CHAPTER IV

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No matter how late either Vida Levering or her half-sister had gone to bed the night before, they breakfasted, as they did so many other things, at the hour held to be most advantageous for Doris.

Mr. Fox-Moore was sometimes there and often not. On those mornings when his health or his exertions the night previous did not prevent his appearance, there was little conversation at the Fox-Moore breakfast table, except such as was initiated by the only child of the marriage, a fragile girl of ten. Little Doris, owing to some obscure threat of hip-disease, made much of her progress about the house in a footman's arms. But hardly, so borne, would she reach the threshold of the breakfast room before her thin little voice might be heard calling out, 'Fa-ther! Fa-ther!'

Those who held they had every ground for disliking the old man would have been surprised to watch him during the half hour that ensued, ministering to the rather querulous little creature, adapting his tone and view to her comprehension, with an art that plainly took its inspiration from affection. If Doris were not well enough to come down, Mr. Fox-Moore read his letters and glanced at 'the' paper, directing his few remarks to his sister-in-law, whom he sometimes treated in such a way as would have given a stranger the impression, in spite of the lady's lack of response, that there was some secret understanding between the two.

A great many years before, Donald Fox-Moore had tumbled into a Government office, the affairs of which he had ultimately got into such excellent running order, that, with a few hours' supervision from the chief each week, his clerks were easily able to maintain the high reputation of that particular department of the public service. What Mr. Fox-Moore did with the rest of his time was little known. A good deal of it was spent with a much younger bachelor brother near Brighton. At least, this was the family legend. In spite of his undoubted affection for his child, little of his leisure was wasted at home. When people looked at the sallow, smileless face of his wife they didn't blame him.

Sometimes, when a general sense of tension and anxiety betrayed his presence somewhere in the great dreary house, and the master yet forbore to descend for the early meal, he would rejoice the heart of his little daughter by having her brought to his room to make tea and share his breakfast.

On these occasions a sense of such unexpected surcease from care prevailed in the dining-room as called for some celebration of the holiday spirit. It found expression in the inclination of the two women to linger over their coffee, embracing the only sure opportunity the day offered for confidential exchange.

One of these occasions was the morning of Wark's warning, which, however, Vida determined to say nothing about till she was obliged. She had just handed up her cup for replenishing when the door opened, and, to the surprise of the ladies, the master of the house appeared on the threshold.

'Is—is anything the matter?' faltered his wife, half rising.

'Matter? Must something be the matter that I venture into my own breakfast-room of a morning?'

'No, no. Only I thought, as Doris didn't come, you were breakfasting upstairs, too.' No notice being taken of this, she at once set about heating water, for no one expected Mr. Fox-Moore to drink tea made in the kitchen.

'I thought,' said he, twitching an open newspaper off the table and folding it up—'I thought I asked to be allowed the privilege of opening my paper for myself.'

'Your Times hasn't been touched,' said his wife, anxiously occupied with the spirit-lamp.

He stopped in the act of thrusting the paper in his pocket and shook it.

'What do you call this?'

'That is my Times,' she said.

'Your Times?'

'I ordered an extra copy, because you dislike so to have yours looked at till you've finished with it.'

'Dreadful hardship that is!' he said, glancing round, and seeing his own particular paper neatly folded and lying still on the side table.

'It was no great hardship when you read it before night. When you don't, it's rather long to wait.'

'To wait for what?'

'For the news of the day.'

'Don't you get the news of the day in the Morning Post?'

'I don't get such full Parliamentary reports nor the foreign correspondence.'

'Good Lord! what next?'

'I think you must blame me,' said Vida, speaking for the first time. 'I'm afraid you'll find it's only since I've been here that Janet has broken loose and taken in an extra copy.'

'Oh, it's on your account, is it?' he grumbled, but the edge had gone out of his ill-humour. 'I suppose you have to keep up with politics or you couldn't keep the ball rolling as you did last night?'

'Yes,' said Vida, with an innocent air. 'It is well known what superhuman efforts we have to make before we can qualify ourselves to talk to men.'

'Hm!' grumbled Fox-Moore. 'I never saw you at a loss.'

'You did last night.'

