CHAPTER V

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The Island of Achill—Picturesque Scenery—Poverty of the People—"Keening" for the Dead—"The Gintleman Who Pays the Rint"—Superstitious Legends.

The island of Achill lies off the west coast of Ireland. Exposed to the full fury of the North Atlantic winds it is one of the bleakest spots on the globe. The manners and customs of its people change but slightly with the passing years.

Leaving the hotel on a misty morning, we roll off towards the sea. The way is narrow for a car and we pass uncomfortably near sleeping brown bogs whose quiet waters would promptly cover us up and suck us down past all resurrection were our wheels to slip over the brink.

Reaching a hill up which a man is driving cattle, our chauffeur sounds the horn and pushes gently forward, causing the animals to give way, whereupon their owner holds up his hand in indignant protest with a "Would ye dhrive the cattle!" To his thinking we should plod slowly up that miles-long hill behind his herd rather than cause them to move to one side,—to "dhrive the cattle!" being in his eyes little short of sacrilege. Yet his sort does not hesitate to drive other men's cattle off of still other men's land, and consider it their right so to do.

The long muddy road runs on the cliffs over the sea and finally turns down towards the coast, apparently losing itself in the waste. This is not the highway and we so discover in season to prevent an accident. Just then a small boy comes racing after us shouting that we should have turned off higher up. A few half-pennies and our thanks make him smilingly offer to return and show us the route, and a lift in the car completes his happiness,—the first time he has ever ridden in an automobile, I doubt not.

The traveller does not notice anything unusual until, having crossed the Peninsula of Curraun, he enters upon one of the strangest spots on earth. In the foreground, deep in a valley is a mysterious pool, black as night: all around rise the gloomy mountains, while over the peak to the west the sun is sending long shafts of purple and gold into the distant hollows, where brown turf fields stretch away, and low-walled, whitewashed, and thatched cottages spot the landscape, and the scarlet skirts worn by all the women throw splashes of vivid colour here and there. The whole is gloomy and sombre to a degree. The winds blow coldly and we draw our furs closely about us as the car speeds onward over roads not made for such usage. This indeed is ancient Ireland and one hears the Celtic tongue on all sides.

Holiday is held here as in Sligo, and the encounters with cattle and ponies are frequent. Here is a pony drawing a load of heavy timber which he insists upon running off with on our approach. Of course, we halt until we can creep by him. Yonder is a man to whom the fair has proven a not unmixed blessing. He lies upon his face on a bank, blind drunk, and will not take home with him the drinks consumed at the fair. His wife and father stand by trying to hold an old horse, but the bridle breaks and off he goes ahead of us, losing finally both blanket and saddle, and vanishing up a mountain. Another old gentleman, held on his horse by a dutiful son, curses us to the King's taste but in Celtic which we do not understand. Only the women are sober after the day's bout, and many is the beautiful face set off by the scarlet dress, which greets us smilingly or hides its sorrow from our glances.

Now the road grows wilder and wilder,—there is absolutely no sound save the moan of the distant ocean.

As we near the remotest part of the island, where the mountains raise their heads in solemn grandeur, there are no signs of human habitation except one lonely cottage. Its door is open, but there is no evidence of life. Suddenly the air shivers with the weirdest, loneliest cry I have ever listened to,—a sustained, penetrating wail rising and falling on the sad air and then shuddering away into silence, silence, silence rendered all the sadder by the fast approaching shadows of night. It is the famous "keening" or mourning cry for the dead. There are professional keeners and when one is informed of a death she starts for the house of sorrow and commences this melancholy cry as she goes. All the way over hill and dale, by these dark pools and through the bog pathways she goes, her cry bringing the women and children to the doors of all the huts. As she approaches the dead the cry dies away and ceases as she enters the cottage. Walking round the bier she commences anew and passing outward and away fills all the silence of the deepening night with her melancholy plaint. To hear it any place in Ireland is sad enough, to hear it amidst the desolation of Achill is almost terrifying and never to be forgotten. To-night it sounds like the voices of lost souls from the depths of the dark Atlantic.

