W When Andres Pico and his men rode into San Juan with the doubtful decoration of necklaces of human ears strung on rawhide strings, there was a breath of relief from the natives: it meant that the bandits had been "confessed," according to the General's naive explanation of the absence of prisoners they knew he had taken; the backbone of the bandit gang was broken. The vigilantes were the heroes of the hour. As the band of outlaws divided and fled in various directions, they were waited for at every pass and hewn down by the dozen. Only two—Fontez, who had shot the sheriff, and El Capitan, who had not been seen by any one at any time of the raid—were still missing. One of the prisoners, on being questioned, In the plaza of San Juan Mission, Ana listened to the hero of the necklace reciting all the glories of the campaign, and shuddered at the ghastly witness of its veracity. Raquel, standing beside her horse, listened also and felt a loathing of it all. Regular war, such as she had heard of, had never appeared so awful as "It is bad that we have no soldiers left who are hidalgos," she remarked. "The wild Indians carry scalps at their belts; I did not know people did so who had learned their religion from the padres." She mounted and rode toward the sea, the only woman who dared venture alone out of sight of the protecting walls of the Mission in those days. The man with the necklace looked after her, and then up at the line of grain-sacks still left as a barricade along the roofs of the corridor. Behind them, men with rifles had lain through the days and nights when the panic was at its worst, and women and children had huddled in dread of massacre in the inner court. "Does the seÑora forget all that," he asked, "or is there a caballero to guard her where she rides?" Ana turned on the hero, glad of an outlet for her pent-up anger. "You—you butcher!" she said between her little white teeth. "You know Rafael Arteaga is not here. What other man would ride with his wife?" "Who knows?" he laughed, easily. "The lady is not afraid, that is clear; and El Capitan is somewhere in the hills, or the willows." She said nothing, realizing that he was watching her Teresa, seated beside her, saw her changing color, and reached over, patting her hand. "Even when thou wert little the Capitan made a pet of thee," she said, kindly; "and now every friend he ever had is being watched. If—if—in any way you could warn him—" "Warn him? How can we, when no one knows? I would walk barefoot across San Juan Mountain if I knew where he was hidden. He may be dying, or dead." "That is so," decided Teresa, placidly; "and it would be better. They will always hunt him if he is alive." There was silence between them for a little while, and then she added, "Well, there will be no mourning for him in the Arteaga family. Rafael will be glad." "Oh, he!" muttered Ana, with impatience. "He is hanging on the skirts of DoÑa Maria these days, when he should be here with these other fine gentlemen." She pointed to the plaza where the vigilantes "On the skirts of DoÑa Maria," repeated Teresa, her little eyes twinkling with interest. "It is true, then—it is that English woman still?" "Still? How you talk! Is it so long since Los Angeles?" "Oh, it was long, long before that! I was—Santa Maria!—I had a fright for a while! I thought there would be no wedding. He was crazy as a boy over her. It started, oh, with only a pin-point of a chance; for the Americano Bryton was here, and her eyes were for him! And then—Basta! All at once things changed, and DoÑa Angela and Don Rafael were never apart; and if she had not been married, I think always Raquel Estevan would have had no husband here in San Juan Capistrano." "Raquel—does she know?" "Raquel Estevan is too proud to show if she knows, just as she is now! Never will she go along or follow him when he rides abroad, but if she knew his time was with that heretic—she hates the heretics!" "She is patient with him." "Oh, sure; she is a good wife. But if she cared more, would she do as she did when the girl Marta "And Rafael—?" "Rafael—God knows what he said to her! He tried to make her send some one else as godmother, and she would not. Ysadora heard her say 'It is for your soul's sake, and the souls of your children, Rafael,' and he turned white and walked away." "Poor Rafael," mocked Ana, "I do not think that he has much of a soul. It is as when a man sees he is beloved for his bravery, and all the time he is afraid of his own shadow, and hopes the one who loves him will not discover his weakness: that is how Rafael feels when his wife does penance, and prays for the soul he has not." "How you talk! We have all a soul; the padre says so." "Oh, the padre! The soul of our padre is also like a grain of mustard seed—so small, and no soil to grow in! Never could I confess to him. I wait until Padre Sanchez comes; no one but a Franciscan priest do I believe in." "No; I would hang on to the edge of life by some thread of prayer until he came." "Padre Pedro of the north was here last month: that man makes me afraid. He tries to be a saint, and is so often under vows. This time it was a vow not to speak, and Padre Andros was glad when he took to the road. It was like a black ghost to see him walk the plaza with a black hood over his head, and