'No, I didn't. I saw you getting on like a house afire with Haycroft and the beguiling Borrodaile. It's a pity all the decent men are married.'

Mrs. Fox-Moore allowed her own coffee to get cold while she hovered over the sacred rite of scientific tea-making. Mr. Fox-Moore, talking to Vida about the Foreign Office reception, to which they had all gone on after the Tunbridges' dinner, kept watching with a kind of half-absent-minded scorn his wife's fussily punctilious pains to prepare the brew 'his way.' When all was ready and the tea steaming on its way to him in the hands of its harassed maker, he curtly declined it, got up, and left the room. A moment after, the shutting of the front door announced the beginning of yet another of the master's absences.

'How can you stand it?' said Vida, under her breath.

'Oh, I don't mind his going away,' said the other, dully.

'No; but his coming back!'

'One of the things I'm grateful to Donald for'—she spoke as if there were plenty more—'he is very good to you, Vida.' And in her tone there was criticism of the beneficiary.

'You mean, he's not as rude to me as he is to you?'

'He is even forbearing. And you—you rather frighten me sometimes.'

'I see that.'

'It would be very terrible for me if he took it into his head not to like you.'

'If he took it into his head to forbid your having me here, you mean.'

'But even when you aren't polite he just laughs. Still, he's not a patient man.'

'Do you think you have to tell me that?'

'No, dear, only to remind you not to try him too far. For my sake, Vida, don't ever do that.'

She put out her yellow, parchment-like hand, and her sister closed hers over it an instant.

'Here's the hot milk,' said Vida. 'Now we'll have some more coffee.'

'Are you coming with me to-day?' Mrs. Fox-Moore asked quite cheerfully for her as the servant shut the door.

'Oh, is this Friday? N—no.' The younger woman looked at the chill grey world through the window, and followed up the hesitating negative with a quite definite, 'I couldn't stand slums to-day.' The two exchanged the look that means, 'Here we are again up against this recurring difference.' But there was no ill-humour in either face as their eyes met.

Between these two daughters of one father existed that sort of haunting family resemblance often seen between two closely related persons, despite one being attractive and the other in some way repellent. The observer traces the same lines in each face, the same intensification of 'the family look' in the smile, and yet knows that the slight disparity in age fails to account for a difference wide as the poles.

And not alone difference of taste, of environment and experience, not these alone make up the sum of their unlikeness. You had only to look from the fresh simplicity of white muslin blouse and olive-coloured cloth in the one case, to the ungainly expensiveness of the black silk gown of the married woman, in order to get from the first a sense of dainty morning freshness, and from Mrs. Fox-Moore not alone a lugubrious memento mori sort of impression, but that more disquieting reminder of the ugly and over-elaborate thing life is to many an estimable soul. Janet Fox-Moore had the art of rubbing this dark fact in till, so to speak, the black came off. She seemed to achieve it partly by dint of wearing (instead of any relief of lace or even of linen at her throat) a hard band of that passementerie secretly so despised of the little Tunbridges. This device did not so much 'finish off' the neck of Mrs. Fox-Moore's gowns, as allow the funereal dulness of them to overflow on to her brown neck. It even cast an added shadow on her sallow cheek. The figure of the older woman, gaunt and thin enough, announced the further constriction of the corset. By way of revenge the sharp shoulder-blades poked the corset out till it defined a ridge in the black silk back. In front, too, the slab-like figure declined co-operation with the corset, and withdrew, leaving a hiatus that the silk bodice clothed though it did not conceal. You could not have told whether the other woman wore that ancient invention for a figure insufficient or over-exuberant. As you followed her movements, easy with the ease of a child, while she walked or stooped or caught up the fragile Doris, or raised her arm to take a book from the shelf, you got an impression of a physique in perfect because unconscious harmony with its environment. If, on the contrary, you watched but so much as the nervous, uncertain hand of the other woman, you would know here was one who had spent her years in alternately grasping the nettle and letting it go—reaping only stings in life's fair fields. Easy for any one seeing her in these days (though she wasn't thirty-six) to share Mrs. Freddy's incredulous astonishment at hearing from Haycroft the night before that Janet Levering had been 'the beauty of her family.' Mrs. Freddy's answer had been, 'Oh, don't make fun of her!' and Haycroft had had to assure her of his seriousness, while the little hostess still stared uncertain.