I have heard a cry like that from the Arab women of a desert town, but nowhere else on earth, and I doubt if any other people possess one of such concentrated, desolate sorrow as this,—a sound which almost makes the heart stand still.

Why should these people mourn the advent of peace? Surely it is better for them to sleep than to wake; better to die than to live.

Through the open doorway of this hut as we pass we catch but a glimpse of an old woman bowed in sorrow and a sheeted, silent form on the bed in the corner.


Slievemore and Dugort, Achill

Photo by W. Leonard

Slievemore and Dugort, Achill


Our car glides slowly and silently by and we move onward, more and more into the island of Achill, into the heart of ancient Ireland, until, rounding the shoulder of a desolate mountain, we come suddenly upon the sea. This is no bay or inlet, no capes guard us here, there is no lighthouse in sight to indicate that man ever sends his ships out there. That is the heart of the ocean, the deep sea. The waves, black as midnight and hurled forward with the force of the Gulf Stream, and all the currents of the North Atlantic, come thundering in with such power that one instinctively draws backward, while the coast is all cut and jagged, torn up and thrown pell-mell by the ceaseless onslaught. You realise that just out there are vast depths, awful forces, and that once within their grasp nothing save an interposition of God could save you; even this land scarcely seems a safe abiding-place.

The sky above is black as the waters beneath it and the winds sough upward from the underworld as though laden with the misery of these people of Achill.

Are there not scenes and times when the great truth of the existence of the Deity is impressed upon one? By the deep sea, amidst the solitude of the mountains and the silence of the desert, from the song of a bird far overhead, and always from the eyes of a little child does not the assurance come to man, past all doubting, that verily there is—a God? Has the atheist ever existed who has not experienced this many times throughout his wretched life?

The face of Ireland in the far western section seems constantly covered with tears. The sadness and poverty of the people passes all comprehension. Surely the love of their home land must be very great to keep them here at all.

Lady Dudley has established a most excellent charity hereabouts in the shape of contribution boxes for the establishment of district nurses in these the poorest sections of Ireland. The girls have a sadly hard time of it as often they find nothing to rest on in these hovels save a box or head of a barrel. We are stopping in front of one now that would be considered unfit for cattle at home, a low stone hut thatched in rotting straw patched up with turf. There is no window, and the door has no glass. The interior, plainly visible, is horrible in its sodden wretchedness. Before the doorstep is a bog of manure and all kinds of filth in which the pigs and ducks are at work. As our eyes wander away and up to the hills, white with stone, we wonder why in God's name with feet to walk upon every soul does not leave this island, which is not intended for man to live upon; yet here they are and plenty of them, and many seem cheery and happy. The woman of this wretched hovel before us is pitching manure into a cart, and as she stands, barefooted, in the filth above her ankles, sings and talks to me in the liveliest fashion. Just beyond is a bog whose waters, black as night, and spangled with water lilies, reflect as in a mirror a flock of geese and a woman in a brilliant scarlet petticoat. Beyond rise the mountains sombre and gloomy and over all lowers a sky dark with storms. Then the rain falls, but only for an instant, when the sunlight descending in long shafts of intense light turns even this scene of desolation into one of beauty. If these people were moved into a richer and more fertile section would they remain there, or would one shortly find these filthy hovels occupied again by their original owners? If so, their love of home passes comprehension.

One cannot but feel that many of the countless millions yearly sent to foreign missions were better spent here, where, by improving the body, the salvation of the soul would be more easily attempted, for it is impossible to believe that with such horrible, sordid conditions, there can be any deep belief in the goodness of God.

