Dulwich, My Friends, I have not yet fully treated the subject of my last letter, for I must show you how things, as well as people, may be blessed, or cursed; and to show you that, I must explain to you the story of Achan the son of Carmi, which, too probably, you don’t feel at present any special interest in; as well as several matters more about steam-engines and steam-whistling: but, in the meantime, here is my lost bit of letter from Florence, written in continuation of the June number; and it is well that it should be put into place at once, (I see that it notices, incidentally, some of the noises in Florence, which might with advantage cease) since it answers the complaints of two aggrieved readers. Florence, 10th June, 1872. In the page for correspondence you will find a letter from a workman, interesting in many respects; and besides, sufficiently representing the kind of expostulation now constantly made with me, on my not advertising either these letters, or any other of my writings. These remonstrances, founded as they always are, very politely, on the assumption that every one who reads my books derives extraordinary benefit from them, require from me, at least, the courtesy of more definite answer than I have hitherto found time to give. In the first place, my correspondents write under the conviction,—a very natural one,—that no individual practice can have the smallest power to change or check the vast system of modern commerce, or the methods of its transaction. I, on the contrary, am convinced that it is by his personal conduct that any man of ordinary power will do the greatest amount of good that is in him to do; and when I consider the quantity of wise talking which has passed in at one long ear of the world, and out at the other, without making the smallest impression upon its mind, I am sometimes tempted for the rest of my life to try and do what seems to me rational, silently; and to speak no more. But were it only for the exciting of earnest talk, action is highly desirable, and is, in itself, advertisement of the best. If, for instance, I had only written in For main defence of it, I reply (now definitely to my correspondent of the Black Country):—You ought to read books, as you take medicine, by advice, and not advertisement. Perhaps, however, you do take medicine by advertisement, but you will not, I suppose, venture to call that a wise proceeding? Every good physician, at all events, knows it to be an unwise one, and will by no means consent to proclaim even his favourite pills by the town-crier. But perhaps you have no literary physician,—no friend to whom you can go and say, “I want to learn what is true on such a subject—what book must I read?” You prefer exercising your independent judgment, and you expect me to appeal to it, by paying for the insertion in all the penny papers of a paragraph that may win your confidence. As, for instance, “Just published, the —th number of ‘Fors Clavigera,’ containing the most important information on the existing state of trade in Europe; and on all subjects interesting to the British Operative. Thousandth thousand. Price 7d. 7 for 3s. 6d. Proportional abatement an large orders. No intelligent workman should pass a day You don’t want to be advised in that manner, do you say? but only to know that such a book exists. What good would its existence do you, if you did not know whether it was worth reading? Were you as rich as Croesus, you have no business to spend such a sum as 7d. unless you are sure of your money’s worth. Ask some one who knows good books from bad ones to tell you what to buy, and be content. You will hear of ‘Fors,’ so, in time;—if it be worth hearing of. But you have no acquaintance, you say, among people who know good books from bad ones? Possibly not; and yet, half the poor gentlemen of England are fain now-a-days to live by selling their opinions on this subject. It is a bad trade, let me tell them. Whatever judgment they have, likely to be useful to the human beings about them, may be expressed in few words; and those words of sacred advice ought not to be articles of commerce. Least of all ought they to be so ingeniously concocted that idle readers may remain content with reading their eloquent account of a book, instead of the book itself. It is an evil trade, and in our company of Mont Rose, we will have no reviewers; we will have, once for all, our book Gazette, issued every 1st of January, naming, under alphabetical list of authors and of titles, whatever serviceable or worthy writings have been published during the past year; and if, in the space of the Meantime, your newspapers being your present advisers, I beg you to observe that a number of ‘Fors’ is duly sent to all the principal ones, whose editors may notice it if they choose; but I will not pay for their notice, nor for any man’s. These, then, are my immediate reasons for not advertising. Indirect ones, I have, which weigh with me no less. I write this morning, wearily, and without spirit, being nearly deaf with the bell-ringing and bawling which goes on here, at Florence, ceaselessly, in advertisement of prayers, and wares; as if people could not wait on God for what they