Andrew Scott, known as the author of the popular ballad of "Symon and Janet," has claims to a wider reputation. He was born of humble parentage, in the parish of Bowden, Roxburghshire, in the year 1757. He was early employed as a cowherd; and he has recorded, in a sketch of his own life prefixed to one of his volumes, that he began to compose verses on the hill-sides in his twelfth year. He ascribes this juvenile predilection to the perusal of Ramsay's "Gentle Shepherd," a pamphlet copy of which he had purchased with some spare halfpence. Towards the close of the American war, he joined the army as a recruit, and soon thereafter followed his regiment across the Atlantic. His rhyming propensities continued; and he occupied his leisure hours in composing verses, which he read for the amusement of his comrades. At the conclusion of the American campaigns, he returned with the army to Britain; and afterwards procuring his discharge, he made a settlement in his native parish. For the period of seventeen years, according to his own narrative, he abandoned the cultivation of poetry, assiduously applying himself to manual labour for the support of his family. An intelligent acquaintance, who had procured copies of some of his verses, now recommended him to attempt a publication—a counsel which induced him to print a small volume by subscription. This appeared in 1805, and was reprinted, with several additions, in 1808. In 1811 he published "Poems, chiefly in the Scottish Dialect," Kelso, 18mo; another duodecimo volume of poems, at Jedburgh, in 1821; and his last work, entitled "Poems on Various Subjects," at Edinburgh, in 1826. This last volume was inscribed, with permission, to the Duchess of Roxburghe.
The poet's social condition at Bowden was little favourable to the composition of poetry. Situated on the south side of the Eildon hills, the parish is entirely separated from the busy world, and the inhabitants were formerly proverbial for their rustic simplicity and ignorance. The encouragement desiderated at home, the poet, however, experienced elsewhere. He visited Melrose, at the easy distance of two miles, on the day of the weekly market, and there met with friends and patrons from different parts of the district. The late Duke of Roxburghe, Sir Walter Scott, Mr Baillie of Jerviswoode, Mr John Gibson Lockhart, and Mr G. P. R. James, the novelist, who sometimes resided in the neighbourhood, and other persons of rank or literary eminence, extended towards him countenance and assistance.
Scott shared the indigent lot of poets. He remained in the condition of an agricultural labourer, and for many years held the office of beadle, or church-officer, of the parish. He died on the 22d of May 1839, in the eighty-second year of his age; and his remains were interred in the churchyard of Bowden, where his name is inscribed on a gravestone which he had erected to the memory of his wife. His eldest son holds the office of schoolmaster of that parish.
The personal appearance of the bard appears to have been prepossessing: his countenance wore a highly intellectual aspect. Subsequent to the publication of the first volume of his poems, he was requested to sit for his portrait by the late Mr George Watson, the well-known portrait-painter; and who was so well satisfied with the excellence of his subject, that he exhibited the portrait for a lengthened period in his studio. It is now in the possession of the author's son at Bowden, and has been pronounced a masterpiece of art. A badly executed engraving from it is prefixed to Scott's last two volumes. In manner, the poet was modest and unassuming, and his utterance was slow and defective. The songs selected for this work may be regarded as the most favourable specimens of his muse.[71]
RURAL CONTENT; OR, THE MUIRLAND FARMER.
Air—"The Rock and the Wee Pickle Tow."
Air—"Fy, let us a' to the Bridal."
Surrounded wi' bent and wi' heather,
Whare muircocks and plivers are rife,
For mony lang towmond thegither,
There lived an auld man and his wife.
About the affairs o' the nation,
The twasome they seldom were mute;
Bonaparte, the French, and invasion,
Did saur in their wizens like soot.
In winter, when deep are the gutters,
And night's gloomy canopy spread,
Auld Symon sat luntin' his cuttie,
And lowsin' his buttons for bed.
Auld Janet, his wife, out a-gazin',
To lock in the door was her care;
She seein' our signals a-blazin',
Came runnin' in, rivin' her hair.
"O Symon, the Frenchmen are landit!
Gae look man, and slip on your shoon;
Our signals I see them extendit,
Like red risin' blaze o' the moon!"
"What plague, the French landit!" quo' Symon,
And clash gaed his pipe to the wa',
"Faith, then there's be loadin' and primin',"
Quo' he, "if they 're landit ava.
