ABRAHAM LINCOLN'S DEATH—A DESCRIPTION OF THE SCENE AT FORD'S THEATRE[10]

WALT WHITMAN

The day (April 14, 1865) seems to have been a pleasant one throughout the whole land—the moral atmosphere pleasant, too—the long storm, so dark, so fratricidal, full of blood and doubt and gloom, over and ended at last by the sunrise of such an absolute National victory, and utter breaking down of secessionism—we almost doubted our senses! Lee had capitulated beneath the apple tree at Appomattox. The other armies, the flanges of the revolt, swiftly followed.

And could it really be, then? Out of all the affairs of this world of woe and passion, of failure and disorder and dismay, was there really come the confirmed, unerring sign of peace, like a shaft of pure light—of rightful rule—of God?

But I must not dwell on accessories. The deed hastens. The popular afternoon paper, the little Evening Star, had scattered all over its third page, divided among the advertisements in a sensational manner in a hundred different places: "The President and his lady will be at the theatre this evening." Lincoln was fond of the theatre. I have myself seen him there several times. I remember thinking how funny it was that he, in some respects the leading actor in the greatest and stormiest drama known to real history's stage through centuries, should sit there and be so completely interested in those human jack-straws, moving about with their silly little gestures, foreign spirit, and flatulent text.

So the day, as I say, was propitious. Early herbage, early flowers, were out. I remembered where I was stopping at the time, the season being advanced, there were many lilacs in full bloom. By one of those caprices that enter and give tinge to events without being at all a part of them, I find myself always reminded of the great tragedy of that day by the sight and odor of these blossoms. It never fails.

On this occasion the theatre was crowded, many ladies in rich and gay costumes, officers in their uniforms, many well-known citizens, young folks, the usual clusters of gas-lights, the usual magnetism of so many people, cheerful, with perfumes, music of violins and flutes—and over all, and saturating, that vast, vague wonder, Victory, the Nation's victory, the triumph of the Union, filling the air, the thought, the sense, with exhilaration more than all perfumes.

The President came betimes and, with his wife, witnessed the play, from the large stage boxes of the second tier, two thrown into one, and profusely draped with the National flag. The acts and scenes of the piece—one of those singularly witless compositions which have at least the merit of giving entire relief to an audience engaged in mental action or business excitements and cares during the day, as it makes not the slightest call on either the moral, emotional, esthetic or spiritual nature—a piece ("Our American Cousin") in which, among other characters so called, a Yankee, certainly such a one as was never seen, or at least ever seen in North America, is introduced in England, with a varied fol-de-rol of talk, plot, scenery, and such phantasmagoria as goes to make up a modern popular drama—had progressed through perhaps a couple of its acts, when in the midst of this comedy, or tragedy, or non-such, or whatever it is to be called, and to offset it, or finish it out, as if in Nature's and the Great Muse's mockery of these poor mimics, come interpolated that scene, not really or exactly to be described at all (for on the many hundreds who were there it seems to this hour to have left little but a passing blur, a dream, a blotch)—and yet partially to be described as I now proceed to give it:

There is a scene in the play representing the modern parlor, in which two unprecedented English ladies are informed by the unprecedented and impossible Yankee that he is not a man of fortune, and therefore undesirable for marriage catching purposes; after which, the comments being finished, the dramatic trio make exit, leaving the stage clear for a moment. There was a pause, a hush, as it were. At this period came the murder of Abraham Lincoln. Great as that was, with all its manifold train circling around it, and stretching into the future for many a century, in the politics, history, art, etc., of the New World, in point of fact, the main thing, the actual murder, transpired with the quiet and simplicity of any commonest occurrence—the bursting of a bud or pod in the growth of vegetation, for instance.

