Abana and Pharpar, ii. 10.
Academy-studies, i. 119;
usual tendencies of academies, i. 73;
the Liverpool, ib.;
Royal Academy, pictures seen to disadvantage in the, i. 20;
Exhibitions of the, i. 59, 67, 176 (note), 119 (note);
the Scotch Academy, i. 74 (note); 176 (note).
Acland, Sir Thomas, i. 25.
---- (Dr.), Henry, i. 25; i. 125 (note); i. 130; i. 170. (See also Oxford Museum.)
Advertisement of books, ii. 164.
Æschylus, his work, i. 22 (note).
Agassiz and Forbes, i. 176; i. 187.
Age, the present, one of "steam and iron, luxury and selfishness," i. 18;
one in which poetry is disregarded, i. 18;
fever of change in, ii. 101;
shallow learning, the curse of, ii. 124.
Agreements, compulsory, ii. 53.
Ailsa Rock, i. 146.
Alisma Plantago, i. 61.
Allen, Mr. George, i. 163; i. 169 (note).
Alms and Wages, ii. 56; ii. 60.
Almsgiving, ii. 101. (See Charity.)
Alps, conformation of the, i. 173, seqq.;
origin of form of, i. 174;
charts of sections of chain wanted, i. 175;
extent of chain, i. 182;
Mr. Ruskin's lecture on the Savoy Alps, i. 174, and note.
Alsace and Lorraine, ii. 28.
Alsen, ii. 18, and note.
Amazon, Kiss', ii. 13 (note), 12.
Ambition, tone of modern, ii. 144, 146.
America, England no need to learn from, ii. 73;
has no castles, i. 151 (note);
reference to Mr. Ruskin by Mr. Holyoake in, ii. 73;
serf economy in, ii. 21.
American War, loss of property in, ii. 38. (See also Lincoln, Pres.)
Amiens, Cathedral of, i. 154, ii. 202;
the theatres at, ii. 193.
Andrew, St., ii. 8.
Angelico, i. 43, i. 118;
and Giotto, their theology of death, i. 118;
holiness of, ii. 23 (note);
his "highest inspiration" destroyed at Florence, i. 38, and note;
his "Last Judgment," i. 44, and note;
formerly no picture by in National Gallery, i. 43, and note.
Angrogna, the valley of, ii. 11.
Animals, kindness and cruelty to, ii. 128 seqq.; 128 (note); ii. 142;
portraiture of in architecture, i. 141;
of Scripture, ii. 172.
Anjou, ii. 28.
Annual Register (1859) quoted, ii. 10 (note).
Antwerp, "Rubens" at, i. 39.
"A Pagan Message," ii. 143.
Apolline Myths, the, ii. 172.
Apollo Belvedere, the, i. 7.
Appendix, List of letters in the, ii. 181.
Arabian Nights, the, quoted, "the seals of Solomon," (Story of the Fisherman, Chapter ii.), i. 136;
Story of the Ugly Bridegroom, ii. 101.
Arbia, the, ii. 15 (note).
Arbitration and Strikes (letter), ii. 48.
Archer knight, the, i. 158.
Architect, The, (Dec. 27, 1873,) Letter on E. George's Etchings, i. 113.
Architecture, List of Letters on, i. 123;
its beauty dependent on its use, i. 148;
Byzantine builders, i. 167;
cultivation of feeling for drawing in, i. 114;
English copying of old, i. 141;
expressional character of, i. 157;
Frankenstein monsters, i. 156;
Gothic and Classic, i. 99 (note);
Gothic, and the Oxford Museum (letters), i. 125 seqq., 131 seqq.;
Greek work freehand, i. 168; jobbery in modern, i. 158;
pseudo-Venetian, i. 157;
sculpture, use of, in, i. 139 seqq.;
St. Mark's, Venice, place of, in, i. 161;
Ruskin's influence on modern, i. 154-157;
unity in, i. 140.
(See also Gothic Architecture.)
Arcola, ii. 33.
Argument, the best kind of, i. 37.
Aristotle, his work, i. 22 (note).
Arno, the, ii. 116-118.
Art, the alphabet of (Dr. Acland on), i. 130;
color and design, i. 29;
connection of with other studies, i. 28, 31;
conventionalism in, i. 142;
dancing, ii. 148;
dicta in, dangerous, i. 24, 28;
drawing—practical value of, i. 28;
an essential part of education, i. 26;
its uses, ib.;
a more universal faculty than music, ib.;
—education in art, i. 30;
enjoyment of different kinds of art by different people, i. 14, i. 27;
generalization in art, i. 75;
Greek art, study of, ii. 148;
growth of art in England and Italy, i. 9;
happiness and knowledge of art, i. 25;
highest art the most truthful, i. 140;
history of, i. 27;
how far to be studied, i. 29;
"ideas" in, ii. 17;
inclusive of what, i. 30;
should be public, permanent, and expressive, i. 127, 54;
manufacture and, i. 29, ii. 138;
music, ii. 148;
ornamental art, i. 142;
special gift for, how to detect, i. 29;
studies, how to direct, i. 27;
teaching by correspondence, i. 32;
unity of purpose in, i. 140;
use of before printing, i. 125 (note).
Art Criticism, List of Letters on, i. 2;
letter, "Art Criticism," i. 10 seqq.;
art criticism, impossible to very young men, and why, i. 27;
necessarily partial, and why, i. 27;
the common dicta of, their dangerous
use, i. 24, 26;
how to develop the power of, ib.;
the foundation of, i. 27;
the kinds of, right and wrong, ib.
Art-critics, i. 12;
two kinds of, i. 10;
qualifications of, i. 10 (note).
Art Education, List of Letters on, i. 2;
danger of two good models, i. 28.
(See Art.)
Art Examinations, range and object of, i. 25;
examples of questions to be set in, i. 25.
Artist (see Art), two courses open to the, i. 18;
extent of his work, i. 26;
ignorance of landscape in portrait painters, i. 15, and note;
letters on artists and pictures, i. 111 seqq.
Artist and Amateur's Magazine, Letter on Art Criticism in (January 1844), i. 10 seqq.;
allusion to article in, i. 18, and note;
Letter to Editor on "Reflections in Water" (February 1844), i. 191 seqq.;
review of "Modern Painters," in, i. 200 (note).
Art Journal, "Cestus of Aglaia" referred to, ii. 99, and note;
Letters on "A Museum or Picture Gallery" mentioned, i. xvii. and note.
Arts, Society of. (See Societies.)
Art Union, on "Modern Painters," i. 191;
writers for the, i. 15.
Arve, foul water of the, i. 195.
Arveron, the, i. 179.
Ashmolean Society, Proceedings of (1841), Letter on "A Landslip near Giagnano" in, i. 202.
Asiatic, The, (May 23, 1871,) Letter, "The Queen of the Air," ii. 171.
AstrÆan anecdote, an, ii. 180.
Athena, i. 162, 165 (note); the Queen of the Air, ii. 171.
AthenÆum, The, (February 14, 1857,) Letter on the Gentian, i. 204;
the Glasgow AthenÆum, ii. 124 (note).
Athens, ii. 178.
Atmospheric pressure, i. 185 seqq.
Atreus' treasury and St. Mark's, i. 162.
Audiences, modern, ii. 124; ii. 179.
Aurifrigium, ii. 178.
Authorship, early in life, deprecated, ii. 164; needs training, ib.
Austerlitz, battle of, ii. 30.
Austin's definition of Justice, ii. 57 (note).
Australia, gold in, ii. 56 (note).
Austria, characteristics of the nation, ii. 5 seqq.;
"barbarism," and magnanimity of, ii. 6;
and France, loss in war between, ii. 33;
work of, in Italy, ii. 6 seqq.
Autographic Mirror, The (Dec. 23, 1865), letter to W. H. Harrison in, ii. 192.
Auvergne, ii. 28.
Aytoun's "Ballads of Scotland " referred to, i. 76 (note).
Babies, ii. 183;
"Baby May," ib. (note).
Backhuysen, i. 12.
Bacon, his mission and work, i. 22 (note).
Ballads, Scotch, i. 76 (note);
"Burd Helen," ib.
Bandinelli, i. 43.
Bank directors, ii. 131.
Bargaining and begging, ii. 56.
Barometer, use of the, i. 185.
Barry, Sir C., ii. 175 (note);
James, R. A., anecdote of, i. 15, 16, and note.
Bartholomew Fair, i. 55.
Bartolomeo, Fra, no picture by in the National Gallery, i. 44, and note.
Bass, Mr. M. T., ii. 18 (note).
Bass-rock, The, i. 145.
Beaconsfield, Lord, and Mr. Gladstone, ii. 197.
Beaumont, Sir G., i. 7 (note).
Bee, the Queen, ii. 103.
Beelzebub, ii. 197.
Begging and Bargaining, ii. 56.
Bellini, i. 43, 47, 165 (note);
his "Doge Leonardo Loredano," 45, 46, and note;
character of as an artist, ib.
Bellinzona, the people of, ii. 117;
Mr. Ruskin at, ib.
Bennett, W. C., Letter to, ii. 183;
his Poems, ib., and note.
Bentham's definition of justice, ii. 56.
Ben Wyvis, i. 146.
Berlin, Mr. Ruskin's letters from, ii. 3, 8;
the sights of, ii. 12 and 12 (note);
Sundays at, ii. 11.
Bible, animals of the, ii. 172 seqq.;
possible errors in the, ii. 98, and note;
what to read in the, ii. 142;
quoted or referred to,—
"What are these wounds in thy hands" (Zechariah xiii. 6), i. 60 (note).
"I meditate on all thy works" (Psalm cxliii. 5), i. 61 (note).
"Behold, I stand at the door and knock" (Revelation iii. 20), i. 68.
The wild grass "whereof the mower filleth not his hand" (Psalm cxxix. 7), i. 68.
(See both Bible and Prayer-book versions.)
"The feet of those who publish peace" (Isaiah iii. 7), i. 133.
"We also are his offspring" (Acts xvii. 28), i. 162.
"Abana and Pharpar" (2 Kings v. 12), ii. 10.