"Our youngest son 's in the militia,
Our eldest grandson 's volunteer:
O' the French to be fu' o' the flesh o',
I too in the ranks shall appear."
His waistcoat pouch fill'd he wi' pouther,
And bang'd down his rusty auld gun;
His bullets he put in the other,
That he for the purpose had run.
Then humpled he out in a hurry,
While Janet his courage bewails,
And cried out, "Dear Symon, be wary!"
And teughly she hang by his tails.
"Let be wi' your kindness," quo' Symon,
"Nor vex me wi' tears and your cares,
For now to be ruled by a woman,
Nae laurels shall crown my gray hairs."
Quo' Janet, "Oh, keep frae the riot!
Last night, man, I dreamt ye was dead;
This aught days I tentit a pyot
Sit chatt'rin' upo' the house-head.
"And yesterday, workin' my stockin',
And you wi' the sheep on the hill,
A muckle black corbie sat croakin';
I kend it foreboded some ill."
"Hout, cheer up, dear Janet, be hearty,
For ere the next sun may gae down,
Wha kens but I 'll shoot Bonaparte,
And end my auld days in renown?"
"Then hear me," quo' Janet, "I pray thee,
I 'll tend thee, love, living or dead,
And if thou should fa' I 'll die wi' thee,
Or tie up thy wounds if thou bleed."
Syne aff in a fury he stumpled,
Wi' bullets, and pouther, and gun;
At 's curpin auld Janet too humpled,
Awa to the next neighb'rin' town.
There footmen and yeomen paradin',
To scour aff in dirdum were seen,
Auld wives and young lasses a-sheddin'
The briny saut tears frae their een.
Then aff wi' his bannet gat Symon,
And to the commander he gaes;
Quo' he, "Sir, I mean to gae wi' ye, man,
And help ye to lounder our faes.
"I 'm auld, yet I 'm teugh as the wire,
Sae we 'll at the rogues have a dash,
And, fegs, if my gun winna fire,
I 'll turn her butt-end, and I 'll thrash."
"Well spoken, my hearty old hero,"
The captain did smiling reply,
But begg'd he wad stay till to-morrow,
Till daylight should glent in the sky.
Whatreck, a' the stour cam to naething;
Sae Symon, and Janet his dame,
Hale skart frae the wars, without skaithing,
Gaed bannin' the French again hame.
COQUET WATER.
Air—"Braw Lads of Gala Water."
Whan winter winds forget to blaw,
An' vernal suns revive pale nature,
A shepherd lad by chance I saw,
Feeding his flocks by Coquet water.
Saft, saft he sung, in melting lays,
His Mary's charms an' matchless feature,
While echoes answer'd frae the braes,
That skirt the banks of Coquet water.
"Oh, were that bonnie lassie mine,"
Quoth he, "in love's saft wiles I'd daut her;
An' deem mysel' as happy syne,
As landit laird on Coquet water.
"Let wealthy rakes for pleasure roam,
In foreign lands their fortune fritter;
But love's pure joys be mine at home,
Wi' my dear lass on Coquet water.
"Gie fine focks wealth, yet what care I,
Gie me her smiles whom I lo'e better;
Blest wi' her love an' life's calm joy,
Tending my flocks by Coquet water.
"Flow fair an' clear, thou bonnie stream,
For on thy banks aft hae I met her;
Fair may the bonnie wild-flowers gleam,
That busk the banks of Coquet water."
THE YOUNG MAID'S WISH FOR PEACE.
Air—"Far frae Hame," &c.
Fain wad I, fain wad I hae the bloody wars to cease,
An' the nations restored again to unity an' peace;
Then mony a bonnie laddie, that 's now far owre the sea,
Wad return to his lassie, an' his ain countrie.
My lad was call'd awa for to cross the stormy main,
An' to face the battle's bray in the cause of injured Spain;
But in my love's departure hard fate has injured me,
That has reft him frae my arms, an' his ain countrie.
When he bade me adieu, oh! my heart was like to break,
An' the parting tear dropp'd down for my dear laddie's sake;
Kind Heavens protect my Willie, wherever he be,
An' restore him to my arms, an' his ain countrie.
Yes, may the fates defend him upon that hostile shore,
Amid the rage of battle, where thund'ring cannons roar;
In the sad hour of danger, when deadly bullets flee,
Far frae the peacefu' plains of his ain countrie.
