BOOK OF THE HUMAN BODY

Previous

WHAT THE HUMAN BODY IS

ITS DIVISIONS AND SYSTEMS

GENERAL STRUCTURE OF THE BODY

FRAMEWORK: Bones, Muscles and Cells

THE DIGESTIVE SYSTEM AND ORGANS

CIRCULATION OF THE BLOOD AND RESPIRATION: Heart, Blood Vessels, Lymphatics, Lungs and Bronchii

THE EXCRETORY SYSTEM: Intestinal Tract, Kidneys, Sweat Glands, Lungs

THE NERVOUS SYSTEM: Nerves, Brain, Spinal Cord

ORGANS OF SPECIAL SENSE: Eye, Ear, Nose, Tongue, Hand and Skin

CHARTS, TABLES AND SPECIAL FEATURES


THE FRAMEWORK AND MUSCLES OF THE HUMAN BODY

Large illustration (385 kB)

PRINCIPAL BONES OF THE BODY

1. Collar Bone. (Clavicle)

2. Breast Bone. (Sternum)

3. Ribs.

4. Arm Bone. (Humerus)

5. Lumbar Vertebra.

6. Haunch Bone. (Pelvis)

7. Ulna.

8. Radius.

9. Wrist. (Carpus)

10. Metacarpus.

11. Phalanges.

12. Thigh Bone. (Femur)

13. Knee Cap. (Patella)

14. Brooch Bone. (Fibula)

15. Shin Bone. (Tibia)

16. Tarsus.

17. Metatarsus.

18. Phalanges.

PRINCIPAL MUSCLES OF THE BODY

1. Sternoclidomastoid (the muscle that bends the head).

2. Trapezius.

3. Pectoralis (chest muscle).

4. Deltoid (arm lifting muscle).

5. Coraco brachialis (rudimentary arm muscle).

6. Triceps (forearm extension).

7. Pronator radii teres (turns forearm and hand).

8. Annular ligament of wrist.

9. External oblique of abdomen.

10. Muscular sheath of abdominal erectus muscle.

11. Tensor fasciÆ latÆ (fibrous muscle covering thigh muscles).

12. Gluteus (controls thigh and helps to keep body erect).

13. Sartorius, or tailor, muscle (enables legs to be crossed).

14. One of quadriceps extensor cruris muscles.

15. Gastroenemius (bends the knee).

16. Long extensor of toes.

17. Peroneus longus (helps to keep foot arched).

18. Annular ligament of ankle.

19. Platyama.

20. Brachialis (moves elbow joint).

21. Biceps (flexor of arm).

22. Supinator longus (turns hand).

23. Extensor carpi radialis (extensor of forearm and wrist).

24. Flexor carpi radialis (bends wrist and turns hand).

25. Rectus abdominis (retracts abdominal wall).

26 and 27. Vastus externus and internus. These, with 14 and an abductor muscle, together make up the quadriceps extensor, the largest muscle in the body. It extends the leg.

28. Tibialis (extends the ankle).

29. Extensors of the toes.

The bones which make up the framework of the body are held together by joints of different kinds which allow of widely varying ranges of motion. The skull, which contains twenty-two bones in all, includes the cranium which contains the brain, and the bones which form the framework of the face. The vertebral column, which acts as a hinged and pliable tube down the center of which runs the spinal cord, is made up of twenty-four true vertebrÆ and the sacrum and the coccyx. The thorax, the bony box or cage protecting the heart and lungs, is made up of the twelve dorsal vertebrÆ with the twelve ribs on each side and the sternum or breast bone in front. The upper extremities consist of the shoulder-blade or scapula, the collar-bone or clavicle, the humerus or upper arm bone, the two fore-arm bones (radius and ulna), and the twenty-seven bones of the hand and wrist. The pelvis is composed of the two hip bones, together with the sacrum and coccyx. The female pelvis is larger in all diameters than the male. The bones of the lower extremity, which is joined to the pelvis by the head of the thigh bone (the femur), making a ball and socket joint at the acetabulum, are the two bones of the leg, the tibia and fibula; the patella or knee-cap; and the twenty-six bones of the ankle and foot.

BOOK OF THE HUMAN BODY

The study of the Human Body involves numerous other branches of science, and, as a whole, is the most complex and intricate of all the sciences. To explain its structure and workings we apply the principles of Biology, Physiology, Chemistry, Physics, Psychology, and Metaphysics.

The individual man, as a whole, is frequently forgotten both in physiology and in medicine, owing to the extraordinary minuteness and exactness with which each part and organ is examined and described. At the outset, then, it should be remembered that the human body is an organic whole, and what makes it one is not the similarity or unity of the machines and processes, for they are unlike and many; but it is the unity of the one governing force, the mind, and especially the unconscious mind, which presides over the body.

Nothing in the body is merely mechanical, although there is much mechanism; all is vital, all is united in one great aim—the health and well-being of the individual.

All organs and systems are held together and formed into one body by means of a framework, partly fixed and partly movable, partly rigid and partly flexible, partly hard and partly soft.

The skeleton part of the framework is made of bone; flexibility is given to certain parts by means of joints, which are simply smoothed and rounded ends of bone covered with gristle to avoid friction, and joined together by fiber and ligament for strength. This forms the rigid and hard parts of the framework.

The flexible and soft part, which everywhere covers organs and muscles, is composed of a layer of fat to preserve the warmth, as fat is a non-conductor, and an outer covering of skin.

This framework is exquisitely adapted to give strong protection to the vital parts so that they cannot readily be injured; and the whole of the organs are so arranged and stowed away that a perfect human body is a beautiful object full of symmetry and graceful curves and lines.

Divisions of the Body.—If we divide the body into six parts—four limbs, trunk, and head and neck—we find each part contains about thirty bones (counting the ribs in pairs) there being about two hundred in the entire body.

The height of the body depends mainly on the length of the bones of the lower limbs.

Everything in Pairs.—In the body almost everything is paired, right and left, giving it symmetry. There are but five central bones: two in the head, one in the throat, and the breastbone and backbone (or spine); and there are but five single muscles, all the rest—out of many hundreds—being in pairs. In the interior, where economy rather than symmetry is required, it is not so; there being as many single organs as there are double.