"Woe unto thee, O land, when thy king is a child " (Ecclesiastes x. 16), ii. 21.
"Raising the poor" (1 Sam. ii. 8; Psalm cxiii. 7), ii. 27.
"The commandment is holy, just, and good" (Romans vii. 12), ii. 55.
"Who sweareth to his own hurt, and changeth not" (Psalm xv. 4), ii. 57.
"Eye for eye, and tooth for tooth" (Exodus xxi. 24, and reff.), ii. 63.
"He that delicately bringeth up his servant," etc. (Proverbs xxix. 21), ii. 93.
"Not now as a servant, but above a servant, a brother beloved" (Philemon 16), ii. 98.
"The waters of comfort" (Psalm xxiii. 2, Prayer-book version), ii. 115.
"Eyes have they, and see not" (Jeremiah v. 21), ii. 140.
"A rod for the fool's back" (Proverbs xxvi. 3), ii. 141.
"A rod is for the back of him that is void of understanding" (Proverbs x. 13), ib.
"Thou shalt not commit adultery" (Exodus xx. 14), ii. 147.
"Male and female created he them" (Genesis i. 27), ii. 148.
"I will make a helpmeet for him" (Genesis ii. 18), ib.
"All her household are clothed with scarlet" (Proverbs xxxi. 21, 22), ii. 155.
"Who clothed you in scarlet" (2 Samuel i. 24), ib.
"The king's daughter is all glorious within" (Psalm xiv. 13, 14), ii. 155.
"She riseth while it is yet night.... Strength and honor are her clothing" (Proverbs xxxi. 15, xxii. 5), ii. 157.
"And the city was broken up" (2 Kings xxv. 4), ii. 177.
Bigg, Mr. W. M., sale of pictures, i. 102 (note).
Bills, for fresh railways, ii. 88;
the reform bill (1867), ii. 133.
Birds, preservation of wild, ii. 128 (note);
treatment of, ii. 142.
Birmingham Daily Mail, Nov. 27, 1879 (Mr. Ruskin on St. Mark's, Venice), i. 170.
Bishops, ii. 131.
Black, W., "The Daughter of Heth," i. 120 (note).
Black-letter, not illegible, ii. (note), 174, 175.
Blackfriars Bible Class. See "New Year's Address."
Blackstone's summary of law, ii. 63, and note.
Blackwood's Magazine, the art critic of, i. 13.
"Blind Fiddler," the, i. 7.
Bluecoat School, i. 55.
Boat-race, training for, ii. 145.
Boileau quoted, i. 14.
"Bold" work in drawing and music, i. 95.
Bonheur, Mdlle. Rosa, escape of, from Paris, ii. 23 (note).
Books, publication of, ii. 163;
number of in the world, ii. 164.
Booth, J. Wilkes (assassin of President Lincoln), ii. 54 (note).
Botany, an examination paper in, i. 32.
(See also Flowers.)
Bouguer, Pierre, i. 196 (note).
Bourges Cathedral, i. 154.
Bragge, Mr. W. and the Sheffield Museum, ii. 126 (note).
"Break," meaning of, ii. 177.
BrÊche, the, ii. 28.
Brenta, the, ii. 10, 117.
Brewster, Sir D., i. 196.
Bridgewater House, "Turner" at, i. 11, and note.
Bright, Mr. John, M.P., ii. 195 seqq.
Brighton, railway competition at, ii. 83 (note).
British Museum, Letter on, i. 52 seqq.;
i. 102, 103;
catalogues of the, i. 53;
Henry VI.'s psalter at, i. 54, and note;
preservation of drawings at, i. 84;
what it is and is not, i. 53, 54.
Brodie, Prof., at Oxford, i. 134, and note.
Bromley, villas at, i. 156.
Brooke, Stopford A., ii. 156, and note.
Browne, Edward, Dr., ii. 120, and note;
Thomas, Sir, ib.
Browning, Robert, ii. 183 (note).
Bubastis, cats sacred to (Herodotus, ii. 67), ii. 19.
Buchan's Scotch Ballads referred to, i. 76 (note).
Buckland, Dr. William, i. 182 (note).
Builder, The (Dec. 9, 1854), Letter, "Limner" and Illumination, ii. 174.
Buildings, modern, ii. 147, i. 156;
repair of, ii. 203.
Bunch, Sydney Smith's, ii. 96, and note.
Bunney, Mr., painting of St. Mark's, i. 169 (note).
Buonaroti, i. 43.
"Burd Helen," i. 76, and note;
meaning of "Burd," ib.
Burgundy, ii. 28.
Burial and immortality, i. 141.
Burlington House, i. 118.
Burne Jones, Mr., and St. Mark's, Venice, i. 170.
Burns, quoted, i. 19, and note.
Butler, Bishop, ii. 56.
Byron, quoted, i. 19, and note, i. 20;
Turner's illustrations of, i. 102 (note).
Cabmen's fares, ii. 52.
Calcutta, ii. 32.
California, gold in, ii. 37 (note).
Callco tt, Sir A., i. 14, 21, 23.
Campanile, St. Mark's, Venice, i. 167;
at Verona, i. 169.
Campbell, quoted, i. 20 (note), 21.
Canterbury Cathedral, i. 161.
Cape of Good Hope and Venetian History, ii. 145.
Capital, employment of, ii. 85 seqq.;
sunk in works of art, ii. 86.
Capital Punishment, ii. 134.
Cappel, ii. 4 (note), 5.
Capri, grotto of, i. 200 (note).
"Captain," loss of the, ii. 27, and note.
Caracci and Titian, i. 51.
Careers, modern, ii. 144, 145, 146.
Carlyle, Thomas, quoted, his "Frederick the Great," ii. 27;
on the Jamaica Insurrection and the Eyre Defence Fund, ii. 20 (note), 22 (note);
on servants, ii. 101;
letter to W. C. Bennett, ii. 183 (note).
Carpenter, W. H., i. 84, and note, 92.
Carriage of heavy goods, ii. 136, 138.
Cary's Dante quoted, ii. 15 (note);
criticised, 174, and note.
Casentino, ii. 118.
Castel-a-mare, landslip near, i. 203.
Castles—building of, i. 148, 149;
definition of, i. 148;
not to be imitated, i. 149;
proper, no longer needed or possible, i. 148;
none in America, i. 151 (note);
Warwick Castle, i. 151 seqq.
Casts of St. Mark's, i. 163, 169.
Catechism, won't make good servants, ii. 94;
or educate children, ii. 123.
Cathartics, use of by ancients, ii. 67.
Catholics, Roman, and Protestants, ii. 4 seqq.
Cellini, i, 43.
"Cestus of Aglaia." (See Ruskin.)
Chamouni, i. 174;
the rocks of, i. 179;
land destroyed at, ii. 116.
Champagne, demand for, ii. 45.
Chantrey, Sir F., i. 21, 23.
Chapman, Mr. (of Glasgow AthenÆum), ii. 124.
Character formed by employment, ii. 132.
Charity, ii. 131;
invalid charities, ii. 139;
"an object of" (letter), ii. 186
Charity-children singing at St. Paul's, ii. 149.
Charles the Bold, ii. 28.
Charlottenburg, tomb of Queen Louise at, i. 12, and note.
Chartres Cathedral, i. 154.
"Chasing," meaning of the word, ii. 176 (note).
Chiaroscuro, i. 4;
of Leech, i. 111.
"Child Waters," ballad of, i. 77 (note).
China, war in, ii. 17.
Chivalry, the foundation of, ii. 143 seqq.
"Chorus," ii. 148.
Christ, offices of, to the soul, i. 68, 69.
Christ Church, Dean of, and St. Mark's, Venice, i. 170.
Christian Life, The (Dec. 20, 1879), Letter on Co-operation in, ii. 73.
Christie and Manson, sales by, i. 77 (note), ii. 69, ii. 183 (note).
Chrysanthema, ii. 183.
Cimabue, anecdote relating to, i. 9, and note;
his picture of the Virgin, ib.;
teaches Giotto, i. 25 (note).
Cinderella, ii. 100.
Cirencester, Agricultural College at, ii. 115.
Citadel, definition of a, i. 148.
Civet, ii. 97.
Claude, i. 24;
challenged by Turner, i. 46, and note;
his "Seaport" and "Mill," ib.;
pictures of, restored, i. 46 (note).
(See National Gallery.)
Cleopatra dissolving the pearl, i. 50.
Coal, how to economize English, ii. 135.
Cocker, Edward, arithmetician (b. 1631, d. 1677), ii. 42.
Coincidence, a strange, ii. 104 (note), 104.
Colen, ii. 120.
Colenso, Bishop, ii. Denmark, the position of, in 1863, ii. 17 seqq.
Denudation, i. 181, 182;
its place in physical mythology, i. 183, 184.
Derby, the, 1859, ii. 10 (note).
"Derby Day," Frith's, i. 55.
(See also i., xvii. note.)
De Saussure, i. 188, 189 (note).
Deucalion, the myth of, i. 183.
"Deucalion" referred to. (See Ruskin, books quoted.)
Diagrams, illustrating rainbow reflections, i. 201, 202.
Dickens, letter of, to Mr. Bennett, ii. 183 (note);
bibliography of, letters in the, ii. 190;
death of, ii. 125 (note).
"Pickwick" referred to, ii. 97.
Dinner tables, modern, ii. 59.
"Disciple of Art and Votary of Science," article in Liverpool Albion, ii. 187 (note).
Discovery, the merits of, i. 187 seqq.
Distances, focal, i. 5.
Dividends, railway—a tax on the traveller, ii. 82.
Dogs, Protestant and Catholic, ii. 11;
"dog or bee" letter, ii. 127.
Domestic servants. (See Servants.) Meaning of word "domestic," ii. 102 (note.)
"Dones" and "undones," ii. 142.
Doric modes, ii. 148.
Drama, reform of the, ii. 193, 194.
Drawing. (See Art.)
Drawing-master, the first work of a, i. 28.
Drawings, chance beauty of good, i. 111;
subtlety possible in, i. 93, 94 seqq.;
effect of light, etc., on, i. 83, 84, 102, 103, 105;
how to mount, i. 83;
how to frame, i. 83.
