Can a flatterer be flattered? Does he instinctively recognize the commodity in which he deals? And if he does so recognize it, does he enjoy or dislike the application of it to his own case? These questions are suggested to my mind by the ungrudging tributes paid in my last chapter to Lord Beaconsfield's pre-eminence in the art of flattery. "Supreme of heroes, bravest, noblest, best!" No one else ever flattered so long and so much, so boldly and so persistently, so skilfully and with such success. And it so happened that at the very crisis of his romantic career he became the subject of an act of flattery quite as daring as any of his own performances in the same line, and one which was attended with diplomatic consequences of great pith and moment. It fell out on this wise. When the Congress of the Powers assembled at Berlin in the summer of 1878, our Ambassador in that city of stucco palaces was the loved and lamented Lord Odo Russell, afterwards Lord Ampthill, a born diplomatist if ever there was one, with a suavity and affectionateness of manner and a charm of voice which would have enabled him, in homely phrase, to whistle the bird off the bough. On the evening before the formal opening of the Congress Lord Beaconsfield arrived in all his plenipotentiary We saw in my last chapter how careful Lord Beaconsfield was, in the great days of his political struggles, to flatter every one who came within his reach. To the same effect is the story that when he was accosted by any one who claimed acquaintance but whose face he had forgotten he always used to inquire, in a tone of affectionate solicitude, "And how is the old complaint?" But when he grew older, and had attained the highest objects of his political ambition, these little arts, having served their purpose, were discarded, like the green velvet trousers and tasselled canes of his aspiring youth. There was no more use for them, and they were dropped. He manifested less and less of the apostolic virtue of suffering bores gladly, and though always delightful to his intimate friends, he was less and less inclined to curry favour with mere acquaintances. A characteristic instance of this latter manner has been given to the world in a book of chit-chat by a prosy gentleman whose name it would be unkind to recall. This worthy soul narrates with artless candour that towards the end of Lord Beaconsfield's second Administration he had the honour of dining with the great man, whose political follower he was, at the Premier's official residence This freedom from self-knowledge which bores enjoy is one of their most striking characteristics. One of the principal clubs in London has the misfortune to be frequented by a gentleman who is by common consent the greatest bore and buttonholer in London. He always reminds me of the philosopher described by Sir George Trevelyan, who used to wander about asking, "Why are we created? Whither do we tend? Have we an inner consciousness?" till all his friends, when they saw him from afar, used to exclaim, "Why was Tompkins created? Is he tending this way? Has he an inner consciousness that he is a bore?" Well, a few years ago this good man, on his return from his autumn holiday, was telling all his acquaintances at the club that he had been occupying a house at the Lakes not far from Mr. Ruskin, who, he added, was in a very melancholy state, "I am truly sorry for that," said one of his hearers. "What is the matter with him?" "Well," replied the buttonholer, "I was walking one day in the lane which separated Ruskin's house from mine, and I saw him coming down the lane towards me. The moment he caught sight The faculty of boring belongs, unhappily, to no one period of life. Age cannot wither it, nor custom stale its infinite variety. Middle life is its heyday. Perhaps infancy is free from it, but I strongly suspect that it is a form of original sin, and shows itself very early. Boys are notoriously rich in it; with them it takes two forms—the loquacious and the awkward; and in some exceptionally favoured cases the two forms are combined. I once was talking with an eminent educationist about the characteristic qualities produced by various Public Schools, and when I asked him what Harrow produced he replied, "A certain shy bumptiousness." It was a judgment which wrung my Harrovian withers, but of which I could not dispute the truth. One of the forms which shyness takes in boyhood is an inability to get up and go. When Dr. Vaughan was Head Master of Harrow, and had to entertain his boys at breakfast, this inability was frequently manifested, and was met by the Doctor in a most characteristic fashion. When the muffins and sausages had been devoured, the perfunctory inquiries about the health of "your people" made and answered, and all permissible school topics discussed, there used to ensue a horrid silence, while "Dr. Blimber's young friends" sat tightly glued to their chairs. Then the Doctor would approach with Agag-like delicacy, and, extending his hand to the shyest and most loutish boy, would say, "Must you go? Can't you stay?" and the party broke up with magical celerity. Such, at least, was our Harrovian tradition. My Dissenting minister had a congener in the late Lord P----, who was a rollicking man about town thirty years ago, and was famous, among other accomplishments, for this peculiar art of so telling a story as to destroy the point. When the large house at Albert Gate, which fronts the French Embassy and is now the abode of Mr. Arthur Sassoon, was built, its size and cost were regarded as prohibitive, and some social wag christened it "Gibraltar, because it can never be taken." Lord P---- thought that this must be an excellent joke, because every one laughed at it; and so he ran round the town saying to each man he met—"I say, do you know what they call that big house at Albert Gate? They call it Gibraltar, because it can never be let. Isn't that awfully good?" We all remember an innocent riddle |