LIST OF PLATES.

Previous
Plate I. Figs. 1. 3. and 5. Illustrative diagrams 3
" II. " 2. Windows in Oakham Castle 5
" III. " 4. and 6. Spray of ash-tree, and improvement of the same on Greek principles 10
" IV. " 7. Window in Dunblane Cathedral 15
" V. " 8. MediÆval turret 20
" VI. " 9. and 10. Lombardic towers 22
" VII. " 11. and 12. Spires at Coutances and Rouen 25
" VIII. " 13. and 14. Illustrative diagrams 39
" IX. " 15. Sculpture at Lyons 40
" X. " 16. Niche at Amiens 41
" XI. " 17. and 18. Tiger's head, and improvement of the same on Greek principles 44
" XII. " 19. Garret window in Hotel de Bourgtheroude 51
" XIII. " 20. and 21. Trees, as drawn in the 13th century 81
" XIV. " 22. Rocks, as drawn by the school of Leonardo da Vinci 83
" XV. " 23. Boughs of trees, after Titian 84


THE BIBLE OF AMIENS

CONTENTS

PREFACE. iii
Chapter I.By the Rivers of Waters 1
Chapter II.Under the Drachenfels 26
Chapter III.The Lion Tamer 58
Chapter IV.Interpretations
88
Appendix I.Chronological List of Principal Events referred to in the 'Bible of Amiens' 143
Appendix II.References Explanatory of Photographs to Chapter IV 144
Appendix III.General Plan of 'Our Fathers have told us' 153
INDEX 157

PLATES

Plate I.The Dynasties of France 9
Plate II.The Bible of Amiens, Northern Porch before Restoration 27
Plate III.Amiens, Jour Des TrÉpassÉs,1880 58
St. Mary 131
Plan of the West Porches 140


ARATRA PENTELICI.

SEVEN LECTURES ON THE ELEMENTS OF SCULPTURE

Given Before The University Of Oxford In Michaelmas Term, 1870

CONTENTS

PAGE
Preface v
LECTURE I.
Of the Division of Arts 1
LECTURE II.
Idolatry 20
LECTURE III.
Imagination 39
LECTURE IV.
Likeness 67
LECTURE V.
Structure 90
LECTURE VI.
The School of Athens 114
LECTURE VII.
The Relation Between Michael Angelo and Tintoret 132

LIST OF PLATES

Facing Page
I. Porch of San Zenone, Verona 14
II. The Arethusa of Syracuse 15
III. The Warning to the Kings, San Zenone, Verona 15
IV. The Nativity of Athena 46
V. Tomb of the Doges Jacopo and Lorenzo Tiepolo 49
VI. Archaic Athena of Athens and Corinth 50
VII. Archaic, Central and Declining Art of Greece 72
VIII. The Apollo of Syracuse, and the Self-made Man 84
IX. Apollo Chrysocomes of ClazomenÆ 85
X. Marble Masonry in the Duomo of Verona 100
XI. The First Elements of Sculpture. Incised outline and opened space 101
XII. Branch of Phillyrea 109
XIII. Greek Flat relief, and sculpture by edged incision 111
XIV. Apollo and the Python. Heracles and the Nemean Lion 119
XV. Hera of Argos. Zeus of Syracuse 120
XVI. Demeter of Messene. Hera of Cnossus 121
XVII. Athena of Thurium. Siren Ligeia of Terina 121
XVIII. Artemis of Syracuse. Hera of Lacinian Cape 122
XIX. Zeus of Messene. Ajax of Opus 124
XX. Greek and Barbarian Sculpture 127
XXI. The Beginnings of Chivalry 129


THE CROWN OF WILD OLIVE

Also, Munera Pulveris,
Pre-Raphaelitism-aratra Pentelici,
The Ethics Of The Dust,
Fiction, Fair And Foul,
The Elements Of Drawing

                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page