Dreams, Homeric myth as to, i. 75, and note.
Dress, right, ii. 154 seqq.;
national, ii. 155;
dress-making, ii. 139;
letter on "sad colored costumes," ii. 156.
Drunkenness, and Crime, ii. 129;
a crime in itself, ib.;
instance of death by, ii. 39 (note).
Dudley, Lord, "Angelico" in the collection of pictures of, i. 44, and note.
Dulwich, railway at, ii. 97.
Duncan's, Mr., "Shiplake, on the Thames," i. 201 (note).
DÜrer, Albert, i. 28, 63;
and Holbein, their theology of death, i. 118.
Durham Cathedral, i. 161.
Duty, meaning of the word, ii. 63, 142.
"E. A. F." letter signed, on the designs for the "Foreign Office," i. 99.
"Eagle's Nest" (see Ruskin: books quoted), ii. 146.
Earth-Gods, ii. 172.
Eastlake, Sir C., attack on, i. 37 (note), 39, 91;
his knowledge of oil pictures, i. 46, 47 (note);
his paintings, and Byron's poems, i. 20.
---- Mr. C. L., his book on the Gothic Revival, i. 155 (note).
"Economist," letter in Daily Telegraph from, ii. 41, 44 (note).
Economy defined, its three senses, ii. 157;
meaning of the word, ii. 105.
(See Political Economy.)
Edinburgh, ii. 137;
improvements at, i. 145, 150;
Sundays at, ii. 11;
Trinity Chapel, i. 147;
University of, and Prof. Hodgson, ii. 44 seqq.
---- Castle, alterations at, i. 147, 149, 150;
its grandeur, ib.;
no longer a military position, i. 150.
---- Castle Rock, its place among Scotch "craigs," i. 146, 147;
proposal to blast, ib.
Education, list of letters on, ii. 121;
an "average first-class man," i. 31;
compulsory, ii. 124;
division of studies, i. 30;
employment the primal half of, ii. 132;
involution of studies, i. 31;
education mongers, ii. 49;
place of science in, i. 133;
"true," letter on, ii. 123.
Edward the Confessor, i. 161.
Egg, yellow spot on, ii. 73.
Ehrenberg, C. G., i. 132, 133 (note).
Electricity, use of, ii. 134.
Elgin marbles, the, i. 28.
Ellis, Mr. Wynn, i. 106 (note).
Embankment of Italian rivers, plan for, ii. 112 seqq.
Embroidery, use of, ii. 157.
Emigration, ii. 87, 128.
Employment, ii. 134;
to be educational, ii. 136;
forms character, ii. 132;
modes of for poor, ii. 138;
always obtainable, ii. 46, 196;
principles of, ii. 134 seqq.
England, big enough? (letter) ii. 79;
buildings of destroyed, i. 151;
and Denmark, ii. 17, 18;
France and, 1859, ii. 9;
1870, ii. 28;
independent, ii. 99;
and Italy, 1859, ii. 6;
and Italian inundations, ii. 113 (note), 117;
and Italy, their treatment of art, i. 9;
literature of, i. 118;
"machine-and devil driven," ii. 124 (note);
and Poland, ii. 19;
protection of pictures in, i. 37;
and the Reform Bill, 1867, ii. 133;
shopkeepers, a nation of? ii. 100;
trade and policy of, ii. 28;
and war, ii. 16, 17, 19.
Enid, ii. 100.
Enterprise, public and private, ii. 86.
"Epitaphs," the Essay on, ii. 99.
Epictetus, ib.
Eridanus, ii. 111.
Etching, George's, Ernest, i. 113 seqq.;
principles of, ib.;
(a) chiaroscuro, 116;
(b) few lines, 116;
(c) a single biting enough, 115;
(d) use pencil, 116;
thirteenth century work and its imitators, ib.
Etruscan work, ii. 178.
Equity and Law, ii. 62.
Evening Journal, The (Jan. 22, 1855), review of "Animals of Scripture" in, ii. 172.
Examination. (See Art.)
Examiner, The, review of "Our Sketching Club" in, ii. 165, and note.
Expenditure, objects of public, i. 102;
national, on pictures, parks, and peaches respectively, i. 92.
"Eye-witness, The," i. 61 (note).
Eylau, battle of, ii. 30.
Eyre, Governor, and the Jamaica Insurrection, ii. 20, and note.
Failure, the lesson of, i. 23, 125, 126.
"Fair Play," letter of in Daily Telegraph, ii. 83 (note), 84-86 (note).
Fairservice (see Scott, Sir Walter), ii. 97 (note).
Faithfull, Miss E., lecture by, ii. 154 (note);
letter to, ib.
Fallacies, À priori, ii. 50.
Family, meaning of the word, ii. 102.
Farinata, ii. 15, and note.
Fashion, change of, ii. 155;
how to lead, ii. 157.
Fate and trial, the laws of, i. 125 (note).
Father's, a, counsel to his son, ii. 147.
Fauna, Oxford prize for essay on the, i. 132 (note).
Fesch, Cardinal "Angelico" in the collection of, i. 44, and note.
Fielding, Copley, and Mr. Ruskin, i. 192.
Field sports, morality of, ii. 127.
FiÉsole, i. 9.
Finden, engraving in Rogers' Poems, i. 93.
Fine Art Society, i. 105 (note), 159, 166.
Finlason, G. W., "History of the Jamaica Case" referred to, ii. 22 (note).
Florence, "Angelico" destroyed at, i. 38;
and floods, ii. 117;
gallery of, i. 50;
Ghibelline proposal to destroy, ii. 15 (note);
revenge in old, ii. 64.
Flowers, use of in architecture, i. 141 seqq.;
"Alisma Plantago," i. 61;
Chrysanthema, ii. 183;
Gentian, i. 204.
Fonte Branda, ii. 118.
Food, amount of, determines wages and price, ii. 65.
Forbes, George, Prof., i. 187 (note).
Forbes, James David, i. 176;
letter on "his real greatness," i. 177 seqq.;
and Agassiz, i. 176, 190;
his "Danger of Superficial Knowledge" quoted, i. 189 (note);
letter to Mr. Ruskin, i. 190;
letter of a pupil of, to Mr. Ruskin, i. 190.
Force, use of human, ii. 134 seqq.
Foreground and background, painting of, i. 6.
"Forester," lecture of in Daily Telegraph on Field Sports, ii. 128 (note).
Forster's Life of Dickens, ii. 125 (note).
Fortnightly Review, Mr. Freeman and Mr. Trollope on field sports, ii. 127 (note).
Fortress, definition of a, i. 148.
Fortunes, rapidly accumulated, ii. 85;
inequality of desirable, ib.
Fountain of joy at Siena, ii. 118.
Fox-hunting, ii. 128.
Fra Bartolomeo, none in National Gallery, i. 44, and note.
Framing, methods of, for delicate drawings, i. 83.
France and Austria, loss of in war, ii. 33;
cathedrals of, i. 154;
empire, war the key-note of the first, vice of the second, ii. 26;
position of in 1859, ii. 9.
Franco-Prussian war, letters on, ii. seqq.;
cause of, ii. 26;
character of the contest, ii. 27;
Germany to stop within limits, ii. 28;
loss of property in, ii. 32, 33;
misery of, ii. 112, and note;
England's position as regards, ii. 28;
refugees during, ii. 154 (note);
the Sainte Chapelle in danger during, i. 154.
Franchise, female, ii. 154 (note).
"Frange," ii. 178.
"Frango," ii. 178.
Fraser's Magazine (July, 1875), letter on "Modern Warfare," ii. 29.
Frederick the Great, his statue at Berlin, ii. 12 (note);
his wars, virtue of, ii. 27.
Freedom, "not to be given," ii. 7, 8 (note).
Freeman, Mr. E., on field sports, ii. 127 (note).
FrÈre, M. Edouard, escape from Paris, ii. 23, and note.
Fresco-painting, laws of, determined by Perugino, i. 117.
"Fret," etymology of, ii. 178 seqq.
"Frico," ii. 178.
Frith's, Mr., "Derby Day," i. 55. (See also i. xvii., note.)
Furnivall, Mr., letters to, ii. 177.
Fuseli quoted, i. 59, 75.
Gainsborough, his landscapes, i. 13;
his speed, i. 112.
Gardens, ii. 158.
Garisenda, tower of, i. 169.
Gas, effect of, on pictures, i. 98, 105.
Generalization in art, i. 76.
Geneva, lake of, i. 180;
its color, i. 196;
letter to journal at, 153;
Sundays at, ii. 11.
Genius, the tone of true, i. 188, 189.
Gentian, letter on the, i. 204;
species of the, ib.
Gentlemen, duties of, to their peasantry, ii. 128.
Geological letters, i. 173, seqq.
Geology, English v. Alpine, i. 181 seqq.;
museum of, at Sheffield, ii. 126;
Mr. Ruskin's study of, i. 173, 178;
work needed in the science, i. 175.
(See also Glaciers.)
George, Mr. Ernest, his etchings, i. 113 (note), and seqq.
"Gerin," play of, mentioned, ii. 194.
Germany, characteristics of the nation, ii. 7;
Emperor of, ii. 7 (note);
Franco-Prussian war and, ii. 22, 28;
heroism of a German girl, ii. 100;
German soldiery, ii. 7;
German women, type of features, ii. 12.
Ghibelline faction at Florence, ii. 15 (note).
Ghirlandajo, i. 43;
no picture by in National Gallery, i. 44 (note).
Giagnano, landslip near, i. 202.
Gideon's fleece, i. 133.
"Gil Blas," ii. 186.
Giorgione, i. 75.
Giotta, his "public," i. 15;
pupil of Cimabue, i. 25, and note, i. 43;
his theology of death, i. 118.
Glaciers, action of, compared with that of water, i. 175-178;
excavation of lake basins by, i. 173 seqq.;
the G. des Bois, i. 178-180;
experiments with honey illustrating, i. 178;
hardness of, i. 177;
motion of, i. 176, 177.