The Body Viewed as a Machine.—A favorite way of looking at the body as a whole is to regard it as an anatomical machine. In this view the body has an internal skeleton, of which the chief feature is the central axis or backbone.

Considering the skull and backbone as one, the body may be said to be built up of two tubes. The smaller posterior or neural tube includes the cavity of the skull and the vertebral canal. Within this tube is lodged the nervous center, or engine, of the body. The anterior, or body, tube is much larger, consisting of the face above, and the neck and trunk below, and it contains the four nutritive systems of life, so that the whole body in section is like an eight with the lower circle immensely exaggerated. The limbs, of course, are not tubular, and merely form part of the machinery.

Adopting the simile of the human engine and boiler and machinery, we see that the limbs, etc., are the machinery; the posterior tube the engines and force that move them; and the anterior tube the human boiler that generates the force. This boiler, like one in a steam engine, has an upper and lower part. The upper part is where the steam is generated (in lungs) and sent to the engine (the brain) by the heart. The lower part is where the fuel is burned (the stomach) and the ashes and refuse drop through (the intestines). So that the analogy between the two is close and striking.

Centers of Control.—There are two distinct seats of government in the human body: the one in the upper brain, or cortex, the other principally in the very center of the human body. That in the upper brain, or cortex, is the human will and the conscious mind. It has absolute control given to it over the animal part of the human life—that is, over the part that consists in the using of force, which includes the nervous and locomotor systems, and the special senses.

Nutritive Systems.—The other government, situated in the lower part of the brain and spinal cord and in the center of the body—in front of the spine and behind the stomach—is of an entirely different order. To put this more plainly: The four systems that lie in the body—digestive, circulatory, respiratory, and excretory—may be termed the nutritive systems, being designed for the maintenance and storage of life-forces. They are almost entirely under the control of the involuntary nerve centers, and have full and undisputed sway over life itself—that is, over the generating and storing of vital force, rather than over its usage.

SYSTEMS AND ORGANS OF THE BODY

How the Body is Built.—In a building such as the body it is well to begin with the unit—the building unit. In a house this is a brick or a stone; in all living structures, animal and vegetable, it is a cell.

All living structures, whether animal or vegetable, are built up of cells (which we shall consider in due course), and these cells are grouped together for different purposes to form different tissues. The tissues are the different materials of which the body is made. There are eight principal tissues in the body: bone, gristle, muscle, nerve, skin, fat, fiber, and connecting tissue.

ORGANS OF CHEST CAVITY IN RELATION TO STOMACH

THE BRONCHIAL TUBES

ORGANS INVOLVED IN FIRST STAGES OF DIGESTION

DIAGRAMS DISCLOSING HEART AND CONNECTIONS, RIBS AND LUNGS

(1) The Osseous, or bone tissue, is the framework of the body. This material is found, of course, in every part of the body and forms the skeleton.

(2) The Cartilaginous, or gristle, forms the joints of the body. This tissue covers the ends of the bones to form the joints; it unites the ribs with the breastbone; it forms the rings of the windpipe and the lid of the larynx at the back of the tongue; the lower part of the nose, the upper eyelid, and the ear.

(3) The Muscular, or muscle, forms the machinery of the body. This tissue covers all the bones with flesh, which is muscle, and is the chief part of a number of machines by which every movement is performed. It is also an important tissue in the wall of the abdomen and the floor of the chest.

(4) The Nervous, or nerve tissue, is the moving power of the body. It is the chief constituent of the brain and the spinal cord, inside the backbone or spine. It also forms the nerves, which run like white threads from the brain to all the muscles, and give them power to move.

(5) The Epithelial, or skin, forms the outer covering of the body. This tissue is the skin that covers the body outside, and lines it as mucous membrane inside, and also forms the teeth and nails.

(6) The Adipose, or fat, forms the under covering of the body. This tissue is the inner protective sheathing and padding of the body, beneath the skin, and round the internal organs. It consists of drops of oil, enclosed in separate cells.

(7) The Fibrous, or fiber or sinew, is the tissue that forms the cords and bands of the body. This tissue makes the strong tendons that fasten the muscles to the bones, and forms the covering or sheath of the bone itself, and the various organs.

(8) The Connective, or cementing tissue, joins all the parts and cells of the body together. This substance is found everywhere, all over the body, and is like the mortar in a house, fastening all the bricks together. It is a sort of network of cells and long fibers.

DIAGRAM ILLUSTRATING THE ALIMENTARY CANAL

Large diagram (345 kB)

Special Systems.—These eight tissues are combined together into various groups of organs or systems for special purposes. These groups are six in number, and include: the circulatory, respiratory, digestive, excretory or secretory, locomotor, and nervous systems. There is also the reproductive system, which has to do with the propagation of the race, and involves many important and vital questions.

We may divide these six into three groups:

There are two in the chest:

(1) The Circulatory system is that by which the blood or liquid food is distributed throughout the body to all the tiny cells. This system includes the heart or force-pump, and the arteries, capillaries, and veins or the three kinds of pipes through which the blood travels.

(2) The Respiratory system is that by which we breathe, and by which the body is fed with oxygen, which gives the blood its bright red color. This system includes the nostrils and mouth, the windpipe and the lungs.

Then there are two in the abdomen, or stomach:

(3) The Digestive system, by which all the food is made into liquid and changed so as to nourish the body and pass into the blood. This system includes the mouth, gullet, stomach, liver, pancreas, intestines, and other organs.

(4) The Secretory, or excretory, system (for they are best grouped as one) manufactures the various fluids of the body, such as bile, urine, sweat, saliva, gastric juice, etc. It consists of various glands or secretory organs in different parts of the body, such as those in the skin, the kidneys, the lymphatic glands, the spleen, etc. It also gets rid of the refuse of the body.

Lastly, there are two in the head and limbs:

(5) The Locomotor system, by which all movement is effected. This includes the bones, joints, and muscles.

(6) The Nervous system, by which all the body is controlled, directed, and regulated. This system includes the brain, spinal cord, and the special senses, such as the ear, the eye, and all the nerves.