Through the general hum following the stage pause, with the change of positions, etc., came the muffled sound of a pistol shot, which not one-hundredth part of the audience heard at the time—and yet a moment's hush—somehow, surely a vague, startled thrill—and then, through the ornamented, draperied, starred, and striped space-way of the President's box, a sudden figure, a man, raises himself with hands and feet, stands a moment on the railing, leaps below to the stage (a distance of perhaps 14 or 15 feet), falls out of position, catching his boot heel in the copious drapery (the American flag), falls on one knee, quickly recovers himself, rises as if nothing had happened (he really sprains his ankle, but unfelt then)—and the figure, Booth, the murderer, dressed in plain black broadcloth, bare-headed, with a full head of glossy, raven hair, and his eyes, like some mad animal's flashing with light and resolution, yet with a certain strange calmness, holds aloft in one hand a large knife—walks along not much back of the foot-lights—turns fully towards the audience his face of statuesque beauty, lit by those basilisk eyes, flashing with desperation, perhaps insanity—launches out in a firm and steady voice the words Sic Semper Tyrannis—and then walks with neither slow nor very rapid pace diagonally across to the back of the stage, and disappears. (Had not all this terrible scene—making the mimic ones preposterous—had it not all been rehearsed, in blank, by Booth, beforehand?)

A moment's hush, incredulous—a scream—the cry of murder—Mrs. Lincoln leaning out of the box, with ashy cheeks and lips, with involuntary cry, pointing to the retreating figure, "He has killed the President." And still a moment's strange, incredulous suspense—and then the deluge!—then that mixture of horror, noises, uncertainty—(the sound, somewhere back, of a horse's hoofs clattering with speed) the people burst through chairs and railings, and break them up—that noise adds to the queerness of the scene—there is extricable confusion and terror—women faint—quite feeble persons fall, and are trampled on—many cries of agony are heard—the broad stage suddenly fills to suffocation with a dense and motley crowd, like some horrible carnival—the audience rush generally upon it—at least the strong men do—the actors and actresses are there in their play costumes and painted faces, with moral fright showing through the rouge—some trembling, some in tears, the screams and calls, confused talk—redoubled, trebled—two or three manage to pass up water from the stage to the President's box—others try to clamber up—etc., etc.

In the midst of all this the soldiers of the President's Guard, with others, suddenly drawn to the scene, burst in—some 200 altogether—they storm the house, through all the tiers, especially the upper ones—inflamed with fury, literally charging the audience with fixed bayonets, muskets and pistols, shouting "Clear out! clear out!..." Such the wild scene, or a suggestion of it, rather, inside the play house that night.

Outside, too, in the atmosphere of shock and craze, crowds of people filled with frenzy, ready to seize any outlet for it, came near committing murder several times on innocent individuals. One such case was especially exciting. The infuriated crowd, through some chance, got started against one man, either for words he uttered, or perhaps without any cause at all, and were proceeding at once to hang him on a neighboring lamp-post, when he was rescued by a few heroic policemen, who placed him in their midst and fought their way slowly and amid great peril toward the station house. It was a fitting episode of the whole affair. The crowd rushing and eddying to and fro, the night, the yells, the pale faces, many frightened people trying in vain to extricate themselves, the attacked man, not yet freed from the jaws of death, looking like a corpse, the silent, resolute half dozen policemen, with no weapons but their little clubs, yet stern and steady through all those eddying swarms—made indeed a fitting side scene to the grand tragedy of the murder. They gained the station house with the protected man, whom they placed in security for the night and discharged in the morning.

And in the midst of that night pandemonium of senseless hate, infuriated soldiers, the audience and the crowd—the stage, and all its actors and actresses, its paint pots, spangles and gaslight—the life blood from those veins, the best and sweetest of the land, drips slowly down....

Such, hurriedly sketched, were the accompaniments of the death of President Lincoln. So suddenly, and in murder and horror unsurpassed, he was taken from us. But his death was painless.

