Watching Shags and Guillemots I have referred once or twice before to the cormorant (including under this title the shag), and once to the guillemot. In this chapter I shall treat of both these birds a little more at large, for in the first place they are salient amongst sea fowl, giving a distinctive character to the wild places that they haunt, and secondly, I have watched them closely and patiently. Both are interesting, and the cormorant especially has a winning and amiable character, which I shall the more enjoy bringing before the public because I think that up to the present scant justice has been done to it. Something, perhaps, of the wild and fierce attaches to the popular idea of this bird, due, no doubt, both to its appearance, which has in it something dark and evil-looking, and to the stern, wild scenery of rock and sea with which this is in consonance, and by which it is emphasised. Perhaps the mere name even, which has by no means a harmless sound, has something to do with it. "As with its wings aslant Sails the fierce cormorant Seeking some rocky haunt," says Longfellow—lines which, to me at least, call up a graphic picture of the bird, though I do not know that the first contains anything which is specially characteristic of it; and Milton has recorded—as we may, perhaps, assume—the way in which its uncouth shape appealed to him by making it that which his grand angel-devil chooses, on one occasion, to assume. On another one, it may be remembered, Satan takes for his purposes the form of a toad, and on each, no doubt, the poet, who never appears to yield to the strong temptation (as one would imagine) of loving his great creation, has intended to convey a general idea of fitness and symbolical similarity as between the disguised being and the disguise taken. It has been conjectured that the habit which the cormorant has of standing for a length of time with its wings spread out and loosely drooping, suggested to Milton its appropriateness, and certainly there is an o'er-brooding, possession-taking appearance in this attitude of the bird, in keeping with the ideas which may be supposed to reign in Satan's breast as he looks down from the high tree of life upon the garden of Eden and its two newly created inhabitants. Independently of this, however, the bird, as it stands in its ordinary posture, firmly poised, the body not quite upright but inclined somewhat forward, with the curved neck and strong hooked beak thrown into bold relief—the dark webbed feet grasping firmly on the rock—has in it something suggestive both of For, whatever the cormorant may look, he is in reality—except from the fish's point of view, which is, no doubt, a strong one—both a very innocent and, as I have said, a very amiable bird. He shines particularly in scenes of quiet domestic happiness—in the home circle both giving and receiving affection—and it is in this light that the following pictures will for the most part reveal him. I must premise that they all refer to that smaller and handsomer species of our two cormorants adorned with a crest, and whose plumage is all of a deep glossy, glancing green, called the shag. If I speak of him sometimes by his family name, it is because he has a clear right to it, and also because it has a more pleasing sound than the one which distinguishes him specifically. The habits of the two birds are almost the same, if not quite identical. They fish together in the sea, stand together on the rocks, and in the earlier stages of its plumage the more ornate one closely resembles the other in its permanent dress. One might think that they were not merely the co-descendants of a common and now extinct ancestor, but the modified form and its actual living progenitor. But I am aware of the arguments which could be used against such a conclusion. I will now give my observations as taken down Courtship, love-making.—"The way in which the male cormorant makes love to the female is as follows:—Either at once from where he stands, or after first waddling a step or two, he makes an impressive jump or hop towards her, and stretching his long neck straight up, or even a little backwards, he at the same time throws back his head so that it is in one line with it, and opens his beak rather widely. In a second or so he closes it, and then he opens and shuts it again several times in succession, rather more quickly. Then he sinks forward with his breast on the rock, so that he lies all along it, and fanning out his small, stiff tail, bends it over his back whilst at the same time stretching his head and neck backwards towards it, till with his beak he sometimes seizes and, apparently, plays with the feathers. In this attitude he may remain for some seconds more or less, having all the while a languishing or ecstatic expression, after which he brings his head forward again, and then repeats the performance some three or four or, perhaps, half-a-dozen times. This would seem to be the full courting display, the complete figure so to speak, but it is not always fully gone through. It may be acted part at a time. The first part, commencing with the hop—the simple aveu as it may be called—is not always followed by the ecstasy in the recumbent posture, and the last is still more often indulged in without this preliminary, "When the male bird makes the great pompous hop up to the female, and then, after the preliminaries that I have described, falls prone in front of her, he is, so to speak, at her feet; but by throwing his head backwards he gets practically farther