Kalanga

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1. Origin.

Kalanga.—A cultivating caste of Chhattisgarh numbering 1800 persons in 1911. In Sambalpur they live principally in the Phuljhar zamindari on the border, between Chhattisgarh and the Uriya track. The Kalangas appear to be a Dravidian tribe who took up military service and therefore adopted a territorial name, Kalanga being probably derived from Kalinga, the name of the sea-board of the Telugu country. The Kalangas may be a branch of the great Kalingi tribe of Madras. They have mixed much with the Kawars, and in Phuljhar say that they have three branches, the Kalingia, Kawar and Chero Kalangas; Kawar and Chero are names for the same tribe, and the last two branches are thus probably a mixture of Kalingis and Kawars, while the first comprises the original Kalingis. The Kalangas themselves, like the Kawars, say that they are the descendants of the Kauravas of the Mahabharata, and that they came from northern India with the Rajas of Patna, whom they still serve. But their features indicate their Dravidian descent as also their social customs, especially that of killing a cock with the bare hands on the birth of a child, and anointing the infant’s forehead with its blood. They have not retained their Telugu language, however, and like the Kawars now speak a dialect of Chhattisgarhi at home, while many also know Uriya.

2. Subdivisions.

The Kalangas have no real endogamous divisions but a large number of exogamous groups or bargas, the names of which are derived from animals, plants, or material objects, nicknames, occupations or titles. Instances of the totemistic groups are Barha the wild boar, Magar the crocodile, Bichhi the scorpion, Saria a variety of rice, Chhati a mushroom, Khumri a leaf umbrella, and several others. The members of the group revere the animal, plant or other object from which it takes its name and would refuse to injure it or use it for food. They salute the object whenever they see it. Instances of other group names are Manjhi a headman, Behra a cook, Gunda dusty, Kapat a shutter, Bhundi a hole, Chika muddy, Bhil a tribe, Rendia quarrelsome, and Bersia a Thug or strangler. Some of the nicknames or titles are curious, as for instance Kapat, a shutter, which stands for gate-keeper, and Bhundi, a hole, which indicates a defective person. Some of the group names are those of other castes, and this probably indicates the admission of families of other castes among the Kalangas. One of the groups is called Kusundi, the meaning of which is not known, but whenever any one of the caste gets maggots in a wound and is temporarily expelled, it is a member of the Kusundi group, if one is available, who gives him water on his readmission into caste. This is a dangerous service, because it renders the performer liable to the burden of the other’s sin, and when no Kusundi is present five or seven men of other groups combine in doing it so as to reduce the risk to a fraction. But why this function of a scapegoat should be imposed upon the Kusundi group, or whether it possesses any peculiar sanctity which protects it from danger, cannot be explained.

3. Marriage.

Marriage within the same barga or group is prohibited and also the union of first cousins. Marriage is usually adult and matches are arranged between the parents of the parties. A considerable quantity of grain with five pieces of cloth and Rs. 5 are given to the father of the bride. A marriage-shed is erected and a post of the mahua tree fixed inside it. Three days before the wedding a Ganda goes to the shed with some pomp and worships the village gods there. In the ceremony the bridegroom and bride proceed separately seven times round the post, this rite being performed for three days running. During the four days of the wedding the fathers of the bride and bridegroom each give one meal to the whole caste on two days, while the other meal on all four days is given to the wedding party by the members of the caste resident in the village. This may be a survival of the time when all members of the village community were held to be related. Widow-marriage is allowed, but the widow must obtain the consent of the caste people before taking a second husband, and a feast must be given to them. If the widow has no children and there are no relatives to succeed to her late husband’s property, it is expended on feeding the caste people. Divorce is permitted and is effected by breaking the woman’s bangles in front of the caste panchayat. In memory perhaps of their former military profession the Kalangas worship the sword on the 15th day of Shrawan and the 9th day of Kunwar. Offerings are made to the dead in the latter month, but not to persons who have died a violent death. The spirits of these must be laid lest they should trouble the living, and this is done in the following manner: a handful of rice is placed at the threshold of the house, and a ring is suspended by a thread so as to touch the rice. A goat is then brought up, and when it eats the rice, the spirit of the dead person is considered to have entered into the goat, which is thereupon killed and eaten by the family so as to dispose of him once for all. If the goat will not eat the rice it is made to do so. The spirit of a man who has been killed by a tiger must, however, be laid by the Sulia or sorcerer of the caste, who goes through the formula of pretending to be a tiger and of mauling another sorcerer.

4. Social position.

The Kalangas are at present cultivators and many of them are farmservants. They do not now admit outsiders into the caste, but they will receive the children begotten on any woman by a Kalanga man. They take food cooked without water from a Guria, but katchi food from nobody. Only the lowest castes will take food from them. They drink liquor and eat fowls and rats, but not beef or pork. A man who gets his ear torn is temporarily excluded from caste, and this penalty is also imposed for the other usual offences. A woman committing adultery with a man of another caste is permanently expelled. The Kalangas are somewhat tall in stature. Their features are Dravidian, and in their dress and ornaments they follow the Chhattisgarhi style.

                                                                                                                                                                                                                                                                                                           

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