'The lines of her face are rather good,' she admitted. 'Oh, but those yellow and pink eyes, and her general muddiness!'

'Yes, yes,' Sir William had agreed. 'She's changed so that I would never have known her, but her colouring used to be her strong point. I assure you she was magnificent—oh, much more striking than the younger sister!'

The bloodless-looking woman who sat uneasily at her own board clutching at a thin fragment of cold dry toast that hung cheerlessly awry in the silver rack, like the last brown leaf to a frosty tree, while she crunched the toast, spoke dryly of the poor; of how 'interesting many of them are;' how when you take the trouble to understand them, you no longer lump them all together in a featureless misery, you realize how significant and varied are their lives.

'Not half as significant and varied as their smells,' said her unchastened sister.

'Oh, you sometimes talk as if you had no heart!'

'The trouble is, I have no stomach. When you've lured me into one of those dingy alleys and that all-pervading greasy smell of poverty comes flooding into my face—well, simply all my most uncharitable feelings rise up in revolt. I want to hold my nose and hide my eyes, and call for the motor-car. Running away isn't fast enough,' she said, with energy and a sudden spark in her golden-brown eye.

Mrs. Fox-Moore poised the fat silver jug over her own belated cup, and waited for the thick cream to come out in a slow and grudging gobbet with a heavy plump into the coffee. As she waited, she gently rebuked that fastidiousness in her companion that shrank from contact with the unsavoury and the unfortunate.

'It isn't only my fastidiousness, as you call it, that is offended,' Vida retorted. 'I am penetrated by the hopelessness of what we're doing. It salves my conscience, or yours——' Hurriedly she added, '——that's not what you mean to do it for, I know, dear—and you're an angel and I'm a mere cumberer of the earth. But when I'm only just "cumbering," I feel less a fraud than when I'm pretending to do good.'

'You needn't pretend.'

'I can't do anything else. To go among your poor makes me feel in my heart that I'm simply flaunting my better fortune.'

'I never saw you flaunting it.'

'Well, I assure you it's when you've got me to go with you on one of your Whitechapel raids that I feel most strongly how outrageous it is that, in addition to all my other advantages, I should buy self-approval by doing some tuppenny-ha'penny service to a toiling, starving fellow-creature.'

Mrs. Fox-Moore set down her coffee-cup. 'You mustn't suppose——' she began.

'No, no,' Vida cut her short. 'I don't doubt your motives. I know too well how ready you are to sacrifice yourself. But it does fill me with a kind of rage to see some of those smug Settlement workers, the people that plume themselves on leaving luxurious homes. They don't say how hideously bored they were in them. They are perfectly enchanted at the excitement and importance they get out of going to live among the poor, who don't want them——'

'Oh, my dear Vida!'

'Not a little bit! Well, the wily paupers do, perhaps, for what they can get out of our sort.'

Mrs. Fox-Moore cast down her eyes as though convicted by the recollection of some concrete example.

'We're only scratching at the surface,' Vida, said—'such an ugly surface, too! And the more we scratch, the uglier things come to light.'

'You make too much of that disappointment at Christmas.'

'I wasn't even thinking of the hundredth time you've been disillusioned.' Vida threw down her table napkin, and stood up. 'I was thinking of people like our young parson cousin.'

'George——'

Vida made a shrug of half-impatient, half-humorous assent. 'Leaves the Bishop's Palace and comes to London. He, too, wants "to live for the poor." Never for an instant one of them. Always the patron—the person something may be got out of—or, at all events, hoped from.'

She seemed to be about to leave the room, but as her sister answered with some feeling, 'No, no, they love and respect him!' Vida paused, and brought up by the fire that the sudden cold made comforting.

'George is a different man since he's found his vocation,' Mrs. Fox-Moore insisted. 'You read it in his face.'

'Oh, if all you mean is that he's happier, why not? He's able to look on himself as a benefactor. He's tasting the intoxication of the King among Beggars.'

'You are grossly unfair, Vida.'

'So he thinks when I challenge him: "What good, what earthly good, is all this unless an anodyne—for you—is good?"'

