Through leafy side-streets and little squares of Georgian houses, Gwenna's taxi took her to a newer road that sloped sharply from the Heath at the top to the church and schools at the bottom.

The taxi stopped at the glass porch of the large, red-brick building with the many casement-windows, out of which some enterprising committee had formed the Ladies' Residential Club. It was a place where a mixed assembly of young women (governesses, art-students, earnest suffrage workers, secretaries and so on) lived cheaply enough and with a good deal of fun and noise, of feud and good-fellowship. The head of it was a clergyman's widow and the sort of lady who is never to be seen otherwise than wearing a neat delaine blouse of the Edwardian era, a gold curb tie-pin, a hairnet and a disapproving glance.

Gwenna passed this lady in the tessellated hall; she then almost collided with the object of the lady's most constant disapproval.

This was a very tall, dark girl with an impish face, a figure boyishly slim. She looked almost insolently untidy, for she wore a shabby brown hat, something after the pattern of a Boy Scout's, under which her black hair was preparing to slide down over the collar of a rain-coat which (as its owner would have told you) had seen at least two reigns. It was also covered with loose white hairs, after the fashion of garments whose wearers are continually with dogs.

Gwenna caught joyously at the long arm in the crumpled sleeve.

"Oh, Leslie!" she cried eagerly.

For this was the bosom-chum.

"Ha, Taffy-child! Got back early for this orgie of ours? Good," exclaimed Leslie Long in a clear, nonchalant voice. It was very much the same voice, Gwenna noticed now, as those people's at the flying-ground, who belonged to that easy, lordly world of which Gwenna knew nothing. Leslie, now, did seem to know something about it. Yet she was the hardest-up girl in the whole club. She had been for a short time a Slade student, for a shorter time still a probationer at some hospital. Now all her days were given up to being paid companion to an old lady in Highgate who kept seventeen toy-Poms; but her evenings remained her own.

"Afraid this party isn't going to be much of a spree for you," she told Gwenna as they went upstairs. "I don't know who's going, but my brother-in-law's friends seldom are what you could describe as 'men.' Being a stockbroker and rich, he feels he must go in heavily for Art and Music. Long hair to take you in, probably. Hope you don't awfully mind coming to the rescue——"

"Don't mind what it is, as long as I'm going out somewhere, and with you, Leslie!" the younger girl returned blithely. "Will you do me up the back, presently?"

"Rather! I'm dressing in your room. There's a better light there. Hurry up!"

Gwenna's long, narrowish front bedroom at the club was soon breathing of that characteristic atmosphere that surrounds the making of a full-dress toilette; warm, scented soap-suds, hot curling-irons, powder, Odol, perfume. The room possessed a large dressing-table, a long wardrobe, and a fairly spacious chest-of-drawers. But all this did not prevent the heaping of Gwenna's bed with the garments, with the gilded, high-heeled cothurns and with the other gauds belonging to her self-invited guest.

That guest, with her hair turbaned in a towel and her lengthy young body sheathed in tricot, towered above the toilet-table like some modern's illustration of a genie in the Arabian Nights. The small, more closely-knit Welsh girl, who wore a kimono of pink cotton crÊpe slipping from shoulders noticeably well modelled for so young a girl, tried to steal a glimpse at herself from under her friend's arm.

"Get out, Taffy," ordered the other coolly. "You're in my way."

"I like that," remonstrated Gwenna, laughing. "It's my glass, Leslie!"

But she was ready to give up her glass or any of her belongings to this freakish-tongued, kind-hearted, unconventional Leslie Long. Nearly everybody at the club, whether they were of the advanced suffrage party or the orthodox set, were "shocked" at her. Gwenna loved her. Leslie had taken a very homesick little Welsh exile under her wing from her first night at the club; Leslie had mothered her with introductions, loans, advice. Leslie had bestowed upon her that last favour which woman shows to sister-woman when she tells her "at which shops to buy what." Leslie had, practically, dressed her. And it was thanks to this that Gwenna had all the freshness and bloom of the country-girl without any of the country-girl's all-concealing frumpiness.

Leslie talked an obligato to everything that Leslie did.

"I must dress first. I need it more, because I'm so much plainer than you," said she. "But never mind; it won't take me more than half an hour to transform myself into a credit to my brother-in-law's table. 'I am a chrysoberyl, and 'tis night.' The Sometimes-Lvely Girl, that's the type I belong to. I was told that, once, by one of the nicest boys who ever loved me. Once I get my hair done, I'll show you. In the meantime you get well out of my way on the bed, Taffy, like a sweet little cherub that sits up aloft. And then I'll explain to you why Romance is dead—oh, shove that anywhere; on the floor—and what the matter is with us modern girls. Fact is, we're losing our Femininity. We're losing the power, dear Miss Williams, to please Men."

