A rather surprised voice called “Come in!” In I went—to find the Governor smoking a cigarette and sitting on the wide red-leather-padded club-fender of a room that was in complete contrast to the feminine domain I had left. Almost empty, but for its tall bookshelves, a grandfather’s clock, a couple of solid, “man-ny-looking” arm-chairs and a grand piano. I dropped my voice into its meekest Near Oriental tone as I announced: “Your coffee, Mr. Waters!” It was exactly the tone in which I’d so often said, “Your tea, Mr. Dundonald!” and yet I knew that the man before me would guess that this deference was, under the circumstances, only a subtle form of defiance. I handed him the cup. Then I stood there, outwardly as mild as milk, before him. One swift glance into the mirror over the mantelpiece beyond his broad shoulder—his shoulders Just before dinner, Theo, in the school-room, with all her eyes and half the voice-power at her command, had told me the dress was divine, and that I looked a little angel in it! “Angel?” H’m. That wasn’t how I felt, exactly. Still I know I looked my best; as pretty as ever I’d looked in the dear old days before I had anything else to do. Looking her best always keys a girl up to doing her best. (Or her worst, as the case may be.) Besides, another glance at the Governor had shown me that I’d been right in my suspicion at dinner. He was embarrassed. He was—probably for the first time in his life—shy! This put the finishing touch to my feeling myself to be—also for the first time—mistress of this situation. Therefore, I stood there, still waiting, looking as if it were I who were paralysed with shyness, deliberately waiting for him to speak. “Thank you,” he had murmured as he took the cup from me. There was another pause, which was—as I fully intended—the first of many. Then he added, in a rather uncertain sort of voice, “I suppose it was my mother’s—my mother who sent you in here?” “Yes! Oh, yes,” I said hastily, as if breathlessly flurried and meek beyond all words. “She seemed to think—I didn’t know what else to do—am I in your way?” (Here I glanced up at him with scared, appealing eyes as much as to say, “Is it my fault if I am?”) Pause. “I am afraid,” said the Governor, rather as if the words were forced from him, “that I shall have to ask you to put with up this—er—incongruity for the next half-hour or so. Won’t you sit down, Miss Trant?” And he wheeled forward one of those capacious arm-chairs, placing it at a mercifully wide distance from the fender-stool—where Mrs. Waters perhaps imagined we were at that moment sitting—Oh shade of everything that’s wildly impossible!—sitting together like ordinary young engaged people, hand in hand—or however they do sit. My goodness! I sat down, dropping my eyes demurely, and folding my hands in my lap. Another pause. “I—er——” said the Governor, then stopped “Yes? Is there anything that I can—that you think I ought to be able to do for you while I am here, Mr. Waters?” “Perhaps it might be wiser if you stopped calling me by that name”—dryly. He seemed to have pulled himself together with a jerk, for he was looking and speaking more like himself at this. However, it had no effect on me. “Oh, of course,” I said obediently, “I shall always remember to call you B——by your Christian name (that is an abbreviation, too, isn’t it?) when we are with the others.” “And then, if you use my other name when we are alone, you may forget, and let it slip out when the others are here,” he objected, looking down on me from his perch on the fender-stool, “and—and it’s more than likely that my sisters might notice. Theodora notices everything.” “Yes”—gently—“so I gather.” “And always says out what she thinks,” her brother informed me. “That’s why—if you don’t mind—I am going to continue calling you ‘Nancy’ even when we are alone.” “Oh, certainly,” I said softly. “And I suppose I must practise trying not to feel afraid of you.” He looked sharply at me, but I know there was no expression in my face, and my eyes seemed “Afraid of me?” he took up. “You?” “Oh, Mr. Waters—I beg your pardon, I didn’t mean to use that name again. I was going to say, you know that we are all terrified to death of you—at the office.” I know he guessed that I meant “but this is not the office, and I’ve lost all the wholesome awe that I still had of you only yesterday, and I’m no more terrified of you than Cariad is, now!” Without looking directly at him, I saw his keen, blonde face flush a little under its tan—this City-fied young man is oddly sunburned—and his firmly-fitted lips moved as if he were going to say something but thought better of it. After a pause he opened them again and asked: “Do you smoke—er—Nancy?” “No, thanks very much,” I said primly. Silence fell. The Governor cleared his throat. I knew he literally couldn’t think what to say next, and I exulted inwardly. I felt as if I really were getting a little of my own back now—not only for the awkwardness and unpleasantness due to the “engagement,” but for everything I’ve loathed while I’ve been at the Near Oriental—the dreary journey there morning after morning, the monotony, the Oh, how my employer was longing for me to “talk” at that moment! to say something—anything! But I wouldn’t. I think I could have let that lagging silence last for quite another five minutes as far as I was concerned, only I was afraid I might break into wild laughter unless I spoke. So I gave it up, and suggested gravely and helpfully: “I have got some fancy-work with me, but I left it in the drawing-room. Shall I go back and fetch it? Or—wouldn’t that quite do?” “Afraid not,” said the Governor grimly. “It seems so stupid to sit here doing nothing; for you, too,” I added sympathetically. “If you have brought any letters down here from the office, you might, perhaps, care to dictate them to me——” “Thank you, no,” said Mr. Waters firmly. “I seldom do any business out of business-hours.” I turned my ring again ostentatiously. I hope he knew I was pointing out to him how my “business” had to go on all day long—the woman’s work, in fact, being never done! My next mild suggestion was, “Do you play picquet?” “Don’t know one card from another.” I sighed, as if with mingled regret and boredom. It was a very insincere sigh! for, to begin with, I loathe any form of card-playing myself; I don’t believe the story that cards were invented to please a mad king. I believe he was driven mad by the card-games of the period! Secondly, I wasn’t one bit bored. I was revelling in the spectacle of this wretched young man—imagine being able to employ such a phrase to the Grand Panjandrum himself!