The Human Chest, or Thorax.—In it, the blood is purified and circulated. The thorax is closed above and below: above, by the neck, through which the windpipe enters it in front, conveying air to the lungs; and by the gullet behind, conveying food to the stomach. Below, the floor, dividing it from the abdomen beneath, is formed by a very large muscle stretching right across the body, called the Diaphragm, or partition wall; also called the Midriff. The thorax is walled in at the sides by the ribs, and behind by the backbone in which is the other tube that contains the spinal cord. The thorax contains the two organs of respiration and circulation.

The lungs are the organs of respiration. They are like two sponges filling the right and left halves of the chest. Wherever you can feel a rib there is part of the lung underneath. Each of these lungs is contained in a bag, like a skin, that separates it from the ribs, and is called the pleura (from pleuron = a rib), but the lung is not inside the bag.

The outer layer of the pleura is fixed to the side of the chest, the inner layer to the lung, and the two layers move on each other like a joint when we breathe.

The lungs are full of small air-cells with minute tubes leading from them. These gradually increase in size as they join together, till at last they unite in one large tube, or bronchus, for each lung. These two bronchi join together, and form the windpipe, or trachea, which conveys the air through the larynx into the mouth.

The windpipe is kept stretched widely open by a series of elastic rings of gristle. Behind the windpipe is the gullet, leading to the stomach.

PERICARDIUM OF THE HEART LEFT AURICLE AND LEFT VENTRICLE

The heart, the main pump of the circulatory system, rests on the diaphragm between the two lungs. The heart is enclosed in a smooth, moist membrane or sac, the pericardium, which allows it to dilate and contract without friction against the adjoining parts. There are four cavities in the heart, the right and left auricle, and the right and left ventricle. The auricles, which are thinner walled, collect blood from the veins, while the thicker and stronger walled ventricles force the blood into the arteries. The left auricle pumps the purified blood into the left ventricle, the valve between the auricle and ventricle opening to allow this passage. When the left ventricle is full the valve between its chamber and that of the auricle closes, the ventricle itself contracts down, and the blood is pumped out through the aorta to supply all the tissues of the body.

After leaving the left ventricle through the aorta the purified blood is carried to the head, arms, trunk, and lower limbs, etc. Finally, after being deprived of its oxygen as it passes through the tiny end-arteries, or capillaries, of the tissues it has to nourish, it is collected in the veins and is emptied into the right auricle. Passing from the right auricle to the right ventricle, this impure blood, which is of a dull purplish color, is pumped into the lungs, where it is deprived of its waste gases and once more takes up a fresh supply of oxygen. Bright scarlet in color again, it now is collected and carried to the left auricle by the pulmonary veins. From the auricle it passes through the mitral valve to the left ventricle, whence it is once more pumped out through the aorta to supply the tissues.

RESPIRATORY SYSTEM OR AIR PASSAGES OF THE BODY

Left: larynx from behind. Middle: cross-section of the pharynx. Right: section through larynx.

VIEWS OF THE LARYNX, SHOWING HOW THE AIR REACHES THE LUNGS

The organs of respiration are the nose, throat, larynx, windpipe or trachea, and the two lungs. On the outer walls of the nasal cavities are three shelves known as the turbinated bones, the surfaces of which contain blood-vessels to heat the air as it passes through the nose. The mucus which constantly forms on the lining membrane of the nose and the little hairs in the nostrils, act as screens, preventing dust being breathed into the lungs. The pharynx is the cavity behind the nose, mouth and larynx. The larynx forms a prominence in the throat known as the “Adam’s Apple.” It contains the vocal cords, the vibrations of which, as air from the lungs passes through them, give rise to voice sounds. The epiglottis is a cartilaginous curtain above the larynx which blocks up its entrance when food is being swallowed. The trachea or windpipe is a continuation of the larynx. Shortly after entering the chest it divides into two main branches, the right and left branches, which lead to all parts of the lungs. The lungs, two spongy, air-filled organs, take up most of the space in the chest-box or thorax. The smallest end-branches of the bronchial tubes open into numerous tiny sacs known as the air vesicles, in the walls of which the end-branches of the capillaries ramify. Here the impure gases in the blood escape through the vessel walls into the air vesicles, while the oxygen breathed into the lungs is taken up the same way by the blood in the vessels.

HOW THE HUMAN BODY IS CONTROLLED BY THE BRAIN

CORD WITH
DURA MATER

THE ARRANGEMENT OF
THE DURA MATER

Large illustration (375 kB)

The nervous system consists of (1) the brain; (2) the spinal cord; (3) the nerves which run off from these structures; and (4) the sympathetic system. The chief mass of the brain is known as the cerebrum, or fore-brain, the small mass at the lower part being termed the cerebellum, or little brain. From the brain, which is contained within the bony skull, twelve pairs of cranial nerves proceed. The most important of these are the first or nerve of smell, the second (sight), eighth (hearing), and twelfth (taste). The fifth, one of the most important nerves of sensation, has three main branches running to the orbit and forehead, the jaws and teeth, and the skin of the face. Six of the twelve pairs of cranial nerves govern the movements of different parts (motor nerves), others have to do with the special sense organs, taste, smell, hearing, and sight (sensory nerves), and others are a combination of motor and sensory nerves. The spinal cord is a continuation of the brain, and is contained in the hollow canal running through the vertebrÆ of the spine. From it thirty-one pairs of nerves originate. The nerves which run to the arm are collected in a network called the brachial plexus. In the same way the great nerves to the leg come together in the lumbar plexus. The sympathetic nervous system consists of a main nerve trunk running downward along the spine from the skull to the coccyx. This sympathetic system communicates indirectly with the brain and spinal cord, and also with all the great arteries and other important structures in the abdomen.

The dura mater is the strong external cranial membrane which adheres to the skull and also penetrates into the cavities of the brain, dividing it into partially separate compartments. These dividing portions of the dura mater may be seen at A, A, in the diagram above. B marks the various venous blood sinuses of the brain, which receive blood from veins in the different parts of the brain, and, merging into one large sinus (seen at lower right of diagram), afterwards become the jugular vein. C is the great cerebral vein. The Roman numerals mark the great cranial nerves.

We take air into the lungs to pass thence into the blood, and thus be carried to all the cells of the body to enable them to live and breathe.

