On leaving the Brights' dinner-party, Captain Dalton made his way to his car and sped out upon the moonlit road. An appreciable hesitation at the gate ended in his taking a course in an opposite direction to that in which lay Sombari and his patient. A misty peacefulness of smoke and quietude brooded over the Station. Darkened bungalows looked like sightless monsters dead to the world, and the silent lanes were alive alone with fireflies scintillating like myriad stars in a firmament of leaves. At Muktiarbad, there was little else for the English residents to do after the Club had closed its door at nine, but eat, drink, and sleep. Theatres never patronised mafasil stations, and cinemas had not yet found their way so far into rural Bengal. In the bazaar also, which was strictly the native quarter of the town, the night was silent save for intermittent tom-tomming on the favourite dholuk, But Captain Dalton had no business in the bazaar. If Honor Bright could have seen him then, she would have been surprised at the look of indecision on his usually determined face. Freed from the restraint of curious eyes watching for revelations of himself, the man's face wore a more human expression; his peculiar half-smile of toleration, or contempt, relaxing the lines of his stern mouth. For a couple of furlongs he drove fast, then slowed down to a noiseless glide as he ran past the tall cactus fence bordering the Collector's domain. At the end of the fence where it turned at right angles dividing the "compound" from a paddock, the engines were reversed in the narrow lane, till the car came back to the rustic gate beyond the culvert. It lay hospitably open in the usual way of gates in the Station, and gave access to the grounds. There was only a momentary pause while Dalton seemed to make sure of his intention, and the next instant he was moving slowly up the drive between the handsome goldmohur trees of the avenue. In the dark shadow of one of these, he shut off his engines and stepped to the ground. All about him, the garden was bathed in silver light, each shrub and arbour steeped in tranquil loveliness, while footpaths gleamed white amidst stretches of dusky lawns; the whole presenting a scene of veritable enchantment under the soft radiance of the moon; a gentle breeze, the while, rustling among the leaves. In front of him lay the wide, squat bungalow with its flat roof ornamented by a castellated balustrade of masonry, and supported by tall pillars. The verandah was in darkness but for a hurricane hand lantern on the top step. He was not sure that he had the right to intrude at that late hour even with the pretext of a semi-official inquiry ... but lights in the drawing-room and the tones of the piano, rich and sweet, ended his indecision. The staff of servants being reduced by their master's requirements in camp, there was no one at hand to announce his arrival. Even the peon, supposed to keep watch against the intrusion of toads and snakes, had betaken himself to the servants' quarters behind the bungalow, for his last smoke before shutting up the house for the night. Joyce was playing Liszt's Liebestraum with diligence, but no feeling. Her execution was good, but her soul being yet unawakened, she played without understanding, and Dalton's musical sense suffered tortures as he listened for a few moments; then, abruptly parting the curtains, he ruthlessly interrupted the performance by his entrance, conscious on the instant of the alluring picture she made,—or, rather, would make, to senses that were impressionable. Having outlived that stage, he could only survey at his leisure the curve of her youthful cheek and the small bow of her mouth that seemed to demand kisses; watch the lights dance in the gold of her hair, and amuse himself with the play of her eyelashes. She was dressed in rich simplicity, the only colour about her, apart from the shell-pink of her face and the natural crimson of her lips, was a deep, red rose in her bosom. He inhaled its perfume as she ran to him and seized his hand in impetuous welcome, while he could not but appreciate the exceptional opportunity afforded him of improving their acquaintance. "How did you know that I was longing to send for you but lacking in courage?" she asked, holding his hand in both hers with extreme cordiality, born of her gratitude for his late services. Her manner was that of a child towards a respected senior, and was not without a certain charm. "You did not come to dinner," he replied with his grudging smile, "so I had to call and see why. You are such a grave responsibility to me in your husband's absence." "Does it weigh very heavily on you?" she asked coquettishly. "As you see, it dragged me here at this late hour!" "Poor you!" she sympathised; then instantly pulled a long face and explained her alarms deprecatingly while she drew him—still holding his hand—to her bedroom that he might see the child for himself and judge of his condition. It was her habit to have the baby's crib by her bed, and the ayah close at hand in case of disturbed nights, while Meredith was compelled to retire to a separate suite, adjoining hers. "Such a young infant needs his mother, you selfish old Daddy, and must not be deprived." Arguments respecting the advantages of employing an English nurse and establishing a nursery had been swept aside as arbitrary and unfeeling. As if she could ever consent to a hireling occupying her place with her beloved child! Others might do as they pleased and lose their place in their little ones' affections, but not she! Fathers should consider their offspring before themselves. When Meredith had looked unconvinced and injured, she had tried to soften the blow by cajoleries, in the use of which she was past-mistress. Silly goose! as if the same roof did not cover them both! and didn't she belong to him and no one else in the world?