When in Teheran, Persia, I could not but observe the extensive missionary buildings, and when I asked what people the work was amongst, the reply came "Nestorian Christians." So, all the contributions from the churches are expended upon those who are already Christians. For (as is certainly not known at home) a Persian to be converted does not mean loss of caste as in India but death, and hence conversion to Christianity amongst them is impossible. Persia is the most fanatical of all nations, where one may not even look into a mosque, much less enter, yet millions continue to pour into that land yearly. Comment should be unnecessary, but I cannot help feeling that comment is needed when looking out over a scene like this before us to-day. There are plenty of plague spots in our own new land which need close attention; for instance, in the mountains of Virginia where the people are so ignorant that they not only cannot read, but do not know what reading is. It is a disgrace to our land that the ministers from these mountains are forced to go begging through the churches for money to carry on their work, but,—it is not half so picturesque and interesting to help such as to send millions to the land of the Sultan of Ispahan and perchance be able to rescue some Lalla Rookh or encounter the veiled prophet of Khorassan.

I find I am very apt—so to speak—to tumble off the island of Achill into almost any part of the world, so let us return once more.

The population of Achill is steadily decreasing, and now counts but forty-six hundred. These people have been described as a lot of thieves and murderers with, I should judge, very little justice in the charge. They had no such appearance to my eye.

The soil on the island is so thin and poor that her men cannot raise enough upon it to pay their rent and are forced to seek every year work in more favoured sections.


Fisherfolk of Achill

Photo by W. Leonard

Fisherfolk of Achill


It is claimed these islanders consist of four great families, whose members can be easily distinguished from each other, the French Lavelles, the English Scholefields, the creole Caulfields, the Danish Morans. But there are also pure Irish to be found in the O'Malleys, Gaughans, and Monahans. The houses are but heaps of rude stones (which have been moulded by the tide), round of gable, and roofed by fern, heather, and shingles fastened by straw bands. Often there are no chimneys.

We stop at the town of Dugort under the shadow of the sombre mountain, "Slievemore," which rises immediately behind it. The town is an attempt on the part of one church to upset the authority of another amongst these people, and judging by the absolute desolation of the place I should say that the move has not been successful. There are some good houses and a church, but the people do not appear to be about. In the dreary hotel, we spent some time in an inspection of the most marvellous collection of paintings it has ever been our misfortune to examine. There were several of them and they occupied most of the hallway. We were unable to discover what one of them was intended to portray. We asked the barmaid and she seemed equally in doubt. B. suggested the mountain of Slievemore—I thought, a leg of mutton. The artist is the hotel proprietor. We left a request that he would "Please not do it again" which seemed greatly to relieve the young woman in charge.

At the door stands a jaunting-car waiting to take the luggage of a man, who has been fishing hereabouts, to the station. We offer him a lift in our motor and I tell the barmaid to give a glass of whiskey to his car driver. It appears, when it comes, to be a fair sized drink, but the old chap cocks his eye first on it and then at me, remarking, as he touches his cap, "And did ye say, sir, it was twelve years old—indade thin it's small for its age." As we roll off he promises to pick us up when our car breaks down as he knows it will. If that is to occur it is well to start, as we are miles from Mallaranny and well know that aside from this dreary hotel no hospitality would or could be offered us in this desolate region, and that the feeling here is not, especially after the "day off," of the best, as is proven by the curses hurled at us once more by the old gentleman whom we encountered on our way out. Later we meet the load of timbers and find that the drunken man has been deposited face down on the top, while his poor wife and old father trudge along behind.

How different all here from the Ireland decked out for the tourist! How sad and stern and strange! As I turn to look back upon it the daylight departs and the shadows grow blacker and deeper, only the waters of the lake catching for an instant a fleeting glow which soon dies out into ashes; and with the coming of night silence and solitude, profound and unbroken, rest upon the island of Achill.

