  Soft, wet and tender, with a faint green filming the sodden pasture field, and a rose-pink veil covering the maples, and blue-grey catkins tinting the dark alders, spring had come to the lonely little clearing in the backwoods. From the swampy meadow along the brook’s edge, across the road from the cabin and the straw-littered barn-yard, came toward evening that music which is the distinctive note of the northern spring––the thrilling, mellow, inexpressibly wistful fluting of the frogs. The sun was just withdrawing his uppermost rim behind the far-off black horizon line of fir-tops. The cabin door stood wide open to admit the sweet air and the sweet sound. Just inside the door sat old Mrs. Griffis, rocking heavily, while the woollen sock which she was knitting lay forgotten in her lap. She was a strong-featured, muscular woman, still full of vigour, whom rheumatism had met and halted in the busy path of life. Her keen and restless eyes were following eagerly every movement of a slender, light-haired girl in a blue cotton waist Presently the girl slammed the pen door, jammed the hardwood peg into the staple, ran her fingers nervously through the pale fluff of her hair, and came hurrying across the yard to the door with a smile on her delicate young face. “There, Granny!” she exclaimed, with the air of one who has just got a number of troublesome little duties accomplished, “I guess no lynxes, or nothing, ’ll get the sheep to-night, anyways. Now, I must go an’ hunt up old ‘Spotty’ afore it gets too dark. I don’t see what’s made her wander off to-day. She always sticks around the barn close as a burr!” The old woman smiled, knowing that the survival of a wild instinct in the cow had led her to seek some hiding-place, near home but secluded, wherein to secrete her new-born calf. “I guess old ‘Spotty’ knows enough to come home when she gets ready, Child!” she answered. “She’s been kept that close all winter, the snow bein’ so deep, I don’t wonder she wants to roam a bit now she can git ’round. Land sakes, I wish’t I could roam a bit, ’stead er sittin’, sittin’, an’ knittin’, knittin’, mornin’, noon an’ night, all along of these ’ere useless old legs of mine!” “Poor Granny!” murmured the girl, softly, tears coming into her eyes. “I wish’t we could get ’round, the two of us, in these sweet-smellin’ spring woods, an’ get the first Mayflowers together! Couldn’t you just try now, Granny? I believe you are goin’ to walk all right again some day, just as well as any of us. Do try!” Thus adjured, the old woman grasped the arms of her chair sturdily, set her jaw, and lifted herself quite upright. But a groan forced itself from her lips, and she sank back heavily, her face creased with pain. Recovering herself with a resolute effort, however, she smiled rather ruefully. “Some day, mebbe, if the good Lord wills!” said she, shaking her head. “But ’tain’t this day, Melindy! You’ll be the death o’ me yet, Child, you’re so set on me gittin’ ’round ag’in!” “Why, Granny, you did splendid!” cried the girl. “That was the best yet, the best you’ve ever done since I come to you. You stood just as straight as anybody for a minute. Now, I’ll go an’ hunt old ‘Spotty.’” And she turned toward the tiny path that led across the pasture to the burnt-woods. But Mrs. Griffis’s voice detained her. “What’s the good o’ botherin’ about old ‘Spotty’ to-night, Melindy? Let her have her fling. Them frogs make me that lonesome to-night I can’t bear to let ye a minnit out o’ my sight, Child! “Yes, Granny, I love it, too!” assented Melindy in a preoccupied tone, “when I ain’t too bothered to listen. Just now, I’m thinkin’ about old ‘Spotty’ out there alone in the woods, an’ maybe some hungry lynxes watchin’ for her to lie down an’ go to sleep. You know how hungry the bears will be this spring, too, Granny, after the snow layin’ deep so late. I just couldn’t sleep, if I thought old ‘Spotty’ was out there in them queer, grey, empty woods all night. In summer it’s different, an’ then the woods are like home.” “Well,” said her grandmother, seeing that the girl was bent upon her purpose, “if ye’re skeered for old ‘Spotty,’ ye’d better be a little mite skeered for yerself, Child! Take along the gun. Mebbe ye might see a chipmunk a-bitin’ the old cow jest awful!” Heedless of her grandmother’s gibe, Melindy, who had a very practical brain under her fluffy light hair, picked up the handy little axe which she used for chopping kindling. “No guns for me, Granny, you know,” she retorted. “This ’ere little axe’s good enough for me!” What Melindy and her grandmother called the “Burnt Lands” was a strip of country running back for miles from the clearing. The fire had gone over it years before, cutting a sharply defined, gradually widening path through the forest, and leaving behind it only a few scattered rampikes, or tall, naked trunks bleached to whiteness by the storms of many winters. Here and there amid these desolate spaces, dense thickets of low growth had sprung up, making a secure hiding-place of every hollow where the soil had not had all the life scorched out of it. Having crossed the pasture, Melindy presently detected those faint indications of a trail which the uninitiated eye finds it so impossible to see. Slight bendings and bruises of the blueberry and laurel scrub caught her notice. Then she found, in a bare spot, the unmistakable print of a cow’s hoof. The trail was now quite clear to her; and it was clearly that of old “Spotty.” Intent upon her quest she hurried on, heedless of the tender colours changing