Gladstone, Mr., ii. 142 (note);
his "Juventus Mundi," ii. 171 (note);
at Naples, i. 18, and note;
and Lord Beaconsfield, ii. 197.
Glasgow, ii. 137;
the G. AthenÆum, ii. 124 (note);
the Lord Rectorship of G. University, ii. 195 seqq.
Glasgow Herald, The, letters in:—
(June 5, 1874) "The Value of Lectures," ii. 124.
(Oct. 7, 1880) The Lord Rectorship of Glasgow University (four letters), ii. 195 seqq.
(Oct. 12, 1880) The Lord Rectorship, etc., ii. 197.
Globe, The (Oct. 29, 1875), "An Oxford Protest" in, ii. 188.
"G. M.," letter of, in the Reader, i. 185.
Gneiss, the rocks of Chamouni made of, i. 179.
Gold, depreciation of, ii. 37;
discoveries of, ib. (note).
Goldwin Smith, Mr., on Luxury, ii. 66 (note).
Good Words, "Animals of Scripture" reprinted in (1861), ii. 172 (note).
Gosse, Dr. L. A., ii. 158.
Gothic architecture, adaptability of, i. 125 seqq., 131, 132;
and classic, i. 99 (note);
decoration of, i. 127, 138, 141;
effect of strength in, i. 168;
employment of various degrees of skill in, i. 129;
English, Italian, and Venetian, i. 157;
and the Oxford Museum, i. 125 seqq.;
the G. Revival, i. 128, 129, 155 (note);
types of French, i. 154.
Government, the kind of, nee ded, ii. 86.
Gravelotte, battle of, ii. 31.
Great Eastern Railway (article in Daily Telegraph on), the, ii. 83.
Greece, the king of, ii. 21 (note);
oppressed by Greeks only, ii. 6;
and Venice, relation of architecture, i. 163.
Greek art, study of, ii. 148.
Grenville, Sir Richard, ii. 4 (note).
Greppond, glacier of, ii. 116.
Greswell, Rev. R., and the Oxford Museum, i. 139.
Grief, effect of trifles on minds distressed by, i. 72.
Griggs, Matilda, ii. 186, and note.
"Growing old," article on, in Y. M. A. Magazine, ii. 140.
Grumio. (See Shakespeare).
Guelfi, faction at Florence, ii. 15 (note).
Guido, pictures by, in the National Gallery, i. 43.
Guthrie, letter to Dr., ii. 184.
Guy's bowl at Warwick Castle, i. 153.
Hamilton's, Sir W., logic, ii. 56.
Hanging, who deserve, ii. 131.
Hanover, Sundays at, ii. 11.
Harbor-making, ii. 138.
Harding, i. 23.
Harold the Saxon, i. 161.
Harrison, letter to W. H., ii. 192.
Hartz minerals, purchase of by Mr. Ruskin, ii. 58.
Hartz mountains, ii. 12.
Hasselt's "Histoire de Rubens" referred to, i. 14 (note).
Hawley's, Sir J., "Musjid" (Derby winner), ii. 10 (note).
Health, chair of Physical, at Oxford, ii. 147.
Hemling, i. 65.
Henry VI.'s Psalter, i. 54, and note.
Herodotus referred to, i. 184.
(See also Bubastis.)
Heroism, true forms of, ii. 24;
instance of, ii. 100;
and vice, ii. 133.
Hervet, Gentian, his "Economist of Xenophon," ii. 149 (note).
Hervey, Lord Francis, i. 100 (note).
Highlanders, a characteristic of, ii. 6.
Highlands, the rocks of the, i. 146.
Historical monuments, loss of, in England, i. 158;
and small interest taken in, i. 29.
History, true, what it is, i. 28;
how written hitherto, ib.
Hobbes, definition of Justice, ii. 57 (note), 61.
Hodgson, Professor, and Mr. Ruskin on supply and demand, ii. 44 seqq.
Hogarth, his "public," i. 14;
his "Two 'prentices," ii. 144.
Holbein, the libel on, 37 (note), 45, and note;
portrait of George Gyzen at Berlin, ii. 13, 12 (note);
his quiet work, i. 112;
Mr. Ruskin's article on, ii. 12 (note);
his theology of death, i. 118;
Wornum's life of, ii. 12 (note).
Holy Sepulchre, and St. Mark's, Venice, i. 162.
Holyoake, Mr. G. J., letters on Co-operation to, ii. 78;
his "History of Co-operation," ii. 73 (note);
reference to Mr. Ruskin in America, ii. 73, and note;
and the Sheffield Museum, ib.
Homer, Odyssey quoted or referred to:
(vi. 90), ii. 169, 170 (note);
(xix. 562), i. 75;
(xxii. end), ii. 102.
Honiton lace-makers, ii. 136, 137.
"Honos," existence of any absolute, ii. 63.
Horace, expurgated editions of, ii. 147;
his theology of death, i. 118;
quoted or referred to, ii. 57 (Odes, iii. 3, 1), 98, 111 (Odes, iii. 16, 29), and note, 143;
study of, in England, ii. 143.
Horeb, i. 133.
House-hold, ii. 101.
Houses, letter on modern, ii. 142 (note).
Lennox, Lord H., i. 52 (note); i. 100 (note).
Lenses and specula, grinding of, i. 95.
Leonardo da Vinci, i. 75;
designed canals of Lombardy, ii. 118.
Leone Levi, M., and statistics of drink, ii. 129.
Leonidas, ii. 4 (note).
L'EspÉrance, Geneva, letter "Women's Work" in, ii. 153.
Letter, "to the author of a review," ii. 187;
black letter, ii. 175 (note), 256;
letters, carriage of, ii. 82, 90.
(See for the letters in the book the Tables of Contents and the Index under the special headings, Appendix; Architecture; Art Criticism and Art Education; Education; Literary Criticism; Pictures and Artists; Political Economy; Politics; Pre-Raphaelitism; Public Institutions and the National Gallery; Railways; Roman Inundations; Science; Servants and Houses; Turner; War; Women, their work and their dress.)
Lewis, John, i. 74;
"Encampment under Sinai," i. 117 (note);
"The Hhareem," i. 65, and note.
"Liber Studiorum," value of, i. 97;
sale of original plates, ii. 70.
Liberalism, modern, ii. 197, 201.
Liberty and order, ii. 10;
and slavery, ii. 98, 99.
Liebreich, Dr., lecture on Turner and Mulready, i. 155, and note.
"Life's Mid-day," song in "Y. M. A. Magazine," ii. 141.
Light, effect of on drawings, i. 89, 90, 98, 102, 105;
upon water, phenomenon of, i. 191;
"Light of the World," i, 67 seqq.
"Limner and Illumination," letter on, ii. 174.
Limousin, the, ii. 28.
Lincoln, President, death of, ii. 54, and note;
English opinion of, ib.
Lindisfarne, i. 161.
Literature, what it includes, i. 30.
Literary criticism, list of letters on, ii. 161.
Literary Gazette (Nov. 13, 1858);
"Turner Sketches and Drawings" (letter), i. 88, and note;
mention of Edinburgh Castle in, i. 147, and note.
Liverpool Albion—
(January 11, 1858), Letters on "Pre-Raphaelitism in Liverpool," i. 73.
(November 2, 1863), "The Foreign Policy of England," ii. 15.
(November 9, 1872), "To the author of a Review," ii. 187.
Articles on "Disciple of Art and Votary of Science," in, ib. (note).
Liverpool Academy, i. 73 (note);
Institute, Mr. Ruskin's refusal to lecture at, ii. 15 (note);
pre-Raphaelitism in, i. 73 (note).
Locke, ii. 56.
Logic, instance of English, ii. 98.
Lombardy, the canals of, ii. 118;
insurrection, ii. 4, and note.
London, ii. 201;
London and Northwestern Railway accidents, ii. 89 (note);
the streets of (letter), ii. 119 seqq.;
London Review (May 16, 1861), letter on "The Reflection of Rainbows," i. 201.
Lorraine and Alsace, ii. 28.
Louise, Queen of Prussia, her tomb, ii. 12, and note.
Louvre, the arrangement of, i. 50;
preservation of drawings at, i. 87;
richly furnished, i. 92;
salon carrÉ, i. 50;
pictures in:
"Immaculate Conception," i. 87 (note), 88;
"Marriage in Cana," i. 87;
"Susannah and the Elders," i. 50 (note).
Love, the conqueror of lust, ii. 144, 147.
Lowe, Mr., and Mr. Ruskin, ii. 189.
Lucerna Valley, the, ii. 11, 12.
Lucina (the goddess "who brings things to light," and especially, therefore, of birth), i. 179.
Lust (see Love).
Luxury, of the present age, i. 18;
and political economy, ii. 66, 67, 80.
Lydian modes, ii. 148.
"M. A.," Letter on "limner" from, ii. 174.
"M. A. C.," Letter on atmospheric pressure from, i. 185.
Macaulay, Lord, saying of quoted and criticised, i. 189, and note;
tone of his mind, i. 189.
Machiavelli quoted, ii. 15 (note).
Machinery, use of, ii. 135.
Macmillan's Magazine (Nov., 1870), "Sad-colored costumes," ii. 156.
Madonna, the, and Venus, i. 162.
Magdeburg, sack of, ii. 32.
Magenta, ii. 3 (note), 31.
Malamocco, ii. 117.
Malines, "Rubens" at, i. 39.
Manchester, Art Treasures Exhibition, 1858, i. 102 (note);
Chamber of Commerce, ii. 70 (note);
Dramatic Reform Association of, ii. 193 (note);
Ruskin Society of, ii. 191.
Manufacture and Art, i. 29;
of dress, ii. 155.
Marengo, battle of, ii. 30.
Market, the laws of honest, i. 165 (note).
Marks, Mr. H. S., R. A., Letter on F. Walker to, i. 116 seqq.
Marriage, ii. 147;
"Marriage or Celibacy" (Daily Telegraph article on), ii. 79 (note).
Mars, i. 162.
Martin, illustrated by Milton, i. 20.
Marylebone Council, ii. 105 (note).
Maskelyne, Mr. Nevil S., M.P., i. 53, and note;
his work on minerals at the British Museum, i. 54.
