JOHN FINLAY.

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John Finlay, a short-lived poet of much promise, was born at Glasgow in 1782. His parents were in humble circumstances, but they contrived to afford him the advantages of a good education. From the academy of Mr Hall, an efficient teacher in the city, he was sent, in his fourteenth year, to the University. There he distinguished himself both in the literary and philosophical classes; he became intimately acquainted with the Latin and Greek classics, and wrote elegant essays on the subjects prescribed. His poetical talents first appeared in the composition of odes on classical subjects, which were distinguished alike by power of thought and smoothness of versification. In 1802, while still pursuing his studies at college, he published a volume entitled "Wallace, or the Vale of Ellerslie, with other Poems," of which a second edition[24] appeared, with considerable additions. Soon after, he published an edition of Blair's "Grave," with many excellent notes; produced a learned life of Cervantes; and superintended the publication of a new edition of Smith's "Wealth of Nations." In the hope of procuring a situation in one of the public offices, he proceeded to London in 1807, where he contributed many learned articles, particularly on antiquarian subjects, to different periodicals. Disappointed in obtaining a suitable post in the metropolis, he returned to Glasgow in 1808; and the same year published, in two duodecimo volumes, a collection of "Scottish Historical and Romantic Ballads." This work is chiefly valuable from some interesting notes, and an ingenious preliminary dissertation on early romantic composition in Scotland. About this period, Professor Richardson, of Glasgow, himself an elegant poet, offered him the advance of sufficient capital to enable him to obtain a share in a printing establishment, and undertook to secure for the firm the appointment of printers to the University; he declined, however, to undergo the risk implied in this adventure. Again entertaining the hope of procuring a situation in London, he left Glasgow towards the close of 1810, with the intention of visiting his college friend, Mr Wilson, at Elleray, in Cumberland, to consult with him on the subject of his views. He only reached the distance of Moffat; he was there struck with an apoplectic seizure, which, after a brief illness, terminated his hopeful career, in the 28th year of his age. His remains were interred in the churchyard of Moffat. Possessed of a fine genius, extensive scholarship, and an amiable heart, John Finlay, had he been spared, would have adorned the literature of his country. He entertained worthy aspirations, and was amply qualified for success; for his energies were co-extensive with his intellectual gifts. At the period of his death, he was meditating a continuation of Warton's History of Poetry. His best production is the poem of "Wallace," written in his nineteenth year; though not free from defects, it contains many admirable descriptions of external nature, and displays much vigour of versification. His lyrics are few, but these merit a place in the minstrelsy of his country.


O! COME WITH ME.

Tune"Roslin Castle."

"I have dwelt at the greater length on these matters, trivial though they be, in consequence of my non-intention of tracing minutely the steps and stages of my probationary career. These, with me, I suppose, were much like what they are and have been with others. My acquaintance was a little extended with those that inhabit the land, and in some cases a closer intimacy than mere acquaintance took place, and more lasting friendships were formed.

"My brother having taken a farm near Teviothead, I left Brookside, and as all the members of the family were wont to account that in which my mother lived their home, it of course was mine. But, notwithstanding that the change brought me almost to the very border of the vale of my nativity, I regretted to leave Brookside. It was a beautiful and interesting place, and the remembrance of it is like what Ossian says of joys that are past—'sweet and mournful to the soul.' I loved the place, was partial to the peacefulness of its retirement, its solitude, and the intelligence of its society. I was near the laird's library, and I had a garden in the glen. The latter was formed that I might gather home to it, when in musing moods among the mountains, the wild-flowers, in order to their cultivation, and my having something more of a possessory right over them. It formed a contrast to the scenery around, and lured to relaxation. Occasionally 'the lovely of the land' brought, with industrious delight, plants and flowers, that they might have a share in adorning it. Even when I was from home it was, upon the whole, well attended to; for although, according to taste or caprice, changes were made, yet I readily forgave the annoyances that might attend alteration, and especially those by the hands that sometimes printed me pleasing compliments on the clay with the little stones lifted from the walks. If the things which I have written and given to the world, or may yet give, continue to be cared for, these details may not be wholly without use, inasmuch as they will serve to explain frequent allusions which might otherwise seem introduced at capricious random, or made without a meaning.

"Shortly after becoming a probationer, I came to reside in this district, and, not long after, the preacher who officiated in the preaching-station here died. The people connected with it wished me to become his successor, which, after some difficulties on their part had been surmounted, I became. I had other views at the time which were promising and important; but as there had been untoward disturbances in the place, owing to the lack of defined rights and privileges, I had it in my power to become a peacemaker, and, besides, I felt it my duty to comply with a call which was both cordial and unanimous. I now laid wholly aside those things which pertain to the pursuits of romantic literature, and devoted myself to the performance of incumbent duties. In consequence of no house having been provided for the preacher, and no one to be obtained but at a very inconvenient distance, I was in this respect very inconveniently situated. Travelling nine miles to the scene of my official duties, it was frequently my hap to preach in a very uncomfortable condition, when, indeed, the wet would be pouring from my arms on the Bible before me, and oozing over my shoes when the foot was stirred on the pulpit floor. But, by and by, the Duke of Buccleuch built a dwelling-house for me, the same which I still occupy."