HUSH'D BE THE CAMPS TO-DAY[11]

(May 4, 1865)

BY WALT WHITMAN

TO THE MEMORY OF ABRAHAM LINCOLN

(1865)

BY WILLIAM CULLEN BRYANT

CROWN HIS BLOODSTAINED PILLOW

BY JULIA WARD HOWE

THE DEATH OF ABRAHAM LINCOLN[12]

BY WALT WHITMAN

Thus ended the attempted secession of these States; thus the four years' war. But the main things come subtly and invisibly afterward, perhaps long afterward—neither military, political, nor (great as those are), historical. I say, certain secondary and indirect results, out of the tragedy of this death, are, in my opinion, greatest. Not the event of the murder itself. Not that Mr. Lincoln strings the principal points and personages of the period, like beads, upon the single string of his career. Not that his idiosyncrasy, in its sudden appearance and disappearance, stamps this Republic with a stamp more mark'd and enduring than any yet given by any one man—(more even than Washington's)—but, join'd with these, the immeasurable value and meaning of that whole tragedy lies, to me, in senses finally dearest to a nation (and here all our own)—the imaginative and artistic senses—the literary and dramatic ones. Not in any common or low meaning of those terms, but a meaning precious to the race, and to every age. A long and varied series of contradictory events arrives at last at its highest poetic, single, central, pictorial denouement. The whole involved, baffling, multiform whirl of the secession period comes to a head, and is gather'd in one brief flash of lightning-illumination—one simple, fierce deed. Its sharp culmination, and as it were solution, of so many bloody and angry problems, illustrates those climax-moments on the stage of universal Time, where the historic Muse at one entrance, and the tragic Muse at the other, suddenly ringing down the curtain, close an immense act in the long drama of creative thought, and give it radiation, tableau, stranger than fiction. Fit radiation—fit close! How the imagination—how the student loves these things! America, too, is to have them. For not in all great deaths, nor far or near—not CÆsar in the Roman senate-house, nor Napoleon passing away in the wild night-storm at St. Helena—not Paleologus, falling, desperately fighting, piled over dozens deep with Grecian corpses—not calm old Socrates, drinking the hemlock—outvies that terminus of the secession war, in one man's life, here in our midst, in our own time—that seal of the emancipation of three million slaves—that parturition and delivery of our at last really free Republic, born again, henceforth to commence its career of genuine homogeneous Union, compact, consistent with itself.

OUR SUN HATH GONE DOWN[13]

BY PHŒBE CARY

TOLLING[14]

(April 15, 1865)

BY LUCY LARCOM

ABRAHAM LINCOLN[15]

"Strangulatus Pro Republica"

BY ROSE TERRY COOKE

EFFECT OF THE DEATH OF LINCOLN

BY HENRY WARD BEECHER

Again a great leader of the people has passed through toil, sorrow, battle and war, and come near to the promised land of peace into which he might not pass over. Who shall recount our martyr's sufferings for this people? Since the November of 1860, his horizon has been black with storms.

By day and by night, he trod a way of danger and darkness. On his shoulders rested a government dearer to him than his own life. At its integrity millions of men were striking at home. Upon this government foreign eyes lowered. It stood like a lone island in a sea full of storms, and every tide and wave seemed eager to devour it. Upon thousands of hearts great sorrows and anxieties have rested, but not on one such, and in such measure, as upon that simple, truthful, noble soul, our faithful and sainted Lincoln. Never rising to the enthusiasm of more impassioned natures in hours of hope, and never sinking with the mercurial, in hours of defeat, to the depths of despondency, he held on with immovable patience and fortitude, putting caution against hope, that it might not be premature, and hope against caution that it might not yield to dread and danger. He wrestled ceaselessly, through four black and dreadful purgatorial years, wherein God was cleansing the sin of His people as by fire.