The Heart.—The heart is at the lower part of the chest, between the two lungs. It is a fleshy or muscular organ, about the size of the fist—flat above, and pointed below like a sugar-loaf. It lies in a slanting direction behind the breastbone—the broad part, or the base, of the heart being upwards and partly to the right of the breast-bone; the point, or apex of the heart, being downwards and to the left, where it can often be seen beating against the chestwall.

The heart is hollow, and acts like a pump, forcing the blood all over the body through the great vessel that leaves the heart at the upper part. The heart, like the lungs, is enclosed in a double layer of folded bag, called the pericardium, because it is round the heart.

The gullet runs right down the back of the thorax, and passes out through the diaphragm, which forms the floor, into the abdomen.

The abdomen forms the lower half of the trunk, and is often called the stomach. It is full of organs belonging to the digestive system and secretory system, by which the fuel or food is rendered fit for use in the blood and the body.

The walls of the abdomen are not protected by ribs like the thorax, but are all formed of flesh or muscle. The principal organs they contain are the stomach, the liver, the pancreas, or sweetbread, the spleen or milt, the kidneys, the intestines, and the bladder.

The Human Brain.—The head and spine contain the principal nervous systems of the body and four organs of special sense—sight, hearing, smelling, and tasting.

The brain, which fills the head, consists of two parts: the Cerebrum, or greater brain, and the Cerebellum, or lesser brain, placed behind and below the larger one. From this brain, nerves run to every muscle of the body, enabling them to move the limbs and body as the mind directs; and another set of nerves run from every part of the body and skin to the brain, enabling the mind to know and feel all that goes on.

The brain is connected with the spinal cord by a flat band of brain matter, that lies on the inside of the occipital bone, called the Medulla Oblongata, or the Oblong Marrow. The spinal cord runs through a large hole in the occipital bone and right down the open tube formed by the spinal vertebrÆ, to the bottom of the backbone, and, all along its course, nerves leave it and enter it, as in the brain.

The organ of sight consists of the two eyes, which receive every image that we see, and transmit it to the brain. The organ of hearing consists of the two ears, by which we receive all the waves of sound that we hear, and transmit them to the brain. The organ of smell is in the upper part of the nose; the organ of taste at the hinder part of the tongue.

The organ of the voice is contained in the larynx in the neck, which joins the head to the body. Just under the chin in front of the neck you can feel what is called the Adam’s Apple, which is the front of the larynx, or voice-box, by which the air coming out of the lungs is formed into sounds.

The sounds are formed into words by the mouth, tongue, and teeth.

PERMANENT TEETH AND THEIR NAMES

Upper Jaw: 1, 2, incisors; 3, canine; 4, 5, premolars; 6, 7, 8, molars.

Lower Jaw: 1, 2, incisors; 3, canine; 4, 5, premolars; 6, 7, 8, molars.

THE FIVE GATEWAYS OF KNOWLEDGE

These gateways—which we otherwise name the Organs of the Senses, and call in our mother speech, the Eye, the Ear, the Nose, the Mouth, and the Skin—are instruments by which we see, and hear, and smell, and taste, and touch: at once loopholes through which the soul gazes out upon the world, and the world gazes in upon the soul.

THE EAR: THE MARVELOUS ORGAN OF HEARING

The ear is divided into three parts:

(1) The external ear, made up of the outer portion and passage-way which leads up to the drum.

(2) The middle ear or drum, the continuation of the ear passage internal to the drum membrane, and

(3) The internal ear containing the labyrinth and the nerve of hearing.

DESCRIPTION OF THE
EXTERNAL EAR

The outermost part, the skin-covered auricle, contains no bone, being simply a mass of cartilage covered by skin. It acts as a sound catcher and improves the hearing by directing sound-waves into the opening or external meatus. This meatus or passage-way runs directly inward for an inch and a half. The inner half of the passage-way runs through solid bone, ending abruptly at the membrane or sounding-board of the ear.

THE JOURNEY OF SOUND WAVES TO THE BRAIN

This diagram shows the marvelous structure of the ear, and how sound reaches the brain. There is marked similarity between the ear and a telephone receiver by which we are able to receive messages from the outside world. Hearing is simply the result of sound-waves striking the drum of the ear which set in vibration the bones of the middle ear, and they in turn vibrate the drum of the inner ear. This sets in motion a fluid, and the wave motions are conveyed along the spiral staircase to the wires, or nerves of hearing, and from there to the telephone exchange, or brain.

Large illustration (398 kB)

DESCRIPTION OF THE
MIDDLE EAR

This part begins at the inner surface of the membrane, and extends inward for about a quarter of an inch. The outer surface of the membrane can be seen by the observer on pulling the top of the auricle or fleshy part of the ear a little upward, so as to straighten out the somewhat curved passageway or meatus. The membrane which is placed transversely across the meatus is whitish-pink or yellowish color.

WHAT THE MIDDLE EAR
CONTAINS

The chief contents of the cavity of the middle ear are three tiny bones called the malleus or hammer bone, the incus or anvil bone, and the stapes or stirrup bone. In addition, an important nerve called the chorda tympani passes across the middle ear chamber. The three little bones contained in the middle ear may be looked upon as the connecting link between the outer ear, which gathers the sounds, and the internal ear, which transmits the effect of the sound waves to the brain, where they are translated into what we call hearing.

From without inward the three little bones lie touching each other, end to end, the outer end of the first bone being implanted between the layers of the drum membrane and the inner end of the innermost bone, fitting into a tiny opening which connects the middle ear with the internal ear. As the result of their lying touching each other, any movement of the ear drum caused by a sound wave striking against its outer aspect, moves the malleus bone; this, in turn, moves the middle incus, and this passes the movement on to the innermost part of the stirrup. This, in turn, passes the movement onward to the fluid or perilymph in the outermost part of the internal ear, and here the endings of the nerve of hearing receive the stimuli which we recognize as “sounds.” (See Plates.)

THE TWO IMPORTANT TUBES OF
THE MIDDLE EAR

In addition to these contents of the middle ear there are also two tiny openings which, very necessary for health, are nevertheless sometimes a pathway by which serious disease may attack the ear and destroy the hearing. The first is a small passage-way leading from the upper part of the middle ear cavity through the bone to the mastoid antrum, a hollow space in the prominent mass of bone to be felt immediately behind the ear projecting outward and downward from the skull.