off, nor can he well see her whilst staring up into the sky behind him, which is what he appears to be doing. Thus the first warmth of the situation is a little chilled, and on the stage we should call it an uncomfortable distance. The female shag seems to think so too, for all that she does—that is to say, all that I have then seen her do—is to stand and look about, conduct which, as it is uninteresting, we may perhaps assume to be correct. But when the antics begin, as one may say, from the second figure, the male not rising from his recumbent position (a quite usual one) on the rock to make the first display, the bird towards whom his attentions are directed will often be standing behind him, and it then appears as if he had brought back his head in order to gaze up at her con expressione. In this case she, on her part, will I will add that the waddling step with which the male bird (as I believe) approaches the female may become quickened and exaggerated into a sort of shuffling dance. But I only use the word "dance," because I can think of no slighter, yet sufficient, one. It is not, I should imagine, intentional, but only the result of nervous excitement. Love on a Rock: Shags During the Breeding Season. These seem to be odd antics, but it is in the nature of antics to be odd, and when such a bird as a cormorant indulges in them one may expect something more than ordinarily peculiar. The hop, however, which is very pronounced, is not confined to such occasions, but is made to alternate with the customary waddle when the bird is moving about on the rocks, and especially when getting up on to any low ledge or projection. I do not know of any other British bird which adopts this recumbent position in courtship, but this is just what the male ostrich does, as I have over and over again seen. He first pursues These antics therefore—though in a bird so different as the ostrich Bathing.—But whether the following be bathing or a kind of aquatic exercise either of or not of the nature of sexual display, I will leave to the reader to decide. Birds which live habitually in the water do yet bathe, I believe, in the proper sense of the word. "The cormorant, when bathing, raises himself a little out of the water whilst still maintaining a horizontal position, and in this attitude, supported as it would seem on the feet, he commences violently to beat the sea with his wings, moving also the tail and, I think, treading down with the feet upon the water. The sea is soon beaten all into foam, and when he has accomplished this, desisting, he begins to sport about in the whiteness of it in an odd excited manner, making little turns and darts and often being just submerged, but no more. He does this for a few minutes, stops, and commences again after a short interval, and thus continues alternately sporting and resting for a quarter of an hour or, perhaps, even as long as half-an-hour. I think this must be bathing or washing, for other birds act in the same way, though less markedly, so that it does not occur to one to wonder what they are about. The little black guillemot, for instance, beats the water briskly and rapidly with his wings, but whereas the cormorant Gargoyle idylls.—"Now I have found a nest with the bird on it, to see and watch. It was on a ledge, and just within the mouth of one of those long, narrowing, throat-like caverns into and out of which the sea with all sorts of strange, sullen noises licks like a tongue. The bird, who had seen me, continued for a long time afterwards to crane about its long neck from side to side or up and down over the nest, in doing which it had a very demoniac appearance, suggesting some evil being in its dark abode, or even the principle of evil itself. As it was impossible for me to watch it without my head being visible over the edge of the rock I was on, I collected a number of loose flat stones that lay on the turf above, and, at the cost of a good deal of time and labour, made a kind of wall or sconce with loopholes in it, through which I could look, yet be invisible. Presently the bird's mate came flying into the cavern, and wheeling up as it entered, alighted on a sloping "The whole scene was a striking picture of affection between these dark, wild birds in their lonely, wave-made home. "Here was love unmistakable, between so strange a pair and in so wild a spot. But to them it was the sweetest of bowers. How snug, how cosy they were on that great wet heap of 'the brown seaweed,' just in the dark jaws of that gloom-filled cavern, with the frowning precipice above and the sullen-heaving sea beneath. Here in this gloom, this wildness, this stupendousness of sea and shore, beneath grey skies and in chilling air, here was peace, here was comfort, conjugal love, domestic bliss, the same flame burning in such strange gargoyle-shaped forms amidst all the shagginess of nature. The scene was full of charm, full of poetry, more so, as it struck me, than most love-scenes in most plays and novels—having regard, of course, to the prodigious majority of the bad ones. "The male bird now flies out to sea again, and after a time returns carrying a long piece of brown seaweed in his bill. This he delivers to the female, who takes it from him and deposits it on the heap, as she sits. Meanwhile, the male flies off again, and again returns with more seaweed, which he delivers as before, and this he does eight times in the space of one hour and forty minutes, diving each time for the seaweed with the true cormorant leap. Sometimes the sitting