PART I. BIOLOGY |
CHAPTER I |
The Argument from Design |
PAGE |
Paley and the Watch | 1 |
The Analogy Inapplicable | 4 |
Paley’s Conception of Design | 8 |
The Evolutionary Conception | 11 |
Conquest of Nature by the Evolution Theory | 16 |
The Philosophic Basis of Nature-study | 17 |
CHAPTER II |
The Wheel of Life |
Continuity of Animal, Vegetable, and Mineral Life | 21 |
Characters of Organic Life | 23 |
Living Matter: Its Functions | 24 |
Its Substance | 27 |
Its Structure | 28 |
CHAPTER III |
De Minimis |
Growth and Development | 32 |
Development a Cell-problem | 33 |
The Mechanical Conception of Life | 34 |
The Cell and its Structure | 34 |
Cell-division and Heredity | 40 |
Reproductive Cells and Body-cells | 45 |
The Origin of Conjugation | 46 |
The Mechanism of Conjugation | 51 |
Significance of Elementary Vital Processes | 59 |
Adaptability, a Fundamental Character of Life | 63 |
CHAPTER IV |
The Mechanical Theory of Evolution: the Darwin-Lamarck Explanation | |
The Fixity of Species, how Maintained | 66 |
The Mutability of Species | 67 |
Lamarck’s Explanation of the Origin of Species | 68 |
Natural Selection of Innate Variations | 72 |
Difficulties of Lamarckism | 77 |
Need of a deeper Explanation | 89 |
CHAPTER V |
The Mechanical Theory of Evolution: the Darwin-Weismann Explanation |
Lamarck, or ‘Metaphysics’? | 91 |
Weismann’s Escape | 93 |
The Struggle among the Determinants | 95 |
Chance-Variations and Co-adaptation | 97 |
Other Difficulties of the Chance-Variation Theory | 99 |
Natural Selection | 103 |
Impossible before Competition Existed | 104 |
Co-operation and Competition | 104 |
Protective Mimicry, Inexplicable by Chance-Variations and Natural Selection | 106 |
Innate Capacities of Life | 109 |
Outline of Preceding Arguments | 111 |
CHAPTER VI |
The Directive Theory of Evolution |
Nature’s Power of Response | 115 |
Reinke’s Theory of Dominants | 120 |
Cases of their Action in Evolution | 123 |
Law and Directivity | 128 |
Intelligence and Directivity | 130 |
The Analogy of Social Evolution | 131 |
The Analogy of Language | 133 |
Synthetic Movement of the Cosmic Reason | 137 |
Objections from Imperfect Adaptations and Regressive Forms Stated | 143 |
Mechanical and Psychic Agencies, how Distinguished | 146 |
Science versus ‘Mysticism’ | 150 |
Reply to Objection from Imperfect Adaptations, etc. | 152 |
Man, the Growing-point of Earthly Life | 154 |
Immanence or Transcendence of the Cosmic Reason? | 155 |
Man’s Relations to the Whole | 157 |
PART II. ETHICS |
CHAPTER VII |
Law, Free Will, Personality |
Free Will and Determinism | 161 |
The Determinist Position | 163 |
The Free Will Position | 164 |
Conditions necessary for Free Will | 168 |
Has the Will an Ethical Bias? | 169 |
Limitations of Free Will | 172 |
Evolution of the Will | 174 |
Free Will and Monism | 176 |
Free Will and Brain-structure | 177 |
Relations of Mind and Matter | 186 |
Immortality | 189 |
CHAPTER VIII |
The Ethical Criterion |
The Visible and the Invisible Worlds | 194 |
Dualism and Monism | 195 |
Monism and the Moral Law | 198 |
The Hedonistic Basis of Morals | 200 |
The Natural Basis of Morals | 203 |
CHAPTER IX |
The Ethical Sanction |
The Individual and the Whole | 208 |
A Scale of Motives | 210 |
Conscience and its Commands, how respectively Derived | 211 |
Results of Duty and of Self-indulgence Compared | 212 |
The False and the True Asceticism | 214 |
Ethics for Life: Implications of this Doctrine | 220 |
Is Life Dependent on Matter? | 222 |
The Cosmic Life gives Immortality to the Individual | 225 |
And Demands his Allegiance | 226 |
Ethics Originates in the Visible Order, but does not end there | 228 |
Hence, Ethics is for Death as well as Life | 229 |
The Martyrdoms of Socrates and of Christ | 230 |
Outline of the Conclusions arrived at | 233 |
PART III. ART |
CHAPTER X |
Art and Life |
Tolstoy’s Account of the Nature of Art | 236 |
Of the Standard of Art | 241 |
Of the Purpose of Art | 241 |
Criticism of his Conclusions | 245 |
Art, Man’s expression of Life | 246 |
Art and Beauty | 251 |
Order and Change as Principles of Life and Art | 253 |
Classification of the Arts | 254 |
Examples of the Presentative Arts—(a) Architecture | 256 |
(b) Ornament | 259 |
(c) Music | 261 |
The Representative Arts—(a The Plastic Arts | 265 |
(b) Dancing | 270 |
The Evocative Art: Literature | 271 |
The Union of Music and Poetry | 272 |
Conclusion | 273 |
APPENDIX A |
Sum ergo Cogito | 275 |
APPENDIX B |
Co-operation and Competition | 279 |
APPENDIX C |
Is Life worth Living? | 282 |
APPENDIX D |
St. Francis the Poet | 285 |
APPENDIX E |
Isabella and Claudio | 288 |
Index | 295 |