A flower with a history, with a name long honoured, full of that blue blood which a genealogical tree is supposed to imply, the Carnation needs no apology or recommendation. It was among the most admired of the flowers used by the Greeks and Romans in the making of chaplets, and hence derived its name of Coronation by which Spenser and other early writers knew it. Its generic name, Dianthus, or Flower of Jupiter, equally points to the high honour in which it was held by the Latins. It was formerly much used both medicinally, "wonderfully above measure comforting the heart," and for the flavouring of liquors—whence it obtained its name of Sops-in-wine:— "And many a Clove Gilofre, To put in ale, Whether it be moist or stale." The beautiful form of the flowers of the various species of Dianthus—Pinks, Carnations and Sweet Williams—partly accounts for its distinguished position, but the characteristic fragrance has been even more contributory to its reputation. The old name of July-flower, gilli-flower, or gylofre was but a corruption of caryophyllus—the nut-leaved clove tree—which name it earned by its delicious spicy scent. Much more regard was paid to fragrance by the old gardeners and flower-lovers than seems to be the case to-day, and it is very much to be regretted that many of the most beautiful of the newer varieties of carnation are nearly scentless, or as nearly Blue is the only colour which is not to be found among the carnations, and indeed it is a colour not very common in the garden flora. Gentians, Forget-me-nots, Veronicas, Borage, and a few others are the only blue flowers commonly to be seen, but among these few others there is one of the stateliest and most beautiful of the ornaments of the July garden. The Larkspur, Lark's-heels, or Delphinium (Dolphin flower) is one of those few old fashioned flowers which have been really improved in every way by the selection and hybridising of the florist. The varieties raised during the past few years by Messrs Kelway of Langport and others are more robust and more beautiful than the original species or than any of the old garden kinds. The sepals are of every shade of blue and their beauty is enhanced by the white petals within. The foliage too is very beautiful, and, the plant being of the same width throughout—cylindrical rather than conical in form—the leaves, with the exception of those near the ground, are finely divided in order to allow light to reach the leaves below. The Delphinium is elaborately equipped with machinery for securing effective cross fertilisation by its bumble-bee visitors. The stamens ripen before the pistil, and are In July also the handsome plants of the Thistle family are at their period of greatest beauty. Echinops ruthenicus, E. ritro, Eryngium amethystinum, E. Oliverianum, E. giganteum and E. glaciale are among the finest, but those habitants of the kitchen garden—the Cardoon and the Globe Artichoke—require much excellency in their peers. July is the month of climax for the gardener who grows only annual flowers raised afresh each year from seed. A very fine show he may have, too, during his somewhat brief season. To the grower of herbaceous plants who aims, and wisely aims, at having flowers all the year through, July is but one month out of twelve. Spring means for him not a season for sowing, so much as a very flowery season, full of Crocuses and Anemones, of Primroses and of Hepaticas; for him even winter itself is not flowerless, since he has his Hellebores and winter Aconites and fragrant Coltsfoot. But with annual flowers the case is different. It is true that, by sowing in July or August, one may obtain such beautiful flowers as those of Erysimum, Nemophila and Saponaria calabrica in the spring, but the great bulk of I know of no floral sight more brilliant than that of a garden full of poppies in full bloom. Each flower is bright almost to gaudiness, yet with petals so thin and flimsy that no insect can rest on them, and each cup is accordingly furnished with a substantial alighting stage in its centre. Shirley poppies in every shade of red; Iceland poppies in every shade of white, yellow and orange; scarlet Tulip poppies; white Alpine poppies—one knows not which to prefer. The poets have generally used the poppy only for its assistance in pointing a moral. Thus, for example, Burns— "Pleasures are like poppies spread— You seize the flower, its bloom is shed." "Faire without and foule within" has generally summed up its popular reputation, though Ruskin has spoken with appreciation of its beauty and delicacy. All the hardy annuals are easy to grow, their requirements being ample sunshine, deeply dug soil, finely broken up and moderately, though not excessively, enriched, and ample space for individual development. Where failure occurs, it may usually be traced to omission of one or other of these conditions—most commonly, perhaps, of the one last named. There are few annuals which will thrive in the shade, though Forget-me-nots, Venus's Looking-glass and Nemophilas will succeed in damp situations if the shade be not too intense. Personally, although I should not like to grow annuals One other annual flower is the prettily and appropriately named Love-in-a-Mist, with the daintiest of blue flowers enveloped as in a green cloud. If our poets were wont to look at flowers for themselves instead of copying one another's natural history, they might be referred to this delightful plant. Mr Swinburne, I think alone among poets, has used it as subject for one of his roundels. Fortunately, the neglect of poets has little influence on the beauty of flowers. |