lonely lakes at midnight on the back of a mechanical swan. The palace that he built at Herrenchiemsee is a blaze of golden glory. His bed alone cost £20,000, and he ruined himself before the palace was half finished. The magnificence of the state apartments and the famous Hall of Mirrors beggars description. Only a madman afflicted with the ‘folie des grandeurs’ would have commenced such a dwelling-place. Everything in it is real gold, real silver, and real marble, and all of the most exquisite workmanship. A peacock (if ever a peacock brought ill-luck this one did) which stands in the vestibule cost £7,500. The interior decoration of one room For some time previous to 1886 the King had exhibited strong symptoms of insanity. He had retired from active participation in affairs of state, and lived only for his marvellous private operatic performances and the building of his peerless palace. It was not exactly a sane thing for a king to dress himself up as the hero of a Wagner opera and sail about on a swan’s back, and it was, to say the least of it, odd for him to come mysteriously at midnight on a golden steamer across the silent lake to his lonely palace and order all the hundred thousand candles to be lighted that he might march about it and fancy himself a god. On the hottest day of a hot week I went to the Starnberg Lake to visit the scene of the tragedy. Just at the spot where Ludwig dragged the doctor into the lake on the evening of Whit Sunday and murdered him the Prince Regent has erected a memorial, and here there burns day and night a blood-red lamp. Long after night had fallen on the lonely island, and the dull red ray of that lamp fell upon the silent waters, I sat by the water’s edge and brooded over the strange, sad story of the Starnberg Lake. It was Baron von Lutz, the brother of our own Herr Meyer Lutz, that master of melody, who for many a long year wielded the merry bÂton of Gaiety burlesque, who really put an end to the mad Ludwig was at this time at his castle of Hohen Schwangau in the mountains. Thither the Commissioners, accompanied by Dr. Gudden, the Asylum director, repaired, directly Prince Luitpold, the King’s uncle, had accepted the Regency and authorized the arrest of his nephew. The Commissioners informed the King he was a prisoner, but others learned the news also. These others were the men of the mountains, who worshipped their monarch almost as a god—many of them, indeed, believing him to be superhuman. These brave fellows, arming themselves with axes and choppers and guns, came pouring down the mountains, and swore that they would slaughter the Commissioners and set the King free. The situation looked so threatening that the King was secretly conveyed that afternoon to a little castle on the Starnberg Lake, where he could be more effectually guarded. One night only did the poor mad King spend there. On the evening of the second day—Whit Sunday, 1886—he went for a walk with Dr. Gudden and the attendants. He talked so calmly and rationally that when he said No one can look upon the spot where the poor mad King died, and think of that gorgeous palace which was his glory and his life, and which stands unfinished to this day, without a pang of pity. It would be easy to moralize upon it. ‘The vanity of human wishes’ writes itself large on the quiet waters that lave the foot of the lonely memorial to Bavaria’s hapless King. I have no doubt I should have moralized had I had time. But my programme was not mapped out for that sort of thing, and so I turned sadly away from the melancholy shore, gave one last look at the dim red lamp and the dying Saviour on the cross, and went quietly to the landing-stage and took the last boat to the opposite shore, and thence made my way by train to Munich, where I arrived just in time to pack up, make a light supper, and catch the Paris-bound Orient express at 1.15 a.m. |