There are gardens, old and new, around the many wealthy cities of this great State, through the upper section, near Buffalo, Utica, Syracuse, Albany, etc., as well as to the south. It must suffice to give a few of the most picturesque views obtainable, almost all of which belong to places within one hundred miles of New York City.
The garden at Auburn offers a vision of flowers in glorious profusion, combined with perfect order, which latter condition is not always easily attainable when plants are allowed a certain amount of freedom. The location of this garden, in western New York not far from Lake Ontario, is in about the latitude of northern Massachusetts—a climate congenial to flowers.
A particular type of garden often predominates in some localities on account of the conformation of the land; as, for instance, in a mountainous section like Tuxedo Park, where the places are scattered over hilly woodland country, many of the gardens naturally develop into those of terraces, or else, ideal opportunities have created the rambling wild garden with winding paths, shaded pools, ferns and flowers. A glimpse of one of this kind is to be had in an accompanying illustration—an exquisite bit of semi-cultivated wildness that moves one to wish to see beyond the picture's limits.
Among its formal gardens, Tuxedo at present has nothing more imposing than the one at Woodland. The wall-beds contain perennials in mass against the vine-clad background, and the central fountain is framed in broad beds of Roses, in bush and standard form. This garden's stately effects are enhanced by the richly developed forms of clipped evergreens in Boxwood and various Retinosporas, to all of which age, as must ever be the case, lends force and dignity.
The Cragswerthe garden, a spacious plan on three connecting terraces, charmingly exemplifies the results obtainable by the exercise of good taste upon desirable opportunities. Each terrace illustrates, in harmony with the whole, a special beauty of its own.
The hill gardens usually have also the advantage of a landscape background, as a rule a pleasant feature also in the Mount Kisco region of Westchester County, with its numerous hilltop homes. A garden with a view possesses a setting all its own; one that can hardly be imitated in that particular landscape at least, varying under the changing clouds, and therefore never monotonous. Such also is the opportunity in many Hudson River places, and only those who have lived in the highlands by this most beautiful of American rivers know the charm of the mountainsides, with their deep ravines and river vistas.
There is space for but a few of the river gardens in these limited pages. The one at Blithewood, Barrytown-on-Hudson, is a charming example of a more modern garden, beautifully located and planted especially for May, June, and September. A vine-covered brick wall surrounds it on three sides, and a terra-cotta balustrade is the boundary on the river side. Chinese Junipers, not supposedly very hardy, are, however, the well-grown, clipped evergreens in sight. Barrytown is about a hundred miles from New York.
Up on the Beacon Mountain the Wodenethe gardens were begun about seventy-five years ago, remaining ever since in the same family, and always celebrated for their beauty, due doubtless to the devoted and skilful care continuously given them. Trees, shrubs, and vines are rich in maturity; the impress of Father Time has so kindly marked the place, that of the older gardens Wodenethe is probably the finest on the Hudson.
Not far away there was once another garden. Possibly there is nothing fairer than the dearest memories of childhood—sometimes doubtless wonderfully interwoven with the gossamer-like stuff of which air-castles are made—and so it is with deep satisfaction that the author can dwell upon views of an old garden relying on something more real than semi-dreams. To be able to duplicate this happy place for some other fortunate children would be a joy indeed, and some day the opportunity may be realized while the dream still lives. Nearly three acres of land might be required to contain the broad beds bordered with peach, plum, pear trees and shrubs, and edged with flowers—the great centre spaces filled with vegetables or small fruits. The outer court of this garden, on three sides, was formed by two rows of arching apple trees, as shown in an accompanying illustration. The fourth side was a lane running between an evergreen hedge and a line of Poplar and nut trees. The outer walks were broad, the inner intersecting paths were narrower; the tall planting in the various beds prevented a view from one path to another, and this was half of the garden's fascination to the children who played there in the games of make-believe. Always there was something unexpected awaiting them around the corner. Blissful the chance to become suddenly lost in grape vines, corn, or dense shrubbery when the world seemed to consist of just tree-tops, sunlight, flowers, fruits, and birds! What a contrast to the life of the average fortune-favored child of the present period!