She took up a jar of some white paste, and smeared it in a scented mask above her features. As she did so she did not for one moment cease to rattle.

"Men—that is, Nice Men," she gave out unctuously, as she worked the paste with her palms over her Pierrot-like face, "detest all this skin-food—and massage. It's Pampering the Person. No nice girl would think of it. As for this powder-to-finish business, it's only another form of make-up. They always see through it. (Hem!) And they abhor anything that makes a girl—a nice girl—look in the least——" The mocking voice was lowered at the word—"Actressy ...! This is what I was told to-day, Taff, dear, by my old lady I take the Poms and Pekes out for. I suppose she's never heard of any actress marrying. But she's a mine of information. Always telling me where I've missed it, and how."

Here the tall girl reached for the silver shoe-horn off Gwenna's dressing-table, and proceeded to use it as the Greek youth used his strigil, stripping the warmed unguent from her face and neck. She went on talking while Gwenna, putting a gloss on her short curls with a brush in each hand, listened and laughed, and watched her from the bed with greeny-brown eyes full of an unreserved admiration. So far, Leslie Long's was the society in which Gwenna Williams most delighted. The younger, less sophisticated girl poured out upon her chum that affection which is not to be bribed or begged. It is not even to be found in any but a heart which is yet untouched, save in its dreams, by Love.

"No Charm about us modern girls. No Mystery," enlarged Miss Long. "No Glamour. (What is glamour? Is it a herb? State reasons for your answer.) What Nice Men love to see in a girl is The Being Apart. (Gem of Information Number Sixty-three.) Sweet, refined, modest; in every look and tone the gentlewoman. Not a mere slangy imitation of themselves. (Chuck us that other towel.) Not a creature who makes herself cheap, calls out 'Hi!' and waves to them from the top of omnibuses. Ah, no, my dear; the girl who'll laugh and 'lark' with men on equal terms may seem popular with them in a way, but"—here the voice was again lowered impressively—"that's not the girl they marry. She's just 'very good fun,' 'a good sort,' a 'pal.' She's treated just as they'd treat another young man. (I'd watch it!) Which is the girl with whom they fall in love, though? The shrinking, clinging, feminine creature who is all-wool—I mean all-woman, Taffy. She"—with enormous expression—"is never left long without her mate!"

"But," objected Gwenna doubtfully, "she—this old lady of yours—wasn't married ever?"

"Oh, never. Always lets you know that she has 'loved and lost.' Whether that means 'Killed at the Battle of Waterloo' or merely 'Didn't propose' I couldn't say.... Poor old dear, she's rather lonely, in spite of the great cloud of Poms," said the old lady's paid "daily companion," dropping the mockery for the moment, "and I believe she's thankful to have even me to talk to and scold about the horrid, unsexed girl of To-day.... Our lack of ... everything! Our clothes! Why, she, as a girl, would have sunk into the ground rather than be seen in—you know the kind of thing. Our general shapelessness!—Well, of course," turning to meet that adoring glance from the little heroine-worshipper on the bed, "you never see a young woman nowadays with what you could call a figure!"

Here Leslie, reaching for the giant powder-puff she had flung on to the foot of the bed, gave a backward bend and a "straighten" that would not have disgraced an acrobat.

"No waists! Now if there is a feature that a man admires in a girl it's her tiny, trimly-corseted waist. My old lady went to a fancy-dress dance once, in a black-and-yellow plush bodice as 'A Wasp,' and everybody said how splendid. She never allowed herself to spread into anything more than Eighteens until she was thirty! But now the girls are allowed to slop about in these loud, fast-looking, golf-jackets or whatever they call them, made just like a man's—and the young men simply aren't marrying any more. No wonder!"

"Oh, Leslie! do you think it's true?" put in Gwenna, a trifle nervously.

"So she told me, my dear. Told Bonnie Leslie, whose bag had been two proposals that same week," said Miss Long nonchalantly. "One of 'em with me in the act of wearing that Futurist Harlequin's get-up at the Art Rebel's Revel. You know; the one I got the idea of from noticing the reflections of the ground-glass diamond patterns on me through the bath-room window. I say! she'd have sunk pretty well through into the Antipodes at the sight of me in that rig, what? Yet here was an infatuated youth swearing that:

Leslie hummed the old musical-comedy tune. "Son of a Dean, too!"

Gwenna looked wistfully thrilled. "Wasn't he—nice enough?"

"Oh, a sweet boy. Handsome eyes. (I always want to pick them out with a fork and put them into my own head.) But too simple for me, thanks," said Leslie lightly. "He was rather cut up when I told him so."

