As you look backward over the animal stories you have read in this group, which did you enjoy most? Which story would be the most interesting to tell to a younger brother or sister? Which do you like better, stories in which animals are the actors, or stories about the hunting of animals?

Which one of the poems about birds has lines in it that sound like the bird's song? Which author makes you feel most keenly his love for birds? Which one tells you of pleasures that birds enjoy? Make a program for Arbor and Bird Day from selections found or suggested in this group.

In the "Notes and Questions" you have found a number of suggestions for outside reading. Did you find in the school library or public library any of the books that are mentioned in the different biographies? In your class, who has read Baker's True Tales for My Grandsons, or other selections mentioned in the biographies or elsewhere? What progress have you made in silent reading?

If you were making a blackboard calendar for each of the months—September, October, and November—what stanzas in each of the three poems on these months would give you ideas for decoration? Select a stanza from these poems as a motto for each of your calendars. November teaches Alice Caw a truth which she passes on to us; what is this truth?

On pages 19 and 20 you read that the world of Nature is a fairyland, and that the poets help us to see the beauty that lies about us. Perhaps now when you look up into a starry sky you say to yourself almost without thinking, "The night has a thousand eyes—" What other poems have revealed beauties of Nature to you?

A FORWARD LOOK

Here is matter for your entertainment. Several interesting persons will appear and will show you that a small part of the joy of reading consists in the merry tales that you may find in books. One of the English poets somewhere calls upon the spirits of fun and joy, a cheerful nymph and her companions, to drive dull care away. This poet, John Milton by name, wrote many poems and prose works on very serious matters. He lived in a serious time, the time when many Englishmen were leaving their native country and emigrating to America in order that they might find a freedom that was denied to them at home.

But even under these circumstances, sympathizing with those who went into exile for freedom, and studying night and day how he could himself advance the cause of liberty, John Milton was too great a man to believe that life is altogether serious and earnest. Humor and jesting and wholesome fun have a part in every life; they are no more to be neglected than the spices in a Thanksgiving pie. So the poet called upon the cheerful nymph and her attendants to help him see the brighter side of life; the fun that there is in foolishness, and the health that comes with a hearty laugh. Here is what he wrote:

"Haste thee, Nymph, and bring with thee
Jest and youthful Jollity,

Come, and trip it, as you go,
On the light, fantastic toe."

Now let us imagine that we, also, are inviting these kindly spirits of Mirth. Our lives are serious, too. We have arithmetic to learn, or we have a composition to write. People expect us to do all sorts of things that take our time, and of course we want to do these things. But here comes Laughter holding both his sides, a fat old gentleman who makes you feel merry the moment you set eyes on him. And Father Laughter first introduces the Baron Munchausen, who will tell some of his marvelous experiences. We are not compelled to believe all of them. Perhaps Father Laughter wanted to take a sly dig or two at the yarns some travelers tell when they get home. By this means the story illustrates one of the great sources of humor—monstrous exaggeration. It also shows what a foolish thing it is to be a boaster. Most people, at one time or another, are tempted to brag about their deeds, their possessions, or their smartness. If they would only think of Baron Munchausen, they would flee from this temptation.

After this comes a story about the blind men and the elephant. Here Father Laughter gets his way with you by making you see how absurd were the guesses about the elephant made by men who knew only the animal's trunk, or his tusks, or his tail. And here, too, after you have laughed heartily at the foolish fellows who were so positive that they knew everything when they knew nothing, you begin to see the danger in what are called "snap judgments." "Look at these ridiculous fellows," says Father Laughter, "and consider how silly it is to jump to a conclusion unless you have all the facts."

You will agree that Father Laughter's next performer, Darius Green, is especially interesting in these days when men fly across the Atlantic or from New York to San Francisco. Darius seems to have been the first "bird-man," and though he was absurd enough, he reminds one of the fact that many useful inventions that now add to our comfort were prepared for by men who seemed to their friends and acquaintances crazy enough.

But this is introduction a-plenty; there's really no need to keep you any longer from getting acquainted with Father Laughter and the antics he likes to play.