The second passage-way opening into the middle ear cavity is that of the Eustachian tube which leads directly to the back of the throat. The importance of this tube is that through it air can find its way directly into the middle ear, so that the air pressure on the two sides of the drum is always kept the same. If it were not for some such arrangement the pressure on the outer side of the drum would become greater than that on its inner surface. This would, of course, push the drum inward, and greatly reduce its mobility.

EXPLANATION OF THE
INTERNAL EAR

This is a complicated structure of bony passages curled on themselves, roughly as in a snail shell, and lined with a delicate membrane. This membrane is, so to speak, floating in fluid. The layer of fluid between it and the bone is called the perilymph, while the two layers of the membrane enclose a similar fluid termed the endolymph. The internal ear or membranous labyrinth may be divided roughly into three chief parts: (1) the cochlea, the true organ of hearing; (2) the semi-circular canals, which control the act of balancing; and (3) the vestibule, or introductory chamber to the semi-circular canals.

The cochlea is a collection of three tubes curled up on themselves in snail-shell fashion.

The central canal of these three is the connecting link by which the sound waves, passed along over the three tiny bones—the malleus, incus, and stapes—finally reach the endings of the main nerve of hearing, the auditory nerve. (See Plate.)

Working of the eye

THE EYE AND ITS WONDERFUL STRUCTURE

The human eye is a hollow globe containing fluids and the crystalline lens. Surrounded by its muscles it lies embedded in a cushion of fat in a conical bony hollow called the orbit. Through an opening in the bones making up the back of the orbit, the optic nerve leads from the back of the eye to the brain.

THE EYELIDS AND
EYE-LASHES

The eyelids are made of layers of muscle and cartilage with an outer surface of skin and an inner surface which is a continuation of the conjunctiva that covers the eyeball. In the edge of the eyelid a series of tiny glands are embedded. The mouths of these open on the margin of the lids. The eye-lashes, whose duty it is to act as a screen, preventing foreign bodies such as dust or other air-born objects getting into the eye, are also inserted in the edge of the lid.

WHAT MAKES THE
TEARS FLOW

About one-eighth of an inch from the internal angle of the eye, a small projection is to be seen on the margin of the lid. In the center of this is a tiny opening through which the tears as they collect in the eye are led away through two small canals to the lachrymal sac in the upper part of the nose. The lachrymal gland, which secretes the tears, or water, of the eye, is situated above on the outer side of the eyeball, between it and the bones of the orbit. The lachrymal gland is constantly secreting tears, which are carried by narrow ducts to the upper surface of the eyeball, whence they flow down over the eye, finally being collected at the inner corner of the eye and passing into the nose through the lachrymal punctures described above. Under certain circumstances, as from emotion, a blow, or the irritation of a cold wind, the tear fluid is secreted faster than it can escape through the punctures, and so flows over the lids and down the cheeks.

HOW THE EYE IS HELD
IN PLACE

The eye is held in its socket or orbit by (1) the optic nerve, (2) by its six muscles attached to various points of its circumference, (3) by the conjunctiva, which is reflected off from its attachments to the outer coat of the eye directly on to the lids, and (4) by the eyelids themselves. (See Color Plate.)

HOW THE EYE IS
CONSTRUCTED

The cornea is the transparent, bulging, central portion of the eye covering the pupil and the colored iris. Made of tiny transparent cells closely packed together, the cornea is not nourished by blood carried to it by the blood-vessels but by lymph which permeates through it in the tiny channels between the cells. By its curved surface it plays a part in focusing rays of light on to the lens situated just behind the iris.

PICTURE DIAGRAMS SHOWING THE DELICATE STRUCTURE OF THE EYE AND EAR

Large illustration (441 kB)

Directly behind the cornea come the iris and pupil. The latter is nothing more than a hole in the center of the iris through which light enters the eye.

HOW THE LIGHT IS
REGULATED

The iris is the screen of the eye. Just as the photographer uses a screen with a large opening when he wants more light to enter his camera and a small opening when he requires less, so Nature arranges that the iris automatically contracts or dilates to make a larger or smaller pupil opening, according to the amount of light needed within the eye for purposes of vision. When the light is very bright less is needed in the eye. Thus in brilliant artificial light at night one’s pupil is small. On the other hand, when the light is waning, as in the dusk or semi-darkness, the pupil is enlarged by the iris contracting down to a narrow ring under the outer circumference of the cornea.

WHAT DETERMINES THE
COLOR OF THE EYE

The color of the eye depends on the position and amount of pigment cells in the iris. In the dark brown eye there is an abundance of pigment scattered through the substance of the iris as well as in the front layers nearest the surface. In the blue eye the pigment cells are buried deep in the iris and are fairly plentiful in amount. The colorless eye of the albino is the result of a deficiency of pigment in the iris.

The iris is fixed at its outer circumference, but its inner rim, which makes the border line of the pupil, is free, so that when the iris contracts the pupil becomes larger, since its inner free margin is drawn outwards toward the fixed outer margin. Close up against the deeper surface of the iris comes the crystalline lens.

WHY AND HOW
WE SEE

The lens is a compact body of transparent cells, concave in form, and closely similar to the glass lens of a camera. The lens of the eye, however, differs from the camera’s glass lens because it changes its shape in focusing for objects at different distances. This focusing, which takes place automatically, is known as “accommodation.”

The object of the change in the shape of the lens is that no matter at what angle the rays of light reflected from the object looked at fall on the outer surface of the lens (through the opening in the iris), they may be accurately focused on the surface of the retina, or lining membrane at the back of the eye. When looking at a distant object the lens is fairly flat, because when in this position the rays of light will be accurately focused on the retina. If the eye is now turned to an object near at hand the rays of light from the object are more divergent than in the previous case, and if the lens retained its previous shape they would fail to be focused accurately on the surface of the retina. Hence Nature has arranged that the lens of the eye is elastic, automatically becoming flatter by the action of the ciliary muscle when distant objects are looked at and rounder or deeper when nearer objects are looked at.

EFFECT OF AGE UPON
THE LENS

Up till middle age the eye retains in full this power of automatic accommodation. From middle age onward, however, the lens becomes less and less elastic. As a result the lens constantly remains more or less flattened. Although vision for objects at some distant from the eyes remains perfect, oldish people very frequently have to wear glasses (to correct the too great flatness of the natural lens) to obtain clear vision of objects close at hand.

