THE AUTOBIOGRAPHY SHOCKER.

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John Antony Grunch was one of the mildest, most innocent men I ever knew. He had a wife to whom he was devoted with a dog-like devotion; he went to church; he was shy and reserved, and he held a mediocre position in a firm of envelope-makers in the City. But he had a romantic soul, and whenever the public craving for envelopes fell off—and that is seldom—he used to allay his secret passion for danger, devilry and excitement by writing sensational novels. One of these was recently published, and John Antony is now dead. The novel did it.

Yet it was a very mild sort of "shocker," about a very ordinary murder. The villain simply slew one of his typists in the counting-house with a sword-umbrella and concealed his guilt by putting her in a pillar-box. But it had "power," and it was very favourably reviewed. One critic said that "the author, who was obviously a woman, had treated with singular delicacy and feeling the ever-urgent problem of female employment in our great industrial centres." Another said that the book was "a brilliant burlesque of the fashionable type of detective fiction." Another wrote that "it was a conscientious analysis of a perplexing phase of agricultural life." John thought that must refer to the page where he had described the allotments at Shepherd's Bush. But he was pleased and surprised by what they said.

What he did not like was the interpretation offered by his family and his friends, who at once decided that the work was the autobiography of John Antony. You see, the scene was laid in London, and John lived in London; the murdered girl was a typist, and there were two typists in John's office; and, to crown all, the villain in the book had a boar-hound, and John himself had a Skye-terrier. The thing was as plain as could be. Men he met in the City said, "How's that boar-hound of yours?" or "I like that bit where you hit the policeman. When did you do that?" "You," mark you. Old friends took him aside and whispered, "Very sorry to hear you don't hit it off with Mrs. Grunch; I always thought you were such a happy couple." His wife's family said, "Poor Gladys! what a life she must have had!" His own family said, "Poor John! what a life she must have led him to make him go off with that adventuress!" Several people identified the adventuress as Miss Crook, the Secretary of the local Mothers' Welfare League, of which John was a vice-president.

The fog of suspicion swelled and spread and penetrated into every cranny and level of society. No servants would come near the house, or if they did they soon stumbled on a copy of the shocker while doing the drawing-room, read it voraciously and rushed screaming out of the front-door. When he took a parcel of washing to the post-office the officials refused to accept it until he had opened it and shown that there were no bodies in it.

The animal kingdom is very sensitive to the suspicion of guilt. John noticed that dogs avoided him, horses neighed at him, earwigs fled from him in horror, caterpillars madly spun themselves into cocoons as he approached, owls hooted, snakes hissed. Only Mrs. Grunch remained faithful.

But one morning at breakfast Mrs. Grunch said, "Pass the salt, please, John." John didn't hear. He was reading a letter. Mrs. Grunch said again, "Pass the salt, please, John." John was still engrossed. Mrs. Grunch wanted the salt pretty badly, so she got up and fetched it. As she did so she noticed that the handwriting of the letter was the handwriting of A Woman. Worse, it was written on the embossed paper of the Mothers' Welfare League. It must be from Miss Crook. And it was. It was about the annual outing. "Ah, ha!" said Mrs. Grunch. (I am afraid that "Ah, ha!" doesn't really convey to you the sort of sound she made, but you must just imagine.) "Ah, ha! So that's why you couldn't pass the salt!"

Mad with rage, hatred, fear, chagrin, pique, jealousy and indigestion, John rushed out of the house and went to the office. At the door of the office he met one of the typists. He held the door open for her. She simpered and refused to go in front of him. Being still mad with rage, hatred, chagrin and all those other things, John made a cross gesture with his umbrella. With a shrill, shuddering shriek of "Murder!" the girl cantered violently down Ludgate Hill and was never seen again. Entering the office, John found two detectives waiting to ask him a few questions in connection with the Newcastle Pig-sty Murder, which had been done with some pointed instrument, probably an umbrella.

After that The Daily Horror rang up and asked if he would contribute an article to their series on "Is Bigamy Worth While?"

Having had enough rushing for one day John walked slowly out into the street, trying to remember the various ways in which his characters had committed suicide. He threw himself over the Embankment wall into the river, but fell in a dinghy which he had not noticed; he bought some poison, but the chemist recognised his face from a photograph in the Literary Column of The Druggist and gave him ipecacuanha (none of you can spell that); he thought of cutting his throat, but broke his thumb-nail trying to open the big blade, and gave it up. Desperate, he decided to go home. At Victoria he was hustled along the platform on the pretence that there is more room in the rear of trains. Finally he was hustled on to the line and electrocuted.

And everybody said, "So it was true."

A. P. H.


There be Mrs. Rouse's

"There be Mrs. Rouse's, over agin the church. I believe she do put up with lodgers."


Commercial Candour.

From an Indian trade-circular:—
"We believe in making a Small Profit and selling Everybody rather than making a Big Profit and selling only a Few."

"Wanted for Tea Estate, Nilgiris, good climate Superintendent."

Indian Paper.

We could do with one here, too.


"The Wandering Jew,

E. Temple Thurston's Wanderful Play."

Advt. in Daily Paper.

And still the wander grew.


"When the Prime Minister, accompanied by Mr. Lloyd George, appeared a magnificent ovation was accorded them."—Welsh Paper.

This tends to confirm the statements in the anti-Coalition Press that the Prime Minister was beside himself.


From an examination-paper at a girls' school:—

Question. Why are the days in summer longer than those in winter?
Answer. Because they are warmer and therefore expand.

Lucky to find a hairdresser

Visitor. "Lucky to find a hairdresser in a small village like this."

Native. "Well, be rights it's my son's business and 'e's away; but I've done a wunnerful deal of 'orse-clippin'."


                                                                                                                                                                                                                                                                                                           

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