Yet there we saw some wonderfully beautiful women, women whose type has made Ireland famous, great blue-grey eyes and jet black hair,—or the fairest of blondes with pale yellow hair and blue eyes, like the rain-washed heaven of their native land. Again, as we rolled by some white-walled, rose embowered cottage, an ancient dame in high frilled cap would smile us a welcome, or, as once to-day, I saw such a splendid young fellow, whose eyes beamed down into those of his baby boy held in his arms. There was happiness there. He must have married "his Nora" and the boy must have had its mother's eyes. Happiness, yes truly, such as comes not often to the portals of a palace. The man smiles in my face as the car rolls by. In fact, nowhere in all the years of my wanderings have I met such quick response to a smile or greeting as in these wilds of Ireland—save when drink, the curse of the land, had destroyed the man; but always with the women one has seemed welcome.

As for the pigs, they are so clean and so pink that one imagines that they wear silk socks and pumps. Do they walk?—bless you, no,—not on holidays at least, but ride in state, and here at last you meet and understand "the gintleman phat pays the rint." I firmly believe they have all been shaved. B. says not, not till after death. But those were very lovely and complacent pigs. I was only astonished that they were not riding in motor cars.

After the desolation of Achill it is pleasant to return to the hotel at Mallaranny. Owned by the Great Western Railway Company, it is most comfortable; a cozy fire before which a tabby cat is purring greets us as we enter the reading-room and we drop rugs and books with a sigh of contentment. Dinner over, the evening is passed deep in the history, romance, and poetry of the spot just visited.

Probably in no part of Ireland does superstition persist so strongly as in Achill. Many of the legends are gruesome and cluster about death and the grave. Many are beautiful, like that of the swans, and there is one about the seals, which they believe are the people who were drowned in the great flood. Not until this world is destroyed by fire will they be permitted to enter heaven, but once in every hundred years they resume their human shape upon earth, and it was during one of these periods that an incident happened which is still talked about in the island of Achill.

"John of the Glen had fallen asleep. Now the place he had chosen to repose in was for all the world like a basket; there was the high rock above him, and a ledge or rock all round, so that where he lay might be called a sandy cradle.


A Lonely Road in Connemara

Photo by W. Leonard

A Lonely Road in Connemara


There he slumbered as snug as an egg in a thrush's nest, and he might have slept about two hours, when he hears singing—a note of music, he used to say, would bring the life back to him if he had been dead a month—so he woke up; and to be sure, of all outlandish tunes, and, to quote his words again, 'put the one the old cow died of to the back of it,' he never heard the like before; the words were queerer than the music—for John was a fine scholar, and had a quarter's Latin, to say nothing of six months' dancing; so that he could flog the world at single or double handed reel, and split many a door with the strength of his hompipe. 'Meuhla machree,' he says, 'who's in it at all?' he says. 'Sure it isn't among haythins I am,' he says, 'smuggled out of my native country,' he says, 'like a poor keg of Inishowen,' he says, 'by the murdering English?' and 'blessed father,' he says again, 'to my own knowledge it's neyther Latin or Hebrew they're at, nor any other livin' language, barring it's Turky'; for what gave him that thought was the grand sound of the words. So, 'cute enough, he dragged himself up to the edge of the ledge of the rock that overlooked the wide ocean, and what should he see but about twenty as fine well-grown men and women as ever you looked on, dancing! not a hearty jig or a reel, but a solemn sort of dance on the sands, while they sung their unnatural song, all as solemn as they danced; and they had such queer things on their heads as never were seen before, and the ladies' hair was twisted and twined round and round their heads.

