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John Ruskin

[The references are not to the page, but to the numbered paragraphs, common to all the editions of this work].

5 pginternal" href="@public@vhost@g@html@files@42917@42917-h@42917-h-8.htm.html#Tintoret">Tintoret, Turner, Van Eyck.
  • Artistic affectation in England, 201.
  • Aspis and apsis, 230.
  • Associations, local, to be cherished, 94.
  • Astronomy—
    • how far valuable discovery yet possible in, 66.
    • two young ladies studying, 26. See s. Stars.
  • ??????? 8.
  • Atheism, modern, 202.
    • tries to dispense with the sun, 104.
  • Athena, power of, 196, and n.
    • protects Ulysses, 75.
    • typical of what, 224.
  • Atlantic, Ulysses in the, 75.
  • ?????????, 80.
  • Author: (1) Generally, (2) Teaching, (3) Books, &c.
    • 1. Generally:—
      • drawings by, his own pleasure in them, 84.
      • leaf-outlines, 217.
      • early boyhood, its tendencies, 41.
      • feeling of increasing age, 104.
      • life of, progressive from his childish pleasures, 83.
      • love of art, its foundation and growth, 41.
      • and of nature combined, 42.
      • story of a serpent and, 101.
      • study of Tuscan art begun (1846), 46.
      • success and failure, effect on, 31.
      • various movements of:—
        • at Crystal Palace, 93.
        • DÜsseldorf, 88.
        • Hincksey, Oxford, 217.
        • Iffley Church, 118.
        • London, watching traffic, 59.
        • Lucerne, rowing. 215.
        • Verona (1870), 125.
        • Wallingford, 240.
        • Westminster (watching clouds), 130.
      • See s. Acland, Frou-frou, Helps, Mineralogy, Sight, Water-Colour Exhibition.
    • 2. Teaching of:—
      • cannot follow modern science, 134.
      • despairs of return to simplicity, 94.
      • feeling for Norman art, 92.
      • his abuse of modernism, 34.
      • reverence for mythology, 95.
      • on Luini, his position shown (1860), 46.
      • study of the S. Catherine, 226.
      • on Turner, his defence of him, 128.
      • result of his teaching on his early disciples, 42.
      • Ritualism, not deceived by, 73.
      • teaches only what he knows, 123.
      • work at Oxford,
        • thought spent in preparing his lectures, pref., 2, 217.
        • assistants, 31.
        • audiences, 1.
        • plan for lectures, 36.
        • Cassell’s Educator, 202.
        • Cassiopeia, 124.
        • Cat, its power and use of sight, 110.
          • “may look at a king,” ib.
        • Ceyx, son of the Morning Star, 198.
        • ChÆrephon, in Lucian’s dialogue on the Halcyon, 194.
        • ChÂlet, education needed to build a Swiss, 202.
        • Chamouni, Turner’s drawing of, 147.
        • Chance, and design in nature, 182, seq.
        • Change, and living change, how wrought, 208–9.
        • Chapel, attendance at, in Oxford, 169.
        • Character, evidenced by dress, 220.
        • Chariot, use of Greek, 231.
        • Charity, true, more reverent than pitiful, 211.
        • Charlemagne’s treaty with Scotland, 235.
        • Chartism, story of a Chartist herald (Sir A. Helps, quoted), 208.
        • Charybdis, 75.
        • Chaucer, quoted, “Cuckoo and Nightingale,” 37 (motto), 56.
        • Chemistry, a modern God, 202.
          • modern progress in, 33.
          • of little use to art, 96.
        • Cherwell, the, 179.
        • Chevron, the heraldic, 235.
        • Chiefe, the heraldic, 235.
        • Child and dog, pictures by Titian and Reynolds, 151.
        • Childhood, pleasures and retrospect of, 82.
        • Children’s books, 61.
        • Chivalry, Christian and Greek, 219.
          • history of, to be learnt by gentlemen, 216.
          • conception of, as an influence in education, 239.
          • European, its basis, 236.
          • leaders of, 240.
        • Christ, heraldic symbol of, in Italy, 229.