never a word or look up from the ground. You would think the saints he prayed to lived somewhere in the roads. We thanked God and emptied some bottles with the padre when he was out of sight." "But he is a good man." "Oh, he is a saint; but we can't feel easy with saints in San Juan. That is why your Raquel Estevan will always be outside." "You mean above," retorted Ana. "The devil's face in the stone of the Mission dome fits better this place of the necklace of ears." Teresa shuddered. "How would an Indian god be put in a Christian church?" "No one knows," and Teresa crossed herself. "The old Indios say it is bad luck to talk about it; so whatever the story is, it has been forgotten, and that is better. When I was a little child the old Indios told strange ghost and curse stories, and we were all much afraid; now the old Indios are mostly dead, and no one else remembers, only all are still afraid of the earthquake ruin at night." "They are sheep; they are afraid of their shadows at night," retorted Ana; "that is why Raquel will always be, as you say, 'outside'!" "Well, she goes against the padre, and that is always bad. It is bad luck to fight a padre; he can refuse absolution." Ana made no reply. She was very weary of the endless, endless stories of Raquel's unlikeness to the other women; and what they did not understand they would like to condemn. She knew so well that in Mexico the DoÑa Luisa and the DoÑa Raquel had met only the hidalgos when they went for a brief visit In vain Ana had tried to solve the problem given her by the padre at the San Joaquin ranch that strange evening: his quick change of attitude toward the Americano,—even asking her friendliness and her welcome for him if he crossed her path. The queer idea of the Americano's love affairs was the most puzzling of all: it never occurred to her that he meant Raquel—Raquel, who avoided all heretics! Still, it was strange that she never thought of the Americano's love affair without involuntarily trying to picture a woman who would look like Raquel. And she did not dream those two had ever met. As Pico and his men got into the saddles and started north she heard him mention Bryton's name. The latter had evidently tired quickly of vigilante work; at any rate he had disappeared as effectually as El Capitan,—no one had seen him for over a week. And of course no one had time to hunt him up. At Trabuco Creek the vigilantes passed an Indian Ana had gone with Teresa to make a little visit to Don Juan Alvara, who was still ill, and very impatient at being housed up when all the world of San Juan was astir to see the cavalcade of avengers. He was asking sharply why Rafael Arteaga was following his English partner's example, and keeping out of the work of search or battle. It was to be expected that Don Eduardo Downing, after being forced by El Capitan to pay over a thousand dollars as tribute to the Flores bandits, would feel that he was exempt from active service in pursuit of them; they had cost him quite enough. And of course he had never anything but an alien's interest in the country, the interest of dollars; but with Rafael Arteaga it was different. What was he doing these days, when every man who held stock and could fight rode abroad? The women exchanged glances. Of what use to tell Alvara it was a woman? He would only be more disgusted, and might say things to DoÑa Raquel, and that would never do. Yes, Teresa would have dearly loved to watch Raquel Estevan when the story was told; also the story of Rafael's latest infatuation; yet, all the Arteaga boys had died violent deaths, and she had no wish to see the last one of them murdered. She was certain that if it did happen, the ghost of DoÑa Luisa would be at the foot of her bed every night, and she would have to pay a lot for masses. They cost thirty-five dollars since the padre was building new fences around his orchards. So she contented herself with wishing as much as she dared without being held liable by the ghost of DoÑa Luisa in case of accidents. And then Ana was always there with her eyes, and if any one did tell Alvara, Ana would ferret it out, and she had such a tongue! While they reassured the old man, and told him "There is a letter for DoÑa Ana Mendez," he said. "It came last night. DoÑa Refugia sent it." "DoÑa Refugia?" Ana knew that her aunt could not write, and that the accomplishments of her daughters in that line extended to the ability to inscribe their own names. She glanced at the message, and her lips grew suddenly white as she noted the writing. It was in pencil, written very plainly. The envelope was folded from a page of letter-paper and sealed with gum of some sort. When she opened it, she found the written page was a communication to Mr. Bryton concerning saddle-horses. But a pencil was drawn through the lines, and around the Bryton letter was written the real message, and it was very brief: "A man is hurt here. Can you in quiet help him to San Juan?" An arrow and a cross were the only signature. Teresa watched Ana questioningly. Letters to women were rare in San Juan, where few women could read; it must be of a death, or something of great importance. But Ana told nothing, only ordered the boy to go to Ysadora for some lunch before he started back, and Ana sat quietly on the