bird, when she takes the seaweed from her mate, merely lets it drop on the heap, but at others she places and manipulates it with some care. All takes place in silence for the most part, but on some of the visits the heads are thrown up and there are sounds—hoarse and deeply guttural—as of gratulation between the two. "Once the male bird, standing on the rock, pulls at some green seaweed growing there, and after a time gets it off. ('It was rather tough work to pull out the cork, But he drew it at last with his teeth.') "The female is much interested, stretches forward with her neck over the nest and takes the seaweed as soon as it is loose, before the other can pass it to her. Then she arranges it on the nest, the male looking on the while as though she were the bride cutting the cake. Now he hops on to the nest again, and both together (for I think the male joins) arrange or pull the seaweed about with their beaks. One would think that the nest was still a-building and that the eggs were not yet laid. This last, however, is not the case. Several times, whilst waiting alone, The nest of the shag is continually added to by the male, not only whilst the eggs are in process of incubation, but after they are hatched, and when the young are being brought up. In a sense, therefore, it may be said to be never finished, though to all practical purposes it is, before the female bird begins to sit. That up to this period the female as well as the male bird takes part in the building of the nest I cannot but think, but from the time of my arrival on the island I never saw the two either diving for or carrying seaweed together. Of course, if all the hen birds were sitting this is accounted for, but from the courting antics which I witnessed, and for some other reasons, I judged that this was not the case. Once I saw a pair of birds together high up on the cliffs, where some tufts of grass grew in the niches. One of these birds, only, pulled out some of the grass, and flew away with it accompanied by the other one. It is not only seaweed that is used by these birds in the construction of the nest. In many that I saw, grass alone was visible (though I have no doubt seaweed was underneath it); and one, in particular, had quite an ornamental appearance, from being covered all over with some land-plant having a number of small blue flowers; and this I have observed in other nests, though not to the same extent. A fact like this is interesting when we remember the bower-birds, and the way in which they Both the sexes share in the duty and pleasure of incubation, and (as in some other species) to see them relieve each other on the nest is to see one of the prettiest things in bird life. The bird that you have been watching has sat patiently the whole morning, and once or twice as it rose in the nest and shifted itself round into another position on the eggs, you have seen the gleam of them as they lay there "As white as ocean foam in the moon." At last when it is well on in the afternoon, the partner bird flies up and stands for some minutes preening itself, whilst the one on the nest, who is turned away, throws back the head towards it and opens and shuts the bill somewhat widely, as in greeting, several times. The newcomer then jumps and waddles to the further side of the nest, so as to front the sitting bird, and sinking down against it with a manner and action full both of affection and a sense of duty, this one is half pushed, half persuaded to leave, finally doing so with the accustomed grotesque hop. As it comes down on the rock it turns towards the other who is now settling on to the eggs, and, throwing up its head into the air, opens the bill so as to show (or at any rate showing) the brightly coloured space within. All this it does with the greatest—what shall we say? Not exactly empressement, but character—it is a character part. There is an indescribable expression in the bird—all over it—as of something vastly important having been accomplished, of relief, of satisfaction, of summum bonum, and, also, of a certain grotesque and gargoyle-like archness—but as though all these were only half-consciously felt. She then (for I think it is the female), before flying away, picks up a white feather from the ledge and passes it to the male, now established on the nest, who receives and places it. It has all been nearly in silence, only a few low, guttural notes having passed between the birds, whilst they were close together. Just in the same way the birds relieve each other after the eggs have been hatched and when the young are being fed and attended to. "A shag (I think the female bird) is sitting on her nest with the young ones, whilst the male stands on a higher ledge of the rock a yard or so away. He now jumps down and stands for a moment with head somewhat erected and beak slightly open. Then he makes the great pompous hop which I have described before, coming down right in front of the female, who raises her head towards him and opens and closes the mandibles several times in the approved manner. The two birds then nibble, as it were, the feathers of each other's necks with the ends of their bills, and the male takes up a little of the grass of the nest, seeming to toy with it. He then very softly and persuadingly pushes himself against the sitting bird, seeming to say, 'It's my turn now,' and thus gets her to rise, when both stand together on the nest, over the young ones. The male then again takes up a little of the grass of the nest, which he passes towards the