Taylor’s last shot, when he had been automatically pressing the trigger after Carrington had struck him viciously with his fist, had brought down the last of the three men who had ambushed him. And one of his last bullets had struck Carrington, who had recovered consciousness and staggered out of the house in time to see the end of the fight. And the big man, in a black, malignant fury of hatred, was staggering toward Taylor, lifting a foot to kick him, when from the direction of the clearing in front of the house came a voice, hoarse and vibrant with a cold, deadly rage:

“One kick an’ I blow the top of your head off!” Carrington stopped short and wheeled, to face Ben Mullarky.

The Irishman’s eyes were blazing with wrath, and as he came forward, peering at the figures lying on the ground near the house, Carrington retreated, holding up his hands.

“Three of ye pilin’ on one, eh?” said Mullarky as he looked down at Taylor, huddled against the side of the house. “An’ ye got him, too, didn’t ye? I’ve a domn big notion to blow the top of your head off, anny way. Ye slope, ye big limb of the divvle, or I’ll do it!”

Mullarky watched while Carrington mounted his horse and rode up the river trail toward Dawes, and the instant Carrington was out of sight, Mullarky was down on his knees beside Taylor, taking a lightning inventory of his wounds.

“Four of them, looks like!” he muttered thickly, his voice shaking with pity for the slack, limp, smoke-blackened figure that lay silent, the trace of a smile on its face. “An’ two of them through the shoulder!” He paused, awed. “Lord, what a shindy!”

Then, swiftly gulping down his sympathy and his rage, Mullarky ran to his horse, which he had left at the edge of the wood when he had heard the shooting. He led the animal back to where Taylor lay, tenderly lifted Taylor in his arms, walked to the horse, and after much labor got Taylor up in front of him on the horse, Taylor’s weight resting on his legs, the man’s head and shoulders resting against him, to ease the jars of the journey.

Then he started, traveling as swiftly as possible down the big slope toward his own house, not so very far away.

Spotted Tail, jealously watching his master, saw him lifted to the back of the other horse. Shrewdly suspecting that all was not going well, and that his master would need him presently, Spotted Tail trotted after Mullarky.

In this manner, with Spotted Tail a few paces in his rear, Mullarky, still tenderly carrying his burden, reached his cabin.

He stilled Mrs. Mullarky’s hysterical questions with a short command:

“Hitch up the buckboard while I’m gettin’ him in shape!”

And then, while Mrs. Mullarky did as she was bidden, Mullarky carried Taylor inside the cabin, bathed his wounds, stanching the flow of blood as best he could—and came out again, carrying Taylor, and placed him in the bed of the light spring-wagon, upon some quilts—and upon a pillow that Mrs. Mullarky ran into the house to get, emerging with the reproach:

“You’d be lettin’ him ride on them hard boards!”

Following Mullarky’s instructions, Mrs. Mullarky climbed to the driver’s seat and sent the buckboard toward the Arrow, driving as fast as she thought she dared. And Ben Mullarky, on Spotted Tail, turned his face toward Dawes, riding as he had never ridden before.

Parsons had reached the Arrow shortly after Taylor had departed for Dawes. The man had stopped at the Mullarky cabin to inquire the way from the lady, and she had frankly commented upon Parsons’ battered appearance.

“So it was Carrington that mauled you, eh?” she said. “Well, he’s a mighty evil man—the divvle take his sowl!”

Parsons concurred in this view of Carrington, though he did not tell Mrs. Mullarky so. He went on his way, refusing the good woman’s proffer of a horse, for he wanted to go afoot to the Arrow. He felt sure of Marion’s sympathy, but he wanted to make himself as pitiable an object as possible. And as he walked toward the Arrow he mentally dramatized the moment of his appearance at the ranchhouse—a bruised and battered figure dragging itself wearily forward, dusty, thirst-tortured, and despairing. He knew that spectacle would win the girl’s swift sympathy. The fact that the girl herself had been through almost the same experience did not affect him at all—he did not even think of it.

And when Parsons reached the Arrow the scene was even as he had dreamed it—Marion Harlan had seen him from afar, and came running to him, placing an arm about him, helping him forward, whispering words of sympathy in his ears, so that Parsons really began to look upon himself as a badly abused martyr.

Marion cared for him tenderly, once she got him into the ranchhouse. She bathed his bruised face, prepared breakfast for him, and later, learning from him that he had not slept during the night, she sent him off to bed, asking him as he went into the room if he had seen Ben Mullarky.

“For,” she added, “he came here early this morning, after Mr. Taylor left, and I sent him to the big house to get some things for me.”

But Parsons had not seen Mullarky.

And at last, when the morning was nearly gone, and Marion saw a horse-drawn vehicle approaching the Arrow from the direction of Dawes, she ran out, thinking Ben Mullarky had brought her “things” in his buckboard. But it was not Ben who was coming, but Mrs. Mullarky. The lady’s face was very white and serious, and when the girl came close and she saw the look on the good woman’s face, she halted in her tracks and stood rigid, her own face paling.

“Why, Mrs. Mullarky, what has happened?”

“Enough, deary.” Mrs. Mullarky waved an eloquent hand toward the rear of the buckboard, and slowly approaching, the girl saw the huddled figure lying there, swathed in quilts.

She drew her breath sharply, and with pallid face, swaying a little, she walked to the rear of the buckboard and stood, holding hard to the rim of a wheel, looking down at Taylor’s face with its closed eyes and its ghastly color.

She must have screamed, then, for she felt Mrs. Mullarky’s arms around her, and she heard the lady’s voice, saying: “Don’t, deary; he ain’t dead, yet—an’ he won’t die—we won’t let him die.”

She stood there by the buckboard for a time—until Mrs. Mullarky, running to one of the outbuildings, returned with Bud Hemmingway. Then, nerved to the ordeal by Bud’s businesslike methods, and the awful profanity that gushed from his clenched teeth, she helped them carry Taylor into the house.

They took Taylor into his own room and laid him on the bed; a long, limp figure, pitifully shattered, lying very white and still.

The girl stayed in the room while Mrs. Mullarky and Bud ran hither and thither getting water, cloths, stimulants, and other indispensable articles. And during one of their absences the girl knelt beside the bed, and resting her head close to Taylor’s—with her hands stroking his blackened face—she whispered:

“O Lord, save him—save him for—for me!”