At last, the watcher beheld the gray dawn for the country. The mountains began to give forth their forms from out the darkness and the East came rushing toward us with arms full of joy for all our sorrows. Then it was for him to be glad exceedingly that had sorrowed immeasurably. Peace could bring to no other heart such joy and rest, such honor, such trust, such gratitude. But he looked upon it as Moses looked upon the promised land. Then the wail of a nation proclaimed that he had gone from among us. Not thine the sorrow, but ours, sainted soul. Thou hast, indeed, entered the promised land, while we are yet on the march. To us remain the rocking of the deep, the storm upon the land, days of duty and nights of watching; but thou art sphered high above all darkness and fear, beyond all sorrow and weariness. Rest, O weary heart! Rejoice exceedingly,—thou that hast enough suffered! Thou hast beheld Him who invisibly led thee in this great wilderness. Thou standest among the elect. Around thee are the royal men that have ennobled human life in every age. Kingly art thou, with glory on thy brow as a diadem. And joy is upon thee for evermore. Over all this land, over all the little cloud of years that now from thine infinite horizon moves back as a speck, thou art lifted up as high as the star is above the clouds that hide us, but never reach it. In the goodly company of Mount Zion thou shalt find that rest which thou hast sorrowing sought in vain; and thy name, an everlasting name in heaven, shall flourish in fragrance and beauty as long as men shall last upon the earth, or hearts remain, to revere truth, fidelity and goodness.

Never did two such orbs of experience meet in one hemisphere, as the joy and the sorrow of the same week in this land. The joy was as sudden as if no man had expected it, and as entrancing as if it had fallen a sphere from heaven. It rose up over sobriety, and swept business from its moorings, and ran down through the land in irresistible course. Men embraced each other in brotherhood that were strangers in the flesh. They sang, or prayed, or deeper yet, many could only think thanksgiving and weep gladness.

That peace was sure; that government was firmer than ever; that the land was cleansed of plague; that the ages were opening to our footsteps, and we were to begin a march of blessings; that blood was staunched and scowling enmities were sinking like storms beneath the horizon; that the dear fatherland, nothing lost, much gained, was to rise up in unexampled honor among the nations of the earth—these thoughts, and that undistinguishable throng of fancies, and hopes, and desires, and yearnings, that filled the soul with tremblings like the heated air of midsummer days—all these kindled up such a surge of joy as no words may describe.

In one hour, joy lay without a pulse, without a gleam or breath. A sorrow came that swept through the land as huge storms sweep through the forest and field, rolling thunder along the sky, disheveling the flowers, daunting every singer in thicket or forest, and pouring blackness and darkness across the land and up the mountains. Did ever so many hearts, in so brief a time, touch two such boundless feelings? It was the uttermost of joy; it was the uttermost of sorrow—noon and midnight, without a space between.

The blow brought not a sharp pang. It was so terrible that at first it stunned sensibility. Citizens were like men awakened at midnight by an earthquake, and bewildered to find everything that they were accustomed to trust wavering and falling. The very earth was no longer solid. The first feeling was the least. Men waited to get strength to feel. They wandered in the streets as if groping after some impending dread, or undeveloped sorrow, or some one to tell them what ailed them. They met each other as if each would ask the other, "Am I awake, or do I dream?" There was a piteous helplessness. Strong men bowed down and wept. Other and common griefs belonged to someone in chief; this belonged to all. It was each and every man's. Every virtuous household in the land felt as if its firstborn were gone. Men were bereaved and walked for days as if a corpse lay unburied in their dwellings. There was nothing else to think of. They could speak of nothing but that; and yet of that they could speak only falteringly. All business was laid aside. Pleasure forgot to smile. The city for nearly a week ceased to roar. The great Leviathan lay down, and was still. Even avarice stood still, and greed was strangely moved to generous sympathy and universal sorrow. Rear to his name monuments, found charitable institutions, and write his name above their lintels, but no monument will ever equal the universal, spontaneous, and sublime sorrow that in a moment swept down lines and parties, and covered up animosities, in an hour brought a divided people into unity of grief and indivisible fellowship of anguish.

This Nation has dissolved—but in tears only. It stands four-square, more solid to-day than any pyramid in Egypt. This people are neither wasted, nor daunted, nor disordered. Men hate slavery and love liberty with stronger hate and love to-day than ever before. The government is not weakened; it is made stronger. How naturally and easily were the ranks closed! Another steps forward, in the hour that one fell, to take his place and his mantle; and I avow my belief that he will be found a man true to every instinct of liberty; true to the whole trust that is reposed in him; vigilant of the Constitution; careful of the laws; wise for liberty, in that he himself, through his life, has known what it was to suffer from the stings of slavery, and to prize liberty from bitter personal experiences.