To the ministerial charge of the then preaching station of Teviothead Mr Riddell was about to receive ordination, at the united solicitation of his hearers, when he was suddenly visited with severe affliction. Unable to discharge pulpit duty for a period of years, the pastoral superintendence of the district was devolved on another; and on his recovery, with commendable forbearance, he did not seek to interfere with the new ecclesiastical arrangement. This procedure was generously approved of by the Duke of Buccleuch, who conferred upon him the right to occupy the manse cottage, along with a grant of land, and a small annuity.

Mr Riddell's autobiography proceeds:—"In the hope of soon obtaining a permanent and comfortable settlement at Teviothead, I had ventured to make my own, by marriage, her who had in heart been mine through all my college years, and who for my sake had, in the course of these, rejected wealth and high standing in life. The heart that, for the sake of leal faith and love, could despise wealth and its concomitants, and brave the risk of embracing comparative poverty, even at its best estate, was not one likely overmuch to fear that poverty when it appeared, nor flinch with an altered tone from the position which it had adopted, when it actually came. This, much rather, fell to my part. It preyed upon my mind too deeply not to prove injurious in its effects; and it did this all the more, that the voice of love, true to its own law, had the words of hope and consolation in it, but never those of complaint. It appeared the acmÉ of the severity of fate itself to have lived to be the mean of placing a heart and mind so rich in disinterested affection on so wild and waste a scene of trial.

"From an experience of fourteen years, in which there were changes in almost all things except in the affection which bound two hearts in one, before the hands were united, it might be expected that I should give some eminent admonitions concerning the imprudence of men, and particularly of students, allowing their hearts to become interested in, and the remembrance of their minds more fraught with the rich beauty of auburn ringlets than in the untoward confusion, for example, of irregular Greek verbs; yet I much fear that admonition would be of no use. If their fate be woven of a texture similar to that of mine, how can they help it? A man may have an idea that to cling to the shelter which he has found, and indulge in the sleep that has overtaken him amid the stormy blasts of the waste mountains, may be little else than opening for himself the gates of death, yet the toils of the way through which he has already passed may also have rendered him incapable of resisting the dangerous rest and repose of his immediate accommodation. In regard to my own love affairs, I, throughout all these long years which I have specified, might well have adopted, as the motto of both mind and heart, these lines—

"'Oh, poortith cauld and restless love,
Ye wreck my peace between ye.'

I had, as has already been hinted, a rival, who, if not so devotedly attached as I, nevertheless was by far too much so for any one who is destined to love without encouragement. He was as rich in proportion as I was poor. The gifts of love, called the gifts of friendship, which he contrived to bestow were costly; mine, as fashioned forth by a higher hand than that of art, might be equally rich and beautiful in the main, yet wild-flowers, though yellow as the gold, and though wrapped in rhymes, are light ware when weighed against the solid material. He, in personal appearance, manners, and generosity of heart, was one with whom it was impossible to be acquainted and not to esteem; and another feature of this affair was, that we were friends, and almost constant companions for some years. When in the country I had to be with him as continually as possible; and when I went to the city, it was his wont to follow me. Here, then, was a web strangely woven by the fingers of a wayward fate. Feelings were brought into daily exercise which might seem the least compatible with being brought into contact and maintained in harmony. And these things, which are strictly true, if set forth in the contrivances of romance might, or in all likelihood would, be pronounced unnatural or overstrained. The worth and truth of the heart to which these fond anxieties related left me no ground to fear for losing that regard which I valued as 'light and life' itself; but in another way there reached me a matchless misery, and which haunted me almost as constantly as my own shadow when the sun shone. Considering the dark uncertainty of my future prospects in life, that regard I felt it fearful almost beyond measure even to seek to retain, incurring the responsibility of marring the fortune of one whom nevertheless I could not bear the thought of another than myself having the bliss of rendering blessed. If selfishness be thus seen to exist even in love itself, I would fain hope that it is of an elevated and peculiar kind, and not that which grovels, dragging downwards, and therefore justly deserving of the name. I am the more anxious in regard to this on account of its being in my own case felt so deeply. It maintained its ground with more or less firmness at all times, and ultimately triumphed, in despite of all efforts made to the contrary over the suggestions of prudence and even the sterner reasonings of the sense of justice. In times of sadness and melancholy, which, like the preacher's days of darkness, were many, when hope scarcely lit the gloom of the heart on which it sat though the band of love was about its brow, I busied myself in endeavouring to form resolutions to resign my pretensions to the warmer regard of her who was the object of all this serious solicitude; but neither she herself, nor time and place seemed, so far as I could see, disposed in the least to aid me in these efforts of self-control and denial; and, indeed, even at best, I much suspect that the resolutions of lovers in such cases are only like the little dams which the rivulet forms in itself by the frail material of stray grass-piles, and wild-rose leaves, easily overturned by the next slight impulse that the wave receives. In a ballad called 'Lanazine,' written somewhat in the old irregular style, sentiments relating to this matter, a little—and only a little—disguised, are set forth. The following is a portion of these records, written from time to time for the sake of preserving to the memory what might once be deeply interesting to the heart:—