Echo Lawn is another lovely place near the river, as old, too, as Wodenethe, extensive in acres, abounding in splendid trees, and full of a beauty and charm peculiarly characteristic of the old places on the Hudson. The gardens, although of a later-date creation, are admirably fitted to the surroundings, and with pools, wall basins, and flower planting, hardly discernible in the illustration, are a rich addition to the noted river places.
Twenty miles to the west of the Hudson River is Meadowburn Farm—famous through its owner, the author of "Hardy Garden" books. Two photographs, not hitherto published, must alone represent the acres of bloom on this interesting place. In describing it, eight gardens must be considered rather than the garden. The Evergreen Garden (shown here), the May Flowering Hillside, the Lily and Iris Garden, the Pool Garden, the Perennial Garden, the Cedar Walk, the Vegetable Garden, bordered with flowers, and the Rose Garden. A rare treat for garden lovers who visit there by special arrangement.
At Ridgeland Farm, in Westchester County, the owner has shown that the smallest garden possible when fitted to artistic surroundings and filled with harmonious bloom can, as a garden and as a picture, satisfy our craving for the beautiful quite as completely as a subject on a much larger scale. This fair little plot, with its brick paths and gay blossoms, continues in bloom for several months, which, in spite of narrow beds, is always possible in a well-planned and carefully tended garden.
New York includes within its borders the climate of all the New England States, and, besides, the atmosphere of its lake shores and the milder sea climate of New York City and Long Island. Between the high altitudes of the Adirondacks on the north and the sea-level of Long Island on the south there is a difference of nearly four weeks in the opening of spring. Within a forty-mile radius of New York City and westward in the same latitude Daffodils appear about April 15; early Tulips and Phlox divaricata the last of April; late Tulips May 10; Lilies-of-the-Valley May 15; German Iris May 22 (florentina alba a trifle earlier); and by May 25 Lupins, Columbine, Pyrethrum hybrid, and Oriental Poppies, etc., arrive; Roses, Peonies, etc., about June 1; Sweet William, Anchusa, and their companions June 5; Campanula medium June 15; Delphinium June 20; Hollyhocks July 1 or a few days earlier. At the eastern end of Long Island Tulips, Lily-of-the-Valley, Roses, shrubs and tree foliage appear about a week later than the same near the city of New York. In our extremely variable climate it is impossible to have fixed dates for the opening of bloom. It must depend upon whether spring is early or late, which sometimes causes a difference of a week or ten days in the appearance of the flowers. Lily-of-the-Valley and German Iris seem less affected by variable springs than other plants. It is perfectly safe near Manhattan Island to plant out tender annuals May 25, and many venture it by May 15. Killing frost may be expected between October 1 and November 1—rarely earlier than October 1.
Forty-five miles north of the city of New York, in such higher altitudes as Mount Kisco or Tuxedo Park, the spring opens about a week later. Within this radius of the city the summer thermometer occasionally rises above seventy-eight degrees, and in winter it may average possibly thirty to forty degrees above zero; only a few days know zero weather, and rarely does it drop below. At least once a winter there will come a period of weather as mild as fifty to sixty degrees, when one almost fears the premature appearance of some of the plants. It is on account of the thaws as well as the cold that the plants require a moderate covering to keep the ground as far as possible frozen hard and undisturbed by the sun, as frequent thawing injures the roots.
A garden at the other extreme of the State, in the Adirondack Mountains, planted to begin with early Tulips, Phlox divaricata, and others of this period, will make its display about June 1. Lilies-of-the-Valley arrive soon after June 8; German Iris, Lupin, Pyrethrum, Oriental Poppy about June 15; Sweet William and Roses near July 1; Delphinium July 15; Hollyhocks July 25. Tender annuals are planted out about June 10, and a frost after that date is of rare occurrence. The first killing frost of autumn may be expected between the 15th and 20th of September. While the thermometer in summer fluctuates between sixty and eighty degrees, it often falls in winter to thirty degrees below zero. The hardy plants are well protected under the heavy snow covering which is usually the winter condition there.
