PART ONE
Author’s Heritage—Arrives at Samoa—Disillusioned—Illusive Romance—Golden-skinned Polynesian Maids—Meets great Heathen Philosophers—The Samoan Chief, O Le Tao
I ship with a genuine Old-time Crew—Poetic Nightmares—Tattooed Manuscripts of the Seas!—I learn the Art of Forcible Expression—Tar-pots—The Storm—Washed Overboard—Papeete—Pokara—How the first Coco-nuts came—Star Myths
Pokara tells me how the first Idol came to be Worshipped
The Hut in the Mountains—A Modern Fairy—The Escape—Love’s Hospitality—The Stranger from the Infinite Seas!
I meet O’Hara—The Emotional Irish Temperament—The Tahitian Temperament—O’Hara and I go Pearl-hunting—Tapee, the Old-time Idol-worshipper
O’Hara in Love—Fae Fae’s Midnight Elopement—Chased—A Melodramatic Race for Life—The Innocence of Eve—Temptation—The Lost Bride—The Madness of Romance—Outbound for Honolulu
Tangalora the Samoan Scribe—Where the Gods and Goddesses first met in Council—The Materials of which the first Mortal Children were Fashioned—The first Wondering Men—The first Women—How the first Babies came to their Mothers
A Heathen Monastery—A Scene of Primitive Heathenism—My unsolicited Professional Engagement—I imbibe Kava—I am made “Taboo”—Things that I may not Confess—My Escape—Fanga Loma—A Native Village—The Enchantress of the Forest—Temptation—In Suva again
(A Fijian Legend for Young and Old Children) A Goddess in the Garb of Mortality—A Garden of Eden—Temptation—Kasawayo and Kora the Mortal—The Battle Flight to Shadowland PART TWO
A Pagan Poet—Influence of Byron and Keats—Star-myths Enchanted Crab
O Le Langi’s Influence—Heathen Magic—Poetic Aspirations—Ramao and Essimao-Samoan Types—Robert Louis Stevenson and the “Beautiful White Woman”—O Le Langi becomes a Part of the Forest—“Here lies O Le Langi”—A Great Truth
A Child of American Democracy—Rajah Barab—Barbarossa—Brown-Slave Traffic Methods—Motavia’s Grave—The Magic Casement—The Splendour of Rose-coloured Spectacles—Mohammedanistic Desires—Giovanni’s Love Affairs—Exit Barab
In Tai-o-hae—I come across a widowed Marquesan Queen—Am received with Dignity—The Artistic Tattoo on Loi Vakamoa’s Royal Person—The Queen tells how she was married to a certain Martin Smith of New South Wales—An aged Queen’s Vanity—A Heathen Necropolis
Impressionistic Scene in Nuka Hiva—Tissemao listens to the Luring Voice of a Cuttle-fish—The Love-stricken Cuttle-fish—When Crabs are Brave
I fall from Space—Court Violinist—Arrive in Fiji—With the Great Missing
The Wild White Girl—The Wagner of Storms—A Pagan Citadel—Pagan Democracy—Ye Old Britisher—A Battle in the Dark
Poetry’s Legitimate Child—Music’s Fairyland—A Civilized Old Man of the Sea—A Clerical Hat is the Symbol of Modern Religion
The Modern Old Man of the Sea—Fifty Pounds!—A Human Octopus—Adrift at Sea—Sorrow—Saved—In Tonga—Our Old Man’s last Hiding-place—Retrospect |