"'O who may love with warm true heart,
And then from love refrain?
Who say 'tis fit we now should part
And never meet again?
"'The heart once broken bleeds no more,
And a deep sound sleep it hath,
Where the stir of pain ne'er travels o'er
The solitude of death.
"'The moon is set, and the star is gone,
And the cure, though cruel, cures,
But the heart left lone must sorrow on,
While the tie of life endures.
"'He had nor gold nor land, and trow'd
Himself unworthy all,
And sternly in his soul had vow'd
His fond love to recall.
"'For her he loved he would not wrong,
Since fate would ne'er agree,
And went to part with a sore, sore heart,
In the bower of the greenwood tree.
"'The dews were deep, and the leaves were green,
And the eve was soft and still;
But strife may reach the vale I ween,
Though no blasts be on the hill.
"'The leaves were green, and the dews were deep,
And the foot was light upon
The grass and flowers, round the bower asleep;
But parting there could be none.
"'He spoke the word with a struggle hard,
And the fair one forward sprung,
Nor ever wist, till like one too blest,
Her arms were round him flung.
"'For the fair one whom he'd woo'd before,
While the chill night breezes sigh'd,
Could wot not why she loved him more
Than ere she thus was tried.
"'A red—not weak—came o'er her cheek,
And she turn'd away anon;
But since nor he nor she could speak,
Still parting there could be none.
"'I could have lived alone for thee,'
He said; 'So lived could I,'
She answer'd, while it seem'd as she
Had wish'd even then to die.
"'For pale, pale grew her cheek I ween,
While his arms, around her thrown,
Left space no plea to come between,
So parting there could be none.
"'She cool'd his brow with the heart's own drop,
While the brain seem'd burning there,
And her whisper reach'd the realm of hope
Through the darkness of despair.
"'She bade his soul be still and free,
In the light of love to live,
And soothed it with the sympathy
Which a woman's heart can give.
"'And it seem'd more than all before
E'er given to mortal man,
The radiance came, and with it bore
The angel of the dawn.
"'For ever since Eve her love-bower would weave,
As the first of all her line,
No one on earth had had more of worth
Than the lovely Lanazine.
"'And if Fortune's frown would o'er him come down,
Less marvel it may be,
Since he woo'd all while to make his own
A lovelier far than she.'
*****

"Notwithstanding the ever-living solicitude and sad suffering constituting the keen and trying experience of many years, as arising in consequence of this attachment and untoward circumstances, it has brought more than a sufficient compensation; and were it possible, and the choice given, I would assuredly follow the same course, and suffer it all over again, rather than be without 'that treasure of departed sorrow' that is even now at my right hand as I write these lines.

"'The Christian Politician'[4] was published during the time of my indisposition. This work I had written at leisure hours, with the hopes of its being beneficial to the people placed under my care, by giving them a general and connected view of the principles and philosophical bearing of the Christian religion. In exhorting them privately, I discovered that many of them understood that religion better in itself, than they appeared to comprehend the manner in which it stood in connexion with the surrounding circumstances of this life. In other words, they were acquainted with doctrines and principles whose application and use, whether in regard to thought, or feeling, or daily practice, they did not so clearly recognise. To remedy this state of things, I wrote 'The Christian Politician' in a style as simple as the subjects treated of in it would well admit of, giving it a conversational cast, instead of systematic arrangement, that it might be the less forbidding to those for whom it was principally intended. Being published, however, at the time when, through my indisposition, I could take no interest in it, it was sent forth in a somewhat more costly shape than rightly suited the original design; and although extensively introduced and well received, it was in society of a higher order than that which it was its object chiefly to benefit.

"My latest publication is a volume of 'Poems and Songs,'[5] published by Messrs Sutherland and Knox of Edinburgh. 'The Cottagers of Glendale,' the 'Lay of Life,' and some others of the compositions in this volume, were written during the period of my convalescence; the songs are, for the greater part, the production of 'the days of other years.' Many of the latter had been already sung in every district of the kingdom, but had been much corrupted in the course of oral transmission. These wanderers of the hill-harp are now secured in a permanent form."

To this autobiographical sketch it remains to be added, that Mr Riddell is possessed of nearly all the qualities of a great master of the Scottish lyre. He has viewed the national character where it is to be seen in its most unsophisticated aspects, and in circumstances the most favourable to its development. He has lived, too, among scenes the best calculated to foster the poetic temperament. "He has got," wrote Professor Wilson, "a poet's education: he has lived the greater part of his days amidst pastoral scenes, and tended sheep among the green and beautiful solitudes of nature." Sufficiently imaginative, he does not, like his minstrel predecessor the Ettrick Shepherd, soar into the regions of the supernatural, or roam among the scenes of the viewless world. He sings of the mountain wilds and picturesque valleys of Caledonia, and of the simple joys and habits of rural or pastoral life. His style is essentially lyrical, and his songs are altogether true to nature. Several of his songs, such as "Scotland Yet," "The Wild Glen sae Green," "The Land of Gallant Hearts," and "The Crook and Plaid," will find admirers while Scottish lyric poetry is read or sung.

In 1855, Mr Riddell executed a translation of the Gospel of Matthew into the Scottish language by command of Prince Lucien Bonaparte, a performance of which only a limited number of copies have been printed under the Prince's auspices. At present, he is engaged in preparing a romance connected with Border history.


THE WILD GLEN SAE GREEN.

Air"The Posy, or Roslin Castle."