"Didn't you tell your old lady—anything about it, Leslie?"

"Does that kind of woman ever get told the truth, Gwenna? I trow not. That's why the dear old legends live on and on about what men like and who they propose to. Also the kind old rules, drawn up by people who are past taking a hand in the game."

Again she mimicked the old lady's voice: "Nice men have one standard for the women they marry, and another (a very different standard!) for the—er—women they flirt with. (So satisfactory, don't you know, for the girl they marry. No wonder we never find those marriages being a complete washout!) But supposing that a sort of Leslie-girl came along and insisted upon Marriage being brought up to the flirtation standard—hein?"

"But your old lady, Leslie? D'you mean you just let her go on thinking that you've never had any admiration, and that you've got to agree with everything she says?"

"Rather!" said Miss Long with her enjoying laugh. "I take it in with r-r-rapt attention, looking my worst, as I always do when I'm behaving my best. Partly because one's bound to listen respectfully to one's bread-and-butter speaking. And partly because I am genuinely interested in her remarks," said Leslie Long. "It's the interest of a rather smart young soldier—if I may say so—let loose in a museum of obsolete small-arms!"

Even as she spoke her hands were busy with puff and brush, with hair-pad, pins, and pencil. Gwenna still regarded her with that full, discriminating admiration which is never grudged by one attractive girl to another—of an opposite type.

With the admiration for this was mixed a tiny dread, well known to the untried girl—"If she is what They like, they won't like me!" ... Also a wonder, "What in the world would Uncle have said to her?"

And a mental picture rose before Gwenna of the guardian she had left in the valley. She saw his shock of white, bog-cotton hair, his face of a Jesuit priest and his voice of a Welsh dissenting minister. She heard that much-resented voice declaiming slowly. "Yes, Yes. I know the meaning of London and self-respect and earning one's own living. I know all about these College girls and these girls going to business and working same as the men, 'shoulder to shoulder'—Indeed, it's very likely! 'Something better to do, nowadays, than sit at home frowsting over drawn-thread work until a husband chooses to appear'—All the same thing! All the same thing! As it was in the beginning! 'A wider field'—for making eyes! And only two eyes to make them with. Oh, forget-ful Providence, not to let a modern girl have four! 'Larger opportunities'—more chance of finding a young man! Yes, yes. That's it, Gwenna!"

Gwenna, at the mere memory of it, broke out indignantly, "Sometimes I should like to stab old people!"

"Meaning the celebrated Uncle Hugh? Too wise, isn't he?" laughed Leslie lightly, with her hands at her hair. "Too full of home-truths about the business girl's typewriter, and the art-student's palette and the shilling thermometer of the hospital nurse, eh? He knows that they're the modern girl's equivalent of the silken rope-ladder—what, what? And the chaise to Gretna Green! This Way Out. This Way—to Romance. Why not? Allow me, Madam——"

Here she took up an oval box of eighteenth-century enamel, picked out a tiny black velvet patch and placed it to the left of a careless red mouth.

"Effective, I think?"

"Yes; and how can you say there's such a thing as 'obsolete' in the middle of all this?" protested Gwenna. "Look, how the old fashions come up again!"

"Child, curb your dialect. 'Look,'" Leslie mimicked the Welsh girl's rising accent. "'The old fashshons.' Of course we modify the fashions now to suit ourselves. My old lady had to follow them just as they were. We," said this twentieth-century sage, "are just the same as she was in lots of ways. The all-important thing to us is still what she calls the Mate!"

"M'm,—I don't believe it would be to me," said Gwenna simply. And thinking of the other possibilities of Life—fresh experiences, work, friendship, adventure (flying, say!)—she meant what she said. That was the truth.

Side by side with this, not contradicting but emphasising it, was another truth.

For, as in a house one may arrange roses in a drawing-room and reck nothing of the homely business of the kitchen—then presently descend and forget, in the smell of baking bread, the flowers behind those other doors, so divided, so uncommunicating, so pigeon-holed are the compartments, lived in one at a time, of a young maid's mind.

Clearer to Gwenna's inner eyes than the larch green and slate purple of her familiar valley had been the colours of a secret picture; herself in a pink summer frock (always a summer frock, regardless of time, season or place) being proposed to by a blonde youth with eyes as blue as lupins....

