Mrs. Fox-Darriel was walking across the hall on her way to the staircase when Camelia entered. She had not seen Camelia since the morning’s catastrophe, a catastrophe as yet unannounced, but plainly discernible in the departure of the Henges, in Lady Paton’s retirement, Camelia’s disappearance, and Mary’s heavy silence. Mary herself hardly knew as yet, could only suspect, with a sickening droop of disappointment following a hope, unreasonable perhaps, but delicious while it so briefly lasted. Mrs. Fox-Darriel plied her with profitless questions during tea-time; she only knew that Sir Arthur had ridden away, that Lady Henge had followed with the boxes, that Aunt Angelica was in her room, and that Camelia had gone out. Mrs. Fox-Darriel was not disposed to let Camelia off easily; and now, undeterred by the almost vacant stare her young hostess bent upon her, she rushed at her imperatively. “You look quite half mad, Camelia! What is the matter? The Henges are gone, she as gloomy as a hearse. I have not seen your mother since breakfast. Has a thunderbolt struck the house? You accepted Arthur Henge yesterday, and to-day you give him his congÉ. Is it possible? Camelia’s hand waved her aside. What did this chattering, rattling creature want of her? She belonged to a dim primeval age, the age of yesterday, before the cataclysm had changed everything. “No; you are not going to get rid of me like that!” Mrs. Fox-Darriel followed her swiftly up the stairs. “That would be a little too bad, to leave me, all curiosity, frying in my own ignorance. Now, Camelia, let me have the whole truth of it. What has happened?” She confronted her in her room. “Yes, I have broken my engagement.” “Why? great heavens, why?” “I don’t love him. Please go, Frances.” Mrs. Fox-Darriel crossed her arms and surveyed her friend in an exasperated silence. “Was that so necessary?” she asked presently, while Camelia, sitting in a low chair half turned from her, unbuttoned her muddy boots and gaiters. “Yes, it was. I wish you would go away.” “You know what every one will think—you know what I think!—that you accepted him to prove you could throw him over. You try him on to show that you can fit him, and then kick him away, precisely as you kick away that muddy boot. It is an unheard-of thing. It is distinctly nasty.” Camelia leaned back with closed eyes, hardly hearing, certainly not caring for the words, though their sound was an importunate jangling at her ears, wearisome, irritating. “As for the egregious folly of it! well, my dear, you may have plans into which I am not initiated, but the day will come, I think, in which you will “Good-bye,” said Camelia. When she was alone she rose and bolted the door. Her ten miles had tired her physically, and she sank back into her chair, her stockinged feet stretched out, her muddy skirts clinging damply about her ankles. Yes, let the whole truth surge over her, and find her unresisting. He did not love her; had never loved her. He despised her. The remembrance of his scorn crept over her like a gnawing flame. The shame of last night’s dancing, of his reluctant embrace, that she had courted, came upon her in an awful revelation; and the wilful, desperate passion of to-day, sure of the hidden treasure he withheld from her in punishment only—a child pounding at a locked door. And the room was empty; there had been no treasure. She had forced him to open to her the dreadful vacancy. His sad friendship, smarting still from its momentary debasement, had sheltered her from the keenest pang; it was as if he had held her hand as, together, they went into that vacant room; now, alone, the realization of her own abasement stunned her. But she loved him. It had not Then came throbs of loneliness and terror. He was going away! She sprang up under the knife-like thrust of the thought. Oh! if at least he had believed her! If at least he had seen tragedy, not a poor, silly farce, the only noble thing in her life distorted to a wretched folly. Only outwardly had she been a child screaming for an unattainable toy. She walked up and down the room, her hands wrung together, until a quivering weakness of fatigue came over her, and she flung herself face downwards on the bed. Sobs came with the despairing posture. Her whole body shook with them. A tiny, timid knock at the door broke in on the miserable satisfaction of woe expressed. Camelia held back her weeping and listened silently. “Camelia,” said her mother’s voice, a voice tremulous with tears, “may I not see you, my darling?” In her agonizing self-absorption Camelia heard the “No,” she said, steadying her voice, for her mother must not think her weeping in regret over her act of repudiation, “you can’t.” “Please, my child ”—Lady Paton evidently began to sob, and Camelia, wrapping herself in a sense of necessary and therefore justified brutality, again buried her head in the pillow. Yes, she was a brute, of course, but—how silly of her mother to stand there crying! How tactless, at least; for Camelia at once hated herself for the other word. What did she expect? She seemed nearly as remote as Frances—not quite, for she could see Frances and repulse her with complete indifference, and she could not meet her mother indifferently. There would be the pain, the irritation of feigning. “Don’t be cruel, dear.” The words reached her dimly through the pillow. Cruel! Camelia smiled bitterly. She did not know. The apparent cause for grief was slight indeed; the real one was locked forever in her heart, so let them think her cruel. The hopeless little click of the door-knob showed that her mother’s hand had been appealingly laid upon it. Her slow footstep passed along the hall. Camelia lay in her damp, hot pillow, her eyes closed. “Yes I am a brute,” she said to herself; and then, thinking of Perior, her tears flowed again. |