'It seems to me a very real good that George Nuneaton and his kind should go into the dark places and brighten hopeless lives with a little Christian kindness—sometimes with a little timely counsel.'

'Yes, yes,' said the voice by the fire; 'and a little good music—don't forget the good music.'

'An object-lesson in practical religion, isn't that something?'

'Practical! Good Heaven! A handful of complacent, expensively educated young people playing at reform. The poor wanting work, wanting decent housing—wanting bread—and offered a little cultivated companionship.'

'Vida, what have you been reading?'

'Reading? I've been visiting George at his Settlement. I've been intruding myself on the privacy of the poor once a week with you—and I'm done with it! Personally I don't get enough out of it to reconcile me to their getting so little.'

'You're burning,' observed the toneless voice from the head of the table.

'Yes, I believe I was a little hot,' Vida laughed as she drew her smoking skirt away from the fire. But she still stood close to the cheerful blaze, one foot on the fender, the green cloth skirt drawn up, leaving the more delicate fabric of her silk petticoat to meet the fiery ordeal. 'If it annoys you to hear me say that's my view of charity, why, don't make me talk about it;' but the face she turned for an instant over her shoulder was far gentler than her words. 'And don't in future'—she was again looking down into the fire, and she spoke slowly as one who delivers a reluctant ultimatum—'don't ask me to help, except with money. That doesn't cost so much.'

'I am disappointed.' Nothing further, but the sound of a chair moved back, eloquent somehow of a discouragement deeper than words conveyed.

Vida turned swiftly, and, coming back to her sister, laid an arm about her shoulder.

'I'm a perfect monster! But you know, my dear, you rather goaded me into saying all this by looking such a martyr when I've tried to get out of going——'

'Very well, I won't ask you again.' But the toneless rejoinder was innocent of rancour. Janet Fox-Moore gave the impression of being too chilled, too drained of the generous life-forces, even for anger.

'Besides,' said Vida, hurriedly, 'I'd nearly forgotten; there's the final practising at eleven.'

'I'd forgotten your charity concert was so near!' As Mrs. Fox-Moore gathered up her letters, she gave way for the first time to a wintry little smile.

'The concert's mine, I admit, but the charity's the bishop's. What absurd things we women fill up the holes in our lives with!' Vida said, as she followed her sister into the hall. 'Do you know the real reason I'm getting up this foolish concert?'

'Because you like singing, and do it so well that—yes, without your looks and the indescribable "rest," you'd be a success. I told you that, when I begged you to come and try London.'

'The reason I'm slaving over the concert—it isn't all musical enthusiasm. It amuses me to organize it. All the ticklish, difficult, "bothering" part of getting up a monster thing of this sort, reconciling malcontents, enlisting the great operatic stars and not losing the great social lights—it all interests me like a game. I'm afraid the truth is I like managing things.'

'Perhaps Mrs. Freddy's not so far wrong.'

'Does Mrs. Freddy accuse me of being a "managing woman," horrid thought?'

'She was talking about you in her enthusiastic way when she was here the other day. "Vida could administer a state," she said. Yes, I laughed, too, but Mrs. Freddy shook her head quite seriously, and said, "To think of a being like Vida—not even a citizen."'

'I'm not a citizen?' exclaimed the lady, laughing down at her sister over the banisters. 'Does she think because I've lived abroad I've forfeited my rights of——'

'No, all she means is—— Oh, you know the bee she's got in her bonnet. She means, as she'll tell you, that "you have no more voice in the affairs of England than if you were a Hottentot."'

'I can't say I've ever minded that. But it has an odd sound, hasn't it—to hear one isn't a citizen.'

'Mrs. Freddy forgets——'

'I know! I know what you're going to say,' said the other, light-heartedly. 'Mrs. Freddy forgets our unique ennobling influence;' and the tall young woman laughed as she ran up the last half of the long flight of stairs. At the top she halted a moment, and called down to Mrs. Fox-Moore, who was examining the cards left the day before, 'Speaking of our powerful influence over our men-folk—Mr. Freddy wasn't present, was he, when she aired her views?'

'No.'

'I thought not. Her influence over Mr. Freddy is maintained by the strictest silence on matters he isn't keen about.'


                                                                                                                                                                                                                                                                                                           

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