When my flocks upon the heathy hill are lying a' at rest,
And the gloamin' spreads its mantle gray o'er the world's dewy breast,
I'll take my plaid and hasten through yon woody dell unseen,
And meet my bonnie lassie in the wild glen sae green.
I'll meet her by the trysting-tree, that's stannin' a' alane,
Where I hae carved her name upon yon little moss gray stane,
There I will fauld her to my breast, and be mair bless'd I ween
Than a' that are aneath the sky, in the wild glen sae green.
Her head reclined upon this heart, in simple bliss I'll share
The pure, pure kiss o' tender love that owns nae earthly care,
And spirits hovering o'er us shall bless the heartfelt scene,
While I woo my bonnie lassie in the wild glen sae green.
My fauldin' plaid shall shield her frae the gloamin's chilly gale;
The star o' eve shall mark our joy, but shall not tell our tale—
Our simple tale o' tender love—that tauld sae oft has been
To my bonnie, bonnie lassie, in the wild glen sae green.
It may be sweet at morning hour, or at the noon o' day,
To meet wi' those that we lo'e weel in grove or garden gay;
But the sweetest bliss o' mortal life is at the hour o' e'en,
Wi' a bonnie, bonnie lassie, in the wild glen sae green.
O! I could wander earth a' o'er, nor care for aught o' bliss,
If I might share, at my return, a joy sae pure as this;
And I could spurn a' earthly wealth—a palace and a queen,
For my bonnie, bonnie lassie, in the wild glen sae green!

SCOTIA'S THISTLE.

Scotia's thistle guards the grave,
Where repose her dauntless brave;
Never yet the foot of slave
Has trode the wilds of Scotia.
Free from tyrant's dark control—
Free as waves of ocean roll—
Free as thoughts of minstrel's soul,
Still roam the sons of Scotia.
Scotia's hills of hoary hue,
Heaven wraps in wreathes of blue,
Watering with its dearest dew
The heathy locks of Scotia.
Down each green-wood skirted vale,
Guardian spirits, lingering, hail
Many a minstrel's melting tale,
As told of ancient Scotia.
When the shades of eve invest
Nature's dew-bespangled breast,
How supremely man is blest
In the glens of Scotia!
There no dark alarms convey
Aught to chase life's charms away;
There they live, and live for aye,
Round the homes of Scotia.
Wake, my hill harp! wildly wake!
Sound by lee and lonely lake,
Never shall this heart forsake
The bonnie wilds of Scotia.
Others o'er the ocean's foam
Far to other lands may roam,
But for ever be my home
Beneath the sky of Scotia!

THE LAND OF GALLANT HEARTS.

Ours is the land of gallant hearts,
The land of lovely forms,
The island of the mountain-harp,
The torrents and the storms;
The land that blooms with freeman's tread,
And withers with the slave's,
Where far and deep the green woods spread,
And wild the thistle waves.
Ere ever Ossian's lofty voice
Had told of Fingal's fame,
Ere ever from their native clime
The Roman eagles came,
Our land had given heroes birth,
That durst the boldest brave,
And taught above tyrannic dust,
The thistle tufts to wave.
What need we say how Wallace fought,
And how his foemen fell?
Or how on glorious Bannockburn
The work went wild and well?
Ours is the land of gallant hearts,
The land of honour'd graves,
Whose wreath of fame shall ne'er depart
While yet the thistle waves.

THE YELLOW LOCKS O' CHARLIE.

The gathering clans, 'mong Scotia's glens,
Wi' martial steps are bounding,
And loud and lang, the wilds amang,
The war pipe's strains are sounding;
The sky and stream reflect the gleam
Of broadswords glancing rarely,
To guard till death the hills of heath
Against the foes o' Charlie.
Then let on high the banners fly,
And hearts and hands rise prouder,
And wake amain the warlike strain
Still louder, and still louder;
For we ha'e sworn, ere dawn the morn
O'er Appin's mountains early,
Auld Scotland's crown shall nod aboon
The yellow locks o' Charlie.
While banners wave aboon the brave
Our foemen vainly gather,
And swear to claim, by deeds o' fame,
Our hills and glens o' heather.
For seas shall swell to wild and fell,
And crown green Appin fairly,
Ere hearts so steel'd to foemen yield
The rights o' royal Charlie.
Then wake mair loud the pibroch proud,
And let the mountains hoary
Re-echo round the warlike sound
That speaks of Highland glory.
For strains sublime, through future time,
Shall tell the tale unsparely,
How Scotland's crown was placed aboon
The yellow locks o' Charlie.

WE'LL MEET YET AGAIN.

We'll meet yet again, my loved fair one, when o'er us
The sky shall be bright, and the bower shall be green,
And the visions of life shall be lovely before us
As the sunshine of summer that sleeps o'er the scene.
The woodlands are sad when the green leaves are fading,
And sorrow is deep when the dearest must part,
But for each darker woe that our spirit is shading
A joy yet more bright shall return to the heart.
We'll meet yet again, when the pain, disconcerting
The peace of our minds in a moment like this,
Shall melt into nought, like the tears of our parting,
Or live but in mem'ry to heighten our bliss.
We have loved in the hours when a hope scarce could find us;
We've loved when our hearts were the lightest of all,
And the same tender tie that has bound still shall bind us,
When the dark chain of fate shall have ceased to enthral.
We'll meet yet again, when the spirit of gladness
Shall breathe o'er the valley, and brighten its flowers,
And the lone hearts of those who have long been in sadness
Shall gather delight from the transport of ours;
Yes, thine are the charms, love, that never can perish,
And thine is the star that my guide still shall be,
Alluring the hope in this soul that shall cherish
Its life's dearest treasures, to share them with thee.