female, who also takes it, and they toy with it a little together before allowing it to drop. The insinuating process now continues, the male in the softest and gentlest manner pushing the female away and then sinking down into her place, where he now sits, whilst she stands beside him on the ledge. As soon as the relieving bird has settled itself amidst the young, and whilst the other one is still there—not yet having flown off to sea—it begins to feed them. Their heads—very small, and with beaks not seeming to be much longer in proportion to their size than those of young ducks—are seen moving feebly about, pointing upwards, but with very little precision. Very gently, and seeming to seize the right opportunity, the parent bird takes first one head and then another in the basal part, or gape, of his mandibles, turning his As the chicks become older they thrust the head and bill farther and farther down the throat of the parent bird, and at last to an astonishing extent. Always, however, it appeared to me that the parent bird brought up the food into the chick's bills in some state of preparation, and was not a mere passive bag from which the latter pulled out fish in a whole state. There were several nests all in unobstructed view, and so excellent were my glasses that, practically, I saw the whole process as though it had been taking place on a table in front of me. The chicks, on withdrawing their heads from the parental throat, would often slightly open and close the mandibles as though still tasting something, in a manner which one may describe as smacking the bill; but on no occasion did I observe anything projecting from the bill when this was withdrawn, as one would expect Cormorants, as they sit on the nest, have a curious habit of twitching or quivering the muscles of the throat, so that the feathers dance about in a very noticeable manner, especially if that rare phenomenon, a glint of sunshine, should happen to fall upon them. Whilst doing so they usually sit quite still, sometimes with the bill closed, but more frequently, perhaps, with the mandibles separated by a finger's breadth or so. I have watched this curious kind of St Vitus's dance going on for a quarter of an hour or more, and it seems as though it might continue indefinitely for any length of time. All at once it will cease for a while, and then as suddenly break out again. It is not only the old birds that twitch the throat in this manner. The chicks do so too in just as marked a degree, and on account of the skin of their necks being naked it is, perhaps, more noticeable in their case than with the parent birds. I have observed exactly the same thing, though it was not quite so conspicuous, in the nightjar, so that I cannot help asking myself the question whether it stands in any kind of connection with the habit of bringing up food for the young from the crop or stomach—the regurgitatory process. I will not be sure, but I think that the same curious tremulo of the throatal feathers may be observed in pigeons as they sit on the The above, perhaps, is a trivial observation, but no one can watch these birds very closely without being struck by the habit. Young shags are, at first, naked and black—also blind, as I was able to detect through the glasses. Afterwards the body becomes covered with a dusky grey down, and then every day they struggle more and more into the likeness of their parents. They soon begin to imitate the grown-up postures, and it is a pretty thing to see mother and young one sitting together with both their heads held stately upright, or the little woolly chick standing up in the nest and hanging out its thin little featherless wings, just as mother is doing, or just as it has seen her do. At other times they lie sprawling together either flat or on their sides. They are good-tempered and playful, seize playfully hold of each other's bills, and will often bite and play with the feathers of their parent's tail. In fact, they are a good deal like puppies, and the heart goes out both to them and to their loving, careful, assiduous mother and father. As pretty domestic scenes are enacted daily and hourly on this stern old rock, within the very heave and dash of the waves, as ever in Arcadia, or in any neat little elegant bower where the goddess of such things presides—or does not. The sullen sea itself might smile to watch its Guarding the nest and affairs of honour.—When both birds are at home, the one that stands on the rock, by or near the nest, is ready to guard it from all intrusion. Should another bird fly on to the rock and alight, in his opinion, too near it, he immediately advances towards him, shaking his wings, and uttering a low, grunting note which is full of intention. Finding itself in a false position, the intruding bird flies off; but it sometimes happens that when two nests are not far apart, the sentinels belonging to each are in too close a proximity, and begin to cast jealous glances upon one another. In such a case, neither bird can retreat without some loss of dignity, and, as a result, there is a fight. I have witnessed a drama of this nature. As in the case of the herring-gulls, the two locked their beaks together, and the one which seemed to be the stronger endeavoured with all his might to pull the other towards him, which the weaker bird, on his part, resisted as desperately, using his wings both as opposing props, and also to push back with. This lasted for some while, but the pulling bird was unable to drag the other up the steeply-sloping rock, and