in the sky above her head, of the first swallows flitting and twittering across it, of the keen yet delicate fragrance escaping from every sap-swollen bud, and of the sweetly persuasive piping of the frogs from the water meadow. She The trail led directly to a rocky hollow about a hundred yards from the edge of the pasture––perhaps a hundred and fifty yards from the doorway wherein Mrs. Griffis sat intently watching Melindy’s progress. The hollow was thick with young spruce and white birch, clustered about a single tall and massive rampike. Into this shadowy tangle the girl pushed fearlessly, peering ahead beneath the dark, balsam-scented branches. She could see, in a broken fashion, to the very foot of the rampike, across which lay a huge fallen trunk. But she could see nothing of old “Spotty,” who, by reason of her vivid colouring of red and white splotches, would have been conspicuous against those dark surroundings. There was something in the silence, combined with the absence of the cow whom she confidently expected to find, which sent a little chill to the girl’s heart. She gripped her axe more tightly, and stood quite motionless, accustoming her eyes to the confused gloom; and presently she thought she could distinguish a small brownish shape lying on a mound of moss near the foot of the rampike. A moment more and she could see that it was looking at her, with big, soft eyes. Then a pair of big ears moved. She realized that it was a calf she was looking at. Old “Spotty’s” truancy was accounted for. But where was old “Spotty”? Melindy thought for a moment, and concluded very properly that the mother, considering the calf well-hidden, had slipped away to the spring for a drink. She was on the point of stepping forward to admire the little new-comer and see if it was yet strong enough to be led home to the barn, when a stealthy rustling at the farther side of the thicket arrested her. Certainly that could not be the cow, who was anything but stealthy in her movements. But what could it be? Melindy had a sudden prescience of peril. But her nerves stiffened to it, and she had no thought of retreat. It might be one of those savage lynxes, spying upon the calf in its mother’s absence. At this idea Melindy’s small mouth itself set very grimly, and she rejoiced that she had brought the axe along. The lynx, of all the wild creatures, she regarded with special antagonism. The stealthy movements came nearer, nearer, then suddenly died out. A moment more and a dark bulk took shape noiselessly among the fir-branches, some ten or twelve feet beyond the spot where the helpless calf was lying. For a second Melindy’s heart stood still. What was her little axe against a bear! Then she recalled the general backwoods faith that the biggest black bear would run from a human being, if only he had plenty of room to run. She looked at the helpless The bear, its fierce eyes glancing from side to side, was now within five or six feet of its intended prey. With a shrill cry of warning and defiance Melindy sprang forward, swinging her axe, and ordered the beast to “Git out!” She was greatly in hopes that the animal would yield to the authority of the human voice, and retire abashed. At any other season, it is probable that the bear would have done just as she hoped it would. But now, it had the courage of a rampant spring appetite. Startled it was, and disturbed, at the girl’s sudden appearance and her shrill cry; and it half drew back, hesitating. But Melindy also hesitated; and the bear was quick to perceive her hesitation. For a few seconds he stood eyeing her, his head down and swinging from side to side. Then, seeming to conclude that she was not a formidable antagonist, he gave vent to a loud, grunting growl, and lurched forward upon the calf. With a wild scream, half of fury, half of fear, Melindy also darted forward, trusting that the animal would not really face her onslaught. And the calf, terrified at the sudden outcry, staggered to its feet with a loud bleating. The bear was just upon it, with great black paw Furious with the pain, and his fighting blood now thoroughly aroused, the bear forgot the calf and sprang at his daring assailant. Light-footed as a cat, the girl leapt aside, just in time, darted over the fallen trunk, and dodged around the base of the rampike. She realized that she had undertaken too much, and her only hope now was that either she would be able to outrun the bear, or that the latter would turn his attentions again to the calf and forget about her. The bear, however, had no intention of letting her escape his vengeance. For all his bulk, he was amazingly nimble and was at her heels again in a second. Though she might have outstripped him in the open, he would probably have caught her in the hampering thicket; but at this crucial moment there came a bellow and a crashing of branches close behind him, and he whirled about just in time to receive the raging charge of old “Spotty,” who had heard her youngster’s call. The bear had no time to dodge or fend this onslaught, but only to brace himself. The cow’s horns, Too much excited to think any longer of flight, Melindy stood upon the fallen trunk and breathlessly watched the battle. In a few moments she realized that old “Spotty” was getting the worst of it; and upon this her courage once more returned. Running down the great log as close as she dared, she swung up her axe, and paused for an opening. She was just about to strike, when a well-known voice arrested her, and she jumped back. “Git out of the