PHILIP II., RULER OF THE NETHERLANDS.
THE TRIBUNAL OF THE INQUISITION
OTHER ENCROACHMENTS ON THE CONSTITUTION OF THE NETHERLANDS.
WILLIAM OF ORANGE AND COUNT EGMONT.
RESIGNATION OF WILLIAM OF ORANGE.
DECAY AND DISPERSION OF THE GEUSEN LEAGUE.
ALVA'S ARMAMENT AND EXPEDITION TO THE NETHERLANDS.
ALVA'S FIRST MEASURES, AND DEPARTURE OF THE DUCHESS OF PARMA.
TRIAL AND EXECUTION OF COUNTS EGMONT AND HORN.
SIEGE OF ANTWERP BY THE PRINCE OF PARMA, IN THE YEARS 1584 AND 1585.
LETTER IV.
LETTER V. BARON VON F TO COUNT VON O .
LETTER VI.
LETTER VII.
LETTER VIII.
LETTER IX.
LETTER X.
COUNT O - IN CONTINUATION.
SCHILLER'S PREFACE. AS PREFIXED TO THE FIRST EDITION OF THE ROBBERS PUBLISHED IN 1781.
ADVERTISEMENT TO THE ROBBERS. AS COMMUNICATED BY SCHILLER TO
PREFACE TO THE SECOND EDITION.
THE ROBBERS. A TRAGEDY.
THE ROBBERS ACT I. SCENE I. Franconia.
SCENE II. A Tavern on the Frontier of Saxony.
SCENE III. MOOR'S Castle. AMELIA'S Chamber. FRANCIS, AMELIA.
ACT II. SCENE I. FRANCIS VON MOOR in his chamber in meditation.
SCENE II. Old Moor's Bedchamber.
SCENE III. THE BOHEMIAN WOODS.
ACT III. SCENE I. AMELIA in the garden, playing the guitar.
SCENE IX.
SCENE II. Country near the Danube.
ACT IV. SCENE I. Rural scenery in the neighborhood of CHARLES VON MOOR'S castle.
SCENE III. Another Room in the Castle.
Scene IV. In the Garden.
SCENE V. A neighboring forest. Night. An old ruined castle in the centre of the scene.
ACT V. SCENE I. A vista of rooms. Dark night.
SCENE II. The scene the same as the last scene of the preceding Act.
ACT I. SCENE I. A Saloon in FIESCO'S House. The distant sound of dancing and music is heard.
ACT II. SCENE I. An Ante-chamber in the Palace of FIESCO.
ACT III. SCENE I. Midnight. A dreary wilderness.
ACT IV. SCENE I. Night. The court of FIESCO'S palace. The
ACT V. SCENE I.-After midnight. The great street of Genoa. A
ACT I. SCENE I. MILLER MRS. MILLER.
ACT II. SCENE I. A room in LADY MILFORD'S house. On the right
ACT III. SCENE I.
ACT IV. SCENE I. Saloon in the PRESIDENT'S House.
ACT II. SCENE I.
ACT III. SCENE I. (2)
ACT IV. SCENE I.
ACT V. SCENE I.
ACT I. SCENE I.
ACT II. SCENE I. Scene as in the preceding Act. WALLENSTEIN, OCTAVIO PICCOLOMINI.
ACT III. SCENE I. (3)
ACT IV. SCENE I. (2)
ACT V. SCENE I. (2)
ACT I. SCENE I. (2)
ACT II. SCENE I. (2)
ACT III. SCENE I. (4)
ACT IV. SCENE I. (3)
ACT V. SCENE I. (3)
DRAMATIS PERSONAE.
ACT I. SCENE I. (3)
ACT II. SCENE I. (3)
ACT III. SCENE I. (5)
ACT IV. SCENE I. (4)
ACT V. SCENE I. (4)
ACT I. SCENE I. THE DIET AT CRACOW.
ACT II. SCENE I. (4)
DRAMATIS PERSONAE. (2)
ACT I. SCENE I. (4)
ACT II. SCENE I. (5)
ACT III. SCENE I. (6)
SCENE VII.
ACT IV. SCENE I. Antechamber.
ACT V. SCENE I. (5)
PROLOGUE.
ACT I. SCENE I. (5)
ACT II.
SCENE IV.
ACT III.
THE INFANTICIDE.
THE GREATNESS OF THE WORLD.
FORTUNE AND WISDOM.
ELEGY ON THE DEATH OF A YOUNG MAN. [5]
THE BATTLE.
ROUSSEAU.
FRIENDSHIP.
ELYSIUM.
THE FUGITIVE.
TO MINNA.
THE FLOWERS.
THE TRIUMPH OF LOVE. A HYMN.
TO A MORALIST.
COUNT EBERHARD, THE GROANER OF WURTEMBERG. A WAR SONG.
TO THE SPRING.
SEMELE: IN TWO SCENES.
THE INVINCIBLE ARMADA.
THE GODS OF GREECE.
RESIGNATION.
THE CONFLICT.
THE ARTISTS.
THE CELEBRATED WOMAN. AN EPISTLE BY A MARRIED MAN TO A FELLOW-SUFFERER.
WRITTEN IN A YOUNG LADY'S ALBUM.
THE SECRET.
THE ASSIGNATION. [14]
LONGING.
EVENING. (AFTER A PICTURE.)
THE PILGRIM.
THE IDEALS.
THE YOUTH BY THE BROOK. [16]
TO EMMA.
