There is nothing more delightful than travel, but roaming the world like a Peer Gynt is not the same thing. Amusing at first, it finally gets on the nerves,—and living in trunks for years is highly disorganizing. The letters which followed me to Mexico City from Mr. Saltus said that his father was going downhill rapidly. Never close to his younger son in any sense, during his last days, however, Francis Saltus turned to him more and more, relied on him and was comforted by his presence. While Mr. Saltus' letters threw out hints of coming to Mexico, where he hoped the New York Journal would find some work for him to do,—his father's unwillingness to have such a distance between them, and the real necessity for his presence within telephone distance, put an end to that. Letters of introduction were sent by him, however, to his old friend Eli Goddard, However, the home,—the understanding, and the unselfish interest of Miss G—— did much to keep him from moods and melancholy. No woman Mr. Saltus knew up to that time was a more uplifting influence than she. Calm, dependable, her feet well on the earth, her emanations were sweet and soothing. The occasions on which Mr. Saltus saw his young daughter were holidays to him. To take her to the Plaza Hotel for tea and a chat was enough to brighten an entire week for him. Of Bob Davis, Mr. Saltus saw quite a bit during this time. He is one of the few men whom Mr. Saltus really loved. "Bob," he used to say, "is unique. There is no one like him. He stimulates me like champagne." Many were the lunches and dinners they had Letters from editors were unmistakable. They could be identified from their envelopes. My writing, and that of his closest friends, he could take in at a glance. Why take chances on the rest? What he did not know could not worry him. There was serenity in an unopened letter. Any unpleasantness in a note, however slight it might be, upset him to such an extent that he could not concentrate his mind or write a line of copy that day. On the occasion of this luncheon with Bob Davis, Mr. Saltus took in his letters at a glance,—decided that there was nothing he cared to take a chance on, and picking them up unopened he tore the lot into fragments. In telling of it he said:— "Bob always thought I was a bit queer. Now he must be certain that I am quite mad." This habit, instead of decreasing, grew with the years. He had a horror of opening letters of any kind for some time before he died,—the Spring came, and the summer followed. Quoting from a letter of his, Mr. Saltus wrote: "There is green on the trees and the joy of springtime, but there is nothing in my heart but despair. When is this nightmare to end? When you were in Margaret Street I could picture you. I was a part of it all. Now it is chaos. Letters from Mexico City, from Orizaba and Cuernavaca, and the devil knows The rainy season is the time to leave Mexico. Joining a party, among whom was a friend of Eli Goddard's, a very charming Spaniard, and still moving on like the Wandering Jew, I went north through Los Angeles and Santa Barbara to San Francisco. Spaniards are very gallant. In writing of this one I perhaps emphasized him overmuch. Telegrams of worry and warning followed. A fortnight after I reached the St. Francis Hotel a wire from Mr. Saltus read:—"My father died yesterday. Leaving for San Francisco next week. Eternamente. SNIPPSY." A small inheritance from his father making finances less of a pre-occupation, Mr. Saltus was free to go and come as he pleased. It was in June when he appeared at the St. Francis Hotel. Even there the shadow followed. He An amusing and characteristic episode happened when he had been there but a short time. There was—and I believe is—a funny little restaurant in San Francisco called Coppa's. It looked like a spoonful of old England dropped there by mistake. Quaint mottoes, sketches and epigrams—the souvenirs of artistic and satisfied souls—decorated the walls. The Cheshire Cheese is something of a first cousin by comparison. Here, Jack London, Anna Strunsky, now Mrs. William English Walling, and other celebrities used to dine and linger. In that city of bohemian cafÉs this little place stood alone. Mr. Saltus hated restaurants. For some "If you go, will you be a good Snipps and not fight with the waiters?" "I'll be a good Snipps. I'll take what you tell me and be thankful." "Will you wear your muzzle and not jerk at the lead?" "I'm old dog Tray—ever faithful." "Old dog traitor—ever faithless you mean. I know your tricks, but come along then." He came. Coppa's was almost full, but by some turn of the tables we found ourselves seated in the center of the room. That was enough to start Mr. Saltus off. Restaurants "It's far too crowded. Mr. Me doesn't want to stay. Let's leave the others and go somewhere else." The muzzle as well as the menu was ignored and forgotten. When Mr. Saltus began to growl it was preliminary only, but I knew the signs—knew, too, what might be expected to follow. As he ceased speaking a sudden cramp took possession of my right foot, and my exclamation of surprise distracted his attention for the moment. It was my turn to growl. A low shoe was kicked off during the growling and the meal began. All at once a sympathetic cramp in the other foot compelled his attention to be directed to me again while the remaining shoe was removed. It may be mentioned in excuse that it was the fashion to wear ridiculously