CHAPTER VIII.

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OLIVER'S INTENTIONS.

"Well, what is she like?" Oliver Trent asked, lightly, of his sister Rosalind, when they met that evening at dinner.

"Lesley Brooke? She is a handsome girl," said Mrs. Romaine, with some reserve of manner.

"Nothing more?"

His sister waited until the servant had left the room before she replied.

"I wish you would be discreet, Oliver. My servants are often at the Brookes' with messages. I should not like them to repeat what you were saying."

Oliver shrugged his shoulders with the air of a man to whom women's caprices are incomprehensible. But he was silent until dessert was placed upon the table, and Mrs. Romaine's neat parlor-maid had disappeared.

"Now," he said, "you can disburthen your mind in peace."

"Oliver," said Mrs. Romaine, abruptly. "I want you to make Miss Brooke's acquaintance as soon as you can. I don't understand her, and I think that you can help me."

"As how!"

"Oh, don't be silly. You always get on with girls, and you can tell me what you think of her."

Oliver raised his eyebrows, took a peach from the dish before him, and began to peel it with great deliberation.

"Handsome, you say?"

"Very."

"Like Lady Alice? I remember her; a willowy, shadowy creature, with a sort of ethereal loveliness which appealed very strongly to my imagination when I was a boy."

Mrs. Romaine flushed a little. It occurred to her that she had never been called shadowy or ethereal-looking.

"She is much more substantial than Lady Alice," she said, drily. "I should say that she had more individuality about her. She looks to me like a girl of character and intellect."

"In which case your task will be the more difficult, you mean?"

"I don't know what you mean by a task. I have not set myself to do anything definite."

"No? Then you are very unlike your sex, Rosalind. I generally find women much too definite—damnably so."

"Well, then, I must be an exception. You are always trying to entrap me into damaging admissions, Oliver, and I won't put up with it. All that I want is to be sure that Lady Alice shall not return to her husband. But there is nothing definite in that."

"Oh, nothing at all," said Oliver, satirically. "All that you have got to do is to prejudice father and daughter against each other as much as possible, make Brooke believe that the girl has been set against him by her mother, and persuade Miss Brooke that her father is not the sort of man that Lady Alice can return to. Nothing definite in that, is there?"

"Oliver, you are quite too bad. I never made any plans of the kind." But there was a distinctly guilty look in Mrs. Romaine's soft eyes. "Besides, that is a piece of work which hardly needs doing. Father and daughter are too much alike to get on."

"Alike, are they?"

"Yes, in a sense. The girl is very like her mother, too—she has Lady Alice's features and figure, but the expression of her face is her father's. And her eyes and her brow are her father's. And she is like her father—I think—in disposition."

"You have found out so much that I think you scarcely need me to interview her in order to tell you more. What do you want me to do?"

"I want to find out more about Lady Alice. Could you not get Ethel Kenyon to ask her about her mother, and then persuade Ethel to tell you?"

"Can't take Ethel into our confidence," said Oliver with a disparaging emphasis upon the name. "She is such a little fool." And then he began to roll a cigarette for himself.

Mrs. Romaine watched him thoughtfully for a minute or two. "Noll," she said at length, "I thought you were really fond of Ethel?"

Oliver's eyes were fixed upon the cigarette that he was now lighting, and, perhaps, that was the reason why he did not answer for a minute or two. At last, he said, in his soft, drawling way—

"I am very fond of Ethel. And especially of the twenty thousand pounds that her uncle left her."

"Ethel Kenyon is handsome enough to be loved for something beside her money."

"Handsome? Oh, she's good-looking enough: but she's not exactly to my taste. A little too showy, too abrupt for me. Personally I like a softer, quieter woman; but as a rule the women that I really admire haven't got twenty thousand pounds."

"I know who would suit you," said Mrs. Romaine, leaning forward and speaking in a very low voice—"Lesley Brooke."

"What is her fortune? If it's a case of her face is her fortune, she really won't do for me, Rosy, however suitable she might be in other respects."