OUR AIN NATIVE LAND.

Our ain native land! our ain native land!
There's a charm in the words that we a' understand,
That flings o'er the bosom the power of a spell,
And makes us love mair what we a' love so well.
The heart may have feelings it canna conceal,
As the mind has the thoughts that nae words can reveal,
But alike he the feelings and thought can command
Who names but the name o' our ain native land.
Our ain native land! our ain native land!
Though bleak be its mountains and rugged its strand,
The waves aye seem bless'd, dancing wild o'er the sea,
When woke by the winds from the hills o' the free.
Our sky oft is dark, and our storms loud and cauld,
But where are the hearts that sic worth can unfauld
As those that unite, and uniting expand,
When they hear but the name o' our ain native land?
Our ain native land! our ain native land!
To hear of her famed ones let none e'er demand,
For the hours o' a' time far too little would prove
To name but the names that we honour and love.
The bard lives in light, though his heart it be still,
And the cairn of the warrior stands gray on the hill,
And songster and sage can alike still command
A garland of fame from our ain native land.
Our ain native land! our ain native land!
Her wild woods are glorious, her waterfalls grand,
And her songs still proclaim, as they ring through the glen,
The charms of her maids and the worth of her men.
Her thistle shall cease in the breezes to wave,
And the floweret to bloom on the patriot's grave,
Ere we cease to defend, with our heart and our hand,
The freedom and faith of our ain native land.

THE GRECIAN WAR SONG.

On! on to the fields, where of old
The laurels of freedom were won;
Let us think, as the banners of Greece we unfold,
Of the brave in the pages of glory enroll'd,
And the deeds by our forefathers done!
O yet, if there's aught that is dear,
Let bravery's arm be its shield;
Let love of our country give power to each spear,
And beauty's pale cheek dry its long-gather'd tear
In the light of the weapons we wield.
Awake then to glory, that Greece yet may be
The land—the proud land of the famed and the free!
Rear! rear the proud trophies once more,
Where Persia's hosts were o'erthrown;
Let the song of our triumph arise on our shore,
Till the mountains give back the far sounds, as of yore,
To the fields where our foemen lie strewn!
Oh ne'er shall our bold efforts cease
Till the garlands of freedom shall wave
In breezes, which, fraught with the tidings of peace,
Shall wander o'er all the fair islands of Greece,
And cool not the lip of a slave;
Awake then to glory! that Greece yet may be
The land—the proud land of the famed and the free!

FLORA'S LAMENT.

More dark is my soul than the scenes of yon islands,
Dismantled of all the gay hues that they wore;
For lost is my hope since the Prince of the Highlands
'Mong these, his wild mountains, can meet me no more.
Ah! Charlie, how wrung was this heart when it found thee
Forlorn, and the die of thy destiny cast;
Thy Flora was firm 'mid the perils around thee,
But where were the brave of the land that had own'd thee,
That she—only she—should be true to the last?
The step's in the bark on the dark heaving waters,
That now should have been on the floor of a throne;
And, alas for auld Scotland, her sons and her daughters!
Thy wish was their welfare, thy cause was their own.
But 'lorn may we sigh where the hill-winds awaken,
And weep in the glen where the cataracts foam,
And sleep where the dew-drops are deep on the bracken;
Thy foot has the land of thy fathers forsaken,
And more—never more will it yield thee a home.
Oh! yet when afar, in the land of the stranger,
If e'er on thy spirit remembrance may be
Of her who was true in these moments of danger,
Reprove not the heart that still lives but for thee.
The night-shrouded flower from the dawning shall borrow
A ray, all the glow of its charms to renew,
But Charlie, ah! Charlie, no ray to thy Flora
Can dawn from thy coming to chase the dark sorrow
Which death, in thine absence, alone can subdue.

WHEN THE GLEN ALL IS STILL.

Air"Cold Frosty Morning."

When the glen all is still, save the stream of the fountain,
When the shepherd has ceased o'er the dark heath to roam,
And the wail of the plover awakes on the mountain,
Inviting her mate to return to his home—
Oh! meet me, Eliza, adown by the wild-wood,
Where the wild daisies sleep 'mong the low-lying dew,
And our bliss shall be sweet as the visions of childhood,
And pure as the fair star, in heaven's deep blue.
Thy locks shall be braided in drops of the gloaming,
And fann'd by the far-travell'd breeze of the lawn;
The spirits of heaven shall know of thy coming,
And watch o'er our joy till the hour of the dawn.
No woes shall we know of dark fortune's decreeing,
Of the past and the future my dreams may not be,
For the light of thine eye seems the home of my being,
And my soul's fondest thoughts shall be gather'd to thee.