"Matilda Y.," letter of, i. 10, and note;
Matilda Griggs, letter on, ii. 186.
Mattie, carefu' (see Scott's "Rob Roy"), ii. 97.
Maw, J. H., Letter from, 191 (note), 200 (note).
Matthew, St., ii. 8.
Means of life, the, ii. 68, 69.
Mechanical power, natural to be used before artificial, ii. 134.
Medicine, to be learnt by children, ii. 147.
Meduna, M., and St. Mark's, i. 168.
Meissonier, his pictures, i. 127.
Melrose, i. 141;
the monks of (see Scott's "Abbot," chap, xvi.), i. 141 (note).
Mendelssohn, ii. 169.
Mercury, experiment with, i. 197.
Mestre, ii. 5.
Marlborough House. (See Turner Drawings.)
Michael Angelo, i. 146.
Milan, the French in, ii. 3 (note), 7.
Mill, J. S., ii. 146 (note);
direction of his thought, ii. 21;
and the Jamaica Insurrection, ii. 20-21;
political economy of, ii. 71 (note).
Millais, Mr., i. 66 (note), 74;
criticised in the Times (1851); i. 59 (note);
early work, i. 59;
flesh-painting by, i. 65;
painted glass of, i. 66;
pictures of, mentioned:
"Autumn Leaves," i. 76 (note);
"Blind Girl," i. 73 (note), 77 (note);
early sacred picture (1850), i. 60;
"Ferdinand lured by Ariel," i. 60 (note);
"Mariana," i. 60 (note,) 62, 63, 66;
"Portrait of a Gentleman and his Grandchild," i. 60 (note);
"Pot Pourri," ii. 185;
"Return of the Dove to the Ark," i. 60 (note), 63, 65;
"Wives of the Sons of Noah," i. 63;
"Woodman's Daughter," i. 60 (note).
Miller, John, collection of pictures of, i. 77 (note).
Milton quoted ("Comus," l. 301), ii. 178;
"Paradise Lost," i. 19.
Mincio, the, 6, 10, 118.
Miniatures, painting of, i. 117; use of, i. 121, 127.
Miscellaneous Letters, list of subjects, ii. 75.
Missal paintings, condition of, good, and why, i. 90, 91.

Mistress, an ideal house-, ii. 102.
Mitford, Mary Russell, ii. 183 (note), 183.
Mitrailleuse and musket, relative effect of, ii. 30.
Mock-castles, etc., i. 151.
Modern houses, letter on, ii. 104;
world, destruction of buildings by the, i. 158;
theology of, i. 118.
(See also Age, the Present.)
"Modern Painters." (See under Ruskin, Mr.)
Monetary and Mining Gazette (Nov. 13, 1875), letter on "The Definition of Wealth," ii. 71.
Money, true, ii. 115;
definition of, ii. 71, and note;
distribution of, ii. 49;
ill got, ill spent, ii. 144;
loss of, ii. 137;
how made and lost, ii. 79, 80;
pedigree of, ii. 69;
how the rich get and spend, ii. 66-70;
value of, ii. 37;
lowered value of, its effect, ii. 38.
Montanvert, the, i. 179.
Montaperto, battle of, ii. 15 (note).
Mont Blanc, guides up, ii. 52, 56, 58 (note);
Cenis (and James Barry), i. 15, 16 (note);
St. Angelo, ii. 116;
Viso, ii. 11.
Monthly Packet, The (Nov. 1863), "Proverbs on right dress," ii. 155.
Moore, Mr. Morris, and the National Gallery, i. 37 (note), 47.
Moore, Thomas, National Airs, "Oft in the stilly night," referred to, i. 71;
his "Public," i. 14.
Morality of Field Sports, ii. 127 seqq.
Moore, Sir T., "Utopia" of, ii. 191.
Morgarten, battle of, ii. 4, and note.
Morning Chronicle (Jan. 20, 1855), "The Animals of Scripture, a Review," ii. 172.
Morning Post (July 7, 1864), letter, "The Position of Denmark," ii. 17.
Morris, Mr. William, and St. Mark's, Venice, i. 170.
Mosaic Law, the, ii. 72.
Mother, place of a, ii. 146.
Mounting of drawings. (See Drawings.)
Mozart, ii. 169.
Mulready, i. 65, 66 (note);
Dr. Liebreich on, i. 154, and note.
Munro, Mr., and the Oxford Museum, i. 139.
Murchison, Sir Roderick, and the Excavation of Glaciers, i. 173 (note);
and the Eyre Defence Fund, ii. 22 (note).
Murillo's "Immaculate Conception," i. 87 (note), 88.
Muscle, use of, in labor, ii. 136.
Museum, a modern, ii. 126;
a national, its objects and uses, i. 53;
St. George's, ii. 186.
Music, ii. 158;
the art of, ii. 148;
a less common faculty than drawing, i. 26, 95;
ear for, commoner than eye for color, i. 15.
Musjid, Derby-winner, ii. 10 (note).
MycenÆ, ii. 178.
Mythology, ii. 171;
Christian and Greek, i. 163;
and religion, i. 118.

Naples, Mr. Gladstone and the political prisoners at, ii. 18 (note);
storm at, ii. 116.
Napoleon Bonaparte, i. 44 (note), 49; ii. 26;
the Third, ii. 6, 26, 27;
purchase of the Louvre "Murillo" by, i. 87.
Nations, "A nation's defences," ii. 113;
defences of, "do not pay!" ii. 114;
gain and loss of, 79, 80;
their quality shown in that of their servants, ii. 94;
their strength in union, not in number, ii. 25.
National Gallery, the (see also Pictures);
debate on vote for, i. 86 (note);
an European jest, i. 38;
an ideal arrangement of, i. 48 seqq., 50-52;
keepers of;
Eastlake, Sir C., i. 37 (note);
Uwins, R. A., i. 46 (note);
Wornum, i. 86;
Letters to Times on, i. 37, 45, 86;
a new gallery proposed, i. 49, 51, and note;
no Ghirlandajo Fra Bartolomeo, or Verrochio in, i. 44 (note), 45;
Parliamentary Blue Books referred to, i. 37 (note), 42 (note), 46 (note), 48 (note);
popular idea of its object, i. 48;
restoration of pictures in, i. 37 (note) and seqq., 45;
purchase of pictures for, i. 43, 44, 45;
strictures on, i. 42 (note);
the Vernon gift, i. 50, and note.
National Gallery, Pictures referred to in the—
Albertinelli's "Virgin and Child," i. 44 (note).
Angelico's "Adoration of the Magi," ib.
" "Christ amid the Blessed," ib.
Bellini, "Doge Leonardo Loredano," i. 45.
Claude's "Marriage of Isaac and Rebecca," i. 46 (note).
" "Mill," i. 46 (note).
" "Queen of Sheba," i. 46 (note).
" "Seaport," i. 46 (note).
Cuyp, "Large Dort," i. 39 (note).
" "Landscape, Evening," ib.
Guido, "Lot and his Daughters," i. 43.
" "Magdalen," ib. (note).
" "St. Jerome," ib.
" "Susannah and the Elders," ib.
Holbein, libel on, i. 37 (note), 45, and note.
Lorenzo di Credi, "Virgin and Child," i. 44 (note).
Perugino, "Virgin and Child, with St. Jerome and St. Francis," ib.
" "Virgin and Infant Christ, with St. John," ib.
" "Virgin and Infant Christ, with Archangels Michael, Raphael, and Tobias," ib. 120.
Poussin, "Sacrifice of Isaac," i. 3, and note.
Rubens, "Judgment of Paris," i. 44, and note.
" "Peace and War," i. 39.
Titian, "Bacchus and Ariadne," i. 40-54.
Turner, "Dido building Carthage," i. 46, and note.
" "The sun rising in a mist," ib.
" Drawings and Sketches, i. 50, and note; 81 (note).
Van Eyck, "Jean Arnolfini and his wife," i. 46 (note).
Velasquez, "Philip IV. hunting the Wild Boar," i. 40.
Veronese, "Consecration of St. Nicholas," i. 46, and note.
" "Rape of Europa," ib.
Wilkie, "The Blind Fiddler," i. 7.
Natural History, study of, i. 135;
letter on, i. 204.
Nature and Art, letter on "Art Teaching by Correspondence" in, i. 32.
Nature, general ignorance of, i. 16;
human, not corrupt, ii. 143;
its lessons true, i. 24;
neglect of, i. 17;
understanding of, ib.
Neptune, ii. 171.
Neutrality, the "difficulties of," letter, ii. 26;
of England, ii. 15.
New Shakespeare Society, letters in Transactions of, ii. 176 seqq.
Newspaper, duty and power of an editor, ii. 95.
Newtonian law, i. 199 (note), 200.
Newton's "Principia," i. 14.
New Year's Address and Messages to Blackfriars Bible Class, Aberdeen:
"Act, act in the living present" (1873), ii. 141.
"Laborare est orare" (1874), ii. 142.
"A Pagan Message" (1878), ii. 143.
Nineteenth Century: Mr. Ruskin's "Fiction, Fair and Foul," quoted, ii. 97 (note).
Nino Pisano, i. 43.
Nobert, line-ruling by, i. 94.
Non-iquity, ii. 107.
Norton, Prof. C. E. (U.S.A.), letters of Mr. Ruskin to, i. 86 (note), 97 (note), 105 (note);
lecture on Turner, ib.
"Notes on Employment of the Criminal Classes" (Daily Telegraph, letter and pamphlet), ii. 129-132 seqq.
"Notes on Prout and Hunt" (see Ruskin, Mr.), i. 166 (note).
"Notre Dame de Paris," its place among French cathedrals, i. 153.
Norwich, Dr. Browne at, ii. 120, and note.
"Oak Silkworms," letter in Times (Oct. 24, 1862) on, ii. 158.
Obedience, the real "Divine service," ii. 143.
Offenbach's "Fille du Tambour Major" referred to, ii. 194.
Oil paintin g, determined by Titian, i. 117.
Old Adam (see Shakespeare), ii. 97.
