The Nature Movement I was hurrying across Boston Common. Two or three hundred others were hurrying with me. But ahead, at the union of several paths, was a crowd, standing still. I kept hurrying on, not to join the crowd, but simply to keep up the hurry. The crowd was not standing still, it was a-hurrying, too, scattering as fast as it gathered, and as it scattered I noticed that it wore a smile. I hastened up, pushed in, as I had done a score of times on the Common, and got my glimpse of the show. It was not a Mormon preaching, not a single-taxer, not a dog fight. It was Billy, a gray squirrel, taking peanuts out of a bootblack’s pocket. And every “Ain’t he a cute little cuss, mister?” said the boy of the brush, feeling the bottom of his empty pocket, and looking up into the prosperous face of Calumet and Hecla at his side. C. and H. smiled, slipped something into the boy’s hand with which to buy another pocketful of peanuts for Billy, and hurried down to State Street. This crowd on the Common is nothing exceptional. It happens every day, and everywhere, the wide country over. We are all stopping to watch, to feed, and—to smile. The longest, most far-reaching pause in our hurrying American life to-day is this halt to look at the out-of-doors, this attempt to share its life; and nothing more significant is being added to our American character than the resulting thoughtfulness, sympathy, and simplicity,—the smile on the faces of the crowd hurrying over the Common. Whether one will or not, he is caught up by this nature movement and set adrift in the fields. It may, indeed, be “adrift” for him until he gets thankfully back to the city. “It was a raw November day, This is what they find, many of these who are caught up by the movement toward the fields; but not all of them. A little five-year-old from the village came out to see me recently, and while playing in the orchard she brought me five flowers, called them by their right names, and told me how they grew. Down in the loneliest marshes of Delaware Bay I know a lighthouse keeper and his solitary neighbor, a farmer: both have been touched by this nature spirit; both are interested, informed, and observant. The farmer there, on the old Zane’s Place, is no man of books, like the rector of Selborne, but he is a man of birds and beasts, of limitless marsh and bay and sky, of everlasting silence and wideness and largeness and eternal These are not rare cases. The nature books, the nature magazines, the nature teachers, are directing us all to the out-of-doors. I subscribe to a farm journal (club rates, twenty-five cents a year!) in which an entire page is devoted to “nature studies,” while the whole paper is remarkably fresh and odorous of the real fields. In the city, on my way to and from the station, I pass three large bookstores, and from March until July each of these shops has a big window given over almost continuously to “nature books.” I have before me from one of these shops a little catalogue of nature books—“a select list”—for 1907, containing 233 titles, varying in kind all the way from “The Tramp’s Handbook” to one (to a dozen) on the very stable subject of “The Farmstead.” These are all distinctively “nature books,” books with an appeal to sentiment as well as to sense, and very unlike the earlier desiccated, unimaginative treatises. There are a multitude of other signs that show as clearly as the nature books how full and strong is this tide that sets toward the open fields and woods. There are as many and as good evidences, too, of the The note of sincerity is clear, however, in most of our nature writers; the faith is real in most of our nature teachers; and the love,—who can doubt the love of the tens of thousands of those whose feet feel the earth nowadays, whose lives share in the existence of some pond or wood or field? And who can doubt the rest, the health, the sanity, and the satisfaction that these get from the companionship of their field or wood or pond? There is no way of accounting for the movement Among the cultural influences of our times that have developed the proportions of a movement, this so-called nature movement is peculiarly American. No such general, widespread turning to the out-of-doors is seen anywhere else; no other such body of nature literature as ours; no other people so close to nature in sympathy and understanding, because there is no other people of the same degree of culture living so close to the real, wild out-of-doors. The extraordinary interest in the out-of-doors is not altogether a recent acquirement. We inherited it. Nature study is an American habit. What else had Our nature literature also began with them. There is scarcely a journal, a diary, or a set of letters of this early time in which we do not find that careful seeing, and often that imaginative interpretation, so characteristic of the present day. Even