veranda for a little while, speaking of matters in general, and then arose languidly and confessed she wished she had gone with Raquel. A ride to the beach was better than to stay shut up in the town. Now that the vigilantes had gone, women would dare ride abroad without growing gray with fear. "Ai! it is not far you would ride, Ana Mendez. You are like other women when it comes to riding alone these days." "Raquel rides alone." "Her mother was not of this country, or she would not be so bold," returned Teresa, tartly. "Men have little liking for women as strong as themselves." "Alas for me!" laughed Ana, "for I tell you now I am going to copy after her. She makes the other women look like sheep. If she would go with me, I would ride to the San Joaquin ranch this night and have no fear." "You grow like a child, Ana, as you get more years. Your letter makes you young again—so?" But Ana was out of the gate, and crossing the plaza with a light springy step, as if indeed the days of girlhood had come back. In her eyes was a smile, but back of the smile was a light of new determination. All at once she seemed to have found herself: he was in danger, and had called her. At the Mission she found the Indian boy with a dish of frijolles. "How did the letter come?" she asked, but he did not know. It was found under the door, and it had frightened DoÑa Refugia, and she wanted it out of the house when the men were away. She thought it, maybe, was a demand for money, such as the outlaws had sent SeÑor Eduardo Downing, and she asked Ana for the love of God to send word back quick what it meant. "It is only from the padre who borrowed the horse, and he thanks her," said Ana, coolly. "Ride straight home, and talk to no one, or you will get a reata instead of frijolles." The Indian boy nodded silently. He knew the DoÑa Ana always kept her promises of that sort. A little later, Teresa looked out at the sound of She let her horse have his head until she came to the Rancho de la Playa, when she halted to scan the meadow and sand of the shore, and then bent her attention to the ground, and paced slowly along until she found the tracks of Raquel's horse turning to the right. There was only one road to be followed to the right; she had gone through the little caÑon of the cactus and up to the heights above. More than once DoÑa Ana halted to examine the ground, to be sure that no later tracks had been made on a return trip. Then, away across the mesa she saw Raquel's horse browsing among the sage-brush on the cliff above the sea. Raquel was nowhere in sight; but, knowing she was near, Ana rode quietly along the bluff, until right at the edge of the cliff she saw her stretched at full length in the odorous grasses, her chin propped on her hands, staring down the steeps where yellow poppies nodded to the surf below. A cluster of the blossoms was beside her, and her skirt was torn. She had evidently been down there after them, and was resting after her climb. "What is it, Anita?" she asked after a brief upward glance. "Is there a spirit of unrest with you also? Some say there is sleep and forgetfulness in “There is No Forgetting” Ana slipped from the saddle and came closer. Never before had so much of confession been heard from Raquel Arteaga. "What, then, do you try to forget, my darling?" she asked, caressingly. "Your love and happiness?" "Love is not happiness," said Raquel, and laid her cheek against the sheaf of poppies. "Why do people say so? Do they wish to lie, or do they not know? The heart does not laugh with love; it aches. The light and the glory of it comes, and after that comes the earthquake; and the life is shaken out of us, and all we can do is to make ourselves a sacrifice." "Holy saints! I never knew love was all that!" acknowledged Ana. "It means also to dance, to listen to your lover's songs in the night under your window, and to go to sleep satisfied that he is not with some other girl. It means stolen looks like kisses. I never am sure but that they are sweeter than the kisses themselves, though they do not make one mad." Raquel looked at her, and smiled strangely, and rose to her feet. "Ai! you are right, Anita; it is without doubt Ana smiled and shrugged her shoulders. "Why should I not?" she asked; "for, after all, you are right. All human things are much alike when they love—the brown girls in the willows also. They nurse their babies and thank the Virgin they are not childless, as I am." "And you—?" "I am thankful to be as I am. When I have children, I want to love the father of them. My people did not ask if I loved my husband. They made the marriage, and God made me a widow. I thank God always that when I marry again I can do my own choosing." "Oh, when you marry again! Good! When is it to be?" Ana laughed and then grew grave. "You may help me to decide," she said, a trifle nervously. "I am going to elope to-night. Will you ride along?" "It is up there," and Ana waved her hand toward the blue mountains above Trabuco. "It is a long ride, but the moon shines, and—I am trusting you!" "And the man?" "Your husband hates him, and will find fault if you go." "And he does not come to you?" "He is—I think he is hurt," said Ana. "And I am going, though I go alone." "You shall not go alone," and Raquel whistled to her horse. "Come! I