Plate | I. | Figs. | 1. 3. and 5. Illustrative diagrams | 3 | " | II. | " | 2. Windows in Oakham Castle | 5 | " | III. | " | 4. and 6. Spray of ash-tree, and improvement of the same on Greek principles | 10 | " | IV. | " | 7. Window in Dunblane Cathedral | 15 | " | V. | " | 8. MediÆval turret | 20 | " | VI. | " | 9. and 10. Lombardic towers | 22 | " | VII. | " | 11. and 12. Spires at Coutances and Rouen | 25 | " | VIII. | " | 13. and 14. Illustrative diagrams | 39 | " | IX. | " | 15. Sculpture at Lyons | 40 | " | X. | " | 16. Niche at Amiens | 41 | " | XI. | " | 17. and 18. Tiger's head, and improvement of the same on Greek principles | 44 | " | XII. | " | 19. Garret window in Hotel de Bourgtheroude | 51 | " | XIII. | " | 20. and 21. Trees, as drawn in the 13th century | 81 | " | XIV. | " | 22. Rocks, as drawn by the school of Leonardo da Vinci | 83 | " | XV. | " | 23. Boughs of trees, after Titian | 84 |
THE BIBLE OF AMIENS CONTENTS PREFACE. | iii | Chapter I. — By the Rivers of Waters | 1 | Chapter II. — Under the Drachenfels | 26 | Chapter III. — The Lion Tamer | 58 | Chapter IV. —Interpretations
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| Appendix I. — Chronological List of Principal Events referred to in the 'Bible of Amiens' | 143 | Appendix II. —References Explanatory of Photographs to Chapter IV | 144 | Appendix III. — General Plan of 'Our Fathers have told us' | 153 | INDEX | 157 | PLATES Plate I. —The Dynasties of France | 9 | Plate II. — The Bible of Amiens, Northern Porch before Restoration | 27 | Plate III. — Amiens, Jour Des TrÉpassÉs,1880 | 58 | St. Mary | 131 | Plan of the West Porches | 140 |
ARATRA PENTELICI. SEVEN LECTURES ON THE ELEMENTS OF SCULPTURE Given Before The University Of Oxford In Michaelmas Term, 1870 CONTENTS PAGE Preface v LECTURE I. Of the Division of Arts 1 LECTURE II. Idolatry 20 LECTURE III. Imagination 39 LECTURE IV. Likeness 67 LECTURE V. Structure 90 LECTURE VI. The School of Athens 114 LECTURE VII. The Relation Between Michael Angelo and Tintoret 132 | LIST OF PLATES Facing Page I. Porch of San Zenone, Verona 14 II. The Arethusa of Syracuse 15 III. The Warning to the Kings, San Zenone, Verona 15 IV. The Nativity of Athena 46 V. Tomb of the Doges Jacopo and Lorenzo Tiepolo 49 VI. Archaic Athena of Athens and Corinth 50 VII. Archaic, Central and Declining Art of Greece 72 VIII. The Apollo of Syracuse, and the Self-made Man 84 IX. Apollo Chrysocomes of ClazomenÆ 85 X. Marble Masonry in the Duomo of Verona 100 XI. The First Elements of Sculpture. Incised outline and opened space 101 XII. Branch of Phillyrea 109 XIII. Greek Flat relief, and sculpture by edged incision 111 XIV. Apollo and the Python. Heracles and the Nemean Lion 119 XV. Hera of Argos. Zeus of Syracuse 120 XVI. Demeter of Messene. Hera of Cnossus 121 XVII. Athena of Thurium. Siren Ligeia of Terina 121 XVIII. Artemis of Syracuse. Hera of Lacinian Cape 122 XIX. Zeus of Messene. Ajax of Opus 124 XX. Greek and Barbarian Sculpture 127 XXI. The Beginnings of Chivalry 129
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THE CROWN OF WILD OLIVE Also, Munera Pulveris, Pre-Raphaelitism-aratra Pentelici, The Ethics Of The Dust, Fiction, Fair And Foul, The Elements Of Drawing
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