Andrew Scott, known as the author of the popular ballad of "Symon and Janet," has claims to a wider reputation. He was born of humble parentage, in the parish of Bowden, Roxburghshire, in the year 1757. He was early employed as a cowherd; and he has recorded, in a sketch of his own life prefixed to one of his volumes, that he began to compose verses on the hill-sides in his twelfth year. He ascribes this juvenile predilection to the perusal of Ramsay's "Gentle Shepherd," a pamphlet copy of which he had purchased with some spare halfpence. Towards the close of the American war, he joined the army as a recruit, and soon thereafter followed his regiment across the Atlantic. His rhyming propensities continued; and he occupied his leisure hours in composing verses, which he read for the amusement of his comrades. At the conclusion of the American campaigns, he returned with the army to Britain; and afterwards procuring his discharge, he made a settlement in his native parish. For the period of seventeen years, according to his own narrative, he abandoned the cultivation of poetry, assiduously applying himself to manual labour for the support of his family. An intelligent acquaintance, who had procured copies of some of his verses, now recommended him to attempt a publication—a counsel which induced him to print a small volume by subscription. This appeared in 1805, and was reprinted, with several additions, in 1808. In 1811 he published "Poems, chiefly in the Scottish Dialect," Kelso, 18mo; another duodecimo volume of poems, at Jedburgh, in 1821; and his last work, entitled "Poems on Various Subjects," at Edinburgh, in 1826. This last volume was inscribed, with permission, to the Duchess of Roxburghe.
The poet's social condition at Bowden was little favourable to the composition of poetry. Situated on the south side of the Eildon hills, the parish is entirely separated from the busy world, and the inhabitants were formerly proverbial for their rustic simplicity and ignorance. The encouragement desiderated at home, the poet, however, experienced elsewhere. He visited Melrose, at the easy distance of two miles, on the day of the weekly market, and there met with friends and patrons from different parts of the district. The late Duke of Roxburghe, Sir Walter Scott, Mr Baillie of Jerviswoode, Mr John Gibson Lockhart, and Mr G. P. R. James, the novelist, who sometimes resided in the neighbourhood, and other persons of rank or literary eminence, extended towards him countenance and assistance.
Scott shared the indigent lot of poets. He remained in the condition of an agricultural labourer, and for many years held the office of beadle, or church-officer, of the parish. He died on the 22d of May 1839, in the eighty-second year of his age; and his remains were interred in the churchyard of Bowden, where his name is inscribed on a gravestone which he had erected to the memory of his wife. His eldest son holds the office of schoolmaster of that parish.
The personal appearance of the bard appears to have been prepossessing: his countenance wore a highly intellectual aspect. Subsequent to the publication of the first volume of his poems, he was requested to sit for his portrait by the late Mr George Watson, the well-known portrait-painter; and who was so well satisfied with the excellence of his subject, that he exhibited the portrait for a lengthened period in his studio. It is now in the possession of the author's son at Bowden, and has been pronounced a masterpiece of art. A badly executed engraving from it is prefixed to Scott's last two volumes. In manner, the poet was modest and unassuming, and his utterance was slow and defective. The songs selected for this work may be regarded as the most favourable specimens of his muse.[71]
RURAL CONTENT; OR, THE MUIRLAND FARMER.
Air—"The Rock and the Wee Pickle Tow."
Tune—"Roy's Wife."
Fare thee well, for I must leave thee;
But, oh, let not our parting grieve thee;
Happier days may yet be mine,
At least I wish them thine—believe me!
We part—but by those dew-drops clear,
My love for thee will last for ever;
I leave thee—but thy image dear,
Thy tender smiles, will leave me never.
Fare thee well, &c.
Oh! dry those pearly tears that flow—
One farewell smile before we sever;
The only balm for parting woe
Is—fondly hope 'tis not for ever.
Fare thee well, &c.
Though dark and dreary lowers the night,
Calm and serene may be the morrow;
The cup of pleasure ne'er shone bright,
Without some mingling drops of sorrow!
Fare thee well, for I must leave thee,
But, oh, let not our parting grieve thee;
Happier days may yet be mine,
At least I wish them thine—believe me!
