John Finlay, a short-lived poet of much promise, was born at Glasgow in 1782. His parents were in humble circumstances, but they contrived to afford him the advantages of a good education. From the academy of Mr Hall, an efficient teacher in the city, he was sent, in his fourteenth year, to the University. There he distinguished himself both in the literary and philosophical classes; he became intimately acquainted with the Latin and Greek classics, and wrote elegant essays on the subjects prescribed. His poetical talents first appeared in the composition of odes on classical subjects, which were distinguished alike by power of thought and smoothness of versification. In 1802, while still pursuing his studies at college, he published a volume entitled "Wallace, or the Vale of Ellerslie, with other Poems," of which a second edition[24] appeared, with considerable additions. Soon after, he published an edition of Blair's "Grave," with many excellent notes; produced a learned life of Cervantes; and superintended the publication of a new edition of Smith's "Wealth of Nations." In the hope of procuring a situation in one of the public offices, he proceeded to London in 1807, where he contributed many learned articles, particularly on antiquarian subjects, to different periodicals. Disappointed in obtaining a suitable post in the metropolis, he returned to Glasgow in 1808; and the same year published, in two duodecimo volumes, a collection of "Scottish Historical and Romantic Ballads." This work is chiefly valuable from some interesting notes, and an ingenious preliminary dissertation on early romantic composition in Scotland. About this period, Professor Richardson, of Glasgow, himself an elegant poet, offered him the advance of sufficient capital to enable him to obtain a share in a printing establishment, and undertook to secure for the firm the appointment of printers to the University; he declined, however, to undergo the risk implied in this adventure. Again entertaining the hope of procuring a situation in London, he left Glasgow towards the close of 1810, with the intention of visiting his college friend, Mr Wilson, at Elleray, in Cumberland, to consult with him on the subject of his views. He only reached the distance of Moffat; he was there struck with an apoplectic seizure, which, after a brief illness, terminated his hopeful career, in the 28th year of his age. His remains were interred in the churchyard of Moffat. Possessed of a fine genius, extensive scholarship, and an amiable heart, John Finlay, had he been spared, would have adorned the literature of his country. He entertained worthy aspirations, and was amply qualified for success; for his energies were co-extensive with his intellectual gifts. At the period of his death, he was meditating a continuation of Warton's History of Poetry. His best production is the poem of "Wallace," written in his nineteenth year; though not free from defects, it contains many admirable descriptions of external nature, and displays much vigour of versification. His lyrics are few, but these merit a place in the minstrelsy of his country.
O! COME WITH ME.
Tune—"Roslin Castle."
Air—"Gramachree."
I heard the evening linnet's voice the woodland tufts among,
Yet sweeter were the tender woes of Isabella's song;
So soft into the ear they steal, so soft into the soul,
The deep'ning pain of love they soothe, and sorrow's pang control.
I look'd upon the pure brook that murmur'd through the glade,
And mingled in the melody that Isabella made;
Yet purer was the residence of Isabella's heart,
Above the reach of pride and guile, above the reach of art.
I look'd upon the azure of the deep unclouded sky,
Yet clearer was the blue serene of Isabella's eye;
Ne'er softer fell the rain-drop of the first relenting year,
Than falls from Isabella's eye the pity-melted tear.
All this my fancy prompted, ere a sigh of sorrow proved,
How hopelessly, yet faithfully, and tenderly I loved!
Yet though bereft of hope I love, still will I love the more,
As distance binds the exile's heart to his dear native shore.
OH! DEAR WERE THE JOYS.
Air—"Here 's a health to ane I love dear."
Oh! dear were the joys that are past!
Oh! dear were the joys that are past!
Inconstant thou art, as the dew of the morn,
Or a cloud of the night on the blast!
How dear was the breath of the eve,
When bearing thy fond faithless sigh!
And the moonbeam how dear that betray'd
The love that illumined thine eye!
Thou vow'dst in my arms to be mine,
Thou swar'st by the moon's sacred light;
But dark roll'd a cloud o'er the sky,
It hid the pale queen of the night.
Thou hast broken thy plighted faith,
And broken a fond lover's heart;
Yes! in winter the moon's fleeting ray
I would trust more than thee and thy art!
I am wretched to think on the past—
Even hope now my peace cannot save;
Thou hast given to my rival thy hand,
But me thou hast doom'd to my grave.