"Well, John crossed himself to be sure like a good Christian, and swore if he ever saw Newport again to pay greater attention to his duty, and to take an 'obligation' on himself which he knew he ought to have done before; and still the people seemed so quiet and so like Christians, that he grew the less fearful the longer he looked; and at last his attention was drawn off the strangers by a great heap of skins that were piled together on the strand close beside him, so that by reaching his arm over the ledge, he could draw them, or one of them, over. Now John did a little in skins himself, and he thought he had never seen them so beautifully dressed before; they were seal skins, shining all of them like satin, though some were black, and more of them grey; but at the very top of the pile right under his hand was the most curious of them all—snowy and silver white. Now John thought there could be no harm in looking at the skin, for he had always a mighty great taste for natural curiosities, and it was as easy to put it back as to bring it over; so he just, quiet and easy, reaches in the skin, and soothering it down with his hand, he thought no down of the young wild swan was ever half so smooth, and then he began to think what it was worth, and while he was thinking and judging, quite innocent like, what it would fetch in Newport, or maybe Galway, there was a skirl of a screech among the dancers and singers; and before poor John had time to return the skin, all of them came hurrying towards where he lay; so believing they were sea-pirates, or some new-fashioned revenue-officers, he crept into the sand, dragging the silver-coloured skin with him, thinking it wouldn't be honest to its rale owner to leave it in their way. Well, for ever so long, nothing could equal the ullabaloo and 'shindy' kicked up all about where he lay—such talking and screaming and bellowing; and at last he hears another awful roar, and then all was as still as a bridegroom's tongue at the end of the first month, except a sort of snuffling and snorting in the sand. When that had been over some time he thought he would begin to look about him again and he drew himself cautiously up on his elbows, and after securing the skin in his bosom (for he thought some of them might be skulking about still, and he wished to find the owner), he moved on and on, until at last he rested his chin upon the very top of the ledge and casting his eye along the line of coast, not a sight or a sign of any living thing did he see but a great fat seal walloping as fast as ever it could into the ocean: well, he shook himself, and stood up; and he had not done so long, when just round the corner of the rock, he heard the low wailing voice of a young girl, soft and low, and full of sorrow, like the bleat of a kid for its mother, or a dove for its mate, or a maiden crying after her lover yet ashamed to raise her voice. 'Oh, murder!' thought John O'Glin, 'this will never do; I'm a gone man! that voice—an' it not saying a word, only murmuring like a south breeze in a pink shell—will be the death of me; it has more real, true music in it than all the bagpipes between this and Londonderry. Oh, I'm kilt entirely through the ear,' he says, 'which is the high-road to my heart. Oh, there's a moan! that's natural music! The "Shan Van Do," the "Dark Valley," and the "Blackbird" itself are fools to that!' To spring over was the work of a single minute; and, sure enough, sitting there, leaning the sweetest little head that ever carried two eyes in it upon its dawshy hand, was as lovely a young lady as ever John looked on. She had a loose sort of dress, drawn in at her throat with a gold string, and he saw at once that she was one of the outlandish people who had disappeared all so quick.

"'Avourneen das! my lady,' says John, making his best bow, 'and what ails you, darling stranger?' Well, she made no answer, only looked askew at him, and John O'Glin thought she didn't sigh so bitterly as she had done at first; and he came a little nearer, and 'Cushla-ma-chree, beauty of the waters,' he says, 'I'm sorry for your trouble.'

"So she turns round her little face to him, and her eyes were as dark as the best black turf, and as round as a periwinkle.


Photo by W. Leonard

Kylemore Castle


"'Creature,' she says, 'do you speak Hebrew?' 'I'd speak anything,' he answers, 'to speak with you.' 'Then,' she says again, 'have you seen my skin?' 'Yes, darling,' he says in reply, looking at her with every eye in his head. 'Where, where is it?' she cries, jumping up and clasping her two little hands together, and dropping on her knees before John.

"'Where is it?' he repeats, raising her gently up; 'why, on yourself, to be sure, as white and as clear as the foam on a wave in June.'

"'Oh, it's the other skin I want,' she cries, bursting into tears. 'Shall I skin myself and give it you, to please you, my lady?' he replies; 'sure I will, and welcome, if it will do you any good, sooner than have you bawling and roaring this way,' he says, 'like an angel,' he says.

"'What a funny creature you are!' she answers, laughing a lilt of a laugh up in his face; 'but you're not a seal,' she says, 'and so your skin would do me no good.'

"'Whew!' thought John O'Glin; 'whew! now all the blossom is out on the May-bush; now my eyes are opened'; for he knew the sense of what he had seen, and how the whole was a memory of the old world.

