SIR WALTER SCOTT (1771-1832)

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Since this little book was undertaken it has been announced, truly or not, that the bulk of Scott's autograph letters has been bought by a fortunate and wise man of letters for the sum of £1500. Neither life nor literature can ever be expressed in money value: but if one had £1500 to spend on something not directly necessary, it is possible to imagine a very large number of less satisfactory purchases. For as was briefly suggested in the Introduction, Scott's letters—while saturated with that singular humanity and nobility of character in which he has hardly a rival among authors of whom we know much—are distinctly remarkable from the purely literary point of view. His published work, both in verse and prose, has been accused (with what amount of justice we will not here trouble ourselves to discuss)—of carelessness in style and art. No such charge could possibly be brought against his letters, which hit the happy mean between slovenliness and artificial elaboration in a fashion that could hardly be bettered. The great variety of his correspondents, too, provides an additional attraction: for letters indited to the same person are apt to show a certain monotony. And Scott is equal to any and every occasion. Here as elsewhere the "Diary" drains off a certain proportion of matter: but chiefly for the latest period and in circumstances scarcely happy enough for letters themselves.

The following letter was selected because of its admirable treatment of a theme—the behaviour, responsibility, and general status of Authors as objects of public judgment—on which an infinite amount of deplorable and disgusting nonsense has been talked and written. It starts, as will be seen, with the quarrel between Lord and Lady Byron—and then generalises. Not many things show Scott's golden equity and fairness better. He is perhaps "a little kind" to Campbell, who was, one fears, an extra-irritable specimen of the irritable race: but this is venial. And probably he did not mean the stigma which might be inferred from the conjunction of "Aphra and Orinda." They were certainly both of Charles II.'s time: but while poor Aphra was, if not wholly vicious, far from virtuous, the "matchless Orinda" (Katherine Philips) bears no stain on her character.

28. To Joanna Baillie

(End of April 1816)

My dear friend,

I am glad you are satisfied with my reasons for declining a direct interference with Lord B[yron]. I have not, however, been quite idle, and as an old seaman have tried to go by a side wind when I had not the means of going before it, and this will be so far plain to you when I say that I have every reason to believe the good intelligence is true that a separation is signed between Lord and Lady Byron. If I am not as angry as you have good reason to expect every thinking and feeling man to be, it is from deep sorrow and regret that a man possessed of such noble talents should so utterly and irretrievably lose himself. In short, I believe the thing to be as you state it, and therefore Lord Byron is the object of anything rather than indignation. It is a cruel pity that such high talents should have been joined to a mind so wayward and incapable of seeking control where alone it is to be found, in the quiet discharge of domestic duties and filling up in peace and affection his station in society. The idea of his ultimately resisting that which should be fair and honourable to Lady B. did not come within my view of his character—at least of his natural character; but I hear that, as you intimated, he has had execrable advisers. I hardly know a more painful object of consideration than a man of genius in such a situation; those of lower minds do not feel the degradation, and become like pigs, familiarised with the filthy elements in which they grovel; but it is impossible that a man of Lord Byron's genius should not often feel the want of that which he has forfeited—the fair esteem of those by whom genius most naturally desires to be admired and cherished.

I am much obliged to Mrs. Baillie for excluding me in her general censure of authors; but I should have hoped for a more general spirit of toleration from my good friend, who had in her own family and under her own eye such an exception to her general censure—unless, indeed (which may not be far from the truth), she supposes that female genius is more gentle and tractable, though as high in tone and spirit as that of the masculine sex. But the truth is, I believe, we will find a great equality when the different habits of the sexes and the temptations they are exposed to are taken into consideration. Men early flattered and coaxed, and told they are fitted for the higher regions of genius and unfit for anything else,—that they are a superior kind of automaton and ought to move by different impulses than others,—indulge their friends and the public with freaks and caprioles like those of that worthy knight of La Mancha in the Sierra Morena. And then, if our man of genius escapes this temptation, how is he to parry the opposition of the blockheads who join all their hard heads and horns together to butt him out of the ordinary pasture, goad him back to Parnassus, and "bid him on the barren mountain starve." It is amazing how far this goes, if a man will let it go, in turning him out of the ordinary course of life into the stream of odd bodies, so that authors come to be regarded as tumblers, who are expected to go to church in a summerset, because they sometimes throw a Catherine-wheel for the amusement of the public. A man even told me at an election, thinking I believe he was saying a severe thing, that I was a poet, and therefore that the subject we were discussing lay out of my way. I answered as quietly as I could, that I did not apprehend my having written poetry rendered me incapable of speaking common sense in prose, and that I requested the audience to judge of me not by the nonsense I might have written for their amusement, but by the sober sense I was endeavouring to speak for their information, and only expected [of] them, in case I had ever happened to give any of them pleasure, in a way which was supposed to require some information and talent, [that] they would not, for that sole reason, suppose me incapable of understanding or explaining a point of the profession for which I had been educated. So I got a patient and very favourable hearing. But certainly these great exertions of friends and enemies have forced many a poor fellow out of the common paths of life, and obliged him to make a trade of what can only be gracefully executed as an occasional avocation. When such a man is encouraged in all his freaks and follies, the bit is taken out of his mouth, and, as he is turned out upon the common, he is very apt to deem himself exempt from all the rules incumbent on those who keep the king's highway. And so they play fantastic tricks before high heaven.

The lady authors are not exempt from these vagaries, being exposed to the same temptations; and all I can allow Mrs. Baillie in favour of the fair sex is that since the time of the Aphras and Orindas of Charles II's time, the authoresses have been ridiculous only, while the authors have too often been both absurd and vicious. As to our leal friend Tom Campbell, I have heard stories of his morbid sensibility chiefly from the Minto family, with whom he lived for some time, and I think they all turned on little foolish points of capricious affectation, which perhaps had no better foundation than an ill-imagined mode of exhibiting his independence. But whatever I saw of him myself—and we were often together, and sometimes for several days—was quite composed and manly. Indeed, I never worried him to make him get on his hind legs and spout poetry when he did not like it. He deserves independence well; and if the dog which now awakens him to the recollection of his possessing it, happened formerly to disturb the short sleep that drowned his recollection of so great a blessing, there is good reason for enduring the disturbance with more patience than before.

But surely, admitting all our temptations and irregularities there are men of genius enough living to restrain the mere possession of talent from the charge of disqualifying the owner for the ordinary occupation and duties of life. There never were better men, and especially better husbands, fathers, and real patriots, than Southey and Wordsworth; they might even be pitched upon as most exemplary characters. I myself, if I may rank myself in the list, am, as Hamlet says, indifferent honest, and at least not worse than an infidel in loving those of my own house. And I think that generally speaking, authors, like actors, being rather less commonly believed to be eccentric than was the faith fifty years since, do conduct themselves as amenable to the ordinary rules of society.

This tirade was begun a long time since, but is destined to be finished at Abbotsford. Your bower is all planted with its evergreens, but must for seven years retain its original aspect of a gravel pit.

(Rest lost.)


                                                                                                                                                                                                                                                                                                           

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