SCOTLAND YET.[6]

Gae, bring my guid auld harp ance mair,—
Gae, bring it free and fast,—
For I maun sing another sang
Ere a' my glee be past;
And trow ye as I sing, my lads,
The burden o't shall be
Auld Scotland's howes, and Scotland's knowes,
And Scotland's hills for me—
I'll drink a cup to Scotland yet
Wi' a' the honours three.
The heath waves wild upon her hills,
And foaming frae the fells,
Her fountains sing o' freedom still,
As they dance down the dells;
And weel I lo'e the land, my lads,
That's girded by the sea;
Then Scotland's dales, and Scotland's vales,
And Scotland's hills for me—
I'll drink a cup to Scotland yet
Wi' a' the honours three.
The thistle wags upon the fields
Where Wallace bore his blade,
That gave her foemen's dearest bluid
To dye her auld gray plaid;
And looking to the lift, my lads,
He sang this doughty glee—
Auld Scotland's right, and Scotland's might,
And Scotland's hills for me—
I'll drink a cup to Scotland yet
Wi' a' the honours three.
They tell o' lands wi' brighter skies,
Where freedom's voice ne'er rang;
Gie me the hills where Ossian lies,
And Coila's minstrel sang;
For I've nae skill o' lands, my lads,
That ken nae to be free;
Then Scotland's right, and Scotland's might,
And Scotland's hills for me—
I'll drink a cup to Scotland yet
Wi' a' the honours three.

THE MINSTREL'S GRAVE.

I sat in the vale, 'neath the hawthorns so hoary,
And the gloom of my bosom seem'd deep as their shade,
For remembrance was fraught with the far-travell'd story,
That told where the dust of the minstrel was laid:
I saw not his harp on the wild boughs above me,
I heard not its anthems the mountains among;
But the flow'rets that bloom'd on his grave were more lovely
Than others would seem to the earth that belong.
"Sleep on," said my soul, "in the depths of thy slumber
Sleep on, gentle bard! till the shades pass away;
For the lips of the living the ages shall number
That steal o'er thy heart in its couch of decay:
Oh! thou wert beloved from the dawn of thy childhood,
Beloved till the last of thy suffering was seen,
Beloved now that o'er thee is waving the wild-wood,
And the worm only living where rapture hath been.
"Till the footsteps of time are their travel forsaking,
No form shall descend, and no dawning shall come,
To break the repose that thy ashes are taking,
And call them to life from their chamber of gloom:
Yet sleep, gentle bard! for, though silent for ever,
Thy harp in the hall of the chieftain is hung;
No time from the mem'ry of mankind shall sever
The tales that it told, and the strains that it sung."

OUR OWN LAND AND LOVED ONE.

Air"Buccleuch Gathering."

No sky shines so bright as the sky that is spread
O'er the land that gave birth to the first breath we drew—
Such radiance but lives in the eye of the maid
That is dear to our heart—to our heart ever true.
With her—yes, with her that this spirit has bless'd,
'Neath my dear native sky let my home only be;
And the valley of flowers, and the heath-covered waste,
Shall alike have a spell of enchantment for me.
Let her eye pour its light o'er the joy of my heart,
Or mingle its beam with the gloom of my woe,
And each shadow of care from the soul shall depart,
Save of care that on her it is bliss to bestow.
My thought shall not travel to sun-lighted isles,
Nor my heart own a wish for the wealth they may claim,
But live and be bless'd in rewarding her smiles
With the song of the harp that shall hallow her name.
The anthems of music delightful may roll,
Or eloquence flow as the waves of the sea,
But the sounds that enchantment can shed o'er the soul
Are—the lass that we love, and the land that is free!

THE BOWER OF THE WILD.

Music by the Author.

Hope cannot cheat us,
Or Fancy betray;
Tempests ne'er scatter
The blossoms of May;
The wild winds are constant,
By method and plan;
Oh! believe me, believe me,
Believe if you can!
Young Love, who shews us
His midsummer light,
Spreads the same halo
O'er Winter's dark night;
And Fame never dazzles
To lure and trepan;
Oh! believe me, believe me,
Believe if you can!
Friends of the sunshine
Endure in the storm;
Never they promise
And fail to perform.
And the night ever ends
As the morning began;
Oh! believe me, believe me,
Believe if you can!
Words softly spoken
No guile ever bore;
Peaches ne'er harbour
A worm at the core;
And the ground never slipp'd
Under high-reaching man;
Oh! believe me, believe me,
Believe if you can!
Seas undeceitful,
Calm smiling at morn,
Wreck not ere midnight
The sailor forlorn.
And gold makes a bridge
Every evil to span;
Oh! believe me, believe me,
Believe if you can.

OH, THE HAPPY TIME DEPARTED!

Air by Sir H. R. Bishop.

Oh, the happy time departed!
In its smile the world was fair;
We believed in all men's goodness;
Joy and hope were gems to wear;
Angel visitants were with us,
There was music in the air.
Oh, the happy time departed!
Change came o'er it all too soon;
In a cold and drear November
Died the leafy wealth of June;
Winter kill'd our summer roses;
Discord marr'd a heavenly tune.
Let them pass—the days departed—
What befell may ne'er befall;
Why should we with vain lamenting
Seek a shadow to recall?
Great the sorrows we have suffer'd—
Hope is greater than them all.

COME BACK! COME BACK!

Come back! come back! thou youthful Time,
When joy and innocence were ours,
When life was in its vernal prime,
And redolent of sweets and flowers.
Come back—and let us roam once more,
Free-hearted, through life's pleasant ways,
And gather garlands as of yore—
Come back—come back—ye happy days!
Come back! come back!—'twas pleasant then
To cherish faith in love and truth,
For nothing in dispraise of men
Had sour'd the temper of our youth.
Come back—and let us still believe
The gorgeous dream romance displays,
Nor trust the tale that men deceive—
Come back—come back—ye happy days!
Come back!—oh, freshness of the past,
When every face seem'd fair and kind,
When sunward every eye was cast,
And all the shadows fell behind.
Come back—'twill come; true hearts can turn
Their own Decembers into Mays;
The secret be it ours to learn—
Come back—come back—ye happy days!