wanted, but God had to ring for them, like waiters, for what He wanted: and as if they could think of nothing they were in need of, till the need was suggested to them by bellowing at their doors, or bill-posting on their house-corners. Indeed, the fresco-painting of the bill-sticker is likely, so far as I see, to become the principal fine art of modern Europe: here, at all events, it is now the principal source of street effect. Giotto’s time is past, like Oderigi’s; but the bill-poster succeeds: and the Ponte Vecchio, the principal The bills on the bridge are theatrical, announcing cheap operas; but religious bills, inviting to ecclesiastical festivities, are similarly plastered over the front of the church once called “the Bride” for its beauty; and the pious bill-stickers paste them ingeniously in and out upon the sculptured bearings of the shields of the old Florentine knights. Political bills, in various stages of decomposition, decorate the street-corners and sheds of the markets; and among the last year’s rags of these, one may still read here and there the heroic apostrophe, “Rome! or Death.” It never was clear to me, until now, what the desperately-minded persons who found themselves in that dilemma, wanted with Rome; and now it is quite clear to me that they never did want it,—but only the ground it was once built on, for finance offices and railroad stations; or, it may be, for new graves, when Death, to young Italy, as to old, comes without alternative. For, indeed, young Italy has just chosen the most precious piece of ground above Florence, and a twelfth-century church in the midst of it, to bury itself in, at its leisure; and make the summer air loathsome and pestiferous, from San Miniato to Arcetri. No Rome, I repeat, did young Italy want; but only Very possibly it may be so, (not that, for my own poor part, I attach much importance to Niebuhr’s “inclinations,”) but it is fatally certain that whenever you begin to seek the real authority for legends, you will generally find that the ugly ones have good foundation, and the beautiful ones none. Be prepared for this; and remember that a lovely legend is all the more precious when it has no foundation. Cincinnatus might actually have been found ploughing beside the Tiber fifty times over; and it might have signified little to any one;—least of all to you or me. But if Cincinnatus never was so found, Of which at another time: the point in question just now being that this same slope of the Aventine, under the wall of Tullius, falling to the shore of Tiber just where the Roman galleys used to be moored, (the marbles worn by the cables are still in the bank of it there,) and opposite the farm of Cincinnatus, commands, as you may suppose, fresh air and a fine view,—and has just been sold on “building leases.” Sold, I heard, to an English company; but more probably to the agents of the society which is gradually superseding, with its splendid bills at all the street corners, the last vestiges of “Roma, o morte,”—the “SocietÀ Anonima,” for providing lodgings for company in Rome. Now this anonymous society, which is about to occupy itself in rebuilding Rome, is of course composed of persons who know nothing whatever about building. They also care about it as little as they know; but But observe in what its dividends will consist. Knowing nothing about architecture, nor caring, it neither can choose, nor will desire to choose, an architect of merit. It will give its business to the person whom it supposes able to build the most attractive mansions at the least cost. Practically, the person who can and will do so, is the architect who knows where to find the worst bricks, the worst iron, and the worst workmen, and who has mastered the cleverest tricks by which to turn these to account. He will turn them to account by giving the external effect to his edifices which he finds likely to be attractive to the majority of the public in search of lodging. He will have stucco mouldings, veneered balconies, and cast-iron pillars: but, as his own commission will be paid on the outlay, he will assuredly make the building costly in some way or other; and he can make it costly with least trouble to himself by putting into it, somewhere, vast masses of merely squared stone, chiselled so as to employ handicraftsmen on whose wages The interior apartments will, of course, be made as luxurious as possible; for the taste of the European public is at present practically directed by women of the town; these having the government of the richest of our youth at the time when they spend most freely. And at the very time when the last vestiges of the heroic works of the Roman Monarchy are being destroyed, the base fresco-painting of the worst times of the Empire is being faithfully copied, with perfectly true lascivious instinct, for interior decoration. Of such architecture the anonymous society will produce the most it can; and lease it at the highest rents it can; and advertise and extend itself, so as, if possible, at last to rebuild, after its manner, all the great cities of Italy. Now the real moving powers at the bottom of all this are essentially the vanity and lust of the middle classes, all