high and narrow shoes at the time. We had gone as far as the soup, which Mr. "You will have to sit here until every one goes or some one can fetch you a larger pair of ties." This remark was from one of our conservative friends, and it met with the approval of the others. Mr. Saltus was becoming restive again by this time. "Not at all," I answered. "It's unfortunate to be sure, but get up and go I shall in my stocking feet. There is no law making shoes obligatory,—and besides, the people in this place are bohemians." "All the more reason not to imitate them," was the reply. That was enough to make the crowded little restaurant a most enchanting place to Mr. Saltus. Tables and people became non-existent to "Right you are, Mowgy. What the devil do you care for a pack of nincompoops?" The anguish of the others in the party at being seen leaving a restaurant with a shoeless girl amused and delighted him. It could have been done quietly and unnoticed but for his love of a joke. Our friends were sufficiently horrified as it was, but for the dÉnouement they were quite unprepared. Realizing their discomfiture and revelling in it, Mr. Saltus made a dive under the table. That was not uncommon, for, knowing my habit of letting gloves, handkerchiefs and pocket-books fall from my lap unnoticed, he had trained himself to look. That was the old dog Tray, as he called himself. When he reappeared upon this "What the devil do you care what people think?" Mr. Saltus exclaimed. "Sheep and swine follow, but you cannot make either of Mowgy,—thank God." After that pleasurable and ingratiating episode he was not tormented by invitations from my friends. It was too bad that Anna Strunsky was not in the restaurant that evening, for she would have been amused. We had the pleasure of meeting her not long after this and were enchanted with her cleverness and charm. Mr. Saltus' interest in spiritualism had flagged. Hearing that Miller, the materializing "I'm frightened," he said. "If a spook should come and ask for me,—you answer it." With clenched and clammy hands he sat and shivered, and when a form purporting to be that of his mother appeared and gave the name of Eliza Saltus, he whispered to me:— "Speak." "Speak yourself," I said. "I refuse to play the part of a phonograph all the time. It is for you, not me, that the spirit is here." The shimmering form came closer. It almost brushed Mr. Saltus' knee. He shut his eyes and reiterated imploringly: "Speak, Mowgy! For God's sake speak to it!" The shadowy form had held together as long perhaps as it could. The ectoplasm may have given out or his condition of mind influenced it. In any event the form flickered. With his eyes still closed Mr. Saltus clutched me by the arm:— "Has it gone?" he whispered. As he spoke the form flickered again and went out. It was a long time before he wanted to go to a sÉance again. During his stay in San Francisco he was guest of honour at the Bohemian Club, and he met there many interesting people. A brief visit to Carmel-by-the-Sea brought his Californian trip to a close. The State interested him. He liked the quiet,—the almost perpetual sunshine, and above all, the absence of convention and the freedom enjoyed by everyone. It was with regret that he left the sunshine and the silence to chafe under the vibrations and noise of New York. Once again pathetic letters raced across the continent. He had no home and no anchor. Mrs. Saltus and his daughter were living permanently abroad. His hours with the latter had been his oases in a desert of loneliness. Now, barring Miss G——, Dr. Kelley and occasionally Bob Davis, he had almost no friends. Upon reaching New York he finished a series of articles on Russia, for Munsey's Magazine which later formed the basis of his "Imperial Orgy." In the late autumn the failing health of my father recalled me to New York. Mr. Saltus was finishing the last chapter of "Lords of the Ghostland." No other book he ever wrote was strung out over so long a time, or took so many hours of research. He brought the manuscript to my home, returning the next day for the praise and patting on the back he felt that he deserved. "What do you think of it?" he asked. The small boy always appeared at such moments. "The King of France and twice ten thousand "What do you mean? Is there no climax?" "Just that. You take the reader from protoplasm to paradise,—you lead him through labyrinths, mazes and mysteries, and leave him just where you started. If you cannot give the reader a ladder give him a straw,—but give him something." We are all tenacious with the children of our brain, Edgar Saltus especially so, but in this instance he took the criticism willingly. That last chapter he re-wrote four times, amplifying the idea of the continuity of life and the possibility of reincarnation, which he referred to as the "supreme Alhambra of dream." What he offered then was not his belief, but a theory and a suggestion. The last chapter curiously enough was the part of the book receiving the highest praise from the critics, who with one accord said that he had struck a new and exalted note. A few years later he was wringing his hands because he could not re-write "If I had not been so pig-headed,—so dense. Having the chance to turn out a masterpiece,—a thing that would have lived,—I passed it by. I saw only in a restricted circle, when had I but looked up, a limitless horizon of wonder and wisdom stretched before me." |