"But," said Mrs. Romaine, eagerly, "she is sure to have plenty of money. Her father is well off—better off than people know—and would probably settle a considerable sum upon her; then think of the Courtleroys—there is a fair amount of wealth in that family, surely——"

"Which they would be so very likely to give her if she married me," said her brother, with irony. "Moonshine, my dear. Do you think that Lady Alice would allow her daughter to marry your brother?—knowing what she does, and hating you as she does, would she like to be connected with you by marriage?"

"That is exactly why I wish that you would marry her," said Mrs. Romaine, almost below her breath. "Think of the triumph for me!"

Her eyes glowed, and she breathed more quickly as she spoke. "That woman scorned me—gloated over my sorrow and my love," she said; "she dared to reproach me for what she called my want of modesty—my want of womanly feeling, and—oh, I cannot tell you what she said! But this I know, that if I could reach her through her daughter or her husband, and stab her to the heart as she once stabbed me, the dearest wish of my life would be fulfilled!"

"Women are always vindictive," said Oliver, philosophically. "The fact is, you want to revenge yourself on Lady Alice through me, and yet you don't consider me in the very least. If I married this Lesley Brooke, Lady Alice and all the Courtleroys would no doubt get into an awful rage with her and you and me and everybody; and what would be the upshot? Why, they would cut her off with a shilling and we should be next door to penniless. Then Brooke—well, he may be fairly prosperous, but he has only what he makes, you know; and I doubt if he could settle very much upon his daughter, even if he wanted to. And he does not like me. I doubt whether even you, my dear Rosy, could dispose him to look favorably on my advances."

Mrs. Romaine was perhaps convinced, but she did not like to own herself mistaken. She was silent for a minute or two, and then said with a sigh and a smile—

"You may be right. But it would have been splendid if you could have married Lesley Brooke. We should have been thorns in Lady Alice's side ever afterwards."

"You are one already, aren't you?" asked Oliver. He got up from the table and approached the mantelpiece as if to show that the discussion was ended. "No, my dear Rosalind," he said, "I'm booked. I am going to woo and wed Miss Ethel Kenyon and her twenty thousand pounds. She will be sick of her fad for the stage in twelve months. And then we shall live very comfortably. But I'll tell you what I will do to please you. I'll flirt with this Lesley girl, nineteen to the dozen. I'll make love to her: I'll win her young affections, and do my best to break her heart, if you like. How would that suit you?"

He spoke with a smile, but Rosalind knew that there was a ring of serious earnest in his voice.

"It sounds a very cold-blooded sort of thing to do," she said.

"Please yourself. I won't do it, then."

"Oh, Oliver——"

"Yes, I know you would like to see Lady Alice's daughter pining away for love of me," said Oliver, with a little laugh. "It is not a bad idea. The difficulty will be to manage both girls—seriously, Rosalind, Ethel Kenyon is the girl I mean to marry."

"You are clever enough for anything if you like."

"Thank you. Well, I'll see how far I can go."

"I must tell you, first, however," said Mrs. Romaine, with some hesitation, "that I told Lesley Brooke this afternoon that you were in love with Ethel. I had not thought of this plan, you see, Oliver."

"Ah, that complicates matters. Still, I think that we can manage—after a little reflection," said her brother, quietly. "Leave me to think it over, and I'll let you know what to do. And now I'm going out."

"Where?"

"Why should you ask? Do I generally tell you where I am going? Well, if you particularly want to know, I am going to the Novelty Theatre."

"To see Ethel act?"

"No—her part will be over by the time I get there. I shall probably see her home."

Mrs. Romaine made no remonstrance. If she thought her brother's conduct a trifle heartless, she did not venture to say so. She was sometimes considerably in awe of Oliver, although he was only a younger brother.

She went into the drawing-room rather slowly, watching him as he put on his hat and overcoat in the hall.

"There is one thing I meant to tell you to-night, but I forgot it until now," she said, pausing at the drawing-room door. "I am nearly sure that I saw Francis in the Square to-day."

Oliver turned round quickly. "The deuce you did! Did he see you?—did he try to speak to you?"

"No, but I think that he is lying in wait. You made me promise to tell you when I saw him next."