PLATE IV An outer walk The author's childhood garden PLATE IV
An outer walk
The author's childhood garden
From a photograph, colored by H. Irving Marlatt
PLATE 44 Auburn, N.Y. Mrs. C.D. MacDougall PLATE 44
Auburn, N.Y. Mrs. C.D. MacDougall
PLATE 45 Auburn, N.Y. Mrs. C.D. MacDougall PLATE 45
Auburn, N.Y. Mrs. C.D. MacDougall
From photographs by Emil J. Kraemer, by courtesy of Wadley & Smythe
PLATE 46 Section of a wild garden at Tuxedo Park, N.Y. PLATE 46
Section of a wild garden at Tuxedo Park, N.Y.
From a photograph by C.P. Hotaling
PLATE 47 "Woodland," Tuxedo, N.Y. Henry L. Tilford, Esq. PLATE 47
"Woodland," Tuxedo, N.Y. Henry L. Tilford, Esq.
PLATE 48 "Cragswerthe," Tuxedo, N.Y. Mrs. Samuel Spencer PLATE 48
A garden in three terraces
"Cragswerthe," Tuxedo, N.Y. Mrs. Samuel Spencer
From photographs by Jessie Tarbox Beals
PLATE 49 "Blithewood," Barrytown-on-Hudson, N.Y. Mrs. Andrew C. Zabriskie PLATE 49
"Blithewood," Barrytown-on-Hudson, N.Y. Mrs. Andrew C. Zabriskie
PLATE 50 "Wodenethe," Beacon-on-Hudson, N.Y. Mrs. Winthrop Sargent PLATE 50
"Wodenethe," Beacon-on-Hudson, N.Y. Mrs. Winthrop Sargent
From a photograph by Jessie Tarbox Beals
PLATE 51 "Wodenethe," Beacon-on-Hudson, N.Y. Mrs. Winthrop Sargent PLATE 51
"Wodenethe," Beacon-on-Hudson, N.Y. Mrs. Winthrop Sargent
From a photograph by Jessie Tarbox Beals
PLATE 52 The centre section PLATE 52
The centre section
PLATE 53 The author's childhood garden, Newburgh-on-Hudson, N.Y. PLATE 53
The outer boundary
The author's childhood garden, Newburgh-on-Hudson, N.Y.
PLATE 54 "Echo Lawn," Newburgh-on-Hudson, N.Y. Thaddeus Beals, Esq. PLATE 54
"Echo Lawn," Newburgh-on-Hudson, N.Y. Thaddeus Beals, Esq.
From a photograph by Jessie Tarbox Beals
PLATE 55 The evergreen garden PLATE 55
The evergreen garden
PLATE 56 "Meadowburn," Warwick, N.Y. Mrs. Helen Rutherfurd Ely PLATE 56
A path in the perennial garden
"Meadowburn," Warwick, N.Y. Mrs. Helen Rutherfurd Ely
PLATE 57 "Ridgeland Farm," Bedford, N.Y. Mrs. Nelson Williams PLATE 57
"Ridgeland Farm," Bedford, N.Y. Mrs. Nelson Williams
From a photograph by F. Seabury
LONG ISLAND, NEW YORK
In considering the gardens belonging to the State of New York, its most favored garden centre is undoubtedly Long Island. Here soil and climate combine to encourage both vegetables and flowers. And on the shores, particularly of the south side and eastern end, the most satisfactory bloom is obtainable as a rule with less trouble than is expended upon the flowers of the interior. Not that Long Island is secure from periods of drought and visitations of rose-bugs, but on the whole the plants weather the obstacles better here than in other places of this latitude. There is a marked softness in the winter climate especially near the sea. Possibly nowhere else except in southern California does the Privet hedge make as remarkable growth as on the south shore, and near the west end there are highly prized specimens of old Box. Southampton, at the eastern end, in proportion to population has probably a greater number of gardens than any town in the State, almost all of them designed and developed by their owners, who have thus delightfully expressed their love for flowers.