finally lost his hold. Instead of trying to regain it, he turned and shuffled excitedly to the nest, and when he reached it the bird sitting there stretched out her neck towards him, and opened and shut her beak several times in quick succession. It was as if he had said to her, "I hope you observed my prowess. Was it well done?" and she had replied, "I should think I did observe it. It was indeed well done." On Nothing is more interesting than to look down from the summit of some precipice on to a ledge at no great distance below, which is quite crowded with guillemots. Roughly speaking, the birds form two long rows, but these rows are very irregular in depth and formation, and swell here and there into little knots and clusters, besides often merging into or becoming mixed with each other, so that the idea of symmetry conveyed is of a very modified kind, and may be sometimes broken down altogether. In the first row, a certain number of the birds sit close against and directly fronting the wall of the precipice, into the angle of which with the ledge they often squeeze themselves. Several will be closely pressed together so that the head of one is often resting against the neck or shoulder of another, which other will also be making a pillow of a third, and so on. Others stand here and there behind the seated ones, each being, as a rule, close to his or her partner. There is another irregular row about the centre of the ledge, and equally here it is to be remarked that the Most of the sitting birds are either incubating or have young ones under them, which, as long as they are little, they seem to treat very much as though they were eggs. Others, however, when they stand up are seen to have nothing underneath them, for as with other sea-birds, so far as I have been able to observe, there seems to be a great disparity in the time at which different individuals begin to lay. In the case of the puffin, for instance, some birds may be seen collecting grass and taking it to their burrows, whilst others are bringing in a regular supply of fish to their young. Much affection is shown between the paired birds. One that is sitting either on her egg or young one—for no difference in the attitude can be discovered—will often be very much cosseted by the partner who stands close behind or beside her. With the tip of his long, pointed beak he, as it were, nibbles the feathers (or perhaps, rather, scratches and tickles the skin between them) of her head, neck, and throat, whilst she, with her eyes half closed, and an expression as of submitting to an enjoyment—a "Well, I suppose "The bird with the fish, to whom the chick has been shifted, now takes it in hand. Stooping forward her body, and drooping down her wings, so as to make a kind of little tent or awning of them, she sinks her bill with the fish in it towards the rock, then raises it again, and does this several times before either letting the fish drop or placing it in the chick's bill—for which it is I cannot quite see. It is only now that the chick becomes visible, its back turned to the bird standing over it, and its bill and throat moving as though swallowing something down. Then the bird On account of the closeness with which the chick is guarded by the parent birds, and the way in which they both stand over it, it is difficult to make out exactly how it is fed; but I think the fish is either dropped at once on the rock or dangled a little, for it to seize hold of. It is in the bringing up and looking after of the chick that one begins to see the meaning of the sitting guillemots being always turned towards the cliff, for from the moment that the egg is hatched, one or other of the parent birds interposes between the chick and the edge of the parapet. Of course I cannot say that the rule is universal, but I never saw a guillemot incubating with its face turned towards the sea, nor did I ever see a chick on the seaward side of the parent bird who was with it. It seems probable that the relative positions of the sitting bird and the egg would be continued from use after the latter had become the young one; and if we suppose that in a certain number of cases where these positions were reversed the chick perished from running suddenly out from under the parent and falling over the edge of the rock, we can understand natural selection From the foregoing it would appear that the young guillemot is fed with fish which are brought straight from the sea in the parent's bill, and not—as in the case of the gulls—disgorged for them after having been first swallowed. It is, however, a curious fact that the fish when thus brought in is, sometimes at any rate, headless. The reason of this I do not know, but with the aid of the glasses I have made quite certain of it, and each time it appeared as though the head had been cleanly cut off. Moreover, on alighting on the ledge the bird always has the fish (a I have also once or twice thought that I saw a bird which just before had had no fish in its bill, all at once carrying one. But I may well have been mistaken; and it does not seem at all likely that the birds should usually carry their fish, and thus, as will appear shortly, subject themselves to persecution, if they could disgorge it without inconvenience. With regard to the occasional absence of the head, perhaps this is sometimes cut off in catching the fish, or before it is swallowed, which may also have been the case with the herrings brought by the great skuas to their young. However, I can but give the facts, as far as