"Yes, indeed. I won't have him bothering you for money. If he wants money he had better come to me."

"Have you so much, Noll?"

He frowned and turned away. "At any rate he is not to annoy you," he said. "And I shall tell him so."

Mrs. Romaine made no objection. This ne'er-do-weel brother of hers—Francis by name—had always been a trouble and perplexity to her. He had been in the habit of appealing periodically to her for help, and she had seldom failed to respond to the appeal, although she believed that all the money she gave him went for gambling debt or drink; but lately Oliver had interfered. He had said that Francis must henceforth apply to him and not to Rosalind if he wanted help, which sounded kind and brotherly enough; but Rosalind had a vague suspicion that there was more than met the ear in this declaration. She fancied somehow, that Oliver had secret and special reasons for preventing Francis' applications to her. But she knew very well that it was useless to ask questions or to make surmises respecting Oliver's motives and actions, unless he chose to show a readiness to make them clear to her. So she let him go out of the house without further remark.

As Oliver crossed the road, he noticed that a man was leaning against the iron railings of the green enclosure in the middle of the Square. The man's form was in shadow, but his face seemed to be turned to Mrs. Romaine's house. Oliver sedulously averted his eyes and hailed a passing hansom cab. He had no mind to be delayed just then, and he was almost certain that he recognized in that gaunt and shabby figure his disreputable brother. No, by-and-bye he would talk to Francis, he said to himself, but not to-night. He had other game in view on this particular evening in September.

The Novelty Theatre was just then occupied by a company that claimed to be the interpreters of a Scandinavian play-writer whose dramatic poems were just then the talk of London. Ethel Kenyon was playing a very minor part—a smaller rÔle, indeed, than she was generally supposed to take, but one which she had accepted simply as an expression of her enthusiastic admiration for the author. Oliver knew the state of mind in which she generally came away from the representation of this play, and counted on her bright and elevated mood as a help to him in the course he meant to pursue.

He knew her habits as well as he knew her moods. For the last three years, ever since Rosalind had settled in London, and he had been able to cultivate Miss Kenyon's acquaintance, he had watched her blossom from a saucy, laughing girl into a very attractive woman. It was only during the past few months, however, that he had thought of her as his future wife—only since she had succeeded to that enticing legacy of twenty thousand pounds. Since then he had studied her more carefully than ever.

The Scandinavian writer's play was always over by a quarter to ten o'clock, and was succeeded by another in which Ethel had no share. She never stayed longer than was necessary on these nights. She was generally ready to leave the theatre soon after ten o'clock with her companion, Mrs. Durant, who had the right of entry to her dressing-room, and generally acted as her dresser. Maurice Kenyon had refused to let his sister go upon the stage unless she was always most carefully chaperoned. Mrs. Durant was always at hand whenever Ethel went to the Novelty Theatre. And Oliver knew exactly what to expect when he took up his position—not for the first time—at the narrow little stage-door.

It was after ten o'clock, and the moon had risen in an almost cloudless sky. Even London looked beautiful beneath its light. Oliver cast a glance towards it and nodded as if in satisfaction. He did not care for the moon one jot; but he held a theory that women, being more romantic, were more likely to say "yes" to a wooer than "no," where they were wooed beneath a moonlit sky. The chances were all in his favor, he said to himself.

A cab was already waiting. Presently the door opened and a young lady in hood and cloak came out. The light fell on a delicate, piquante face, with a complexion of ivory fairness which cosmetics had not had time to destroy, with charming scarlet lips, long-lashed dark eyes, a dimpled chin, and a great quantity of curling dark hair—the kind of hair which will not lie straight, but twists itself into tight rings, and gets into apparently inextricable tangles, and looks pretty all the time. And this was Ethel Kenyon. Her companion, a woman of forty-five, staid and demure, followed close behind her, giving no sign of surprise when Oliver raised his hat and gently accosted the two ladies.

"Good-evening, Miss Kenyon. Good-evening, Mrs. Durant: I hope you notice what a lovely evening it is!"

"Indeed I do!" said Ethel, fervently. "Oh, how I wish I were in the country! I should like a long country walk."