WHAT HOLDS AND SURROUNDS
THE LENS

The lens is slung in a ligament that is a part of the “ciliary body,” which is a continuation of the choroid coat of the eyeball. This ciliary body is a ring of tissue lying behind the iris connected with the anterior portion of the choroid coat of the eye.

Between the iris and the underlying lens on the one hand and the inner surface of the bulging cornea on the other is a small space or cavity filled with a clear transparent fluid called the aqueous humor.

THE COATS OF
THE EYE

Looking at the white of the eye, the first coat is the transparent conjunctiva, which is reflected back on to the eyeball from the eyelids. Next comes the sclerotic coat, formed of dense whitish tissue, which seen through the transparent conjunctiva makes up the “white of the eye.” The sclerotic coat covers the whole globe of the eyeball with the exception of the transparent bulging cornea in front (which, however, is practically a continuation of the sclerotic), and the back of the eye where the optic nerve enters. The sclerotic is the thickest and densest coat of the eye.

Within the sclerotic coat, and so to speak lining it, comes the choroid coat. Countless blood vessels run through this coat, supplying both the one above it and that beneath it. As this coat approaches the front of the eye under the circumference of the cornea, it thickens into the ciliary body, forming a dense ring of tissues underneath the junction of the cornea and the sclerotic coat.

THE WORK OF THE
RETINA

The innermost coat of the eye is called the retina. This coat contains the nerve endings of the optic nerve which, coming through the opening in the bony orbit, passes through the sclerotic and choroid coats. After entering the eye, the optic nerve divides into myriads of fibers, which, spreading from the point of entrance at the back of the eye, form a fibrous network all over its inner surface. In addition to this network of nerve fibers and highly specialized nerve cells, tiny blood vessels entering with the optic nerve branch out on all sides over the retina.

THE RODS AND
CONES

The retina is a comparatively thick membrane composed of eight layers of different kinds of nervous tissue. The essential layer, that of the “rods and cones,” is the seventh from within outward. Thus a ray of light on entering the eye must pass through six superficial layers before it reaches the “rods and cones.”

The “rods and cones” are lying on a layer of colored or pigment cells whose duty it is to prevent diffusion of light within the eye. The eyeball, therefore, is to all intents a camera obscura, the iris representing the shutter, the crystalline lens the camera lens, and the layer of “rods and cones” the sensitive plate. When a ray of light falls on the layer of the “rods and cones,” this layer receives a nervous stimulus which is conveyed by the optic nerve to the brain. It is these sensations which the brain translates into what we term sight.

Where the optic nerve enters the back of the eye, there are no “rods and cones,” hence rays of light falling on this portion of the retina send no stimulus to the brain; in other words, images falling on the “blind spot” are not visible.

The “yellow spot” is a small area at the center at the back of the eye where the retina is very thin, consisting of little more than a single layer of “cones.” Images which fall upon this region are seen with the greatest distinctness.

HOW THE SENSE OF SIGHT
IS PRODUCED

Sight is a nervous sensation due to the translation by the brain of the effects caused by rays of light being reflected from some object in front of the eye on to the innermost layer of the eye, the retina.

When an object is looked at, rays of light which reach the object from some source of light (such as the sun, a lamp, etc.) fall on the transparent outer part of the eye, the cornea. On account of its curved surface these rays of light are more or less bent inward so as to fall more or less perpendicularly on the forward anterior convex surface of the lens. If the light is weak or dim, the iris, which lies in front of the lens, will automatically contract down so as to make the opening by which the rays can enter the posterior chamber of the eye (the part behind the lens) as large as possible.

If the light is very bright the muscle fibers in the iris will relax so that the iris itself gets larger, and its central opening smaller, so that too much light may not enter. Passing through the lens the rays are focused by the lens so that they are brought together to a point exactly on the surface of the retina.

Here their presence has a certain effect on the rod and cone layer of the retina, the result of which is conducted along the optic nerve to the brain, where it is transformed into what we know as sight.

HOW WE ARE ABLE TO TASTE, SMELL AND FEEL

HOW THE NERVES RUN INTO THE SPINAL CORD ON THE WAY TO THE BRAIN

The lower drawing shows how the spinal cord rests in the backbone, and how the nerves pass in and out, those of sensation passing into the spinal cord, as shown in the magnified section above.

THE AREAS OF THE TONGUE IN WHICH THE CELLS OF TASTE ARE DISTRIBUTED

The tongue is covered with various types of taste-bulbs, most of the distinct types that appreciate the sweet, the acid, and the bitter being found in the areas marked on the diagram.

THE OUTER SIDE OF THE NOSE, SHOWING THE NERVES OF SMELL AND FEELING

THE INNER PART OF THE NOSE, SHOWING THE FIBRES FROM THE OLFACTORY BULB

THE NOSE: ORGAN OF SMELL

The nose is composed partly of bone and partly of cartilage, the cartilages being firmly attached to the bones and to one another by fibrous tissue.

The bridge consists of the two nasal bones which are projections of the frontal bone of the forehead. From these are continued the nasal cartilages which form one-half to two-thirds of the external nose.

The interior is a large and complicated chamber divided into the right and left nares, or nostrils, by the partition called the septum. This, like the external part, consists of cartilage in front, attached to bone at the back.

The Nostrils, opening on the face in front, run backward for about two inches and open into the pharynx behind. But the single canal is divided into three separate passages some distance inward. This division is effected by the turbinated bones which jut out into the nostril and thus form the upper, middle, and lower air-channels. In this way the warm surface with which cold inhaled air comes in contact is greatly enlarged.

From the mouth cavity the nose is separated by the hard palate. On the external nose, scattered near the tip, are numerous hairs, sebaceous glands, and sweat glands. These glands are very liable to get blocked, giving rise to inflamed spots, and when hairs are pulled out small abscesses are apt to form.

Membrane.—The whole of the interior surface is lined with mucous membrane, and as this has a large area, and is very well supplied with blood, it raises the temperature of inspired air. The mucous membrane of the nose is continuous with that of the pharynx. Any inflammation, such as that which constitutes a “cold in the head,” is therefore extremely liable to extend backward and finally reach the bronchial tubes and lungs.