the modern animal romancer is represented among these early writers in John Josselyn and his delicious book, “New England’s Rarities Discovered.” It was not until the time of Emerson and Bryant and Thoreau, however, that our interest in nature became general and grew into something deeper than mere curiosity. There had been naturalists such as Audubon (he was a poet, also), but they went But we were slow to get as far even as their back-pasture fence, slow to find nature in the fields and woods. It was fifty years ago that Emerson tried to take us to nature; but fifty years ago, how few there were who could make sense out of his invitation, to say nothing of accepting it! And of Thoreau’s first nature book, “A Week on the Concord and Merrimack Rivers,” there were sold, in four years after publication, two hundred and twenty copies. But two hundred and twenty of such books at work in the mind of the country could leaven, in time, a big lump of it. And they did. The out-of-doors, our attitude toward it, and our literature about it have never been the same since. Even yet, however, it is the few only who respond There came to my desk, tied up with the same string, not long since, three nature books of a sort to make Thoreau turn over in his grave,—accounts of beasts and birds such as old Thetbaldus gave us in his “Physiologus,” that pious and marvelous bestiary of the dark ages. These three volumes that I refer to are modern and about American animals, but they, too, might have been written during the dark ages. All three have the same solemn preface, declaring the absolute truth of the observations that follow (as if we might doubt?), and piously pointing out their high moral purpose; all three likewise start out with the same wonderful story,—an animal biography: one, of a slum cat, born in a cracker box. Among the Such are the stories that are made into texts and readers for our public schools; such are the animals that go roaming through the woods of the American child’s imagination. But no such kittens or cubs or pups lurk in my eight-acre woodlot. I have seen several (six, to be exact) fox pups, but never did I see this overworked, extraordinary, cum laude pup of the recent nature books. So long as we continue to read and believe such accounts, just so long shall we find it impossible to go with Audubon and Thoreau and Burroughs, for But we know that a real, ordinary, yet a marvelous world does exist, and right at hand. The present great nature movement is an outgoing to discover it,—its trees, birds, flowers, its myriad forms. This is the meaning of the countless manuals, the “how-to-know” books, and the nature study of the public schools. And this desire to know Nature is the reasonable, natural preparation for the deeper insight that leads to communion with her,—a desire to be traced more directly to Agassiz, and the hosts of teachers he inspired, perhaps, than to the poet-essayists like Emerson and Thoreau and Burroughs. Let us learn to see and name first. The inexperienced, the unknowing, the unthinking, cannot love. One must live until tired, and think until baffled, before he can know his need of Nature; and then he will not know how to approach her unless already acquainted. To expect anything more than curiosity and animal delight in a child is foolish, and the attempt to teach him anything more at first than to know the out-of-doors is equally foolish. Poets are born, but not until they are old. But if one got no farther than his how-to-know book would lead him, he still would get into the fields,—the best place for him this side of heaven,—he would get ozone for his lungs, red blood, sound sleep, and health. As a nation, we had just begun to get away from the farm and out of touch with the soil. The nature movement is sending us back in time. A new wave of physical soundness is to roll in upon us as the result, accompanied with a newness of mind and of morals. For, next to bodily health, the influence of the fields makes for the health of the spirit. It is easier to be good in a good body and an environment of largeness, beauty, and peace,—easier here than anywhere else to be sane, sincere, and “in little thyng have suffisaunce.” If it means anything to think upon whatsoever things are good and lovely, then it means much to own a how-to-know book and to make use of it. This is hardly more than a beginning, however, merely satisfying an instinct of the mind. It is good if done afield, even though such classifying of the out-of-doors is only scraping an acquaintance with nature. The best good, the deep healing, come when The world’s work must be done, and only a small part of it can be done in the woods and fields. The merchants may not all turn ploughmen and wood-choppers. Nor is it necessary. What we need to do, and are learning to do, is to go to nature for our rest and health and recreation. |