Old Masters, exhibition, i. 106.
Oliver, Roland for an, ii. 48.
Opie, i. 75.
Optical work, delicacy of, i. 94, 95.
Optics, writers on, i. 195 (note).
Organ, street nuisance of, ii. 18, 19 (note).
Ornament, natural forms in, i. 129;
in dress, ii. 155.
O'Shea, and the Oxford Museum, i. 139, 142 (note).
"Ought" and "are," ii. 63.
"Our Sketching Club," ii. 165, and note.
Oxford, Balliol oriel-window, i. 135;
bishop of, on education, ii. 123 (note), 178;
Bodleian library, traceries of, i. 135;
Christ Church, fan-vaulting at, ib.;
drawing schools, i. 102, 113;
examinations, letter on, i. 24;
meeting in on St. Mark's, Venice, i. 170;
printsellers, ii. 144;
"An Oxford Protest," ii. 188;
rich buildings, i. 135.
Oxford Museum, the, letters on, i. 125-145;
Acland, Dr., his lecture on, quoted, i. 125 (note), 130 (note), 132 (note);
building of, i. 125 (note);
capital in, i. 141, and note;
decoration of, i. 127, 136, 137, 138, 143;
porch proposed, i. 130;
sculpture of, i. 137;
spandril in, i. 144;
success of its Gothic architecture, i. 130;
its teaching, i. 138;
the west front, i. 139.
Padua, ii. 117.
Painters, how roused to exercise their strength, i. 139;
vision of, how it affects their pictures, i. 155.
Painting and poetry, closely allied, i. 19;
portrait-painting, ii. 170.
Pall Mall Gazette, The—
(April 18, 1865) "Strikes v. Arbitration," ii. 48.
Articles on strikes, ib.
" masters and men, ii. 50, and note.
(April 21, 1865) "Work and Wages," ii. 50.
( " 25, " ) " " ii. 52.
(May 2, " ) " " ii. 54.
( " 9, " ) " " ii. 59.
( " 22, " ) " " ii. 62.
Interpolation of, in Mr. Ruskin's letters, ii. 57-69.
(March 1, 1867) "At the Play," ii. 185.
(May 1, 1867) "Standard of Wages," ii. 65.
(January 31, 1868) "True Education," ii. 123.
( " 19, 1871) "A Nation's Defences," ii. 113.
(December 28, 1871) "The Streets of London," ii. 119.
(March 16, 1872) "Mr. Ruskin's Influence—a defence," i. 154.
( " 21, " ) "Mr. Ruskin's Influence—a rejoinder," i. 156.
(November 4, 1872) "Madness and Crime," ii. 130.
(January 24, 1873) "How the Rich spend their Money," ii. 66.
( " 29, " ) " " " ii. 67.
( " 31, " ) " " " ii 68.
( " 11, 1875) " A Mistaken Review," ii. 165.
( " 19, " ) "The Position of Critics," ii. 167.
Pan-droseion, i. 161.
Parents and children, relation of, ii. 145.
Paris, fortifications of, ii. 114;
in Franco-Prussian war, ii. 25;
theatres of, ii. 194.
Parliament, ii. 140;
of 1868, ii. 133;
debate on Denmark, ii. 27;
on Turner bequest, i. 86;
Houses of, ii. 175 (note), 176.
Partnership of masters and men, ii. 69, and note.
Patmore, Coventry, i. 60 (note), ii. payment of pointsmen, ii. 83, 88;
stations, decoration of, ii. 88, 89.
Rainbows, reflection of in water, i. 201.
Raphael, i. 43, 75;
distinction in art before and after, i. 62;
pictures of in the Louvre, i. 49;
in the National Gallery, i. 47;
restored by David and Vernet, ib.
Rationalism, modern, and the Liber Studiorum, i. 97 (note).
Rauch, Christian, ii. 17, 18 (note).
Reader, The, Letters in—
(November 12, 1864) "The Conformation of the Alps," i. 173.
(November 26, 1864) "Concerning Glaciers," i. 175.
(December 3, 1864) "English v. Alpine Geology," i. 181.
(December 10, 1864) "Concerning Hydrostatics," i. 185.
Letters and articles, etc., referred to:
by "M. A. C." and "G. M.," i. 185 (note);
Jukes, Mr., i. 181 (note), 182 (note), 184 (note), 185 (note);
Murchison, Sir R., i. 173 (note);
"Tain Caimbeul," i. 175 (note).
Real, the, and the ideal, not opposed, i. 7, and note.
Rebekah, ii. 174.
Recitations, Letter on, ii. 180.
Red Prince, the, ii. 112.
Reflections in water, letter on, i. 191;
two kinds of, i. 195 (note);
lines of moonlight on the sea, i. 193;
of rainbows, i. 201.
Reformation, ii. 133;
instruments of, ib. 134.
Reform Bill, 1867, ii. 133.
Religion and mythology, i. 118;
and science, i. 133.
Rembrandt, i. 13, 28, 115 (note).
Rendu's Glaciers of Savoy—letter on Forbes in, i. 187.
Repair of buildings, ii. 138.
Republicanism v. Monarchy in the Franco-Prussian war, ii. 40.
Restoration, modern, letter on, i. 157;
impossible, i. 153;
in Italy, i. 170.
Reverence, a mark of high intellect, i. 189.
Review-writing, ii. 166.
Reynolds, Sir Joshua, effect of gas on his pictures, i. 99;
grace of, ii. 34 (note);
speed of, i. 112;
vehicles used by, i. 98;
Mr. Ruskin's article on, ii. 18 (note).
Rheims Cathedral, i. 154.
Rhine, embankments for the, ii. 112;
foul water of the, i. 195 (note).
Rhone, the, ii. 112.
Ribbesford Church, i. 158.
Ricardo's "Political Economy," ii. 80.
Rich and Poor, money how spent and made by, ii. 98-104.
Richmond, George, R.A., ii. 170;
Professor W. B., i. 170.
Rivers, Italian, ii. 111 seqq.
(See Roman Inundation letters.)
Road-making, ii. 138.
Roads, who should own, ii. 119, 120.
Robert le Diable, opera of, ii. 17.
Rogers' "Italy," i. 83;
Poems, i. 82, 93;
his old servant, i. 104
Roland, a, needed by France, ii. 42;
for one's Oliver, ii, 70.
Roman inundations, list of letters on, ii. 157.
Roman race, the qualities of the, ii. 117.
Rome, and the floods, ii. 116.
Rose, Society of the, ii. 191;
the heraldic sign on Mr. Ruskin's books, ib.
Ross, Sir William, A.R.A., i. 62.
Rosse, microscopes of Lord, i. 94.
Rossetti, i. 74, ii. 166.
Rossini, ii. 194.
Rotterdam, cleanness of, ii. 120.
Rouen Cathedral, i. 154.
Royal Institution, Dr. Liebreich's lecture at, i. 154, and note.
" " Mr. Ruskin's lecture on "The Alps" at, i. 174 (note).
" " Mr. Ruskin's lecture on "Verona" at, ib.
Rubens, advantageous condition in which to see his pictures, i. 39;
characteristics as an artist, i. 39;
his landscapes, i. 13;
his reply to A. Janssens, i. 14 (note);
pictures, at Antwerp, Malines, Cologne, i. 39;
"Judgment of Paris," i. 44, and note;
"Peace and War," i. 39.
Rules, good and bad, ii. 89, 90.
Ruskin, Mr., antipathies of, ii. 183;
an antiquary, i. 153;
art-teaching by correspondence approved by, i. 32;
art-work, how first begun, i. 180;
Austrian friend of, at Venice, ii. 6;
at Bellinzona, ii. 117;
bewildered by modern politics, ii. 3;
and the "Bibliography of R.," ii. 190;
his books, ii. 164 (see below, books of, quoted);
his books read for the sound of the words, i. 161;
botany, notes on, i. 69, 204, ii. 183;
castles, his love of, i. 147, 149, 151 (note);
changes residence, and why, i. 156;
charity of, i. 152, ii. 139, 186;
conscience hereditary to, ii. 69;
a conservative, i. 152, 153, ii. 31;
and Copley Fielding, i. 192;
criticism,—principles of his, i. 190;
rarely replies to, i. 3, 88, ii. 174;
—crossing-sweepers of, ii. 120 (note);
diagram of Alpine aiguilles, i. 186;
dispirited, ii. 188;
drawing of St. Mark's, Venice, i. 161;
excuses from correspondence, ii. 186;
his father,—business of, ii. 87, and note, 102, 103;
an Edinburgh boy, ii. 184;
—Forbes' gratitude to, i. 187 (note);
fortune of, ii. 102, 103;
gardener of, ii. 140;
geology, knowledge and early love of, i. 180, ii. 172;
geological work amongst the Alps, i. 173;
Griggs, Matilda, and, ii. 186;
Guthrie, Dr., and, ii. 184;
Harrison, Mr. W. H., and, ii. 192;
Hartz minerals purchased by, ii. 58;
Holyoake, Mr., and, ii. 73, 74;
illness in 1878, i. 160, and note;
"inconsistency" of, i. 25 (note), ii.;
influence of, on architecture, i. 154 seqq., 157;
insanity, a tender point with, ii. 131;
investment in house property, ii. 106;
investment in railways—"never held a rag of railroad scrip," ii. 82;
Irving, Mr., and, ii. 179 (note);
Italy, knowledge of, ii. 14,
and the Italian question, ii. 3 seqq.;
lectures, refusal to give, ii. 15, and note, 124;
lectures at Westminster Architectural Museum, ii. 174 (note);
Lowe, Mr., and (letter), ii. 189;
at Naples, ii. 116;
natural history, love of, i. 204;
newspapers little read by, ii. 10;
at Oxford, ii. 172, 188;
resigns professorship, i. 163;
political economy of, i. 180, ii. 84, 99, 100 (see s. v.);
publication of books, ii. 163 seqq.;
as a railway traveller, ii. 82;
range of work, ii. 188;
religious tone of his writings, i. 60, and note;
restoration, horror of modern, i. 153, 157, 159, 160;
rich, moderately, ii. 67;
science, love of, i. 132, 180;
servants of, ii. 93;
strikes, proposal as to, ii. 65 (note);
a Tory, i. 152, 153;
Turner, R.'s insight for his work, i. 106;
called mad for praising Turner, i. 106;
arranges the Turner bequest, i. 81, 83, 84, and note, 86, 88, 98, 100;
executor of Turner's will, i. 81;
love of Turner's pictures, i. 10;
Thornbury's "Life of Turner" criticised by, i. 107;
St. Mark's, Venice, and, i. 162, 169;
Ruskin Society, i. 170 (note), ii. 191;
Utopian home, ii. 119;
residence in Venice, i. 87;
wish to buy "Verona" (see Verona), i. 152.