        • Christian chivalry. See s. Chivalry.
        • Christianity, early traces of in heathen literature (Lucian), 194.
          • idea of God as Light, 116.
          • its statements of mental health, 69.
        • Chromo-lithotints, style of, 69–71.
        • Church of England, 73.
        • Cid, The, 240.
        • Civilization, false, 94.
        • Civil Service, the, and Orissa, 35.
        • Classification, scientific, 186–7.
        • Cleanliness and art, 95.
        • Clematis, a bird’s nest of, 48.
        • Clouds, 129–30.
          • effect of storm-clouds on scientist, artist, and scholar, 7.
          • forms of, unexplained by science, 131.
        • Coins, English “angels,” 117.
          • engravings of, 157. See s. Angels, Sovereign.
        • Colonization, Englishmen likely to be colonists, Varie, Verrey.
      • Hercules, 75.
        • his death, 199.
        • lion’s skin, and, 229.
        • the, of Switzerland, 199.
        • type of what, 224.
      • Hereditary skill to be cherished, 94.
      • Heron, the stilt-walker of birds, 188.
      • Hincksey, author walking back from, 217.
      • History, art as an end to, 47.
        • art and, 207 seq.
        • how to read, 214.
        • probable view of the Nineteenth Century in, 35.
        • should separate the ideal and the real, 215, 216.
        • true, defined, 214.
        • what it has been and should be, 207.
      • Historical painting, its function, 210.
      • Holbein, 217.
      • Holy Ghost, the sin against the, 169.
      • Home, the true, for which to seek, 206.
      • Homer, Odyssey vi., quoted, 74, 75, 78.
        • passage on the Sirens, quoted, 100. See s. Iliad, Odyssey.
      • Honour, power of, 212.
      • Horse’s head, gives rise to helmet-form, 227.
      • HÔtel de Ville, architecture of an, 201.
      • Hubert, DÜrer’s St., pref. viii.
      • Hughes, Tom, 63.
      • Human form and art. See s. Anatomy, Nude.
      • Humanity, Animalism, Divinity, 30.
      • Hunt, Alfred, his rainbow, 129 n.
      • Hunt, Holman, his “Light of the World,” 115.
      • Hyginus, quoted on the Halcyon, 190.
      • Idealism, 95.
      • Ideal, the, and real in history to be distinguished, 215–216.
      • Iffley church, author at, 118.
      • Ignorance, how far essential to art, 88.
      • Iliad, moral of the, 168.
      • Imagination, 95.
        • condition of modern, 69.
        • history of the, best part of man’s history, 214.
        • implied in consideration for others, 27.
        • its precious value, 215.
        • self-command and, 26.
      • Independence, in pursuit of art and science, 76, 77.
      • Indolence in art, 81.
      • Insanity, author’s use of the word, 69 n.
      • Inscription on house in Alsace, 86.
      • Insessores, birds, Education, Liberty.
    • Modesty purifies art, 81.
      • true, in man, 30.
    • MoliÈre quoted, 100.
    • Money, modern greed for, 204.
    • Monte Rosa, 70.
    • Moral temper, essential to appreciate art, 161.
    • Morgarten, the ThermopylÆ of Switzerland, 199.
    • ????? in art, how evidenced, 40.
    • Motives, human, 212.
    • Mountains, blueness of, at Verona, 125.
    • Mulready’s studies of the nude, 166.
    • Myths of Apollo and St. George, 117.
      • of Autolycus and Philammon, 189.
      • physical causes as affecting, 199.
    • Mythology, 95.
      • of importance to art, 172.
      • why a despised science, 173.
      • See s. Autolycus, Briareus, Ceyx, Hercules, Orpheus, Pelides, Philammon, Pleiades, Polygnotus, Poseidon, Tydides.
    • Napoleon, Louis, 208.
    • Natatores, (Birds), 187.
    • National History, scientific view of, 49, 57.
      • Life, sources of its power, 171.
      • symbols, more cruel than gentle types chosen for, 229.
    • Nativity, Raphael’s, offered to the English, 24.
    • Nature, art less beautiful than, 172.
      • chance and design in, 152 seq.
