Longfellow wrote:—
“All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.
“We meet them at the doorway, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of something moving to and fro.
“We have no title-deeds to house or lands;
Owners and occupants of earlier dates
From graves forgotten stretch their dusty hands,
And hold in mortmain still their old estates.
“The spirit world around this world of sense
Floats like an atmosphere, and everywhere
Wafts through these earthly mists and vapors dense
A vital breath of more ethereal air.”
I found myself reciting these lines whenever my eyes rested upon the old house of Fruitlands. From my terrace on the hill I looked down upon it with mixed feelings of pity, awe, and affection. It seemed like a Presence, a ghost of the Past, that compelled the eyes to gaze at it persistently. In the warm joyousness of the spring sunshine, or when the cold mists of autumn crept across the valley, it conveyed to me the same sense of desolation, of mystery, of disillusionment. Its broken windows looked like hollow eyes sunken in an ashen and expressionless face. Within its walls life and death had come and gone;—laughter and the sound of weeping had echoed through the quaint, low-ceilinged rooms. It had been the sheltering home of British yeomen. Its heavy chestnut beams bore record of the virgin forests of the Colonies. The thrill of patriotism had vibrated there when the sword of the Revolution swept the land, and the sound of drum and fife, leading the hurrying feet of eager volunteers to Concord and Lexington, must have reached the quiet hillside and stirred the hearts of those listening in the doorway. Those were the brave and vital days of its youth. In seed-time and harvest it had smiled upon the valley, its shingles warm and ruddy with ochre-red. At Yule-tide the log had been chosen with fitting ceremony and placed within the broad and spacious chimney. The old and the young had feasted and made merry to the sound of the crackling fire-music. Who can tell what memories of happiness and romance the old house contains?
Then came a period of quiet years, when the meadows and pastures grew rich and fertile, the upturned soil yielded abundant harvests, and the branches of the apple trees hung heavy with fruit. But it was when the old house had begun to settle and look decrepid, and its floors had become shaky and uneven, that its door opened wide to its supreme experience. Then Fruitlands was exalted into the New Eden. The two names came to it simultaneously. It was to pulsate with lofty ideals and altruistic aspirations. For one perfect summer and mellow autumn its running brook, its shady grove, its fertile meadows and sloping pasture, its western view, so beautiful at sundown, of Wachusett and Monadnoc, and the chain of purple hills, were to be the inspiration of a group of individuals then known as the transcendental philosophers, and through them Fruitlands became famous. Within its walls great questions were discussed, great hopes for the betterment and enlightenment of mankind were generated. Alcott, Charles Lane, Wright, Bower, Emerson, Hawthorne, Channing, Thoreau, and many others went in and out of its doors; and last, but not least, the child, Louisa May Alcott, who later became our well-loved New England authoress, and Joseph Palmer, a Crusader in spirit as well as in actions, who suffered for his principle of wearing a beard at a time when it was looked upon as a badge of scorn and contempt, and which won for him the name of “the Old Jew.” When the beautiful dream was over; when the New Eden proved to be only an empty mockery of the vision it had once inspired; when the great experience had ended in failure, then the old house sagged pitifully as if its heart had broken: the winter storms and summer rains of the succeeding years washed all color from its face: it became gray and haggard. Joseph Palmer and his wife lingered on in old age, and then passed out into the Beyond. Their children and grandchildren clung to the place for a space of years, but its history was over. It was left desolate and abandoned.
So as I looked down on it from my terrace on the hill, pitying its infinite loneliness, the thought came to me that I must save it. If for a time it had borne the semblance of a New Eden, then that time must be honored, and not forgotten. I longed to see it smiling again upon the valley in its glowing coat of ochre-red. The fine old chimneys must be put back in their places from which they had been ruthlessly torn down to make room for stoves. The hollow eyes must gleam again with window-panes; the sound of voices must ring once more through the empty rooms. In the future it must be cherished for its quaintly interesting history. If that history was full of pathos, if the great experiment enacted beneath its roof proved a failure, the failure was only in the means of expression and not in the ideal which inspired it. Humanity must ever reach out towards a New Eden. Succeeding generations smile at the crude attempts, and forthwith make their own blunders, but each attempt, however seemingly unsuccessful, must of necessity contain a germ of spiritual beauty which will bear fruit. Let no one cross the threshold of the old house with a mocking heart. Looking back from our present coigne of vantage, we, too, cannot but smile at the childlike simplicity and credulity, and the lack of forethought of those unpractical enthusiasts. But let it be the smile of tenderness and not of derision. In this material age we cannot afford to lose any details of so unique and picturesque a memory as that of A. Bronson Alcott and the “Con-Sociate Family” at Fruitlands.
BRONSON ALCOTT’S
FRUITLANDS