William Thom, commonly styled "The Inverury Poet," was born at Aberdeen in 1789. His father, who was a shopkeeper, dying during his infancy, he was placed by his mother at a school taught by a female, from whom he received the greater amount of his juvenile education. At the age of ten, he was put to a cotton-factory, where he served an apprenticeship of four years. He was subsequently employed, during a period of nearly twenty years, in the large weaving-factory of Gordon, Barron, & Co. In 1827, he removed to Dundee; and shortly after to the village of Newtyle, in Strathmore, at both of these places working as a hand-loom weaver. Thrown out of employment, in consequence of a stagnation in the manufacturing world, he was subjected, in his person and family, to much penury and suffering. At length, disposing of his articles of household furniture, he purchased a few wares, and taking his wife and children along with him, commenced the precarious life of a pedlar. In his published "Recollections," he has supplied a heart-rending narrative of the privations attendant on his career as a wanderer; his lodgings were frequently in the farmer's barn, and, on one of these occasions, one of his children perished from cold and starvation. The contents of his pack becoming exhausted, he derived the means of subsistence by playing on the flute, and disposing of copies of verses. After wandering over a wide district as a pedlar, flute-player, and itinerant poet, he resumed his original occupation of weaving in Kinross. He subsequently sought employment as a weaver in Aberdeen, where he remained about a year. In 1840 he proceeded to Inverury; and it was while he was resident in this place that his beautiful stanzas, entitled "The Blind Boy's Pranks," appeared in the columns of the Aberdeen Herald newspaper. These verses were copied into many of the public journals: they particularly arrested the attention of Mr Gordon of Knockespock, a landed proprietor in Aberdeenshire, who, ascertaining the indigent circumstances of the author, transmitted to him a handsome donation, and desired to form his personal acquaintance. The poet afterwards accompanied Mr Gordon to London, who introduced him as a man of genius to the fashionable and literary circles of the metropolis. In 1844 he published a small volume of poems and songs, with a brief autobiography, under the title of "Rhymes and Recollections of a Hand-loom Weaver." This volume was well received; and on a second visit to London, Thom was entertained at a public dinner by many distinguished literary persons of the metropolis. From admirers, both in India and America, he received pecuniary acknowledgments of his genius. He now attempted to establish himself in London in connexion with the press, but without success. Returning to Scotland, he took up his abode in Dundee; where, after a period of distress and penury, he breathed his last on the 29th February 1848, in his 59th year. His remains were interred in the public cemetery of the town; and it is pleasing to add, that an enthusiastic admirer of his genius has planted flowers upon his grave. Though long in publishing, Thom early wrote verses; in Gordon, Barron, & Co.'s factory in Aberdeen, his fellow-workmen were astonished and interested by the power and vigour of his poems. That he did not publish sooner, is probably attributable to his lengthened career of poverty, and his carelessness regarding intellectual honours.
In respect of pure and simple pathos, some of his lyrics are unequalled among the compositions of any of the national bards. Than "The Mitherless Bairn," it may be questioned whether there is to be found in the language any lyrical composition more delicately plaintive. It is lamentable to think that one who could write so tenderly should, by a dissolute life, have been the author of many of his own misfortunes, and a constant barrier to every attempt for his permanent elevation in the social circle. In person, he was rather below the middle stature; his countenance was thoughtful, but marked with the effects of bodily suffering. Owing to a club-foot, his gait was singularly awkward. He excelled in conversation, and his manner was pleasing and conciliatory.
JEANIE'S GRAVE.
I saw my true-love first on the banks of queenly Tay,
Nor did I deem it yielding my trembling heart away;
I feasted on her deep, dark eye, and loved it more and more,
For, oh! I thought I ne'er had seen a look so kind before!
I heard my true-love sing, and she taught me many a strain,
But a voice so sweet, oh! never shall my cold ear hear again.
In all our friendless wanderings—in homeless penury—
Her gentle song and jetty eye were all unchanged to me.
I saw my true-love fade—I heard her latest sigh;
I wept no friv'lous weeping when I closed her lightless eye:
Far from her native Tay she sleeps, and other waters lave
The markless spot where Ury creeps around my Jeanie's grave.
Move noiseless, gentle Ury! around my Jeanie's bed,
And I 'll love thee, gentle Ury! where'er my footsteps tread;
For sooner shall thy fairy wave return from yonder sea,
Than I forget yon lowly grave, and all it hides from me.
THEY SPEAK O' WILES.
