During the closing years of the last century certain critics contracted a rather depressing habit of numbering men of letters, especially poets, as though they were overcoats in a cloak-room, or boys competing in an examination set by themselves. ‘It requires very little discernment,’ wrote the late Churton Collins, a.d. 1891, ‘to foresee that among the English poets of the present century the first place will ultimately be assigned to Wordsworth, the second to Byron, and the third to Shelley.’ Matthew Arnold, I fear, was the first to make these unsafe Zadkielian prognostications. He, if I remember correctly, gave Byron the first place and Wordsworth the second; but Swinburne, with his usual discernment, observed that English taste in that eventuality would be in the same state as it was at the end of the seventeenth century, which firmly believed But when is Ultimately? Obviously not the present moment. Byron does not hold the rank awarded him by the distinguished critic in 1891. The cruel test of the auctioneer’s hammer has recently shown that Keats and Shelley are regarded as far more important by those unprejudiced judges, the book-dealers. Wordsworth, of course, is still one of the poets’ poets, and the Spectator, that Mrs. Micawber of literature, will, of course, never desert him; but I doubt very much whether he has yet reached the harbour of Ultimately. His repellent personality has blinded a good many of us to his exquisite qualities; on the Greek Kalends of criticism, however, may I be there to see. I shall certainly vote for him if I am one of the examiners—or one of the cloak-room attendants. It was against such kind of criticism that Whistler hurled his impatient epigram about pigeon-holes. And if it is absurd in regard to painting, how much more absurd is it in regard to the more various and less friable substances of literature. By the old ten-o’clock But if invidious distinctions between great men are inexact and tiresome, I opine that it is ungenerous and ignoble to declare that when a great man has just died, we really cannot judge of him or his work because we have been his contemporaries. The caution of obituary notices seems to me cowardly, and the reviews of books are cowardly too. We have become Laodiceans. We are even fearful of exposing imposture in current During a New Year week I was invited by Lord and Lady Lyonesse to a very diverting house-party. This peer, it will be remembered, is the well-known radical philanthropist who owed his title to a lifelong interest in the submerged tenth. Their house, Ivanhoe, is an exquisite gothic structure not unjustly regarded as the masterpiece of the late Sir Gilbert Scott: it overlooks the Ouse. Including our hosts we numbered forty persons, and the personnel, including valets, chauffeurs, and ladies’-maids brought by the guests, numbered sixty. In all, we were a hundred souls, assuming immortality for the chauffeurs and the five Scotch gardeners. On January 2nd somebody produced after dinner a copy of the Petit Parisien relating the plebiscite for the greatest Frenchman of the nineteenth century; another guest capped him with the Evening News list. The famous Pall Mall Gazette Academy of Forty was recalled with indifferent accuracy. Conversation was flagging; our hostess looked relieved; very soon we were all playing a At first we decided to ignore the nineteenth century. The ten greatest living Englishmen were to be named by our votes. Bridge and billiard players were dragged to the polling-station in the green drawing-room. Lord Lyonesse and myself were the tellers. I shivered with excitement. One of the Ultimatelies of Churton Collins seemed to have arrived: it was GÖtterdÄmmerung—the Twilight of the Idols. And here is the result of the ballot, which I think every one will admit possesses extraordinary interest: Hall Caine. Marie Corelli. Rudyard Kipling. Lord Northcliffe. Sir Thomas Lipton. Hichens. Chamberlain. Barrie. George Alexander. Beerbohm Tree. I ought to add, of course, that the guests were unusually intellectual. There were our host and hostess, their three sons—one is a scholar of King’s College, Cambridge, another is at Balliol, and a third is a stockbroker; there were five M.P.’s with their wives H. G. Wells. C. H. Shannon. Bernard Shaw. Thomas Hardy. Lord Northcliffe. Edmund Gosse. Andrew Lang. Oliver Lodge. Dom Gasquet. Reginald Turner. Mine, of course, is the choice of a recluse: a scholar without scholarship, one who lives remote from politics, newspapers, society, and the merry-go-round of modern life. Its two chief interests lie in showing, first how far off I was from getting the prize (a vellum copy of poems, by our hostess), and secondly, that one name only, that of Lord Northcliffe, should have touched both the popular and the private imagination! I regret to say that none of the guests knew the names of Dom Gasquet or Sir Oliver Lodge. Every one, except the artist, thought C. H. Shannon was J. J. Shannon, and some of the voters were hardly convinced that Mr. Lang was still an ornament to contemporary literature. The prize was awarded to a lady whose list most nearly corresponded to the result of the general plebiscite. I need not say she Frank Richardson. Marie Corelli. John Roberts. C. B. Fry. Eustace Miles. Robert Hichens. T. P. O’Connor. Lord Lyonesse. Dr. Williams (Pink Pills for Pale People). Hall Caine. The prize (and this is another odd coincidence) was won by the butler himself, to whom, very generously, the publisher’s wife resigned the vellum copy of our hostess’s poems. From a literary point of view, it is interesting to note that Mr. Frank Richardson is the only master of belles lettres who is appreciated in the servants’ hall! The other names we associate, rightly or wrongly, with something other than literature. The following evening I suggested choosing I think the Ten Greatest Englishmen of the Nineteenth Century were: 1 . . . . . . . . . . 2 . . . . . . . . . . 3 . . . . . . . . . . 4 . . . . . . . . . . 5 . . . . . . . . . . 6 . . . . . . . . . . 7 . . . . . . . . . . 8 . . . . . . . . . . 9 . . . . . . . . . . 10 . . . . . . . . . . A prize, consisting of a copy of Books of To-Day and Books of To-Morrow, will be awarded for the best shot. |