needed something of this sort to rouse me from poppy dreams. I ride with you, my Anita; and the man, whoever he is, has my blessing." They galloped together through the sweet-smelling grasses, and a load was lifted from Ana's heart. With Raquel beside her, she could ride care-free from danger to the man who had called her. "I have not been told to take any one along," she confessed, "so I cannot mention names; but there is a man hurt, and we must manage to get extra horses away from the Mission, and things to eat, perhaps, for we go where no people live; and—I—that is all I dare tell you." "It is enough, my Anita. We will ride together She was elated as a child over the secret journey they were to take over unknown roads. The poppy dreams were left at the edge of the cliff, and she rode lightly across the divide, where at other times she ever halted for the picture of ocean and valley stretching from San Mateo at the sea to San Jacinto of the ranges. "I knew it was love in thy heart for some one, Anita," she said, smiling. "Religion alone does not make a woman comprehend heartaches for other women. You are the only one of all of them who asks no questions, yet you put your arms around me that crazy night when I rode from Los Angeles, and all at once I felt that I need not hold with tired hands a mask to my face for you." "Holy Mary! I know, and why not? My family married me to the wrong man," said Ana, easily. "But I was lucky in one thing, and I know enough now to thank the saints for it,—I had not learned what love meant, so the other man had not come." "And if he had?" They had checked their speed to descend the steep ravine cut in the heart of the mesa, and giving outlet "I did not answer," said Ana, after a moment, "because, Raquelita, when you made me think of it, truly it seemed as if my heart stopped beating that minute. Poor JosÉ, my husband! It would have gone hard with him, and my relatives would have cursed me." "And why?" "I think I should have risked the purgatory they would have sent me to, but I would ride as we are riding now, straight to the man—the one man." "And suppose—suppose, Anita, you were bound by a vow to the dead—could you ride away from that? Suppose that so long as you lived you were set to guard one living soul—that each day when you awoke, your prayers were to keep worthy for the task; suppose—" "No, no! I will not suppose. A woman can endure just so much, no more. I know you are doing all this, my Raquel, and I see that it is forever one big fight and sacrifice, and all your life it will be the same. But, Raquel, when you awake and pray each morning, thank the Virgin at the same time that "Of course, but—" "Oh, you would argue, because you do not know!" burst out Ana, with impatience. "Raquel, you are so good you are always beautiful; but I tell you truly, that if it should happen—all the saints could not help you. Between your vow for the soul of Rafael and your love for the one man—" "Well, my Anita?" "Well, you could not live through it and remain what you are. Any woman would go mad—any woman." Raquel touched her horse and galloped up the steep hill ahead of Ana. Down the longer one to Boca de la Playa she rode in the same reckless way, and it was not until they had reached El Camino Real that she pulled her horse in, and allowed Ana to come alongside. "Jesusita! how you ride away from me!" gasped her friend. "Wait until I braid up my hair. Look at it—all the new pins lost, the pretty ones you brought me from Los Angeles. We will send a boy back to hunt them." "Do not make your eyes like cold agates of violet," she entreated. "Truly, I meant not to anger you, and I know you are good always, and think only of your vows. But even the saints have known temptation, my Raquel, and some who might have been saints have lost souls for a man or a woman." "Oh, my own soul!" and Raquel shrugged her shoulders with a dreary smile. "It is the soul of Rafael I am set to guard. Only that must I think of every day of my life. My own! Only Mother Mary knows what my own may become." "His mother knew the power of the heretics; it was not fair, Raquelita." "It is judgment," said Raquel, steadily. "I asked God to give me some work for the Church in the world, instead of within the convent walls. It was brought to me; I accepted it on my knees. What any of us think now does not change that in the least. I must live till I die with that thought." "So I know," conceded Ana, "and so I thank God "Do I not understand? Do I not go with you? Yes, ahead of you, for my horse beats yours," replied Raquel; and from that to the Mission plaza there was only the sound of hoof-beats on the hard road, and no more words of love or lovers. A man had come from San Diego with a message from Rafael Arteaga. He would be at San Juan in a few days, and was bringing guests for a barbecue. Strange word had come from the vigilantes of the disappearance of Bryton, the Americano. It had been learned that he had not returned to Los Angeles, neither had he gone south. To free Mrs. Bryton from anxiety, Rafael and Don Eduardo meant to find him and make a holiday while doing it. Raquel Arteaga listened, and Ana noticed all at once how white and tired she looked from the little gallop. "Get down from the saddle, my dear," she said, appealingly. "Lift