Throw hither all your quaint enamell'd eyes.
Milton.

I spoke just now of a love of the quaint. Quaintness, though it may exist apart from beauty, is often associated with it, and, unlike grotesqueness, has a pleasurable interest for the spectator. In flowers it is usually suggested by some abnormality of shape, as in the snapdragon; less frequently, as in the fritillary, by a singular effect of colouring. Perhaps it is to the orchis group that one would most confidently apply the word; for they arrest attention not so much by their beauty as by their strangeness: one of them, indeed, the dwarf orchis, is undeniably beautiful, while another, the bird's-nest, is as ugly as a broom-rape; the others, if one tried to find a comprehensive epithet, might fairly be described as quaint.

This quality in the orchids is not due solely to the odd likeness which some of them present to certain insects; for, as far as British species are concerned, the similarity, with a few exceptions, is somewhat fanciful. If it be granted that the fly, the bee, and the spider orchis are justly named—though even in these the resemblance is not always recognized when pointed out—it is no less true that one looks in vain for the semblance of a "butterfly," or of a "frog," in the plants that are so entitled, and it takes some ingenuity to discover the "man" in aceras anthropophora, or the "egg" in the white helleborine. But there is a charming quaintness in nearly all members of the family, owing largely to the peculiar structure of the lower lip of the corolla or the unusual length of the spur.

The very name of the snapdragon is a proof of its hold upon the imagination: what mediÆval romance and unfailing charm for children—and for adults—is conveyed in the word! The plant is at its best when clad in royal hue of purple; the white robe also has its glory; but the intermediate forms, striped and mottled, that are so fancied in gardens, are degenerates from a noble type. Seen on the walls of some ancient ruin, the snapdragon is a wonder and a delight; it is to be regretted that its place is now so often usurped by the red valerian, in comparison a mere upstart and pretender. The lesser snapdragon or calf's-snout, with the toadflaxes and fluellens, shares in the characteristic quaintness of its tribe.

I will next instance the "perfoliates," plants not confined to any one order, but alike in having a stem which passes midway through the leaf or pair of leaves, a most engaging curiosity of structure. It is by this peculiarity that the yellow-wort, a gentian with glaucous foliage and blossoms like "patines of bright gold," mainly wins its popularity. But the quaintest of perfoliates is the hare's-ear, or "thorow-wax," as it used to be called, of which, as Gerarde wrote, "every branch grows thorow every leaf, making them like hollow cups or saucers." The thorow-wax owes its attractiveness to these singular glaucous leaves, which might be compared with an artist's palette; in some measure, also, to the sharp-pointed bracts by which the minute yellow flowers are enfolded—features that lend it a distinction which many much more beautiful plants do not possess.

From no catalogue of quaint plants could the butterwort be omitted. "Mountain-sanicle" was its old name; and all climbers are acquainted with it, as it studs the wet rocks on the lower hillsides with pale green or yellowish leaves like starfish on a seashore. Its flowering-season is short, but full of interest, for lo! from its centre there rise in June one or two long and dainty stems, each bearing at its extremity a drooping purple flower that might at first glance be taken for a violet—a violet springing from a starfish!

It is a long step from these conspicuous examples of the quaint to the small and modest moschatel, a hedge-flower which is likely to go unobserved unless it be made a special object of inquiry. Adoxa, "the unknown to fame," is its Greek title; but if it has little claim to beauty in the ordinary sense, there is no slight charm in its delicate configuration, and in the whimsical arrangement of its five slender flower-heads—a terminal one, facing upwards, supported by four lateral ones, with a resemblance to the faces of a clock; whence its not inappropriate nickname, "the clock-tower." A fairy-like little belfry it is, whose chimes must be listened for, if at all, in the early spring, for it hastens to get its flowering finished before it is overgrown by the rank herbage of the roadside.

There are many other flowers that might claim a place in this chapter, such as the sundews and the bladderworts; the mimulus and ground pine; the samphire and sea-rocket; the mullein and the teazle; and not least, the herb Paris, with that large quadruple "love-knot" into which its leaves are fashioned. But it must suffice to speak of one more.

The fritillary, which shall close the list, is quaint to the point of being bizarre: its various names bear witness to the freakishness of its apparel—"guinea-flower," "turkey-hen," "chequered lily," "snake's-head," and so forth. It was aptly described by Gerarde as "chequered most strangely. . . . Surpassing the curiousest painting that art can set down"; and in addition to this gorgeous colouring, the bell-like shape and heavy poise of its flower-heads contribute to the striking effect. From Gerarde to W. H. Hudson, who has portrayed it very beautifully in his Book of a Naturalist, the fritillary has been fortunate in its chroniclers; in its name, which it shares with a handsome family of butterflies, it can hardly be said to have been fortunate. For apart from the consideration that it is no great honour to a fine insect or flower to be likened to that instrument of human folly, a dicebox (fritillus), there is the practical difficulty of pronouncing the word as the dictionaries tell us it must be pronounced, with the accent on the first syllable; and not the dictionaries only, but the poets, as in Arnold's oft-quoted but very cacophonous line:

I know what white, what purple fritillaries. . . .

Why must so quaintly charming a flower be so barbarously named that one's jaw is well-nigh cracked in articulating it?