—"Was he going to be a cross boy, then, and make his little girl's life miserable with big, ugly frowns?..." The doctor gave the child a brief examination as he and Joyce leant over the crib, shoulder to shoulder. She seemed so unconscious of the close contact and of its effect on the average masculine nature that he mentally decided she was either a simpleton or a practised flirt, given to playing with fire. "I shall sleep so much better tonight now that I know there is nothing seriously wrong with my precious darling!" she said, returning beside him to the drawing-room and tantalising him with brief glances from her shy, sweet eyes. "You worry quite unnecessarily, take it from me," he returned. "Don't put him in a glass case, and he will do all right. You should go out more." "I shall, when Ray comes back. He has the car." "Play tennis every afternoon at the Club." "I daren't! I play so badly," she pouted. "Then come driving with me," he said on an impulse which he regretted the moment after, for it would deprive him of the scant leisure he usually devoted to a treatise he was writing. It was not his habit to sacrifice himself to strangers and people in whom he was not greatly interested. However, the study of the little spoiled beauty might prove entertaining since she was not as transparent as he had imagined. The mystery of her undeveloped nature, her childish outlook on life, her ingenuousness and coquetry, were all somewhat unusual and appealing. He could not quite gauge her feeling for her husband who worshipped the ground she trod on. She probably took him for granted as she took the solar system, and was not above practising her arts innocently on others to relieve the monotony of her days. Like most pretty women, he judged her fully aware of her prettiness, and not bound by too rigid a sense of propriety. It might amuse him to test how far she would permit herself to go—or the men who admired her physical beauty; and as he had no friendship for her husband, he was not troubled by too many qualms on Meredith's account. With a big score to settle against Life, he considered himself at liberty to choose the nature of his compensation, and so be even with Fate. "I should dearly love to drive with you," Joyce said engagingly, thinking of his perfect little car and the triumph it would be to tame this unsociable and reserved person in the eyes of all the Station. What a score for her little self! Being essentially of a friendly disposition, she saw no reason why he should not become her particular friend. Not as if she were a creature like Mrs. Fox, or other women who flirted—perish the thought! There could therefore be no possible wrong. "Have you ever driven your car?" he asked indulgently. "Never." "Nervous?" "I don't think so, only no one ever showed me how." "Shall I teach you?" "Will you? What a dear you are!" she cried with eyes sparkling and dimples in full play as she seized the lapels of his coat and made him swear not to back out. "It will be great! What a surprise for Ray—you won't mention it? I can fancy myself hopping into the chauffeur's seat, and whoof! gliding away before his eyes. I shall dream of it all night." "And of me?" he asked looking at his watch and recalling his intention to visit Sombari before midnight. "Of course. That goes without saying if it is about your car!" twirling lightly on her toe with the grace of a born dancer. "I find it difficult to believe you are married," he said with a crooked smile. "Your husband should call you 'Joy.'" "He invents all sorts of pet names far sweeter." "Anyhow, I shall think of you as 'Joy,'" he amended, taking up his cap from the piano. "I can't fancy you thinking of any one so frivolous as myself," she laughed. "But you are not going, surely? We haven't even begun to talk!" The open piano and her frank disappointment drew him to dally with temptation, and he seated himself on the music stool, uninvited, to run his fingers over the keys. "You were playing the Liebestraum. Will you let me play it to you?" he coolly suggested, anxious to give her a lesson as to how it should be interpreted; and without waiting for her consent, began to play. Joyce drew up full of interest and pleasure to listen and watch, instantly aware that he was no self-advertised musician. As she had no conceit in regard to her one and only accomplishment, she was ready and willing to learn from him. Dalton played with the technique and sympathy of a great artist. Though the opening movement was soft and low, every note fell like drops of liquid sweetness, clear and true—the melody thrilling her with its tender appeal. Insensibly it grew stronger and louder, the pace quickened, till the crash of chords and the rippling rush of sound caused her to hold her breath in an ecstasy lest she should be robbed of a single delight. Now and then, she glanced at his face and she knew that, for the moment, she had ceased to exist for him. His strange, jade-green eyes with their flecked irids had widened as though with inspiration. He saw visions as he played, gazing intently into space; Joyce wondered what he saw, sure that it was beautiful, and passionately sad. Gradually, the passion and dignity of the music having reached its climax, it grew weary and spent. The glorious melody sighed its own requiem and softly died away on a single note. For a moment neither spoke, till Joyce gave a hysterical sob that broke the spell. "It is too wonderful—the way you play!" she cried breathlessly. "It makes my flesh creep and my heart stand still. I know now why you chose to play the Liebestraum!—--" He smiled back at her like the culprit he was. "I had dared to attempt its murder!—believe me, I shall never play it again!" "I wanted to show you how it might be played, but I do not dare to criticise." "You have done so, scathingly!