Ruins of Clipstone Palace.

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Where have ye gone, ye statesmen great,
That have left your home so desolate?
Where have ye vanished, king and peer,
And left what ye liv’d for, lying here?
Sin can follow where gold may not,
Pictures and books the damp may rot;
And creepers may hang frail lines of flowers
Down the crevices of ancient towers:
But what hath passed from the soul of mortal,
Be it thought or word of pride,
Hath gone with him through the dim, low portal,
And waiteth by his side.—F. W. Faber.

Little now remains of the old palace where King John and Edward I. resided. Creeping ivy covers the once strong walls, and large elder bushes springing from out the rents which time has made, afford a shelter to such birds as like to build their nests in solitary places. The goatsucker is one of these; you may hear her mournful voice at night, as if she bewailed and lamented the downfall of the once stately building; the gray owl is also there; the jackdaw and carrion-crow; they are never seen beside the cottage door, or in cheerful apple-orchards, covered with blossoms, where the goldfinch and linnet, the joyous throstle and the bullfinch, love to nestle. All is lonely here, the long grass which grows wild and high, around and within the ruin, is rarely trodden on, and so damp and chill is the feeling of the place, that the sheep and cattle that graze upon the common rarely seek it, unless in the hottest summer-day, when they cannot find shelter elsewhere. Yet this lone and melancholy spot was not always thus deserted: the broken-down walls encircled a spacious area, within which was all the life and business, the gladness and festivity of a palace; there was the great hall and the refectory, the chapel, where prayer was duly offered, the rooms of state, and apartments of various descriptions. Men-at-arms guarded the strong gate by night and by day, and when its ample doors were opened by the king’s command, a troop of horse might freely pass, and large companies did come and go, for great hospitality was occasionally exercised in Clipstone palace.

Fancy, that nimble fairy, who calls up the images of bygone days, who causes men to live again, and re-people the fair scenes in which they once rejoiced or suffered; who builds up the ruined wall, and removes the unsightly branches which keep off the pleasant sunbeams, bids the stately palace of Clipstone to stand forth in all its majesty. Touched by her wand, the mists of ages have rolled away, and surely a more goodly building rarely meets the eye.The walls are thick, and the embattled parapets present a range of towers, each of which are firmly guarded. The knight or palmer, he who comes in peace or war, has to pass over a strong drawbridge, and through the barbican or watch-tower by which the castle is further strengthened. He sees over his head a portcullis armed with iron spikes like a harrow, and as he passes through the long stone passage, he hears the heavy tread of the guard going their rounds along the high wall, by which the entrance is flanked on either side. The deep moat with its heavy and sluggish waters, the inner and outer ballia, the guard and the portcullis, all and each betoken that the country is in an unsettled state; but within the area on which the castle stands all is bustle and animation, its ample space contains barracks and residences for the workmen attached to the palace, together with a well and chapel, and in the centre stands the keep, where the king presides, and where his great officers have their abode. A terrace walk extends around the keep, and appended to it is a straight bowling-green, where amusements of various kinds are going on. The old castle looks gloomy to him who passes by; it stands an isolated object, stern and lonely, as if nothing within or around it, held communion with any living thing. But such is not the case, for the monarch holds his court here; King John, who has lately come to the throne, and with him is that kind and gentle lady, his fair queen, who tries to soften the rugged temper of her husband. Lords of high degree are invited guests; with them are a large company of knights and squires, and while tilts and tournaments are going on within the walls, the retainers of the castle are seen coming with provisions, or else driving both sheep and cattle, for the demand for them is great. Alms are duly given by the express desire of the queen, and those who seek for shelter are hospitably entertained.

In winter, the banquet room is lighted up with large torches, and a band of minstrels make the castle resound with their songs and roundelays. You may hear occasionally the trampling of horses, even when the company are set at table, and see a number of young gallants, of knights, too, and minstrels, coming through the great stone entrance, mounted on steeds richly caparisoned, and clad in fantastic vestments of green and gold, with high caps and ribands. Thus accoutred, they ride round the hall, and pay their respects to the assembled guests with such speeches as best please them. But, torches are not needed now, for summer is at its height. Some converse in the great halls, others mount to the top of the high keep, where they amuse themselves with observing the comers and goers from the castle, and in watching whether any knights or ladies, mounted on their palfreys, are coming from afar; others go forth to hunt over the wild moor, or to chase the deer in his forest haunts. Others, again, amuse themselves with tennis, or foot-ball, or in feats of arms. Knights and squires are seen going to and fro, conversing on foreign news, or on the valorous achievements of those with whom they are acquainted.