Ruskin, Mr., books of, quoted or referred to:—
"Academy Notes," i. 67 (note), 76 (note), 117; ii. 23 (note).
"A Joy for Ever," i. 25 (note), 102 (note), 189 (note); ii. 156 (note), 158.
"Aratra Pentalici," ii. 125 (note).
"Ariadne Florentina," i. 105 (note), 114 (note).
"Bibliotheca Pastorum," vol. i., ii. 4 (note), 102 (note), 144 (note).
"Cestus of Aglaia," ii. 99 (note).
"Crown of Wild Olive," ii. 23, 60 (note), 157.
"Deucalion," i. 180 (note).
"Eagle's Nest," ii. 125 (note), 140.
"Education in Art," i. 25 (note).
"Elements of Drawing," i. 95; ii. 165 (note).
"Essays on Political Economy," see below, "Munera Pulveris."
Evidence before National Gallery Commission, 1857, i. 48 (note), 84 (note).
"Examples of Venetian Architecture," i. 157 (note).
"Fiction Fair and Foul," ii. 97 (note).
"Fors Clavigera," i. 151, and note, 160 (note), 168, 169, 170; ii. 60 (note), 70 (note), 72, 106 (note), 126 (note), 130, 164 (note), 187, 189.
"Giotto and his Works in Padua," i. 25 (note).
Holbein, article on, ii. 12 (note).
"Home and its Economies," ii. 144 (note).
Lectures on Architecture and Painting, i. 22 (note), 107 (note).
Lectures on Art, ii. 125, 156. (note).
Lecture, on Forms of Stratified Alps, i. 174 (note).
—— on Verona and its ruins, ii. 113 (note).
Letters on the Lord's Prayer, ii. 142.
"Modern Painters," i. 3, 4 (note), 4 (note), 5 (note), 7, 8 (note), 40, 60 (note), 62 (note), 67 (note), 101 (note), 107 (note), 108 (note), 155, 174, 186, 191 (note), 193 (note); ii. 127, 165.
"Munera Pulveris," ii. 44 (note), 71, 72, 84, and note, 89, 226, 262 (note).
"My First Editor," ii. 192 (note).
Notes on Criminal Classes, ii. 131 seqq.
Notes on Prout and Hunt, ii. (note).
Oxford Lectures, ii. 125.
"Political Economy of Art;" see above, "A Joy for Ever."
Pre-Raphaelitism, i. 12, 65 (note).
"Queen of the Air," ii. 171, 201.
"Sesame and Lilies," i. 60 (note); ii. 168 (note), 171 (note).
"Seven Lamps of Architecture," i. 60 (note).
"Stones of Venice," i. 157 (note), 161; ii. 175 (note), 184 (note), 192 (note).
"Time and Tide," ii. 65, 185.
Turner pamphlets, Catalogues of Sketches and Drawings, i. 84, and note, 88 (note), 101 (note).
" " Notes, 1857, 86 (note), 92, and note, 102 (note), 204.
" " Report, i. 52 (note), 54, and note, 88 (note).
"Two Paths," i. 88, 95.
"Unto this Last," ii. 72 (note).
"Val d'Arno," i, 114 (note); ii. 125.
Russia, England, and India, ii. 31.
"S," letter on capital from, ii. 83 (and note), 84.
Saint Bernard, dogs of, ii. 11.
St. Elmo, ii. 116.
St. George, i. 162;
Company or guild of, i. 169 (note), 190;
fund, ii. 120;
letters on, 187 (note);
museum of, i. 163, ii. 73, 126;
schools of, ii. 146;
Society of the Rose not to take name of, ii. 191.
St. James of the Rialto, i. 165, and note.
St. Jean d'Acre pillars, i. 166.
"St. Lawrence," emigration in the, ii. 87.
St. Michael, i. 162.
St. Mark's, Venice, circular relating to, i. 159;
letters on, i. 169 (note), 170;
antiquity of, i. 161, 162;
architecture of, i. 162;
bill-posters on, i. 168;
bit off it, at Brantwood, i. 167;
photographs of, i. 164;
restoration of south faÇade, i. 168, and note;
stability of, i. 166, 169;
subscriptions for, i. 163, 169 (note).
St. Paul and Justice, ii. 53.
St. Paul's, Charity children singing at, ii. 149.
Sainte Chapelle, the, i. 136, 153, 154.
Salamanca, battle of, ii. 30.
Salvation, the Light of the hope of, i. 69.
Salvator Rosa, i. 15;
his "Mercury and the Woodman," i. 4.
Sancho, ii. 97.
Sardinia, position of in 1859, ii. 3, 6.
Savoy, cession of, ii. 19, and note.
Scarlet, the purest color, ii. 155.
Schaffhausen, letter from, ii. 13.
Scholarship, result of English, ii. 98.
Schools (see Education, St. George).
Science, list of letters on, i, 171;
connection of the different sciences, i. 132 (note);
what it includes, i. 30;
growth of, i. 32, 132, 134;
and religion, i. 133;
use of, i. 133.
Science of Life," "The, letters in, ii. 143, 149.
Scotch, ballads, i. 76 (note);
"craigs," i. 146;
people, religious tone of, ii. 3, 4, 7.
Scotsman, The, letters in—
(July 20, 1859) "The Italian Question," ii. 3.
( " 23, " ) " " " ii. 8.
(Aug. 6, " ) " " " ii. 13.
(Nov. 10, 1873) "Mr. Ruskin and Prof. Hodgson," ii. 44.
( " 18, " ) " " " ii. 46.
Scotsman, The, referred to, i. 74 (note).
Scott, Sir Gilbert, design for Foreign Office, i. 99.
----, Sir Walter, books of, referred to—
"The Abbot," chap. xvi. ("The monks of Melrose made good kail," also quoted in the introduction to "The Monastery"), i. 141.
"The Antiquary" (Fairservice), ii. 97.
"Lady of the Lake," canto v. st. x. quoted, i. 181.
"Lay of the Last Minstrel," canto ii. st. viii. quoted, i. 141.
"Redgauntlet," Letter xiii. (Peebles v. Plainstanes), i. 184.
"Rob Roy" (carefu' Mattie), ii. 97.
"Waverley" referred to, ii. 123 (note).
----, Mr. W. B., ii. 165;
reviews Mr. Tyrwhitt 's "Sketching Club," ib.
Sculpture, in architecture, i. 126, 137 seqq.;
of hair, i. 143, ii. 12;
portrait statues, i. 140.
Sea, the, ii. 173;
color of, i. 196;
light and shadow on, i. 194 seqq.;
southern and northern seas, ii. 178.
Sedan, battle of, ii. 31, 33.
Seine-series, Turner's, i. 82, 101.
Self-interest, ii. 7, 48, 55.
Sempach, ii. 4, and note;
battle of, i. 182, and note.
Serf-economy in America, ii. 21.
Servants and Houses, list of letters on, ii. 90;
education of, ii. 100;
facilities for leaving places, ii. 101;
good, how to secure, ii. 93;
kindness to means care, ii. 94;
rarity of good, ii. 93, and note;
and masters, ii. 97;
must be permanent to be good, ii. 95, 101;
Mr. Ruskin's experience of, ii. 95.
Service, value of self service, ii. 96.
Sexes, relation of the, ii. 147.
Shadow in distant effect, i. 194 seqq.;
on water, i. 198;
impossible "on clear water, near the eye," i. 192 seqq.
Shakespeare, his mission and work, i. 22 (note);
notes on a word in, ii. 176, 177;
Society, ib.;
quoted or referred to—
"As You Like It," Act 2, sc. 3 (Old Adam), ii. 97.
" " Act 2, sc. 7 ("motley's the only wear"), ii. 157.
"Coriolanus," Act 3, sc. 1 ("mutable, rank-scented many"), i. 38.
"Hamlet," Act 5, sc. 1 ("The cat will mew," etc.), ii. 97.
"Julius CÆsar," Act 2, sc. 1 ("And yon grey lines," etc.), ii. 176.
"Measure for Measure" (Lord Angelo), ii. 144.
"Merchant of Venice," ii. 57, i. 165, ii. 179.
"Merry Wives of Windsor," i. 118.
"Midsummer Night's Dream," ii. 5, Act 1, sc. 1, i. 60, 61 (note).
"Romeo and Juliet," Act 2, sc. 4 ("My fan, Peter"), ii. 38.
"Taming of the Shrew" (Grumio), ii. 97, 178.
" " " Act 2, sc. 1 ("Katharine's frets").
"Two Gentlemen of Verona," Act 2, sc. 4 ("As rich in having," etc.), i. 64.
" " (Launce), ii. 97.
Shallow, Justice, his theology of death, i. 118.
Sheepshanks collection at Kensington, i. 98 (note).
Sheffield, art impossible in, ii. 126;
ironwork at, ii. 127;
Museum, ii. 73 (note), i. 163;
Western Park at, opened, ii. 126 (note);
strikes at, ii. 106.
Sheffield Daily Telegraph (Sept. 7, 1875), St. George's Museum, ii. 126.
Sheffield Independent (March 8, 1880), Mr. Holyoake on St. George's Museum, ii. 73.
Shelley, quoted to illustrate Turner, i. 20;
his "Cloud," ii. 180.
Shenstone quoted, i. 72, and note.
Shepherd, Mr. R. H., two letters on the Bibliography of Ruskin, to, ii. 190.
Shoeburyness, ii. 114.