way, Child,” it commanded, piercing the turmoil. “Git out of the way an’ let me shoot!” The crippled old woman, too, had heard the cry of her young. When that scream of Melindy’s The instant Melindy had jumped out of the way Mrs. Griffis ran close up to the combatants. The bear was being kept too busy to spare her any attention whatever. Coolly setting the muzzle of the big gun (which was loaded with buckshot) close to the beast’s side, just behind the fore-shoulder, she pulled the trigger. There was a roar that filled the hollow like the firing of a cannon, and the bear collapsed sprawling, with a great hole blown through his heart. Old “Spotty” drew back astonished, snorted noisily, and rolled wild eyes upon her mistress. Then, unable to believe that her late foe was really no longer a menace to her precious calf, she fell once more upon the lifeless form and tried to beat it out of all likeness to a bear. The calf, who had been knocked over but not hurt in the bear’s charge upon Melindy, had struggled to its feet again; and At the well the quaint procession stopped, and the calf fell to nursing; while Melindy washed the cow’s wounds, and Mrs. Griffis hunted up some tar to use as a salve upon them. As she moved briskly about the yard, Melindy broke into a peal of joyous but almost hysterical laughter. “I declare to goodness, Granny,” she cried, in response to the old woman’s questioning look, “if you ain’t just as spry as me. I’ve heard tell that bear’s grease was a great medicine for rheumatism. It’s plain to be seen, Granny, that you’ve used up a whole bear for yours.” “It wasn’t the bear, Child!” answered the old woman, gravely. “It was that ter’ble scream o’ yours cured my rheumatiz! Old ‘Spotty,’ she come to her young one’s call. Could I do less, Child, when I heerd my little one cry out fer me?” WILLIAM ALLEN WHITE’S A Certain Rich Man Cloth, $1.50 net “It pulsates with humor, interest, passionate love, adventures, pathos––every page is woven with threads of human nature, life as we know it, life as it is, and above it all a spirit of righteousness, true piety, and heroic patriotism. 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No recent American novel save one has sought to cover so broad a canvas, or has created so strong an impression of ambition and of sincerity.”––Chicago Evening Post. “The great fictional expression of this mighty Twentieth Century altruistic movement is sure to be something in kind and in degree akin to Mr. White’s ’A Certain Rich Man.’”––Brooklyn Daily Eagle. “An American novel, home-grown in home soil, vital with homely American motives, and fragrant with homely American memories, Mr. White has certainly achieved.”––New York Times. Dr. Washington Gladden considered this book of sufficient importance to take it and the text from which the title was drawn as his subject for an entire sermon, in the course of which he said: “In its ethical and social significance it is the most important piece of fiction that has lately appeared in America. I do not think that a more trenchant word has been spoken to this nation since ’Uncle Tom’s Cabin.’ And it is profoundly to be hoped that this book may do for the prevailing Mammonism what ’Uncle Tom’s Cabin’ did for slavery.” PUBLISHED BY AMONG RECENT NOVELS F. MARION CRAWFORD’S Stradella Illustrated, cloth, 12mo, $1.50 net “Schools of fiction have come and gone, but Mr. Crawford has always remained in favor. There are two reasons for his continued popularity; he always had a story to tell and he knew how to tell it. He was a born story teller, and what is more rare, a trained one.”––The Independent. The White Sister Illustrated, cloth, 12mo, $1.50 net “Mr. Crawford tells his love story with plenty of that dramatic instinct which was ever one of his best gifts. We are, as always, absorbed and amused.”––New York Tribune. “Good stirring romance, simple and poignant.”––Chicago Record Herald. “His people are always vividly real, invariably individual.”––Boston Transcript. ROBERT HERRICK’S Together Cloth, 12mo, $1.50 net “An able book, remarkably so, and one which should find a place in the library of any woman who is not a fool.”––Editorial in the New York American. A Life for a Life Cloth, 12mo, $1.50 net Mr. W. D. Howells says in the North American Review: “What I should finally say of his work is that it is more broadly based than that of any other American novelist of his generation.... Mr. Herrick’s fiction is a force for the higher civilization, which to be widely felt, needs only to be widely known.” JAMES LANE ALLEN’S The Bride of the Mistletoe Cloth, 12mo, $1.25 net “He has achieved a work of art more complete in expression than anything that has yet come from him. 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ZONA GALE’S Friendship Village Cloth, 12mo, $1.50 net “As charming as an April day, all showers and sunshine, and sometimes both together, so that the delighted reader hardly knows whether laughter or tears are fittest for his emotion.... The book will stir the feelings deeply.”––New York Times. To be followed by “Friendship Village Love Stories.” CHARLES MAJOR’S A Gentle Knight of Old Brandenburg Illustrated, cloth, 12mo, $1.50 net Mr. Major has selected a period to the romance of which other historical novelists have been singularly blind. The boyhood of Frederick the Great and the strange wooing of his charming sister Wilhelmina have afforded a theme, rich in its revelation of human nature and full of romantic situations. 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