"Would not a town walk do as well, for once?" asked Oliver, in his most persuasive tones. "I was wondering whether you would consent to let me see you home, as it is such a lovely night. But I see you have a cab——"

"I would rather drive, I must say," remarked Mrs. Durant. It was what she knew she was expected to say, and she was not sorry for it, "I am tired of being on my feet so long. But if you would like to walk, Ethel, I daresay Mr. Trent would escort you."

"I should be only too pleased," said Oliver.

Ethel laughed happily. "All right, Mrs. Durant. You drive, and I'll walk home with Mr. Trent."

She scarcely waited for Oliver to offer his arm. She laid her hand in it so naturally, so securely, that even Oliver felt an impulse of pleasure. He looked down at the lovely, smiling creature at his side with admiration, even with tenderness.

At first they did not speak much, for they had to pass through some crowded and ill-smelling thoroughfares, where conversation was almost impossible. By-and-bye they emerged from these into Holborn, and thence they made their way into the wider streets and airier squares which abound in the West Central district. When they came in sight of the white pillars and paved yard of the British Museum, they were deep in talk on all sorts of matters—"Shakespeare and the musical glasses," as Oliver afterwards laughingly remarked. But he did not choose that she should altogether guide the course of conversation. Now and then he took the reins into his own hands. And it amused him to see how readily she allowed him to direct matters. She responded to the slightest hint, was attentive to the least check. Such quickness of apprehension, he argued, meant only one thing in a woman: not intellectual faculty, but love.

"And you still like the stage?" he said to her, after a time.

"I like it immensely. I can express myself there as I could in no other sphere of life. People used to advise me to take to recitations: how glad I am that I stood out for what I liked best."

"What one likes best is not always the safest path."

"You might as well say it is not always the easiest path! Mine is a very hard life, so far as work is concerned, you know. I toil early and late. But how can you be so awfully trite, Mr. Trent? I did not expect it of you."

"A good deal of life is rather trite," said Oliver. "I know only one thing that can preserve it from commonplaceness and dullness and dreariness."

"And that is——"

"Love."

A little silence fell on both of them. Oliver's voice had sunk almost to a whisper: Ethel's cheeks had grown suddenly very hot.

"Love makes everything easy and beautiful. Does not your poet say so—the man whose play you have acted in to-night? Ethel, why don't you try the experiment?—the experiment of loving?"

"I do try it," she said, laughing, and trying to regain her lost lightness of tone. "I love Maurice and Mrs. Durant and hosts of people."

"Add one more to the list," said Oliver. "Love me."

"You?" she said, doubtingly. "I am not sure whether you are a person to be loved."

"Oh, yes, I am. Seriously, Ethel, may I speak to your brother? May I hope that you can love me a little, and that you will some day be my wife?"

"Oh, that is very serious!" she said, mockingly. And she withdrew her fingers from his arm. "I did not bargain for so much solemnity when I set out with you from the theatre to-night."

"But I set out, Ethel, with the intention of asking you to be my wife. Come, my darling, won't you give me an answer? Don't send me away disconsolate! Let me teach you what love means—love and happiness!"

His voice sank once more to its lowest murmur. Ethel listened, hesitated, smiled. Her little fingers found their way back to his arm again, and were instantly caught and pressed, and even kissed, when they came to a dark and shady place. And before he parted with her at the door of her brother's house, he had put his arms round her and kissed her on the lips.

Was it all pretence—all for the sake of those twenty thousand pounds of hers? Oliver swore to himself that it was not. She was such a pretty little thing—such a dear, loving little girl, in spite of her fun and merriment and spirit—one could not help feeling fond of her. Not that he was going to acknowledge himself capable of such a weakness when he next talked to Rosalind.

He was strolling idly along the east side of Russell Square as these thoughts passed through his mind. He had completely forgotten the stroller whom he had seen leaning against the railings of the Square gardens; but he was unpleasantly reminded of that gentleman's existence when a hand was laid upon his shoulder, and a voice said in his ear—

"I've been waiting here six hours, Oliver, and I must have a word or two with you."


                                                                                                                                                                                                                                                                                                           

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