Mocking Leslie was urging her, again in the old lady's tone, to "wait until Mr. Right came along. Jewelled phrase! Such an old world fragrance about it; moth powder, I suppose. Yet we know what it means, and they didn't. We know it isn't just anybody in trousers that would be Mr. Right. (My dear! I use such strange expressions; I quite shock me sometimes)," she interpolated; adding, "It's a mercy for us in some ways; so good if we do get the right man. Worse than it used to be if we don't. Swings and roundabouts again. But it's still true that

"I can't imagine such a thing as war, now," mused Gwenna on the bed. "Can you?"

"Oh, vaguely; yes," said Leslie Long. "You know my people, poor darlings, were all in the Army. But the poisonously rich man my sister married says there'll never be any war again, except perhaps among a few dying-out savage races. He does so grudge every ha'penny to the Navy Estimates; and he's quite violent about these useless standing armies! You know he's no sahib. 'His tongue is like a scarlet snake that dances to fantastic tunes.' However, never mind him. I'm the central figure. Which is to be my frock of fascination to-night? 'The White Hope?' or 'The Yellow Peril?' You're wearing your white, Taffy. Righto, then I'll put on this," decided the elder girl.

She stepped into and drew up about her a moulding sheath of amber-coloured satin that clung to her limbs as a wave clings to a bather—such was the fleeting fashion now defunct! There was a corolla of escholtzia-yellow about the strait hips, a heavy golden girdle dangling.

"There! Now! How's the Bakst view?" demanded Leslie.

She turned slowly, rising on her toes, lifting the glossy black head above a generous display of creamy shoulder-blades; posing, laughing while Gwenna caught her breath.

"Les-lie!... And where did you get it?"

"Cast-off from an opulent cousin. What I should do if I didn't get a few clothes given me I don't know; I should be sent back by the policeman at the corner, I suppose. One can't live at fancy dances at the Albert Hall," said Miss Long philosophically. "Don't I look like a Rilette advertisement on the end page of Punch? Don't I vary? Would anybody think I was the same wispy rag-bag you met in the hall? Nay. 'From Slattern to Show-girl,' that's my gamut. But you, Taff, I've never seen you look really plain. It's partly your curls. You've got the sort of hair some boys have and all women envy. Come here, now, and let's arrange you. I've already been attending to your frock."

The frock which Gwenna was to wear that evening at the dinner-party was one which she had bought, without advice, out of an Oxford Street shop window during a summer sale. It was of satin of which the dead-white gleam was softened by a misty over-dress. So far, so good; but what of the heavy, expensive-looking garniture—sash, knots, and what-nots of lurid colour—with which the French artist's conception had been "brightened up" in this English version?

"Ripped off," explained Leslie Long, firmly, as its owner gazed in horror at a mutilated gown. "No cerise—it's a 'married' colour—No mural decorations for you, Taffy, my child. 'Oh, what a power has white simplicity.' White, pure white, with these little transparent ruffles that kind Leslie has sewn into the sleeves and round the fichu arrangement for you; and a sash of very pale sky-blue."

"Shan't I look like a baby?"

"Yes; the sweetest portrait of one, by Sir Joshua Reynolds."

"Oh! And I'd bought a cerise and diamantÉ hair-ornament."

"Quite imposs. A hair-ornament? One of the housemaids will love it for her next tango tea in Camden Town. As for you, don't dare to touch your curls again—no, nor to put anything round your neck! Take away that bauble!"

"Aren't I even to wear my gold Liberty beads?"

"No! you aren't. Partly because I am, in my hair. Besides, what d'you want them for, with a throat like that? Necklaces are such a mistake," decreed Leslie. "If a girl's got a nice neck, it hides the line; if she hasn't, it shows the defect up!"

"Well," protested Gwenna doubtfully, "but mightn't you say that of anything to wear?"

"Precisely. Still, you can't live up to every counsel of perfection. Not in this climate!"

"You might let me have my thin silver chain, whatever, and my little heart that my Auntie Margie gave me—in fact, I'm going to. It's a mascot," said Gwenna, as she hung the little mother-o'-pearl pendant obstinately about her neck. "There!"

"Very well. Spoil the look of that lovely little dimply hollow you've got just at the base there if you must. A man," said Gwenna's chum with a quick, critical glance, "a man would find that very easy to kiss."

"Easy!" said Gwenna, with a quicker blush of anger. "He wouldn't then, indeed!"

"Oh, my dear, I didn't mean that," explained Leslie as she caught up her gloves and wrap and prepared to lead the way out of the room and downstairs to the hall. They would walk as far as the Tube, then book to South Kensington. "All I meant was, that a man would—- that is, might—er—possibly get the better—ah—of his—say, his natural repugnance to trying——"

A little wistfully, Gwenna volunteered: "One never has."

"I know, Taffy. Not yet," said Leslie Long. "But one will. 'Cheer up, girls, he is getting on his boots!' Ready? Come along."