Siena, Fount of Joy at, ii. 118.
Sienese, qualities of the race, ii. 117.
Simmons, W. H., engraver of "Light of the World," i. 67 (note).
Sinai, the desert of, ii. 5.
Singing for children, ii. Shelley compared with, i. 20;
sketch-book of, i. 86 (note);
subtlety of, i. 96;
requisites for enjoyment of his work, i. 21;
unusual vehicles of, i. 82;
Waagen's estimate of, i. 11, 12, and note;
water-painting by, i. 199;
will quoted, i. 46 (note).
Turner, J. W. M., Drawings and Sketches, condition of at death, i. 90, 101 (note);
copies of, 105-6, and note;
distribution of among provincial schools proposed, i. 54, and note, 101;
exhibitions of, at Marlboro' House, see above, at Kensington, i. 98, and note, 101;
a perfect example of a Turner sketch, 95, 96, and note;
Ruskin's, Mr., arrangement of, i. 84, 88, 89;
report on, i. 52 (note), 54, and note, 88;
"Turner Notes," etc. (see Ruskin, Mr.).
---- Pictures and drawings of, referred to: Alnwick Castle, i. 199;
"Dido building Carthage," i. 48;
Edinburgh, i. 101;
Egglestone Abbey, i. 102, and note;
"Fishermen endeavoring to put their fish on board" (Bridgewater House), i. 11, and note;
Fluelen i. 105 (note);
Fort Bard, i. 101;
Harbors of England, i. 82, 101;
Hornby Castle, i. 117;
Ivy Bridge, i. 82, 101;
"Landscape with Cattle," i. 106, and note;
Langharne Castle, i. 102, and note;
Liber Studiorum, i. 82, 86;
sale of, ii. 70;
Plains of Troy, i. 102, and note;
Richmond series, i. 102, and note;
Rivers of England, i. 101;
Rivers of France, i. 82;
River Scenery, ib.;
Rogers' Italy and Poems, i. 82, 101;
Seine series, i. 101;
study of a Cutter, i. 96, and note;
"Sun rising in a mist," i. 46;
Val d'Aosta, i. 82;
Pictures of Venice, i. 199;
Yorkshire series, i. 90.
Tuscan army (1859), ii. 6.
"Twenty Photographs," review of, ii. 172, and note.
Tyre, the citadel of, and St. Mark's, i. 162.
Tyrwhitt's "Sketching Club," ii. 165.
"Uncle Tom's Cabin" referred to, ii. 21.
University Magazine, The (April, 1878), Mr. Ruskin's articles in, ii. 192 (note).
Utopia, the people of, and their streets, ii. 119;
Ruskin's home in, ib.;
Sir T. More's, ii. 191.
Utopianism, Mr. Ruskin's, ii. 74, 106.
Uwins, Thomas, R.A., knowledge of oil pictures, i. 46, and note;
keeper of the National Gallery, ib.
Vallombrosa, i. 184.
Value, intrinsic, a question outside political economy, ii. 39;
and price, ii. 37, 65.
"Vandalism at the National Gallery" (a pamphlet), i. 37, 38 (note).
Van de Velde, i. 12;
water painting, i. 199.
Van Eyck, i. 43, 45, 46, and note, 65.
Vasari quoted, i. 9 (note).
Vaudois, the character and religion of the, ii. 3, 11, 12.
Velasquez's "Philip IV. hunting the wild boar," i. 40.
Venice, the Cross of the merchants of, i. 165;
market of, ib. (note);
ruin of, ii, 145;
Ruskin, Mr., in, i. 87, 157, ii. 154;
St. James of the Rialto, i. 164;
see St. Mark's.
Venus of Melos, ii. 25.
"Verax," letters on National Gallery, i. 37 (note).
Vernet, Raphael restored by, i. 38.
Vernon, Mr. Robert, gift of, to the National Gallery, i. 50, and note.
Verona, Campanile of, i. 169;
Mr. Ruskin's wish to buy (see "Political Economy of Art," Lect. ii. pp. 70-74, reprinted in "A Joy for Ever," pp. 77, 82), i. 152, and note.
Veronese, i. 75, 96;
in National Gallery, i. 46, and note;
"Marriage in Cana," i. 87;
"Family of Darius," ib. and note;
"Rape of Europa," i. 46 (note);
St. Nicholas, ib.;
at Venice, pictures destroyed, i. 38.
Verrochio, no picture by, in National Gallery, i. 44 (note).
Vice and heroism, ii. 134, 135.
Villas, modern, ii. 104, 105, and notes; i. 156.
"Vindex," letter on Barry from, ii. 175 (note).
Virgil quoted, i. 176 (note); ii. 18, and note.
Votes for Parliament, ii. 141, 154.
Waagen, Dr., i. 11, and note, 12.
Wages and labor, ii. 56, 60;
how determined, ii. 63, and note;
and hardship of work, ii. 59;
a just rate of, ii. 48, 50, 51;
"Standard of" (letter), ii. 65, 66, and see ii. 42.
Wakley, Thomas, M.P., i. 19, and note.
Wales, Princess of, "our future Queen," ii. 19.
Walker, Frederick, letter on, i. 116;
effect of public on, ib.;
elaborateness of, i. 121;
moral of his life, i. 118, 119;
morbid tendency of, i. 117;
method of painting, i. 117;
study of art, i. 118;
special pictures by, i. 119 seqq., and note.
Walpole's "Anecdotes of Painting" referred to, i. 14 (note).
War, American, loss of property, ii. 33;
English feeling as to, ii. 15-17, 19;
"modern warfare," letter on, ii. 29, and see ii. 23.
Ward, Mr. William, copies of Turner, i. 105, and note;
photographs obtainable of, i. 164.
Warwick Castle, burning of, letters on, i. 151 seqq., 152 seqq.;
the kingmaker, i. 153.
Waste land, bringing in of, ii. 138.
Water, use of in labor, ii. 135, 136;
pressure of stones in, i. 177, 186;
reflections in, i. 191 (note), and seqq.;
of rainbows in, i. 201;
surface polished, i. 195, 197 seqq.
Water-colors, effect of light, etc., on, i. 90, 91, 103, and note, 104;
series of British, at Kensington, i. 98 (note);
Society of Painters in, i. 118, 166, 201 (note).
Waterloo, battle of, ii. 30.
"W. B.," letter in Daily Telegraph, ii. 99 (note).
"W. C. P.," letter in Times on "Neutrality," ii. 26 (note).
Wealth, definition of, letter on the, ii. 71;
Mill challenged to define, ib.
Weapons, ancient and modern, ii. 32.
"Weary-Faulds," ii. 123, and note.
Weblings, recitation of the, ii. 180.
Weekly Chronicle, letter "Modern Painters" in the (September 23, 1843), i. 3.
Weller, Sam, ii. 97;
see Dickens.
West, Benjamin, i. 75.
Western Park, Sheffield, ii. 126 (note).
Westminster, the first Norman Abbey, i. 161;
Mill, J. S., M.P. for, ii. 20 (note).
"Whinny-hills," ii. 123 (note).
Whitaker's "History of Richmondshire," i. 117 (note).
White, Adam, letter on "the Study of Natural History" to, i. 204.
Whitmore, Dr., report of Crawford Place, ii. 105.
"W. H. W.," letter to Daily Telegraph on houses, ii. 104, and note, 105.
Wicklow Hills, i. 181.
Wife, place of a, ii. 153.
Wilkie, Sir David, "The Blind Fiddler," i. 7 (note);
Burns and, compared, i. 20.
Wilkinson, Sir Gardner, ii. 200, and note.
Williams, Mr. (of Southampton), Lecture on "Art-teaching by Correspondence," to, i. 32.
Wind-power, use of, ii. 135.
Windus, Mr. B. J., sale of his pictures, ii. 185;
W. L., "Burd Helen," i. 76, 77, and notes.
Winkelried, Arnold von, ii. 4, and note.
Winsor, Charlotte, ii. 100 (note).
Witness, The, letters in:
(September 16, 1857) "The Castle Rock," i. 145.
(September 30, 1857) "Edinburgh Castle," i. 147.
(March 27, 1858) Generalization and the Scotch Pre-Raphaelites, i. 74.
(August, 1859) Refusal by, of Letters on the Italian Question, ii. 13 (note).
Women, list of letters on their work and dress, ii. 152;
duty and employment of, ii. 153;
modern ideas as to, ii. 153;
place of, ii. 145;
work of, ii. 154 (note), 153 (note).
Woodward, Mr., and the Oxford Museum, i. 125 (note).
Woolner, Mr., and the Oxford Museum, i. 139.
Words, definition of, ii. 56.
Wordsworth, depth of, i. 24 (note);
his "public," i. 14;
quoted, i. 17, 18, 24, and note, 148, 149; ii. 6, 8 (note).
Work, the best unpaid, ii. 60, and note;
honest always obtainable, ii. 46, 135.
Work and Wages, letters on, in the Pall Mall Gazette, ii. 48-64.
Workmen, turned off, ii. 27;
training of for Gothic architecture, i. 136.
Works of art, manufacture of by poor, ii. 139.
World, The (June 9, 1875), letter on the "Publication of Books," ii. 163;
article, "Ruskin to the Rescue," ib. (note).
Wornum's, R.N., "Life of Holbein," ii. 12 (note);
at the National Gallery, i. 92, 86 (note);
Turner drawings arranged, ib. 88.
Worth, battle of, ii. 31.
"W. R. G.," letters of, to Pall Mall Gazette, ii. 66-70, and notes.
Xenophon's Economist, quoted, ii. 102, and note.
"Y. L. Y.," letter in, on the gentian, i. 204 (note).
Y. M. A. Magazine, letters in:
(September, 1879). "Blindness and Sight," ii. 139.
(October, 1879). "The Eagle's Nest," ii. 140.
(November, 1879). "Politics in York," ii. 141.
Young Men and Politics, ii. 141.
Zedekiah, ii. 177.
Zeus, i. 162.
Zorzi, Count, and St. Mark's, Venice, i. 160 (note).
Zosima, epitaph on, ii. 99.
Zuingli, ii. 4, and note.