—Oh! I feel so small." "Then I am sorry I played it." "I am infinitely glad. You will have to teach me something more than motoring," she said wistfully, her blue eyes pleading. "You will have to tell me how I should play. I want to hear you all day long!" He smiled at her enthusiasm. "I shall be delighted to give you all the help I can." "Honor Bright said yesterday that you once sang to her—I am jealous! Won't you sing to me?" "Did she tell you of the occasion?" "Yes, and how good you were to her." "She is a heroine—Honor Bright," he repeated her name with curious tenderness. "She thinks you are a wonderful person, altogether." "Does she?" he asked quickly, a shadow falling suddenly over his face at a thought which was evidently disturbing. "How am I wonderful?" "I don't know. She said something about great depths in your nature. She believes you are tremendously good, inside, but that you will not show it because you have been hit very hard and feel like hitting back." He was silenced for a moment. "What made her say that?" he asked while continuing to draw subdued harmonies from the instrument. "It was to explain your attitude towards people. You are so hard and cold. But what does all that matter? The main thing is, I want you to sing, and you must!" She laid her hands over his on the keys with pretty imperativeness, and put an end to the chords. "Look at the time," said he, drawing attention to the gilt clock on an occasional table. The phrase "hard and cold" echoed in his ears to mock him. "It is certainly late!" she gasped, as she realised that the hands pointed to a quarter past eleven. "But I am so lonely and dull. Do sing to me!" A mischievous smile twisted his lips as he struck the opening bars of The Dear Homeland. "It's an old ballad and will probably bore you to tears," he said, before beginning to sing. Joyce had often heard it sung, but never with the feeling Captain Dalton threw into it for her benefit alone. It was a strong and direct appeal to nostalgia, and the quality of his voice, together with the words, dissolved her into tears of positive distress. When he had finished, she was weeping silently into her little hands,—unaffectedly and sincerely. "I cannot bear it!" she sobbed childishly. "Why did you choose that when you knew how I am longing for home and the home faces!" "I am a brute, am I not?" he said repentantly, taking down her hands and drying her eyes with his handkerchief. "Was it a nasty fellow, then, to tease?" "It was," she laughed hysterically with downcast lids and sobbing breath, looking adorable with her saddened wet eyes and crimson flush. "Come, I'll make up for it and sing you something quite different." And he was as good as his word, singing passionate love-songs that swore eternal devotion to a mythical "Beloved," till a clock, striking twelve, brought him abruptly to his feet. "Do you always allow your visitors to stay so late?" he asked while saying good-night. "I never have visitors at night when I am alone," she returned, surprised. "Why do you ask?" "Because you are too pretty and will have to be careful. Pretty women have enemies of both sexes." "What do you mean?" "I mean that men will want to make love to you if you are too kind, and women will tear your reputation to shreds." He watched the flush deepen in her cheeks: she was uncertain how to take his remark, but decided he had not meant a liberty. "I think I shall always fear women more than men," she said finally, thinking of the slanderous tongues of her sex. "Am I forgiven for having made you cry?" he asked. "Of course. Thank you so much for the songs. You sing like an angel." "A very bad one I'm afraid," he returned. "With your leave I shall take this rose as a pledge," he said drawing it from the brooch at her bosom and laying it against his lips. "Look, it is fading fast. Will you fix it in my coat?" Joyce unaffectedly complied. He was welcome to the rose as a reward for his beautiful music. "When you get home, put it in water, and it will fill your room with fragrance," she said patting it into position. "—And my mind of you?" he suggested tentatively, knowing full well that he would forget all about her and her rose the moment he was out of sight of her dwelling. Already he was wondering why he had allowed himself to waste so much of his valuable time in trifling and whether he would have dared the same liberty with the rose had it been resting on Honor Bright's bosom. With Honor, somehow, a man would have to plead for favours and value them for their rarity when obtained. No man in the Station took liberties with Honor Bright, and every man thoroughly respected her. Dalton shook his mind free of the thought of Honor Bright. "I shan't mind if the rose recalls me to you, so long as you promise to forget my Liebestraum!" said Joyce. "I shall remember only the tears I caused you to shed, and never be so cruel again." Dalton passed out into the verandah accompanied by his hostess who desired to speed the parting guest. "When does your husband return?" he asked. "Tomorrow night. I am counting the hours," she replied. "Haven't you heard that 'Absence makes the heart grow fonder'?" "I don't subscribe to that sentiment," he retorted with a disagreeable laugh as he walked towards the car. She certainly had the makings of a dangerous flirt, he decided, though, at present, she was only feeling her way. Time would develop her powers and then, God help the young idiots who would lose their heads! Most of all, God help her fool-husband—the besotted idealist! In a few years, Joyce Meredith would be no better than most lovely women in the East—notably such as flourished in the hill stations of India. Dalton was amused, and laughed aloud at his own weakness and folly. He had not wanted her rose—yet, at the moment, the propinquity of her beauty had magnetised him and given him the desire for a closer intimacy—possibly a kiss!—so he had put his lips to the rose! Feminine witchery had made utter fools of men through the ages! Given further chances of intimacy, a rose might not again suffice! By the time Dalton had reached the crossroads, indecision had again taken possession of him, and he hesitated at the wheel. He had left the Brights' party fully intending to run out to Sombari, but had been diverted; and now it was too late. They would not be expecting him after midnight. He yawned, thoroughly tired, as he had had a strenuous day, and decided to call at the Mission fairly early in the morning, instead. There was nothing he could do for the sufferer more than was being done by the trained nurse he had procured for the case. Satisfied in mind that bed was the best place for tired people, Dalton turned his car and drove it to his own bungalow next door to the Brights'. |