Over this membrane spread a multitude of small threads or nerves resembling the twigs of a branch; there are many such branches within the nostril, and they join together so as to form larger branches, which may be compared to the boughs of a tree. These finally terminate in a number of stems, or trunks, several for each nostril, which pass upward through apertures provided for them in the roof of the arched cavity, and terminate in the brain.

We have thus, as it were, a leafless nerve-tree whose roots are in the brain, and whose boughs, branches, and twigs spread over the lining membrane of the nostril. This nerve is termed the Olfactory.

When we wish to smell anything—for example, a flower—we close our lips and draw in our breath, and the air which is thus made to enter the nose carries with it the odorous matter, and brings it in contact with the ramifications of the nerve of smell. Every inspiration of air, whether the mouth is closed or not, causes any odorous substance present in that air to touch the expanded filaments of the nerve.

In virtue of this contact or touching of the nerve and the volatile scent, the mind becomes conscious of odor, though how it does so we know as little as how the mind sees or hears; we are quite certain, however, that if the olfactory nerve be destroyed, the sense of smell is lost.

Besides its endowment by the olfactory nerve, or nerve proper of smell, the nostril, especially at its lower part, is covered by branches of another nerve (known to anatomists as the fifth), of the same nature as those which are found endowing every part of the body with the susceptibility of heat, cold, smoothness, roughness, pleasure, and pain. It is on this nerve that pungent vapors, such as those of smelling-salts, strong vinegar, mustard, and the like, make the sharp impression with which all are familiar.

Can the Sense of Smell be Educated?—The extent to which the sense of smell may be educated far exceeds what most imagine can be realized from this sense. There are probably as many odors as there are colors or sounds; and the compass of one nostril in reference to the first, likely differs as widely from that of another, as the compass of the eye or the ear does in reference to the last two. The wine merchant, the distiller of perfumes, the manufacturer of drugs, the grower of scented plants, the epicure in things savory, the tobacco dealer, and many others, have by long training educated themselves to distinguish differences of odor which escape an uneducated and unpracticed nostril, however acute by natural endowment.

Perfumes.—Much importance attaches to the use of perfumes by both ancient and modern civilized nations. But all the ancient nations who had attained to civilization, were addicted to the use of perfumes to an extent to which no modern people at the present day affords any parallel. Not merely as contributing to the luxury of the body were perfumes so prized. They were used at every sacred ceremonial; lavishly expended at the public religious services; and largely employed at the solemn rites which were celebrated at the burial of the dead.

THE TONGUE: THE ORGAN OF TASTE

The organ of taste is generally held to be synonymous with the tongue, but, in reality, the throat and the nostril are as much concerned as the tongue in the perception of taste. The power of these portions of the body to distinguish savors mainly depends, as in the case of the eye and the ear, upon their connection with the brain through those fine white nerves which have been already referred to. The tongue and the auxiliary organs of taste are largely supplied with nerves, and through them those sensations are experienced which we connect with the words taste, savor, sapidity; sweet, salt, sour, bitter, and the like.

Membrane of the Tongue.—At certain points the membrane of the tongue forms distinct folds, containing fibrous or muscular tissue, which act to a certain extent as ligaments to the tongue. The most considerable of these folds is termed the froenum (or bridle) of the tongue, and connects its anterior free extremity with the lower jaw. Other folds of mucous membrane pass from the base of the tongue to the epiglottis; while from the sides of the base, passing to the soft palate, are seen two folds on either side, the “pillars of the fauces.”

The upper surface of the tongue is divided into two parts by a long furrow, commencing at the tip, and extending back about two-thirds of the tongue’s length.

Muscles of the Tongue.—The muscles of the tongue are usually divided into two groups—viz.: the extrinsic muscles, which attach the tongue to certain fixed points external to it, and move it on them; and the intrinsic muscles, which pass from one part of the tongue to another, constitute its chief bulk, and move it on itself. These intrinsic muscular fibers run vertically, transversely, and longitudinally, and are so interlaced as mutually to support one another, and to act with the greatest advantage.

The Bulbs of Taste.—The mucous membrane is invested by stratified cells, which, over the surface of the tongue, cover little vascular projections termed, papillÆ. At the back of the tongue are some eight or ten papillÆ of quite a different nature, called “circumvallate.” They are arranged to form a V with its angle pointing backward. In the epithelium lining the trenches between the papillÆ, curious little bodies called taste-bulbs are lodged. Each taste-bulb looks like a flask-shaped barrel or box, the walls of which are composed of flat elongated cells fitted side by side like the staves of a cask. The taste-bulbs open each by a little pore into the trench, and into the deeper part a nerve enters. The impressions are carried by the nerve directly to the brain in either the fifth or the ninth cranial nerves.

Before the substance can stimulate the terminals it is necessary for its aromatic principles to be in solution. This is generally effected through the agency of the saliva.

Four distinct gustatory qualities are appreciated by the sense of taste—sweetness, bitterness, acidity, and salinity. The intensity of the sensation of taste varies with (1) the area of the surface stimulated, (2) the concentration of the stimulant, (3) the length of the period of application, and (4) the temperature of the substance tasted. Tractile impressions, such as harshness, coolness, and astringency, are erroneously attributed to taste.

Mis-Educated and Educated Taste.—Of all the organs of the senses, that of taste is probably the one which receives the worst usage at our hands. The eye, the ear, and the nose are not educated at all, or their education is left to chance, but the tongue is deliberately mis-educated, perverted, and led astray. We eat what we should not eat; drink what we should not drink: eat too much of what we may eat, and drink too much of what we may drink. And the result is, that we ruin our health, enfeeble our bodies, dull our intellects, brutalize our feelings, and harden our hearts.

Yet assuredly taste has its legitimate domain, and it is as unworthy of man’s true dignity that he should be content to live upon the husks that the swine do eat, as that he should be miserable if he do not fare sumptuously every day. All the other senses have a direct interest in the practical decisions of the sense of taste. Drunkenness and dyspepsia dim the eye, dull the ear, blunt the nostril, and make the hand tremble.

A Victim to the Other Senses.—The sense of taste, in truth, is at the mercy of the other senses; and though it can revenge itself for their neglect or misuse of it, it is a sufferer by its own revenge.