I was able to observe them. Married birds sometimes behave in a pretty manner with the fish that they bring to each other, and if coquetry be not the right word to apply to it, I know of none better. The following is my note made at the time:— "A bird flies in with a fine sand-eel in his bill, and having run the gauntlet of the whole ledge with it, at last succeeds in bringing it to his partner. For a long time now, these two coquet together with the fish. The one that has brought it keeps biting and nibbling at it, moving his head about with it from side to side, bringing it down upon the ledge between his feet, then raising it again, seeming to rejoice in the Yet there are harsher notes amidst all this tenderness, and the state of a bird's appetite will sometimes make a vast difference in its conduct under the same or similar circumstances. "A bird," for instance, "that has just come with a fish in its bill for the young one, is violently attacked—and this several times in succession—by the other parent, who is in actual charge of the chick. This one—we will suppose it to be the father, though, I half think, unjustly—makes the greediest dart at the fish, trying to seize it out of his wife's bill, and also pecks her very violently. Once he seizes her by the neck and holds her thus for some seconds, yet all the while in the couched attitude and I cannot think that such conduct as the above is common, and even on this one occasion when I saw it, it is possible (though it does not seem very likely) that the ill-behaving bird did not try to get the fish for its own sake, but only to feed the chick with. But however this may have been, fish are the constant cause of disturbance amongst the birds generally, and the guillemot that flies in with one has to avoid the snaps made at it by all those near to where he alights, and must sometimes run the gauntlet of most of the birds on the ledge before he can get with it to his own domicile. Sometimes he loses the fish, which is then often lost again by the successful bird, and so passed from one to another. Or it may be tugged at for a long time by two birds that have a firm hold of the head and tail part respectively, and pull it backwards and forwards, not infrequently across the neck of a third bird standing between them. Birds incubating or brooding over Such preening under such circumstances must, one would think, spring from a powerful incentive, and it is, I believe, chiefly when annoyed by insects that the birds preen themselves, though whether their efforts are actually to free themselves of these, or only to allay the irritation by scratching, I am not quite sure. But I noticed that a bird would often bend down its head, and with the extreme tip of its finely-pointed bill appear minutely to explore the surface of its webbed feet—and further, that when the partner of a bird doing this was beside him, it would become most interested, and do its best to assist him in the matter. One may suppose that the ledge—which is, of course, coated with a layer of guano—is covered with these pests, and that they often crawl over the bird's feet, and so ascend on to the body. If the skin of the feet were sensitive, their owner would at once know when this was the case, and with its keen eyesight and stiletto bill might guard itself fairly well, as long as it only stood. As, however, all the birds constantly sit flat on the rock, even when not incubating, the searching of the feet can be of little or no real importance to them. It is very interesting and has a very human appearance (not so much in regard to the particular act as the careful look and manner and the attitudes assumed) to see two birds thus helping to clean each other's feet, as I think must here be the case. When they nibble and preen each other they may, as a rule, I think, be rightly said to cosset and caress, the expression and pose of the bird receiving the benefit being often beatific, and the enjoyment being, no doubt, of the nature of that which a parrot receives On a Guillemot Ledge. The usual cause of guillemots fighting would seem to be one of them moving to a sufficient degree to attract the attention of the one nearest to it, who then—as though the circumstances permitted of no other course—delivers a vigorous thrust with its long, spear-like bill. This is the usual way of fighting, so that a combat has something the appearance of a fencing-match. The two birds stand upright with their bodies turned more sideways towards each other, than actually fronting, so that their heads, which alone do so, are twisted a little round. They stand at such a distance apart, that when the neck is held straight up, with the head flying out at a right angle, the tips of their two long lances just touch, so that the birds form a natural archway. In this position they make quick, repeated thrusts at each other, usually directed at the face or neck, by a motion of which, rather than by parrying with the beak, each endeavours to avoid the lunge of its adversary. But besides "Tilting, Point to point at one another's breasts," they are ready to seize hold of each other should the opportunity occur, and when the fight is fierce, and the birds in their eagerness press in upon each other, they then strike smartly with their wings. Sometimes, too, each tries to seize the other's beak, but this is not usual, as I imagine it to be with herring-gulls and cormorants. These single combats rarely become mÊlÉes, though, if one bird is forced to retreat, those amongst whom he pushes will be