Where could the head of government of any monarchy be smitten down by the hand of an assassin, and the funds not quiver or fall one-half of one per cent? After a long period of national disturbance, after four years of drastic war, after tremendous drafts on the resources of the country, in the height and top of our burdens, the heart of this people is such that now, when the head of government is stricken down, the public funds do not waver, but stand as the granite ribs in our mountains.

Republican institutions have been vindicated in this experience as they never were before; and the whole history of the last four years, rounded up by this cruel stroke, seems in the providence of God, to have been clothed now, with an illustration, with a sympathy, with an aptness, and with a significance, such as we never could have expected nor imagined. God, I think, has said, by the voice of this event, to all nations of the earth: "Republican liberty, based upon true Christianity, is firm as the foundation of the globe."

Even he who now sleeps has, by this event, been clothed with new influence. Dead, he speaks to men who now willingly hear what before they refused to listen to. Now his simple and weighty words will be gathered like those of Washington, and your children and your children's children shall be taught to ponder the simplicity and deep wisdom of utterances which, in their time, passed, in party heat, as idle words. Men will receive a new impulse of patriotism for his sake, and will guard with zeal the whole country which he loved so well. I swear you, on the altar of his memory, to be more faithful to the country for which he has perished. They will, as they follow his hearse, swear a new hatred to that slavery against which he warred, and which, in vanquishing him, has made him a martyr and a conqueror. I swear you, by the memory of this martyr, to hate slavery, with an unappeasable hatred. They will admire and imitate the firmness of this man, his inflexible conscience for the right, and yet his gentleness, as tender as a woman's, his moderation of spirit, which not all the heat of party could inflame, nor all the jars and disturbances of his country shake out of place. I swear you to an emulation of his justice, his moderation, and his mercy.

You I can comfort; but how can I speak to that twilight million to whom his name was as the name of an angel of God? There will be wailing in places which no minister shall be able to reach. When, in hovel and in cot, in wood and in wilderness, in the field throughout the South, the dusky children, who looked upon him as that Moses whom God sent before them to lead them out of the land of bondage, learn that he has fallen, who shall comfort them? O, thou Shepherd of Israel, that didst comfort Thy people of old, to Thy care we commit the helpless, the long-wronged, and grieved.

And now the martyr is moving in triumphal march, mightier than when alive. The Nation rises up at every stage of his coming. Cities and States are his pallbearers, and the cannon beats the hours with solemn progression. Dead, dead, dead, he yet speaketh. Is Washington dead? Is Hampden dead? Is David dead? Is any man that was ever fit to live dead? Disenthralled of flesh, and risen in the unobstructed sphere where passion never comes, he begins his illimitable work. His life now is grafted upon the infinite, and will be fruitful as no earthly life can be.

Pass on, thou that hast overcome. Your sorrows, O people, are his peace. Your bells and bands and muffled drums sound triumph in his ear. Wail and weep here; God made it echo joy and triumph there. Pass on.

Four years ago, O Illinois, we took from your midst an untried man, and from among the people. We return him to you a mighty conqueror. Not thine any more, but the Nation's; not ours, but the world's. Give him place, O ye prairies. In the midst of this great continent his dust shall rest, a sacred treasure to myriads who shall pilgrim to that shrine to kindle anew their zeal and patriotism. Ye winds that move over the mighty places of the West, chant his requiem. Ye people, behold a martyr whose blood as so many articulate words, pleads for fidelity, for law, for liberty.

HYMN[16]

BY OLIVER WENDELL HOLMES

ABRAHAM LINCOLN

Foully Assassinated April 14, 1865

BY TOM TAYLOR (MARK LEMON) IN LONDON PUNCH.

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