The queen thinks well of such proceedings, and she endeavours to promote the kindly intercourse that subsists within the walls. But now they are put aside. The king is weary of them. The jest and laugh, the discoursing of the old, and the amusements of the young, suit not with his turn of mind or the sad condition of the country. He has other thoughts than those of gladness and festivity, and growing weary of the hospitable life which he is constrained to lead at Clipstone palace, he has suddenly withdrawn from thence and gone to London.

Clipstone looks lonely now. The minstrel’s harp is silent, neither knights nor ladies ride forth over the wild moor, and rarely does any one seek for hospitality within the walls. A few men-at-arms guard the place, and you may hear the baying of the watch-dogs at eveningtide; but this is rather from impatience than necessity, for they miss the riders who used to pat their shaggy heads, and speak to them as they passed.

Sad rumours are afloat, but the place is so remote that no one knows what to believe. Some say that a civil war has broken out; others that the country is laid under an interdict, that the church doors are to be closed, and that no one is to be interred in consecrated ground.A church may be seen among the trees, beside the stream where it forms a small cascade that falls with a pleasant murmur into the vale below. It is a church of the olden time, with its primitive-looking porch, and creeping vine. Prayers have been offered there ever since the days of Alfred, and beside it the villagers have been laid to rest for successive generations: a few bells call the people to their matins and vespers, and some images stand within the walls of the edifice.

Prayers may not be offered now, for the good old priest has received orders to close the doors, and to take down the bells. It is sad to see the few images that have long recalled to recollection the holy lives of those whose memory they are designed to perpetuate, lying with the ancient cross upon the ground, and, as if the air itself is polluted, and may pollute them by its contact, the priest and his attendants carefully cover them, even from their own approach and veneration. The bells, too, which used to ring out, that all might hear and make ready for the house of prayer, are taken down and placed beside the grey tower from whence they had long sounded in seasons of gladness or sorrow. No one hears the passing bell that was wont to call the neighbours to intercede for him who lay weak and sinking upon his bed.

The living partake of no religious rite, except baptism to new-born infants and the communion to the dying; the dead may not lay in consecrated ground, neither are words of peace, nor any hallowed ceremony spoken or performed at their obsequies. Graves are opened beside the public road, on some wild common, or lone forest; those who dig them seem filled with more than usual sadness, for they have not yet learned to think that it is a matter of indifference where their friends are buried. Strange it is, that in these fearful times any should think of marrying. Yet such there are, and now a bridal company is seen passing up the narrow pathway that leads to the small church. The sun shines as brightly as if all on earth were happy; the trees wave in the soft summer wind, and the butterflies and bees flit from one flower to another, or rest on the tufts of wild thyme that skirt the path. But the old people look exceeding sorrowful, and there are no smiles on the faces of the young. They stop at the entrance of the churchyard, at the old stile with its thatched roof, where part of the ceremony is wont to be performed, and the bride and bridegroom stand there, as if they almost feared to go on. The sod which used to be kept so nicely that a weed might not lift up its head unbidden, has grown long and rank. It overtops the graves; and the thistle, and that unsightly weed the great cow-parsnip, with its sickly-looking flower, has sprung up in rank luxuriance. The bells are placed beside the church, and near them the images, and the one old cross are lying on the ground, covered up in a manner which cause them to look like corpses waiting for interment.

In a moment the old church and its venerable yew—the sad bridal company—the bells and images are gone. A new scene presents itself, for more than eighty years have passed since these things were done, and the aspect of everything is changed.

Clipstone Palace does not look gloomy now. Alterations have been made, though it is difficult to say how or where. There is the keep and the bastion, the wall and moat, but the place looks lighter, the men-at-arms are not so heavily loaded with armour, and the knights and ladies wear a lighter and a gayer dress. Their palfreys are elegantly caparisoned, and they go forth with hawks upon their wrists, and hounds running by their sides, with only a few attendants. The dwellings of the poorer classes are more comfortable than in the days of John, and they have around them small enclosures, in which grow pot-herbs, and fragrant flowers. The country, too, is cultivated in many parts, and all look peaceful and contented.

