The author of Treasure Island (invariably known to his friends simply as "Louis," the "Robert" being reserved in the form of "Bob" for his less famous but very admirable cousin the art-critic) will perhaps offer to some Matthew Arnold of posterity the opportunity of a paradox like that of our Matthew on Shelley. For a short time some of these friends—not perhaps the wisest of them—were inclined to regard him as, and to urge him to continue to be, a writer of criticisms and miscellaneous articles—a sort of new Hazlitt. Others no sooner saw the New Arabian Nights than they recognised a tale-teller such as had not been seen for a long time—such as, in respect of anything imitable, had never been seen before. And he fortunately fell in with these views and hopes. But all his tales are pure Romance, and Romance has her eclipses with the vulgar. On the other hand his letters are almost as good as his fiction, and not in the least open to the charges of a certain non-naturalness of style—even of thought—which could, justly or not, be brought against his other writings. And it is perhaps worth noting here that letters have held their popularity with all fit judges almost better than any other division of literature. Whether this is the effect of their "touches of nature" (using the famous phrase without the blunder so common in regard to it but not without reference to its context) need not be discussed. As, by the kindness of Mr. Lloyd Osbourne, I am enabled to give here an unpublished letter of Stevenson's to myself, it may require some explanation, not only of the com I of course told Mr. Kipling of the contents which concerned him: and he, equally of course, demanded delivery of the goods at once. But, half in joke, I demurred, saying that I was a bailee, and the gift was not formal enough, being undated and only a "suggestion"; he should have it without fail at my death, or Stevenson's. When alas! this latter came, I prepared to act up to my promise; but, alas! again, the umbrella had vanished! Some prated of mislaying in house-removal, of illicit use by servants, etc.; but for my part I had and have no doubt that the thing had been enskyed and constellated—like Ariadne's Crown, Berenice's Locks, Cassiopeia's Chair, and a whole galaxy of other now celestial objects—to afford a special place to my dead friend then, and to my live one when (may the time still be far distant) he is ready for it. As for the more serious subject of the letter, I must refer curious readers to an essay of mine on Lockhart, originally published in 1884 and reprinted in Essays in English 54. My dear Saintsbury, Thanks for yours. Why did I call Lockhart a cad? That calls for an answer, and I give it. "Scorpion" Now if you mean to comb my wig, comb it from the right parting—I know you will comb it well. An infinitely small jest occurs to me in connection with the historic umbrella: and perhaps its infinite smallness attracts me. Would you mind handing it to Rudyard Kipling with the enclosed note? Yours very sincerely, Robert Louis Stevenson. [Enclosure] This Umbrella PRINTED IN GREAT BRITAIN BY ROBERT MACLEHOSE AND CO. LTD. FOOTNOTES:BY THE SAME AUTHORThe Peace
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