THE FIRST ROSE OF SUMMER.
'Tis the first rose of summer that opes to my view,
With its bright crimson bosom all bathed in the dew;
It bows to its green leaves with pride from its throne—
'Tis the queen of the valley, and reigneth alone.
Oh! why, lovely stranger! thus early in bloom,
Art thou here to assure us that summer is come?
The primrose and harebell appear with the spring,
But tidings of summer the young roses bring.
Thou fair gift of nature (I welcome the boon),
Was 't the lark of the morning that 'woke thee so soon?
Yet I weep, thou sweet floweret! for soon, from the sky,
The lark shall repose where thy leaves wither'd lie.
Oh! if beauty could save thee, thou ne'er wouldst decay,
But, alas! soon thou 'lt perish and wither away;
And thy kindred may blossom, and blossom as fair—
Yet I 'll mourn, lonely rosebud! when thou art not there.
THE EXILE'S SONG.
Tune—"My ain Countrie."
Oh! why left I my hame,
Why did I cross the deep?
Oh! why left I the land
Where my forefathers sleep?
I sigh for Scotia's shore,
And I gaze across the sea;
But I canna get a blink
O' my ain countrie!
The palm-tree waveth high,
And fair the myrtle springs,
And to the Indian maid
The bulbul sweetly sings;
But I dinna see the broom
Wi' its tassels on the lea,
Nor hear the lintie's sang
O' my ain countrie!
Oh! here no Sabbath bell
Awakes the Sabbath morn,
Nor song of reapers heard
Amang the yellow corn;
For the tyrant's voice is here,
And the wail of slaverie,
But the sun of freedom shines
In my ain countrie!
There 's a hope for every woe,
And a balm for every pain;
But the first joys o' our heart
Come never back again.
There 's a track upon the deep,
And a path across the sea,
But the weary ne'er return
To their ain countrie!
THE HAPPY DAYS O' YOUTH.
Oh! the happy days o' youth are fast gaun by,
And age is coming on, wi' its bleak winter sky;
An' whar shall we shelter frae its storms when they blaw,
When the gladsome days o' youth are flown awa'?
They said that wisdom cam wi' manhood's riper years,
But naething did they tell o' its sorrows an' tears;
Oh! I 'd gie a' the wit, gif ony wit be mine,
For ae sunny morning o' bonnie langsyne.
I canna dow but sigh, I canna dow but mourn,
For the blithe happy days that never can return;
When joy was in the heart, an' love was on the tongue,
An' mirth on ilka face, for ilka face was young.
Oh! the bonnie weaving broom, whaur aften we did meet,
Wi' its yellow flowers that fell like gowd 'mang our feet;
The bird would stop its sang, but only for a wee,
As we gaed by its nest, 'neath its ain birk-tree.
Oh! the sunny days o' youth, they couldna aye remain—
There was ower meikle joy and ower little pain;
Sae fareweel, happy days! an' fareweel, youthfu' glee!
The young may court your smiles, but ye 're gane frae me.
'TIS SAIR TO DREAM.
'Tis sair to dream o' them we like,
That waking we sall never see;
Yet oh! how kindly was the smile
My laddie in my sleep gave me!
I thought we sat beside the burn
That wimples down the flowery glen,
Where, in our early days o' love,
We met that ne'er sall meet again.
The simmer sun sank 'neath the wave,
And gladden'd wi' his parting ray
The woodland wild and valley green,
Fast fading into gloamin' gray.
He talk'd of days o' future joy,
And yet my heart was haflins sair;
For when his eye it beam'd on me,
A withering death-like glance was there!
I thought him dead, and then I thought
That life was young and love was free;
For o'er our heads the mavis sang,
And hameward hied the janty bee!
We pledged our love and plighted troth,
But cauld, cauld was the kiss he gave;
When, starting from my dream, I found
His troth was plighted to the grave!
I canna weep, for hope is fled,
And nought would do but silent mourn,
Were 't no for dreams that should na come,
To whisper back my love's return.
'Tis sair to dream o' them we like,
That waking we sall never see;
Yet, oh! how kindly was the smile
My laddie in my sleep gave me!