      • effect of, on local art, 91.
      • love of art involves greater love of, 41.
      • teaching of the power of the Holy Spirit in, 169.
    • Natural History, its true scope and triple division, 180–1.
      • what it should amount to, 207.
      • modern study of, 2.
    • Nest, bullfinch’s, 48.
      • halcyon’s, 193.
      • true man’s true, 206.
    • Niagara, “Carlyle’s” Shooting, 70.
    • Nightingale, the Greek singing-bird, 189.
    • Nineteenth century, history’s probable view of the, 35.
    • Nitro-glycerine, 33.
    • Noble and notable, 39.
    • Noise of London traffic, 60–61.
    • Nomenclature, scientific, 186.
    • Norman design, 92.
    • Northern minds and Southern art, 37.
    • unselfishness of true, 29, 31.
  • Sophocles’ TrachiniÆ, 199.
  • ?????????, 68, 90.
  • Sovereign, English (coin) and St. George, 117.
    • heraldry of art (1870–1880), 235.
  • Spain, chivalry of, led by the Cid, 240.
  • Sparrow, the “percher” of birds, 188.
  • Spear, proper form of a, 224.
  • Species, modern theories on, 34.
  • Sport, English ideas of, 178.
  • Sport, continued:—
    • love of killing birds, its meaning, 175.
  • Squire, derivation of word, 230.
  • Stars, their value to artist and scientist, 124.
  • Star-gazing, probable conditions of, by two girls, 26.
  • “Stones of Venice,” statement as to anatomy in, withdrawn, 159.
  • Strasburg, architecture of, 202.
    • art in, 82.
    • drawing of house in, by Prout, 86.
  • Street, E., 50.
  • Strozzi, child and dog, Titian’s, 151.
  • Subjects in art, natural subjects of national art, 95.
  • Success, one’s own, and others’, 31.
    • effect of, on author, 31.
  • Sun, power of the, 100.
    • modern efforts to dispense with, 104.
    • should “rule the day,” 104.
  • Swine, symbol of the herd of, 69.
  • Swiss chÂlet, education needed to build, 202.
  • Switzerland and Greece, two districts of, compared, 199.
    • the Heracles of, 199.
    • the history of, its lessons, 21.
  • Sympathy, essential to learning, 236.
  • Tabernacle, Jewish, 226.
  • Talking, doing, and knowing, 2, 3, 4.
  • ?????, 8.
  • Tees,” Turner’s “Greta and, 70.
  • Telescopes and eyes, 99.
  • Tell, William, legendary, 215.
  • Temper, trials of, 69.
    • success, influence on, 31.
  • Temperance, true, in recognition of work, 81.
  • Temptations of knowledge, 79.
    • Ulysses, their meanings, 74–5.
  • Tenderness the basis of skill and knowledge, 77.
  • Thales, 23.
  • “Theologia,” Raphael’s, 46.
  • Theology, more perfectly expressed by art than by literature, 46.
  • Theology, of art, only recently recognised, 46.
    • of more value than anatomy to art, 168.
    • science and, 67.
  • ThermopylÆ, blue waters of, Printed by Ballantyne, Hanson & Co. Edinburgh & London

    Transcriber’s Note

    The punctuation in the index was inconsistent. Usage of ‘,’ and ‘.’ has been regularized, with final stops after each entry supplied where missing.

    The index also has several errors of alphabetizing, with “pi” entries and “PÆstum” following “pl” entries. The printed order has been retained.

    As noted by Ruskin in the text, the index refers to the numbered paragraphs, not page numbers.

    Printer’s errors and omissions have been silently corrected.

    Any variants of spelling are preserved except as noted below, as well as several variable uses of the hyphen in compound words.

    p. 78 “h[ie/ei]ght” Corrected.
    p. 269 “Bee, wisdom of, 193[–]196”. Added, as the Bee is the subject across those paragraphs.
    p. 287 “Oxford ... its teaching, ancient idea of, [121]” Added, based on the inspection of the text.

    In the Index, references to the Preface are incorrect, being misnumbered, generally, by two pages (e.g. p. viii = p. vi). While the index rendered here retains the errors, the links will take one to the proper page.

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