THE LAY OF THE MOUNTAIN.
THE ALPINE HUNTER.
DITHYRAMB. [23]
THE FOUR AGES OF THE WORLD.
THE MAIDEN'S LAMENT.
TO MY FRIENDS.
PUNCH SONG.
NADOWESSIAN DEATH-LAMENT.
THE FEAST OF VICTORY.
PUNCH SONG. (TO BE SUNG IN NORTHERN COUNTRIES.)
THE COMPLAINT OF CERES. [29]
THE ELEUSINIAN FESTIVAL.
THE RING OF POLYCRATES. [32] A BALLAD.
THE CRANES OF IBYCUS. A BALLAD.
THE PLAYING INFANT.
HERO AND LEANDER. [34] A BALLAD.
CASSANDRA.
THE HOSTAGE. A BALLAD.
GREEKISM.
THE DIVER. A BALLAD.
THE KNIGHT OF TOGGENBURG. A BALLAD.
THE FIGHT WITH THE DRAGON.
FEMALE JUDGMENT.
FRIDOLIN; OR, THE WALK TO THE IRON FOUNDRY.
THE GENIUS WITH THE INVERTED TORCH.
THE COUNT OF HAPSBURG. [38] A BALLAD.
THE FORUM OF WOMAN.
THE GLOVE. A TALE.
THE CIRCLE OF NATURE.
THE VEILED STATUE AT SAIS.
THE DIVISION OF THE EARTH.
THE IDEAL AND THE ACTUAL LIFE.
GERMANY AND HER PRINCES.
DANGEROUS CONSEQUENCES.
THE MAIDEN FROM AFAR. (OR FROM ABROAD.)
THE HONORABLE.
PARABLES AND RIDDLES. I.
THE VIRTUE OF WOMAN.
THE WALK.
THE LAY OF THE BELL.
THE POWER OF SONG.
TO PROSELYTIZERS.
HONOR TO WOMAN.
HOPE.
THE GERMAN ART.
ODYSSEUS.
CARTHAGE.
THE SOWER.
THE KNIGHTS OF ST. JOHN.
THE MERCHANT.
GERMAN FAITH. [50]
THE SEXES.
LOVE AND DESIRE.
THE BARDS OF OLDEN TIME.
JOVE TO HERCULES.
THE ANTIQUES AT PARIS.
THEKLA. A SPIRIT VOICE.
THE ANTIQUE TO THE NORTHERN WANDERER.
THE ILIAD.
POMPEII AND HERCULANEUM.
NAENIA.
THE MAID OF ORLEANS.
ARCHIMEDES.
THE DANCE.
THE FORTUNE-FAVORED. [53]
BOOKSELLER'S ANNOUNCEMENT.
GENIUS.
HONORS.
THE PHILOSOPHICAL EGOTIST.
THE BEST STATE CONSTITUTION.
THE WORDS OF BELIEF.
THE WORDS OF ERROR.
THE POWER OF WOMAN.
THE TWO PATHS OF VIRTUE.
THE PROVERBS OF CONFUCIUS. I.
HUMAN KNOWLEDGE.
COLUMBUS.
LIGHT AND WARMTH.
BREADTH AND DEPTH.
THE TWO GUIDES OF LIFE. THE SUBLIME AND THE BEAUTIFUL.
THE IMMUTABLE.
VOTIVE TABLETS.
TRIFLES. THE EPIC HEXAMETER.
THE PHILOSOPHERS.
THE HOMERIDES.
G. G.
THE MORAL POET.
THE DANAIDES.
THE SUBLIME SUBJECT.
THE ARTIFICE.
IMMORTALITY.
JEREMIADS.
SHAKESPEARE'S GHOST. A PARODY.
THE RIVERS. RHINE.
ZENITH AND NADIR.
KANT AND HIS COMMENTATORS.
THE PHILOSOPHERS. (2)
THE METAPHYSICIAN.
PEGASUS IN HARNESS.
KNOWLEDGE.
THE POETRY OF LIFE.
TO GOETHE, ON HIS PRODUCING VOLTAIRE'S "MAHOMET" ON THE STAGE.
THE PRESENT.
DEPARTURE FROM LIFE.
VERSES WRITTEN IN THE FOLIO ALBUM OF A LEARNED FRIEND.
VERSES WRITTEN IN THE ALBUM OF A FRIEND. (HERR VON MECHELN OF BASLE.)
THE SUNDAY CHILDREN.
THE HIGHEST.
THE PUPPET-SHOW OF LIFE.
TO LAWGIVERS.
FALSE IMPULSE TO STUDY.
THE HEREDITARY PRINCE OF WEIMAR, ON HIS PROCEEDING TO PARIS. (SUNG IN A CIRCLE OF FRIENDS.)
THE IDEAL OF WOMAN. TO AMANDA.
THE FOUNTAIN OF SECOND YOUTH.
WILLIAM TELL. [59]
TO A YOUNG FRIEND DEVOTING HIMSELF TO PHILOSOPHY.
EXPECTATION AND FULFILMENT.
THE COMMON FATE.
HUMAN ACTION.
NUPTIAL ODE. [60]
THE COMMENCEMENT OF THE NEW CENTURY.
GRECIAN GENIUS. TO MEYER IN ITALY.
THE FATHER.
THE CONNECTING MEDIUM.
THE MOMENT.
Author: Frederich Schiller
Language: English
Produced by David Widger and Tapio Riikonen
Translated from the German
Illustrated