her, you, Victorio. Mother Mary! Do not faint, Raquel!" Raquel did not faint. She thanked the muscular Victorio, who lifted her from the saddle as though "No, I am not ill, Ana. I really am not," she persisted. "You say I turn white. Well, it may be I had no dinner—I think I forgot it, or those heroes the vigilantes took my appetite. See! I can stand; I am quite well. I am ready for the San Joaquin ride when the sun goes down." "But, if harm should come?" "Never fear. To go will not harm me. I am very strong—stronger than you think. Ai! I shall live long—a long, long time, Anita!" She arose and passed through the door of the carved Aztec sun and little half-crescents, and Ana looked after her doubtfully. "It is the Americana?" said Victorio, with a shrug and lifted brows. "Rafael Arteaga is mad after that baby woman—just mad. I think it makes DoÑa Maria afraid. It would not be well to have the wrong things happen in her house; so they jump at the chance to ride north together, for any reason at "But to bring them here! The DoÑa Raquel is not fond of heretics." "I think myself it is the woman and not the religion she will think of when they come," said Victorio; "and she must have heard something,—what else made her look like that?" "Who knows? A woman may be tired, may she not? You talk a great deal for a man of your years!" "Oh, it is only to you, SeÑora. It is as well some one knows who is a friend,—that pretty white baby of a woman has the 'money eye.' Some one should warn DoÑa Raquel, for who knows where it will end? You know the Arteaga men." Ana nodded her head. "We all know them; but, thanks to God, the right woman has come into the family. I do not know what she will do—Estevan's daughter; but Rafael will learn what a curb-bit means if he go too far. Women who do not care whether they live or die are more reckless than the wildest man, Victorio; and Rafael will do well to say good-bye to heretic pets." Victorio shrugged his shoulders, and did not quite believe. Of course a woman could do a lot with a Of course if DoÑa Raquel were not his wife, Rafael might be faithful: Victorio acknowledged he knew how that was himself. There was a woman who kept his house, and now after four years of content, the padre was at him for a marriage fee, and was putting the devil in the woman's head, and there was discord. All had been content for all those years, but when the marriage was even talked of, there was trouble; and Victorio had no use for it except, of course, if the woman was dying, or if he was—then the padre could get the marriage made. The money was saved up in case of such need for absolution, but otherwise— Ana interrupted him angrily, though she knew he voiced the masculine opinion of the valley. She had heard the padre complain that the women had also refused marriage for the same reason; so there was little could be done, and she knew that if Rafael Arteaga should fail openly within the year of his marriage, there would be laughs and shrugs, and the marriage fees would be fewer than ever. The example of their superiors was all that was needed to break all "Oh, you need not rail at me, DoÑa Ana," protested Victorio; "I am only one—and I feed my children! You do not believe so much in Rafael Arteaga yourself; and, after all, it may come right. It depends most on the woman." "DoÑa Raquel Arteaga?" "Never! She is only a wife; it is the other who is still the woman." Ana flung an angry look at the pessimistic, philosophic vaquero, and followed Raquel, slamming the door after her to emphasize her impatience with his all-too-true statements. She checked her tempestuous entrance at sight of the wife they were discussing, kneeling at the little altar in the corner of her own room. The tall candles were lit, and before the shrine of the Virgin Raquel was prostrate. Ana crossed herself and went out softly, half afraid that the argument in the corridor had been heard through the thick adobe walls. This new sign of Raquel's disfavor at every mention of the Americanos gave Ana several unpleasant moments. The letter now in her pocket had belonged to the Americano whom they were coming to search for: dare she Ana sent an Indian with a pack-mule of provisions to the sheep-herders' cabin in Trabuco caÑon, with instructions to wait there until the men came for it, and in every way made smooth the details for the journey of the night. Don Antonio, the major-domo for the Arteagas, had ridden north with the vigilantes, so there was no one to oppose or question the order of Ana, given in the name of DoÑa Raquel. Teresa shrugged her shoulders and said some things when the two mounted and rode gaily northward. She hoped DoÑa Refugia would say some things to them for the good of their souls when they reached the ranch. Ana had always been a little rebel; it was well they married her when they did! No one gave much heed to Ana's vagaries or strange whims, but with Raquel it was different. The opinions of DoÑa Luisa concerning the convent novice secured as a daughter were well known in the San Juan valley: she was a saint, no less. But Teresa watched the slender girlish form riding away on the black horse, Music: Mi Memoria. Mi memoria en ti se ocupa No te olvida un solo instante, Y mi mente delirante En ti piensa, en ti piensa sin cesar. |