John Malcolm was the second son of the Rev. John Malcolm, minister of the parish of Firth and Stennis, Orkney, where he was born about 1795. Through a personal application to the Duke of Kent, he was enabled to proceed as a volunteer to join the army in Spain. Arriving at the period when the army under General Graham (afterwards Lord Lynedoch) was besieging St Sebastian, he speedily obtained a lieutenancy in the 42d Regiment, in which he served to the close of the Pyrenees' campaign. Wounded at the battle of Toulouse, by a musket-ball penetrating his right shoulder, and otherwise debilitated, he retired from active service on half-pay, and with a pension for his wound. He now fixed his abode in Edinburgh, and devoted himself to literary pursuits. He contributed to Constable's Magazine, and other periodicals. For one of the earlier volumes of "Constable's Miscellany," he wrote a narrative of the Peninsular War. As a poet, he became known by some stanzas on the death of Lord Byron, which appeared in the Edinburgh Weekly Journal. In 1828, he published "Scenes of War, and other Poems;" and subsequently contributed numerous poetical pieces to the pages of the Edinburgh Literary Journal. A small volume of prose sketches also appeared from his pen, under the title of "Tales of Field and Flood." In 1831 he undertook the editorship of the Edinburgh Observer newspaper, which he held till the period of his death. He died at Edinburgh, of a pulmonary complaint, in September 1835.
Fond of conversation, and abounding in humorous anecdote, Malcolm was especially esteemed for his gentle and amiable deportment. His poetry, which is often vigorous, is uniformly characterised by sweetness of versification.
THE MUSIC OF THE NIGHT.
The music of the night,
Upon its lonely flight
Into the west, where sink its ebbing sands;
That muffled music seems
Like voices heard in dreams,
Sigh'd back from long-lost years and distant lands.
Amid the stillness round,
As 'twere the shade of sound,
Floats on the low sweet strain of lulling tones;
Such as from trembling wire
Of sweet Æolian lyre,
With winds awake in murmurs and in moans.
Oh! melting on the ear,
What solemn chords are there!
The torrent's thunder sunk into a sigh;
And thine, majestic main!
Great Nature's organ strain,
Deep pealing through the temple of the sky.
And songs unsung by day—
The nightingale's lone lay.
From lady's bower, the lover's serenade;
And dirge of hermit-bird
From haunts of ruin heard,
The only voice that wails above the dead.
To them that sail the deep,
When winds have sunk to sleep,
The dreamy murmurs of the night steal on;
Say, does their mystic hum,
So vague and varied, come
From distant shores unseen, and lands unknown?
In them might fancy's ear
Earth's dying echoes hear,
Our home's sweet voices swooning on the floods;
Or songs of festal halls,
Or sound of waterfalls,
Or Indian's dismal war-whoop through the woods.
Joy breathes in morning song,
And happy things among
Her choral bowers wake matins of delight;
But dearer unto me
The dirge-like harmony
Of vesper voices, and of wailing night.
THE SEA.
The sea—the deep, deep sea—
That awful mystery!
Was there a time of old ere it was born,
Or e'er the dawn of light,
Coeval with the night—
Say, slept it on, for ever and forlorn?
Till the Great Spirit's word
Its sullen waters heard,
And their wild voices, through the void profound,
Gave deep responsive roar;
But silent never more
Shall be their solemn, drear, and dirge-like sound!
Earth's echoes faint and die;
Sunk down into a sigh,
Scamander's voice scarce whispers on its way;
And desert silence reigns
Upon the mighty plains
Where battles' thunders peal'd—and where are they?
But still from age to age
Upon its pilgrimage,
When many a glorious strain the world hath flown;
And while her echoes sleep
In darkness, the great deep,
Unwearied and unchanged, goes sounding on.