Air—"Gin a bodie meet a bodie."
They speak o' wiles in woman's smiles,
An' ruin in her e'e;
I ken they bring a pang at whiles
That 's unco sair to dree;
But mind ye this, the half-ta'en kiss,
The first fond fa'in' tear,
Is, heaven kens, fu' sweet amends,
An' tints o' heaven here.
When two leal hearts in fondness meet,
Life's tempests howl in vain;
The very tears o' love are sweet
When paid with tears again.
Shall hapless prudence shake its pow,
Shall cauldrife caution fear,
Oh, dinna, dinna droun the lowe,
That lichts a heaven here!
What though we 're ca'd a wee before
The stale "three score an' ten,"
When Joy keeks kindly at your door,
Aye bid her welcome ben.
About yon blissfu' bowers above
Let doubtfu' mortals speir;
Sae weel ken we that "heaven is love,"
Since love makes heaven here.
THE MITHERLESS BAIRN.[30]
When a' ither bairnies are hush'd to their hame
By aunty, or cousin, or frecky grand-dame,
Wha stands last and lanely, an' naebody carin'?
'Tis the puir doited loonie—the mitherless bairn!
The mitherless bairn gangs to his lane bed,
Nane covers his cauld back, or haps his bare head;
His wee hackit heelies are hard as the airn,
An' litheless the lair o' the mitherless bairn.
Aneath his cauld brow siccan dreams hover there,
O' hands that wont kindly to kame his dark hair;
But mornin' brings clutches, a' reckless an' stern,
That lo'e nae the locks o' the mitherless bairn!
Yon sister that sang o'er his saftly-rock'd bed
Now rests in the mools whare her mammie is laid;
The father toils sair their wee bannock to earn,
An' kens na' the wrangs o' his mitherless bairn.
Her spirit that pass'd in yon hour o' his birth,
Still watches his wearisome wanderings on earth;
Recording in heaven the blessings they earn,
Wha couthilie deal wi' the mitherless bairn!
Oh! speak him na' harshly—he trembles the while,
He bends to your bidding, and blesses your smile;
In their dark hour o' anguish, the heartless shall learn
That God deals the blow for the mitherless bairn!
THE LASS O' KINTORE.
Air—"Oh, as I was kiss'd yestreen."
At hame or afield I am cheerless an' lone,
I 'm dull on the Ury, an' droop by the Don;
Their murmur is noisy, and fashious to hear,
An' the lay o' the lintie fa's dead on my ear.
I hide frae the morn, and whaur naebody sees;
I greet to the burnie, an' sich to the breeze;
Though I sich till I 'm silly, an' greet till I dee,
Kintore is the spot in this world for me.
But the lass o' Kintore, oh! the lass o' Kintore,
Be warned awa' frae the lass o' Kintore;
There 's a love-luring look that I ne'er kent afore
Steals cannily hame to the heart at Kintore.
They bid me forget her, oh! how can it be?
In kindness or scorn she 's ever wi' me;
I feel her fell frown in the lift's frosty blue,
An' I weel ken her smile in the lily's saft hue.
I try to forget her, but canna forget,
I 've liked her lang, an' I aye like her yet;
My poor heart may wither, may waste to its core,
But forget her, oh never! the lass o' Kintore!
Oh the wood o' Kintore, the holmes o' Kintore!
The love-lichtin' e'e that I ken at Kintore;
I 'll wander afar, an' I 'll never look more
On the gray glance o' Peggy, or bonnie Kintore!
MY HAMELESS HA'.
Oh! how can I be cheerie in this hameless ha'?
The very sun glints eerie on the gilded wa';
An' aye the nicht sae drearie,
Ere the dowie morn daw,
Whan I canna win to see you,
My Jamie, ava'.
Though mony miles between us, an' far, far frae me,
The bush that wont to screen us frae the cauld warl's e'e,
Its leaves may waste and wither,
But its branches winna fa';
An' hearts may haud thegither,
Though frien's drap awa'.
Ye promised to speak o' me to the lanesome moon,
An' weird kind wishes to me, in the lark's saft soun';
I doat upon that moon
Till my very heart fills fu',
An' aye yon birdie's tune
Gars me greet for you.
Then how can I be cheerie in the stranger's ha'?
A gowden prison drearie, my luckless fa'!
'Tween leavin' o' you, Jamie,
An' ills that sorrow me,
I 'm wearie o' the warl',
An' carena though I dee.