—this wretched young man looking so acutely uncomfortable and at such a loss. Gleefully I allowed yet another long and awkward pause to take place. Then, I put my hand—the left one—up to my mouth as if to stifle a yawn. Then I glanced at the ship in full sail that rocked to and fro on the face of the grandfather’s clock, and murmured resignedly: “Only twenty minutes past nine?” “I am afraid that clock is always kept ten minutes fast,” said my host. I sighed again, more deeply. Then I allowed my eyes to wander, as if vainly seeking the way of escape!—round the comfortable, masculine-looking room. Actually, my glance was caught by an odd-looking arrangement of wires across the ceiling. “Oh, what are those for?” I asked. “Telegraphy?” “No; I had those put there to improve the acoustics of this room. It was otherwise so bad to play and sing in.” “Oh!” I said, and wondering why Blanche didn’t use the drawing-room to sing in, I glanced at the somber shape of the piano at the other end of the den. “I wonder if you would allow me to practise in here sometimes—of course, only in the mornings?” I requested meekly. “When I go back to London, I shall want to see about a situation as music-teacher or something of that kind. I must have some definite work to do—besides yours, I mean!—and I ought to furbish up my playing.” “Ah, you play, do you?” said Mr. Waters, in a tone of the deepest relief. “Good!” He got up, switched on some more lights, and opened the piano. “I wonder if you have a rarer accomplishment still. Can you accompany?” “I should be able to,” said I, with a little bitter smile to myself. For I’ve certainly spent hours enough at the piano with Sydney Vandeleur, practising or transposing his lyrics. He has a gift for pretty, tender melody-writing; he “sets” all his favourite verses.... “Will you try over a song with me, then?” (What! It was he who sang?) “Certainly!” This was not my subdued, Leadenhall Street office “Certainly.” It was the way in which I might have spoken to Sydney, or to Major Montresor, or the Somervilles, or any of the men who came to my father’s house in the old days, and for whom I played in the evening. “Wait a minute. This gets in the way; clicks on the keys,” said I, glancing at those weighty diamonds that blazed on my finger. And I drew off his ring, pushing it with a careless little flick out of my way on the glassy black top of the piano. He had put up before me Schubert’s “Still wie die Nacht.” Appropriate enough, for Still Waters! “Still as the night, deep as the sea——” I took up the first chords. Then came surprise again. I had expected him to possess a big, bull-dog bass, full of sound and fury, and without a touch of feeling in it. To my amazement, his voice turned out to be a particularly sweet, true tenor. Shut your eyes, and you could imagine that it was the most sympathetic and delightful of men who was singing, instead of the Governor! Can there be many more surprises about this man? However, I flatter myself that I’ve given him several. The crushed-looking, deferential typist in the ready-made delaine blouse, and with the carbon-stained fingers, that shook with And it’s his turn to use deference to me. “Thank you, so much—er—Nancy.” This last word brought out with a jerk of resolution. “It’s a treat to be accompanied by someone who can do it so unusually well; it’s like waltzing with a partner whose step just suits one’s own.” Good gracious! Where and when has this man learned to dance? But he can sing. I quite enjoyed playing for it. I think we went through quite half a dozen songs—“Widdicombe Fair” was one of them—before I remembered that this wasn’t the form I meant my enjoyment to take. So, when he put up yet another—“Drake’s Drum” this time—and said, “Shall we try this?” I relapsed into my wickedly mild manner once more, and replied hesitatingly: “Don’t you think that would be enough—for Mrs. Waters? I mean, that she would consider I had stayed the right length of time? May—mayn’t I get down, now?” “Oh! Sorry if I have tired you,” said the Governor quietly. He walked across the room to open the door for me. There, with his hand on the door-knob, my employer paused and looked down at me almost as if he were looking at me for the first time. It was a curious sort of stare, half-amused, half-frowning. I should think it must have lasted while one could count five. Was there a sort of threat in it? Yes! I suppose it meant that he wasn’t going to stand any more of my masquerading impertinences, that somehow he meant to overawe me, to keep the upper hand over me still. But he won’t. Of course it’s rather flurrying to be looked at like that, so hard and unexpectedly.... But I wasn’t really flurried——only a little glad when he opened the door, said “Good night!” and shut it after me. I was turning towards the haven of the drawing-room when, half-way across the hall, I heard the door of the “den” open again, and the Governor’s step behind me. “I think you forgot this, didn’t you?” he said, holding out to me the ring I had left lying on the top of the piano. “Oh, thank you,” I said apologetically. He went back into the den. I slipped my “engagement” ring on to my finger again. As a matter of fact I hadn’t “forgotten” it. And he needn’t imagine that he is ever going to have me “quelled” again. I intend taking it out of him all the time I am here! |