Most soul-satisfying, unique in many points, and overflowing with bloom all summer is Mrs. Wyckoff's garden at Southampton. Within three hundred yards of the beach it is truly a seaside garden, but the great Privet hedges, fourteen feet high, make perfect windbreaks for the protection of its bloom. Connected by arched openings in the Privet there are other enclosures for various planting schemes, and noticeable is the rather unusual variety of flowers growing in these several lovely gardens. The color grouping in the long, broad beds against the tall Privet background is as perfect as any planting known. The arbors on either side of the garden proper are formed of arches of Dorothy Perkins and Cedar trees alternating—the Cedars are bent and strapped at the top to produce a curve. The effect is both unusual and delightful.
In the same place but farther from the sea is another famous garden, at The Orchard, the estate of James L. Breese, Esq. The garden was started about 1905 and is entirely original in design. The artistic sense of the owner is responsible for the dexterous touches which beautify the garden and pergolas. Neither photography nor word-picture could do justice to the exquisite harmony of coloring throughout this wonderful place, where bloom is continuous over a long period.
Fashioned in Box-edged parterres after the old-time plan and dear to the heart of Americans is such a place as the sunny Box garden at The Appletrees, so charmingly portrayed in this chapter. There is a sweetness and trimness in its simplicity intermingling with the flowers to make it one of the fairest of garden-plots.
We dwell with delight upon the picturesque view of a section of Mrs. Curtis's garden which might well have been taken from an English garden, so closely does it resemble that type which has been our inspiration more especially during the last ten years. In America the walled garden is found to be useful near the sea, and not undesirable in the cooler northern interior, but by many experts it is not advised in a warm climate, where it prevents the free circulation of air within its enclosure, from which condition some plants may suffer.
In the near-by hamlet of East Hampton, Mrs. Lorenzo Woodhouse has an ingenious scheme of connecting formal gardens that are as remarkable in conception as they are exquisite in color harmony. In length the plan is considerably greater than the width, and the long vista from end to end presents to the artist's eye a lovely picture of flowers, pool, and arches.
Near by, on Huntting Lane, the wild garden belonging to R. Cummins, Esq., is considered the best piece of work of its kind in the country. It is wonderfully composed with natural pools and streams, tea-houses and rustic bridges suggestive of the Japanese art, yet lovelier than the trim Oriental type of water garden because so delightfully wild and overgrown with massive plants, vines, and shrubs, without, however, being disorderly in appearance. It is an especially rare treat in early July at the season of Japanese Iris.
At the west end of Long Island, near New York, gardens are almost as plentiful as those in the region of the Hamptons. For lack of space the illustrations of the lovely garden at Manor House, Glen Cove, and the picturesque pool at Cedarhurst must alone represent this section. Later periods of bloom succeed the Tulips at the Manor House, giving continuous color all summer to this charming place. The view of Mr. Steele's garden at Westbury is a fine example of an ideal hillside planting leading to the flower-beds on a lower level.
Probably the oldest garden in New York State is the one at Sylvester Manor, on Shelter Island, between the shores of Long Island and Connecticut. This charming little flower-plot is reached by a short flight of descending steps. Some of its old Boxwood appears in the illustration of the pool which is a part of the garden scheme. The original owners of Shelter Island were the Manhasset Indians. "In 1651 Nathaniel Sylvester came from England with his young bride, and here they planted the Box, still one of the wonders of the place, and erected the first manor-house with its oak doors and panels and mantels fitted in England, and brick tiles brought from Holland. The present house was built in 1737 with enough of the woodwork of the old house to maintain symmetry in traditions, and stands to-day as it has stood the better part of two centuries, filled with its old furniture, paintings, and curios. Here is kept the cloth of gold left by Captain Kidd and many other things that time and space forbid mentioning." The old homestead has always remained in the family in direct descent.