"'I'll tell you what it is,' said the poor fellow, for it never took him any time at all to fall in love; 'I'll tell you what it is, don't bother any more about your bit of a skin, but take me instead of it—that is,' he said, and he changed colour at the bare thought of it, 'that is, unless you're married in your own country.' And as all their discourse went on in Hebrew and Latin, which John said he had not a perfect knowledge of, he found it hard to make her understand at first, though she was quick enough too; and she said she was not married, but might have been, only she had no mind to the seal, who was her father's prime minister, but that she had always made up her mind to marry none but a prince. 'And are you a king's son?' she says. 'I am,' says John, as bould as murder, and putting a great stretch on himself. 'More than that, I'm a king's great-grandson—in these twisting times there's no knowing who may turn up a king; but I've the blood in my veins of twenty kings—and what's better than that, Irish kings.'

"'And have you a palace to take me to?' she says, 'and a golden girdle to give me?'

"Now this, John thought, was mighty mean of her; but he looked in her eyes and forgot it. 'Our love,' he says, 'pulse of my beating heart, will build its own palace; and this girdle,' and he falls on his knees by her side, and throws his arm round her waist, 'is better than a girdle of gold!' Well, to be sure, there was no boy in Mayo had better right to know how to make love than John O'Glin, for no one ever had more practice; and the upshot of it was that (never, you may be sure, letting on to her about the sealskin) he clapt her behind him on Molche, and carried her home; and that same night, after he had hid the skin in the thatch, he went to the priest—and he told him a good part of the truth; and when he showed his reverence how she had fine gold rings and chains, and as much cut coral as would make a reef, the priest did not look to hear any more, but tied them at once. Time passed on gaily with John O'Glin: he did not get a car for Molche, because no car could go over the Mayo mountains in those days; but he got two or three stout little nags, and his wife helped him wonderful at the fishing—there wasn't a fin could come within half a mile of her that she wouldn't catch—ay, and bring to shore too; only (and this was the only cross or trouble John ever had with her, and it brought him a shame-face many a time) she'd never wait to dress anything for herself, only eat it raw; and this certainly gave him a great deal of uneasiness. She'd eat six herrings, live enough to go down her throat of themselves, without hardly drawing her breath, and spoil the market of cod or salmon by biting off the tails. When John would speak to her about it, why she'd cry and want to go back to her father, and go poking about after the skin, which she'd never mention at any other time; so John thought it would be best to let her have her own way, for when she had, it's nursing the children, and singing, and fishing she'd be all day long; they had three little children, and John had full and plenty for them all, for she never objected to his selling her rings, or chain, or corals; and he took bit after bit of land, and prospered greatly, and was a sober, steady man, well-to-do; and if he could have broke her of that ugly trick she had of eating raw fish, he'd never say no to her yes; and she taught the young ones Hebrew, and never asked them to touch a morsel of fish until it was put over the turf; and there were no prettier children in all the barony than the 'seal-woman's'; with such lovely hair and round blinking eyes, that set the head swimming in no time; and they had sweet voices, and kind hearts that would share the last bit they had in the world with any one, gentle or simple, that knew what it was to be hungry; and, the Lord he knows, it isn't in Mayo their hearts would stiffen for want of practice.

"Still John was often uneasy about his wife. More than once, when she went with him to the shore, he'd see one or two seals walloping nearer than he liked; and once, when he took up his gun to fire at a great bottle-nosed one that was asleep on the sandbank, she made him swear never to do so: 'For who knows,' she says, 'but it's one of my relations you'd be murdering?' And sometimes she'd sit melancholy-like, watching the waves, and tears would roll down her little cheeks; but John would soon kiss them away.


Biddy

"Biddy"


"Poor fellow! much as he loved her, he knew she was a sly little devil; for when he'd be lamenting bitterly how cute the fish were grown, or anything that way, she'd come up and sit down by him, and lay her soft round cheek close to his, and take his hand between hers, and say, 'Ah, John darlin', if you'd only find my skin for me that I lost when I found you, see the beautiful fish I'd bring you from the bottom of the sea, and the fine things. Oh! John, it's you then could drive a carriage through Newport, if there were but roads to drive it on.'