Helpless, selfish, and exacting, the dependent of the other senses, and the servant of the body rather than of the soul, it frequently links us more with the lower animals than with higher existences, and has no element of ethereality about it.

A feast, indeed, may furnish pleasure to every sense, but it is usually not till hunger is appeased that the higher senses are ministered to. But the tongue, as the organ of taste, is the commissary-general, without whose supplies the other senses can achieve no conquests, and it is entitled to its share in the honors assigned to the united five; but its own sword is seldom drawn, and its aspect is not heroic.

THE HAND: CHIEF ORGAN OF TOUCH

The last of the bodily senses is Touch. It has the widest gateway, and largest apparatus of them all; for though we are in the habit of speaking of it as localized in the fingers, it reigns throughout the body, and is the token of life in every part. The nearest approach to death which can occur in a living body, is the condition of paralysis or palsy, a death in life, marked in one of its forms by the loss of that sense of touch which is so marked an endowment of every active, healthy creature.

The tactile susceptibilities of the skin depend, as do the peculiar endowment of the other organs of the senses, on its plentiful supply with those wondrous living nerves, which place in vital communication with each other all the organs of the body, on the one hand; and that, mysterious living center, the brain (and its adjuncts), on the other.

Our simplest conception of an organ of sense is supplied by the finger, which whether it touches or is touched, equally realizes that contact has been made with it, and enables the mind to draw conclusions regarding the qualities of the bodies which impress it. Now, after all, every one of the organs of the senses is but a clothed living nerve conscious of touch, and they differ from each other only in reference to the kind of touch which they can exercise or feel. Keeping in view that to touch and to be touched is in reality the same thing, so far as the impression of a foreign body is concerned, we can justly affirm that the tongue is but a kind of finger, which touches and is touched by savors; that the nostril is touched by odors; the ear by sounds; and the eye by light.

The Hand is emphatically the organ of touch, not merely because the tips of the fingers, besides being richly endowed with those nerves which confer sensitiveness upon the skin of the whole body, possess in addition an unusual supply of certain minute auxiliary bodies, called “tactile corpuscles,” but because the arrangement of the thumb and fingers, and the motions of the wrist, elbow, and arm, give the hand a power of accommodating itself spontaneously to surfaces, which no other part of the body possesses. Moreover, when we speak of the hand as the organ of touch, we do not refer merely to the sensitiveness of the skin of the fingers, but also to that consciousness of pressure upon them in different directions, by means of which we largely judge of form.

When a blind man, for example, plays a musical instrument he is guided in placing his fingers, not merely by the impression made upon the skin of them, but also by impressions conveyed through the skin to these little bundles of flesh called muscles, which move the fingers.

In many respects the organ of touch, as embodied in the hand, is the most wonderful of the senses. The organs of the other senses are passive, the organ of touch alone is active. The eye, the ear, and the nostril stand simply open: light, sound, and fragrance enter, and we are compelled to see, to hear and to smell; but the hand selects what it shall touch, and touches what it pleases. It puts away from it the things which it hates, and beckons toward it the things which it desires; unlike the eye, which must often gaze transfixed at horrible sights from which it cannot turn; and the ear, which cannot escape from the torture of discordant sounds; and the nostril, which cannot protect itself from hateful odors.

Moreover, the hand cares not only for its own wants, but, when the other organs of the senses are rendered useless, takes their duties upon it. The hand of the blind man goes with him as an eye through the streets, and safely threads for him all the devious ways; it looks for him at the faces of his friends, and tells him whose kindly features are gazing on him; it peruses books for him, and quickens the long hours by its silent readings.

It ministers as willingly to the deaf; and when the tongue is dumb and the ear stopped, its fingers speak eloquently to the eye, and enable it to discharge the unwonted office of a listener.

The organs of all the other senses, also, even in their greatest perfection, are beholden to the hand for the enhancement and the exaltation of their powers.

It constructs for the eye a copy of itself, and thus gives it a telescope with which to range among the stars; and by another copy on a slightly different plan, furnishes it with a microscope, and introduces it into a new world of wonders.

It constructs for the ear the instruments by which it is educated, and sounds them in its hearing till its powers are trained to the full.

It plucks for the nostril the flower which it longs to smell, and distills for it the fragrance which it covets.

As for the tongue, if it had not the hand to serve it, it might abdicate its throne as the “Lord of Taste.” In short, the organ of touch is the minister of its sister senses, and, without any play of words, is the handmaid of them all.

And if the hand thus munificently serves the body, not less amply does it give expression to the genius and the wit, the courage and the affection, the will and the power of man. Put a sword into it, and it will fight for him; put a plow into it, and it will till for him; put a harp into it, and it will play for him; put a pencil into it, and it will paint for him; put a pen into it, and it will speak for him, plead for him, pray for him.

What will it not do? What has it not done? A steam engine is but a larger hand, made to extend its powers by the little hand of man! An electric telegraph is but a long pen for that little hand to write with! All our huge cannon and other weapons of war, with which we so effectually slay our brethern, are only Cain’s hand made bigger, and stronger, and bloodier!

What, moreover, is a ship, a railway, a lighthouse, or a palace—what, indeed, is a whole city, a whole continent of cities, all the cities of the globe, nay, the very globe itself, in so far as man has changed it, but the work of that giant hand, with which the human race, acting as one mighty man, has executed its will!

What an instrument for good it is! What an instrument for evil! and all the day long it never is idle. There is no implement which it cannot wield, and it should never in working hours be without one. It is the one universal craftsman. For the queen’s hand there is the scepter, and for the soldier’s hand the sword; for the carpenter’s hand the saw, and for the smith’s hand the hammer; for the farmer’s hand the plow; for the miner’s hand the pick; for the sailor’s hand the oar; for the painter’s hand the brush; for the sculptor’s hand the chisel; for the poet’s hand the pen; and for the woman’s hand the needle.

For each willing man and woman there is a tool they may learn to handle; for all there is the command, “Whatsoever thy hand findeth to do, do it with all thy might.”

Such are the five entrance-ways of knowledge, which John Bunyan quaintly styles Eye-gate, Ear-gate, Nose-gate, Mouth-gate, and Feel-gate.


                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page