Wae 's me, that vice had proven the source of blood an' war,
An' sawn amang the nations the seeds of feud an' jar:
But it was cruel Cain, an' his grim posterity,
First began the bloody wark in their ain countrie.
An' oh! what widows weep, an' helpless orphans cry!
On a far foreign shore now, the dear, dear ashes lie,
Whose life-blood stain'd the gowans of some far foreign lea,
Far frae their kith an' kin, an' their ain countrie.
Hail the day, speed the day, then, when a' the wars are done!
An' may ilk British laddie return wi' laurels won;
On my dear Willie's brows may they flourish bonnily,
An' be wi' the myrtle twined in his ain countrie.
But I hope the time is near, when sweet peace her olive wand
To lay the fiend of war shall soon stretch o'er every land,
When swords turn'd into ploughshares and pruning-hooks shall be,
An' the nations a' live happy in their ain countrie.
THE FIDDLER'S WIDOW.
There was a musician wha play'd a good stick,
He had a sweet wife an' a fiddle,
An' in his profession he had right good luck
At bridals his elbow to diddle.
But ah! the poor fiddler soon chancÉd to die,
As a' men to dust must return;
An' the poor widow cried, wi' the tear in her e'e,
That as lang as she lived she wad mourn.
Alane by the hearth she disconsolate sat,
Lamenting the day that she saw,
An' aye as she look'd on the fiddle she grat,
That silent now hang on the wa'.
Fair shane the red rose on the young widow's cheek,
Sae newly weel washen wi' tears,
As in came a younker some comfort to speak,
Wha whisper'd fond love in her ears.
"Dear lassie," he cried, "I am smit wi' your charms,
Consent but to marry me now,
I 'm as good as ever laid hair upon thairms,
An' I 'll cheer baith the fiddle an' you."
The young widow blush'd, but sweet smiling she said,
"Dear sir, to dissemble I hate,
If we twa thegither are doom'd to be wed,
Folks needna contend against fate."
He took down the fiddle as dowie it hung,
An' put a' the thairms in tune,
The young widow dighted her cheeks an' she sung,
For her heart lap her sorrows aboon.
Now sound sleep the dead in his cauld bed o' clay,
For death still the dearest maun sever;
For now he 's forgot, an' his widow's fu' gay,
An' his fiddle 's as merry as ever.
LAMENT FOR THE DEATH OF AN IRISH CHIEF.
He 's no more on the green hill, he has left the wide forest,
Whom, sad by the lone rill, thou, loved dame, deplorest:
We saw in his dim eye the beam of life quiver,
Its bright orb to light again no more for ever.
Loud twang'd thy bow, mighty youth, in the foray,
Dread gleam'd thy brand in the proud field of glory;
And when heroes sat round in the Psalter of Tara,
His counsel was sage as was fatal his arrow.
When in war's loud commotion the hostile Dane landed,
Or seen on the ocean with white sail expanded,
Like thee, swoll'n stream, down our steep vale that roarest,
Fierce was the chieftain that harass'd them sorest.
Proud stem of our ancient line, nipt while in budding,
Like sweet flowers' too early gem spring-fields bestudding,
Our noble pine 's fall'n, that waved on our mountain,—
Our mighty rock dash'd from the brink of our fountain.
Our lady is lonely, our halls are deserted—
The mighty is fallen, our hope is departed—
Loud wail for the fate from our clan that did sever,
Whom we shall behold again no more for ever.
THE DEPARTURE OF SUMMER.
Adieu, lovely Summer! I see thee declining,
I sigh, for thy exit is near;
Thy once glowing beauties by Autumn are pining,
Who now presses hard on thy rear.
The late blowing flowers now thy pale cheek adorning,
Droop sick as they nod on the lea;
The groves, too, are silent, no minstrel of morning
Shrill warbles his song from the tree.
Aurora peeps silent, and sighs a lorn widow,
No warbler to lend her a lay,
No more the shrill lark quits the dew-spangled meadow,
As wont for to welcome the day.
Sage Autumn sits sad now on hill, dale, and valley,
Each landscape how pensive its mien!
They languish, they languish! I see them fade daily,
And losing their liv'ry of green.
O Virtue, come waft me on thy silken pinions,
To where purer streamlets still flow,
Where summer, unceasing, pervades thy dominions,
Nor stormy bleak wint'ry winds blow.