"But he'd stand out that he knew nothing of the skin; and it's a wonder he was heart-proof against her soft, deludering, soothering ways; you'd have thought she'd been a right woman all her life, to hear her working away at the 'Ah, do,' and 'Ah, don't'; and then, if she didn't exactly get what she wanted, she'd pout a bit; and if that didn't do, she'd bring him the youngest baby; and if he was hardened entirely, she'd sit down in a corner and cry; that never failed, except when she'd talk of the skin—and out and out, she never got any good of him about it—at all! But there's no end of female wit; they'll sit putting that and that together, and looking as soft and as fair-faced all the while as if they had no more care than a blind piper's dog, that has nothing to do but to catch the halfpence. 'I may as well give up watching her' said John to himself; 'for even if she did find it, and that's not likely, she might leave me (though that's not easy), but she'd never leave the children'; and so he gave her a parting kiss, and set off to the fair of Castlebar. He was away four days, longer certainly than there was any call to have been, and his mind reproached him on his way home for leaving her so long; for he was very tender about her, seeing that though she was only a seal's daughter, that seal was a king, and he made up his mind he'd never quit her so long again. And when he came to the door, it did not fly open, as it used, and show him his pretty wife, his little children, and a sparkling turf fire—he had to knock at his own door.

"'Push it in, daddy,' cried out the eldest boy; "'mammy shut it after her, and we're weak with the hunger.' So John did as his child told him, and his heart fainted, and he staggered into the room, and then up the ladder to the thatch—It was gone!—and John sat down, and his three children climbed about him, and they all wept bitterly.

"'Oh, daddy, why weren't you back the second day, as you said you'd be?' said one. 'And mammy bade us kiss you and love you, and that she'd come back if she'd be let; but she found something in the thatch that took her away.'

"'She'll never come back, darlings, till we're all in our graves,' said poor John—'she'll never come back under ninety years; and where will we all be then? She was ten years my delight and ten years my joy, and ever since ye came into the world she was the best of mothers to ye all! but she's gone—she's gone for ever! Oh, how could you leave me, and I so fond of ye? Maybe I would have burnt the skin, only for the knowledge that if I did, I would shorten her days on earth, and her soul would have to begin over again as a babby seal, and I couldn't do what would be all as one as murder.'

"So poor John lamented, and betook himself and the three children to the shore, and would wail and cry, but he never saw her after; and the children, so pretty in their infancy, grew up little withered atomies, that you'd tell anywhere to be seal's children—little, cute, yellow, shrivelled, dawshy creatures—only very sharp indeed at the learning, and crabbed in the languages, beating priest, minister, and schoolmaster—particularly at the Hebrew. More than once, though John never saw her, he heard his wife singing the songs they often sung together, right under the water; and he'd sing in answer, and then there'd be a sighing and sobbing. Oh! it was very hard upon John, for he never married again, though he knew he'd never live till her time was up to come again upon the earth even for twelve hours; but he was a fine moral man all the latter part of his life—as that showed."

As I close my book and put out my candle for the night the moonlight streaming in at the window draws me to the casement. The bay is like a sheet of quivering silver with the mountains of Achill and the island of Clare towering darkly above it. On the highway winding off white in the clear light no sign of life is visible and but for the softly sobbing winds, the silence of the night is intense. The tide is flowing to the sea and the waters are deserted save for one slowly drifting boat. One is scarcely conscious at first of any sound other than that of the winds but, as the boat draws nearer on the air floats upward one of those sad crooning melodies of these people—at first a low monotone which rises and rises, wailing all around and far above until the very mountains seem to throw back the sorrow of it. Then it falters away into silence.


The Lynch House, Galway

From a steel engraving

The Lynch House, Galway


                                                                                                                                                                                                                                                                                                           

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