TEARS.

Music by Sir H. R. Bishop.

O ye tears! O ye tears! that have long refused to flow,
Ye are welcome to my heart—thawing, thawing, like the snow;
I feel the hard clod soften, and the early snowdrops spring,
And the healing fountains gush, and the wildernesses sing.
O ye tears! O ye tears! I am thankful that ye run;
Though ye trickle in the darkness, ye shall glitter in the sun;
The rainbow cannot shine if the rain refuse to fall,
And the eyes that cannot weep are the saddest eyes of all.
O ye tears! O ye tears! till I felt you on my cheek,
I was selfish in my sorrow, I was stubborn, I was weak.
Ye have given me strength to conquer, and I stand erect and free,
And know that I am human by the light of sympathy.
O ye tears! O ye tears! ye relieve me of my pain;
The barren rock of pride has been stricken once again;
Like the rock that Moses smote, amid Horeb's burning sand,
It yields the flowing water to make gladness in the land.
There is light upon my path, there is sunshine in my heart,
And the leaf and fruit of life shall not utterly depart.
Ye restore to me the freshness and the bloom of long ago—
O ye tears! happy tears! I am thankful that ye flow.

CHEER, BOYS! CHEER!

Cheer, boys! cheer! no more of idle sorrow;
Courage, true hearts, shall bear us on our way!
Hope points before, and shews the bright to-morrow—
Let us forget the darkness of to-day!
So farewell, England! much as we may love thee,
We 'll dry the tears that we have shed before;
Why should we weep to sail in search of fortune?
So farewell, England! farewell evermore!
Cheer, boys! cheer! for England, mother England!
Cheer, boys! cheer! the willing strong right hand;
Cheer, boys! cheer! there 's work for honest labour,
Cheer, boys! cheer! in the new and happy land!
Cheer, boys! cheer! the steady breeze is blowing,
To float us freely o'er the ocean's breast;
The world shall follow in the track we 're going,
The star of empire glitters in the west.
Here we had toil and little to reward it,
But there shall plenty smile upon our pain;
And ours shall be the mountain and the forest,
And boundless prairies, ripe with golden grain.
Cheer, boys! cheer! for England, mother England!
Cheer, boys! cheer! united heart and hand!
Cheer, boys! cheer! there 's wealth for honest labour,
Cheer, boys! cheer! in the new and happy land!

MOURN FOR THE MIGHTY DEAD.

Music by Sir H. R. Bishop.

Mourn for the mighty dead,
Mourn for the spirit fled,
Mourn for the lofty head—
Low in the grave.
Tears such as nations weep
Hallow the hero's sleep;
Calm be his rest, and deep—
Arthur the brave!
Nobly his work was done;
England's most glorious son,
True-hearted Wellington,
Shield of our laws.
Ever in peril's night
Heaven send such arm of might—
Guardian of truth and right—
Raised in their cause!
Dried be the tears that fall;
Love bears the warrior's pall,
Fame shall his deeds recall—
Britain's right hand!
Bright shall his memory be!
Star of supremacy!
Banner of victory!
Pride of our land.

A PLAIN MAN'S PHILOSOPHY.

Music by the Author.

I 've a guinea I can spend,
I 've a wife, and I 've a friend,
And a troop of little children at my knee, John Brown;
I 've a cottage of my own,
With the ivy overgrown,
And a garden with a view of the sea, John Brown;
I can sit at my door
By my shady sycamore,
Large of heart, though of very small estate, John Brown;
So come and drain a glass
In my arbour as you pass,
And I 'll tell you what I love and what I hate, John Brown.
I love the song of birds,
And the children's early words,
And a loving woman's voice, low and sweet, John Brown;
And I hate a false pretence,
And the want of common sense,
And arrogance, and fawning, and deceit, John Brown;
I love the meadow flowers,
And the brier in the bowers,
And I love an open face without guile, John Brown;
And I hate a selfish knave,
And a proud, contented slave,
And a lout who 'd rather borrow than he 'd toil, John Brown.
I love a simple song
That awakes emotions strong,
And the word of hope that raises him who faints, John Brown;
And I hate the constant whine
Of the foolish who repine,
And turn their good to evil by complaints, John Brown;
But ever when I hate,
If I seek my garden gate,
And survey the world around me, and above, John Brown,
The hatred flies my mind,
And I sigh for human kind,
And excuse the faults of those I cannot love, John Brown.
So, if you like my ways,
And the comfort of my days,
I will tell you how I live so unvex'd, John Brown;
I never scorn my health,
Nor sell my soul for wealth,
Nor destroy one day the pleasures of the next, John Brown;
I 've parted with my pride,
And I take the sunny side,
For I 've found it worse than folly to be sad, John Brown;
I keep a conscience clear,
I 've a hundred pounds a-year,
And I manage to exist and to be glad, John Brown.

THE SECRETS OF THE HAWTHORN.

Music by the Author.