ready to peck at him and at each other. Of course, a bird, if really in distress, can always fly down from the ledge into the sea, and this it is often forced to do if it has been standing near the edge when the combat broke out. The better-placed bird seems then to recognise its advantage, and presses boldly forward upon the other. There is a short retreat, a recognition of the danger and vigorous rally, another forced step backwards, an ineffectual whirring of wings on the extreme brink, and, turning in the moment of falling, the discomfited one renounces all further effort and plunges into the abyss. And, no doubt, the little lice who crawl about upon the ledge and see such mighty doings, would, were they poets, write long epics telling of the wars and falls of angels. But only combats on the brink have such dramatic terminations, and farther inland a fight must be of an exceptionally violent kind to make the birds not think of preening themselves, and thus bring it to an end. Birds that are incubating will fight as well as the others, and no respect seems to be paid to them on this account. Often one thus occupied may be seen "It appears to me that the guillemot sits with the egg not only between its legs, but resting on the two webbed feet, and pressed slightly by them against the breast. At any rate, I have just distinctly seen the bird rise up, take the egg carefully in this way between its two feet, sliding them underneath it, and then sink gently down upon it again. I believe that the egg was so placed when the bird rose, and that it rose for the purpose of improving its position. It seems likely that if the egg rests upon the bird's feet instead of on the bare rock, it must be less liable to fracture, and could be pressed slightly up by the bird amongst its feathers, so that the two opposed pressures could be combined to advantage, or either of them relaxed when it was to the bird's convenience. "Have just seen another sitting bird rise, and, in settling down again, she certainly seemed to place her feet under the egg, assisting at the same time to place it with the bill. When she rose the partner bird came forward to her, and, lowering his head, looked at the egg with the tenderest interest, then cosseted her as she stood, and again when she had resettled. "Another bird has half risen, showing the egg quite plainly. It is certainly resting on the feet." Guillemots, as is well known, lay their single egg If guillemots are watched closely, one may be noticed now and again to scrape with its beak for some time at the ledge where it is lying, opening and closing its mandibles upon it. Every now and then—as I make it out—it encloses a small object between them, which must, I think, be a piece of the rock, and with a quick jerk of the head sideways and upwards, swallows this. This, then, is how guillemots procure the small stones which are, no doubt, necessary to them for digestive purposes. The great mass of the rock forming the island is sedimentary, and in a more or less crumbling state, much of it, indeed, quite rotten and dangerous to trust to. I will conclude this slight picture of life on a ledge with a few lines from my notes, as taken during that short period which, in summer, best answers to the coming on of night and dawn of morning here in England. "10.40 P.M. Some dozen birds out of about thirty that I can see appear to be roosting. The kittiwakes are more silent than in broad day, though there is a burst of clamour now and again. "10.56. There is less activity now, but few birds seem thoroughly asleep. Many stand, and some occasionally walk about and flap their wings. One has just flown off the ledge, but no others are doing so, nor are any arriving upon it. The general scene is much quieter, and so with the kittiwakes. The ledge now, at past eleven, is very quiet, though the "11.17. The majority of the birds are now roosting, perhaps almost all. I can see no puffins. They must, therefore, it seems, lie roosting too, in holes or crevices of the rocks. "11.30. All quiet at Shipka. "11.35. A bird flies in duskily from the sea, and now no fighting ensues. All is quiet at Shipka. "11.50. All quiet at Shipka—a little more so perhaps. "11.55. As before. "12 o'clock. Much as before, but two birds are, I think, cosseting. Though one can read and write with ease, and see all objects—even birds sitting or flying a long way off—still it is all gloom and yellow murkiness. Light seems gone, though there be light. It is 'darkness visible,' indeed, neither true night nor true day, but more like night than day. The great shapes of cliff and hill seem drawn in gloom clearly, the sea gleams dimly and duskily, all is weird, strange, and portentous. It is the marriage of opposite kingdoms, or rather, the monstrous child of light and darkness. "12.15. All roosting, I think. "12.30. Quiet now. All quiet at Shipka. "12.43. Much as before. On the steep side of "1.5 A.M. The ledge is now stirring into life again, and so, too, the great block of kittiwakes on the 'stack,' from which birds keep dashing out, whirling and circling, settling again or visiting their sitting partners on the nests, before flying back to it. But the clamour of voices is, as yet, slight. "Now, at 1.25, it is beginning to be greater. "1.50. A general preening amongst the guillemots, though a good many still lie asleep. But soon they wake, too, and begin, for now it is light, bright, and morning." Owl eyeing and insect. Birds at a Straw Stack.
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