PLATE V Southampton, L.I. Mrs. Peter B. Wyckoff PLATE V
At the hour of sunset
Southampton, L.I. Mrs. Peter B. Wyckoff
After an autochrome photograph by Miss Johnston—Mrs. Hewitt
PLATE 58 Southampton, L.I. Mrs. Peter B. Wyckoff PLATE 58
Arbor of cedars and roses alternating
Southampton, L.I. Mrs. Peter B. Wyckoff
From a photograph by Jessie Tarbox Beals
PLATE 59 "The Orchard," Southampton, L.I. James Lawrence Breese, Esq. PLATE 59
"The Orchard," Southampton, L.I. James Lawrence Breese, Esq.
From a photograph, copyright, by Miss Johnston—Mrs. Hewitt
PLATE 60 "The Orchard," Southampton, L.I. James Lawrence Breese, Esq. PLATE 60
"The Orchard," Southampton, L.I. James Lawrence Breese, Esq.
From a photograph, copyright, by Miss Johnston—Mrs. Hewitt
PLATE 61 PLATE 61
PLATE 62 "The Orchard," Southampton, L.I. James Lawrence Breese, Esq. PLATE 62
"The Orchard," Southampton, L.I. James Lawrence Breese, Esq.
From photographs, copyright, by Miss Johnston—Mrs. Hewitt
PLATE 63 "The Appletrees," Southampton, L.I. Mrs. Henry E. Coe PLATE 63
"The Appletrees," Southampton, L.I. Mrs. Henry E. Coe
From a photograph by Jessie Tarbox Beals
PLATE 64 "The Appletrees," Southampton, L.I. Mrs. Henry E. Coe PLATE 64
"The Appletrees," Southampton, L.I. Mrs. Henry E. Coe
From a photograph by Jessie Tarbox Beals
PLATE 65 Southampton, L.I. Mrs. G. Warrington Curtis PLATE 65
Southampton, L.I. Mrs. G. Warrington Curtis
PLATE 66 East Hampton, L.I. Mrs. Lorenzo E. Woodhouse PLATE 66
East Hampton, L.I. Mrs. Lorenzo E. Woodhouse
From photographs by Miss Johnston—Mrs. Hewitt
PLATE 67 East Hampton, L.I. Mrs. Lorenzo E. Woodhouse PLATE 67
East Hampton, L.I. Mrs. Lorenzo E. Woodhouse
From a photograph by Miss Johnston—Mrs. Hewitt
PLATE 68 From photographs by Miss Johnston—Mrs. Hewitt PLATE 68
The wild garden
From photographs by Miss Johnston—Mrs. Hewitt
PLATE 69 East Hampton, L.I. Stephen Cummins, Esq. PLATE 69
The wild garden
East Hampton, L.I. Stephen Cummins, Esq.
PLATE 70 "Manor House," Glen Cove, L.I. Mrs. John T. Pratt PLATE 70
"Manor House," Glen Cove, L.I. Mrs. John T. Pratt
From a photograph by The J. Horace McFarland Co.
PLATE 71 Cedarhurst, L.I. Samuel Kopf, Esq. PLATE 71
Cedarhurst, L.I. Samuel Kopf, Esq.
From a photograph, copyright, by Miss Johnston—Mrs. Hewitt
PLATE 72 Westbury, L.I. Charles Steele, Esq. PLATE 72
Westbury, L.I. Charles Steele, Esq.
PLATE 73 "Manor House," Glen Cove, L.I. PLATE 73
"Manor House," Glen Cove, L.I.
From photographs by The J. Horace McFarland Co.
PLATE 74 "Sylvester Manor," Shelter Island PLATE 74
Ancient boxwood
"Sylvester Manor," Shelter Island
From a photograph by David Humphreys