No one knows what silent secrets
Quiver from thy tender leaves;
No one knows what thoughts between us
Pass in dewy moonlight eves.
Roving memories and fancies,
Travellers upon Thought's deep sea,
Haunt the gay time of our May-time,
O thou snow-white hawthorn-tree!
Lovely was she, bright as sunlight,
Pure and kind, and good and fair,
When she laugh'd the ringing music
Rippled through the summer air.
"If you love me—shake the blossoms!"
Thus I said, too bold and free;
Down they came in showers of beauty,
Thou beloved hawthorn-tree!
Sitting on the grass, the maiden
Vow'd the vow to love me well;
Vow'd the vow; and oh! how truly,
No one but myself can tell.
Widely spreads the smiling woodland,
Elm and beech are fair to see;
But thy charms they cannot equal,
O thou happy hawthorn-tree!

A CRY FROM THE DEEP WATERS.

From the deep and troubled waters
Comes the cry;
Wild are the waves around me—
Dark the sky:
There is no hand to pluck me
From the sad death I die.
To one small plank, that fails me,
Clinging low,
I am dash'd by angry billows
To and fro;
I hear death-anthems ringing
In all the winds that blow.
A cry of suffering gushes
From my lips
As I behold the distant
White-sail'd ships
O'er the white waters gleaming
Where the horizon dips.
They pass; they are too lofty
And remote,
They cannot see the spaces
Where I float.
The last hope dies within me,
With the gasping in my throat.
Through dim cloud-vistas looking,
I can see
The new moon's crescent sailing
Pallidly:
And one star coldly shining
Upon my misery.
There are no sounds in nature
But my moan,
The shriek of the wild petrel
All alone,
And roar of waves exulting
To make my flesh their own.
Billow with billow rages,
Tempest trod;
Strength fails me; coldness gathers
On this clod;
From the deep and troubled waters
I cry to Thee, my God!

THE RETURN HOME.

The favouring wind pipes aloft in the shrouds,
And our keel flies as fast as the shadow of clouds;
The land is in sight, on the verge of the sky,
And the ripple of waters flows pleasantly by,—
And faintly stealing,
Booming, pealing,
Chime from the city the echoing bells;
And louder, clearer,
Softer, nearer,
Ringing sweet welcome the melody swells;
And it 's home! and it 's home! all our sorrows are past—
We are home in the land of our fathers at last.
How oft with a pleasure akin to a pain,
In fancy we roam'd through thy pathways again,
Through the mead, through the lane, through the grove, through the corn,
And heard the lark singing its hymn to the morn;
And 'mid the wild wood,
Dear to childhood,
Gather'd the berries that grew by the way;
But all our gladness
Died in sadness,
Fading like dreams in the dawning of day;—
But we 're home! we are home! all our sorrows are past—
We are home in the land of our fathers at last.
We loved thee before, but we 'll cherish thee now
With a deeper emotion than words can avow;
Wherever in absence our feet might delay,
We had never a joy like the joy of to-day;
And home returning,
Fondly yearning,
Faces of welcome seem crowding the shore—
England! England!
Beautiful England!
Peace be around thee, and joy evermore!
And it 's home! and it 's home! all our sorrows are past—
We are home in the land of our fathers at last.

THE MEN OF THE NORTH.

Fierce as its sunlight, the East may be proud
Of its gay gaudy hues and its sky without cloud;
Mild as its breezes, the beautiful West
May smile like the valleys that dimple its breast;
The South may rejoice in the vine and the palm,
In its groves, where the midnight is sleepy with balm:
Fair though they be,
There 's an isle in the sea,
The home of the brave and the boast of the free!
Hear it, ye lands! let the shout echo forth—
The lords of the world are the Men of the North!
Cold though our seasons, and dull though our skies,
There 's a might in our arms and a fire in our eyes;
Dauntless and patient, to dare and to do—
Our watchword is "Duty," our maxim is "Through!"
Winter and storm only nerve us the more,
And chill not the heart, if they creep through the door:
Strong shall we be
In our isle of the sea,
The home of the brave and the boast of the free!
Firm as the rocks when the storm flashes forth,
We 'll stand in our courage—the Men of the North!
Sunbeams that ripen the olive and vine,
In the face of the slave and the coward may shine;
Roses may blossom where Freedom decays,
And crime be a growth of the Sun's brightest rays.
Scant though the harvest we reap from the soil,
Yet Virtue and Health are the children of Toil:
Proud let us be
Of our isle of the sea,
The home of the brave and the boast of the free!
Men with true hearts—let our fame echo forth—
Oh, these are the fruit that we grow in the North!

THE LOVER'S DREAM OF THE WIND.

I dream'd thou wert a fairy harp
Untouch'd by mortal hand,
And I the voiceless, sweet west wind,
A roamer through the land.
I touch'd, I kiss'd thy trembling strings,
And lo! my common air,
Throbb'd with emotion caught from thee,
And turn'd to music rare.
I dream'd thou wert a rose in bloom,
And I the gale of spring,
That sought the odours of thy breath,
And bore them on my wing.
No poorer thou, but richer I—
So rich, that far at sea,
The grateful mariners were glad,
And bless'd both thee and me.
I dream'd thou wert the evening star,
And I a lake at rest,
That saw thine image all the night
Reflected on my breast.
Too far!—too far!—come dwell on Earth!
Be Harp and Rose of May;—
I need thy music in my heart,
Thy fragrance on my way.

                                                                                                                                                                                                                                                                                                           

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