of them seeking to live, if it may be, in a cheap palace, with as much cheap pleasure as they can have in it, and the airs of great people. By ‘cheap’ pleasure, I mean, as I will show you in explaining the nature of cursed things, pleasure which has not been It has chanced, by help of the Third Fors, (as again and again in the course of these letters the thing to my purpose has been brought before me just when I needed it,) that having to speak of interest of money, and first of the important part of it consisting in rents, I should be able to lay my finger on the point of land in all Europe where the principle of it is, at this moment, doing the most mischief. But, of course, all our great building work is now carried on in the same way; nor will any architecture, properly so called, be now possible for many years in Europe. For true architecture is a thing which puts its builders to cost—not which pays them dividends. If a society chose to organize itself to build the most beautiful houses, and the strongest that it could, either for art’s sake, or love’s; either palaces for itself, or houses for the poor; such a society would build something worth looking at, but not get dividends. True architecture is built by the man who wants a house for himself, and builds it to his own liking, at his own cost; not for his own gain, to the liking of other people. All orders of houses may be beautiful when they are thus built by their master to his own liking. On the hills about me at Coniston there are also houses built by their owners, according to their means, and pleasure. A few loose stones gathered out of the fields, set one above another to a man’s height from the ground; a branch or two of larch, set gable-wise across them,—on these some turf, cut from the next peat moss. It is enough: the owner gets no dividend on his building; but he has covert from wind and rain, and is honourable among the sons of Earth. He has built as best he could, to his own mind. You think that there ought to be no such differences in habitation; that nobody should live in a palace, and nobody under a heap of turf? But if ever you become educated enough to know something about the arts, you will like to see a palace built in noble manner; and if ever you become educated enough To your children, and to theirs, desiring for them that they may live as you have lived; and not strive to forget you, and stammer when any one asks who you were, because, forsooth, they have become fine folks by your help. Euston Hotel, 18th August. Thus far I had written at Florence. To-day I received a severe lesson from a friend whose teaching is always serviceable to me, of which the main effect was to show me that I had been wrong in allowing myself so far in the habit of jesting, either in these letters, or in any other of my books, on grave subjects; and that although what little play I had permitted, rose, as I told you before, out of An impatient correspondent of mine, Mr. W.C. Sillar, who has long been hotly engaged in testifying publicly against the wickedness of taking interest, writes to me that all I say is mysterious, that I am bound to speak plainly, and, above everything, if I think taking interest sinful, not to hold bank stock. Once for all, then, Mr. Sillar is wholly right as to the abstract fact that lending for gain is sinful; and he has in various pamphlets, shown unanswerably that whatever is said either in the Bible, or in any other good and ancient book, respecting usury, is intended by the writers to apply to the receiving of interest, be it ever so little. But Mr. Sillar has allowed this idea to take possession of him, body and soul; and is just as fondly enthusiastic about abolition of usury as some other people are about the liquor laws. Now of course drunkenness is mischievous, and usury is mischievous, and whoredom is mischievous, and idleness is mischievous. But we cannot reform the world by preaching temperance only, nor refusal of interest only, nor chastity only, nor industry only. I am myself more set on teaching healthful industry than anything else, as the beginning of all redemption; then, purity of heart and body; if I can get these taught, I know that nobody so taught will either get drunk, or, in any unjust manner, “either a borrower or a lender be.” But I expect also far higher results than either of these, on which, being utterly bent, I am very careless about such minor “Ananias over again, or worse,” Mr. Sillar will probably exclaim, when he reads this, and invoke lightning against me. I will abide the issue of his invocation, and only beg him to observe respecting either ancient or modern denunciations of interest, that they are much beside the mark unless they are accompanied with some explanation of the manner in which borrowing and lending, when necessary, can be carried on without it. Neither are often necessary in healthy states of society; but they always must remain so to some extent; and the name “Mount of Pity,”
Here, lastly for this month, is another piece of Marmontel for you, describing an ideal landlord’s mode of “investing” his money; losing, as it appears, half his income annually by such investment, yet by no means with “aching pillows” or broken hearts for the “In the neighbourhood of this country-house lived a kind of Philosopher, not an old one, but in the prime of life, who, after having enjoyed everything that he could during six months of the year in town, was in the habit of coming to enjoy six months of his own company in a voluptuous solitude. He presently came to call upon Elise. ‘You have the reputation of a wise man, sir,’ she said—‘tell me, what is your plan of life?’ ‘My plan, madame? I have never had any,’ answered the count. ‘I do everything that amuses me. I seek everything that I like, and I avoid with care everything that annoys or displeases me.’ ‘Do you live alone, or do you see people?’ asked Elise. ‘I see sometimes our clergyman, whom I lecture on morals. I chat with labourers, who are better informed than all our servants. I give balls to little village girls, the prettiest in the world. I arrange little lotteries for them, of laces and ribands.’ (Wrong, Mr. Philosopher: as many ribands as you please; but no lotteries.) ‘What?’ said Elise, with great surprise, ‘do those sort of people know what love is?’ ‘Better than we do, madame—better than we do a hundred times; they This is all very pretty, but falsely romantic, and not to be read at all with the unqualified respect due to the natural truth of the passages I before quoted to you from Marmontel. He wrote this partly in the hope of beguiling foolish and selfish persons to the unheard-of amusement of doing some good to their fellow-creatures; but partly also in really erroneous sentiment, his own character having suffered much deterioration by his compliance with the manners of the Court in the period immediately preceding the French Revolution. Many of the false relations between the rich and poor, But, putting the romantic method of operation aside, the question remains whether Marmontel is right in his main idea that a landlord should rather take 2,000l. in rents, and return 1,000l. in help to his tenants, than remit the 1,000l. of rents at once. To which I reply, that it is primarily better for the State, and ultimately for the tenant, that administrative power should be increased in the landlord’s hands; but that it ought not to be by rents which he can change at his own pleasure, but by fixed duties under State law. Of which, in due time;—I do not say in my next letter, for that would be mere defiance of the Third Fors. Ever faithfully yours, JOHN RUSKIN. NOTES AND CORRESPONDENCE.Sir,— Tipton, 8th April, 1872. You have written a many letters to workmen, and seem to have suffered from a many replies by clerks, manufacturers, and others, to whom your letters were not addressed; and as you have noticed some of their performances, I am encouraged to expect you will kindly read one written by a man belonging to the class that you have chosen to write to,—one who is emphatically a workman, labouring many hours daily with hands and head in the wilderness known to people living in pleasanter places as the Black Country. This letter is not, however, sent to invite you to sympathise with me on account of the sooty residence I endure, for it is not so unpleasant a place to a man with a healthy mind, as gentle-folks with exaggerated sensibilities are apt to consider it. We do see the sky, and sometimes the green fields, and those who always live among the latter don’t seem to be more refined, more elevated, or more use in the world than we are. But it is written very respectfully to remonstrate with you on account of your peculiar method of publication. You write books and letters, therefore I suppose you wish them to be read; but did it never occur to you that in order to be read, they must be made known to those whom you desire to read them? and how can that be done unless their publication is advertised? You object to do that, but do not substitute any other method—if, indeed, there is any other—of informing us of the letters and books that you have written. Booksellers do not offer your volumes, because your conditions of sale do not allow them to make a fair profit. Their customers can purchase the books as cheap as the book-dealer, and with as little trouble as an application to him would give them Your ‘Fors’ series of letters are almost unknown to those to whom you have addressed them. I heard of them six months after their commencement, because some “able editor” was short of copy, and endeavoured to be clever at your expense. Sir, I hope you will reconsider this matter,—what possible harm could it do to simply announce the publication of a volume or a letter in a few newspapers or magazines? It is certainly a mistake that the knowledge of a newly-issued volume should depend upon the exigences of foolish editors or the popular relish for their highly-spiced rubbish. I hate anonymous letters, and you can have my address if you want it. I read the other day if any one dared to expostulate with you that you would gibbet him. What that means, I know not. Something awful, no doubt. So I merely subscribe myself, Sir, THE MOUNT OF COMPASSION, And Coronation of its Builder. THE MOUNT OF COMPASSION, And Coronation of its Builder. Drawn thus by Sandro Botticelli. |