He who surveys the landscape from an eminence, will observe that houses have been built, which, although not rising to the dignity of castles, have much of the ancient baronial style, being strongly moated, and having the entrance guarded with a portcullis. They consist of a quadrangle, with a large area in the centre, into which both sheep and oxen are often driven for greater security by night. The fields around are in general well attended to, and large gardens, stocked with fruit and vegetables, supply not only the wants of the respective families, but also provides abundance of such medicinal herbs, as is convenient to have within reach. This style of building evinces a considerable improvement in society, for during the insecure condition of the country, when Clipstone Palace was last brought into view, every baronial residence was strongly fortified, and scarcely any intermediate gradations existed between the vassal and his lord, except in commercial cities. Men had consequently little inclination to cultivate the arts of peace. The knight or squire who rode forth fully caparisoned, and armed cap-À-pie, turned not aside his charger into the recesses of the forest to gather such beautiful flowers as might grow therein, when there was danger in his path; the serf, who toiled hard to sustain his wife and children, had neither time nor inclination to seek out, or to plant around his cabin either the wild rose or the honeysuckle. The wild rose grew, as now it grows, fragrant and beautiful; the honeysuckle, too, and wild flowers of all scents and hues sprung beside the common, or skirted the thorny brake; but the outlaw often lurked among them, and it was death to him who sought, unarmed or alone, the beautiful solitude of nature. But now that the country is at peace, and the towns and cities contain a class of persons who grow rich by commerce, and who frequently obtain in their intercourse with foreign nations, curious specimens both of art and nature, men begin to lay aside that dread of their fellow-men which has hitherto caused them to think most of their personal safety, and to direct their attention towards improving their own condition.

The dwellings which arose in consequence throughout the country, and give the traveller a feeling of security as he passes beside their gardens, or through the pathways which lead across the fields, are inhabited by a class of men who had no political existence in the days of John. These are the lesser barons. They originated with the partition of the great estates which had been given by the Norman conqueror to his immediate followers, and which anciently conferred power on individual families. Many of these had escheated to the crown when the heads of them, having taken part in civil broils, either fell in battle or fled into foreign lands. The king then generally parcelled such estates among his courtiers according to their merits; others were divided, either to make provisions for younger children, or partitioned among coheirs, and hence originated a number of small estates, which required economy in the management, and caused the proprietor to remain much at home, where he occupied himself in cultivating his paternal or appropriated acres, and in attending to his cattle.

It is the wise policy of Edward, who resides much at Clipstone Palace during the pleasant months of summer, to encourage and protect the lower orders of society. He is not ignorant concerning the transactions of other days; though a long interval has elapsed since the crown was overawed by the turbulent barons in the days of John; since that stern and vindictive monarch sat sullenly brooding over his sad condition, and devising schemes for aggrandisement or revenge in the same apartment which King Edward enlivens with his presence; from the embattled parapets of which he can survey the smiling and well-peopled landscape.

A fine young oak grew on the west side of Clipstone Palace in the days of John; it was noticed at that time for its girth and height, and was much admired by many who resided within the park. Parties were assembled occasionally beneath its shade, and the minstrel would wake up his harp in a fine summer evening. Those who loved his lays gathered around him, and while they listened to the deep music that he poured forth, and to the thrilling strains by which it was accompanied, the sun often set below the horizon, and his beams shed a purple light on the rising ground, while the plain country and the woods were covered with the mists of evening. Had the tree a voice, or could its leaves form words when shaken by the wind, how much of ancient history—how many tales of loves and woes—of human suffering and human joys, would be unfolded! The tree looks not now as it did then; somewhat of its grace has passed away, but there is more of majesty; the branches are exceeding ample, and the stem is beginning to be slightly furrowed. Knights and ladies still sit beneath its shade, as in the days of John, and the minstrel’s harp is awakened at their bidding, while the same bright sun is setting in his glory behind the hills, on which the inmates of the palace looked in bygone days. The same hopes and joys—the same ties of family and of kindred, were among them as among those of the present day. Modified, indeed, by the times in which they lived—by the hopes or the misgivings of that eventful period, but still the same in all their bearings, on the weal or woe of knight or lady, sire or son.

Now there is another company sitting there; men of grave countenances and full age. Their plaited ruffs and satin doublets, their high-crowned hats and plumes, though reverently laid aside, the richness of their vestments and, above all, their dignified demeanour, show that they are of high degree. Some have broad and ample foreheads, furrowed with deep thought; others seem worn with care; some again appear to have sustained the shock of many battles, and among them are a few with staffs and crosiers, whose countenances denote a life of prayer and abstraction. This goodly company are the counsellors of the king, together with the greater and lesser barons and knights, assembled at his bidding: they hold a parliament beneath the noble tree, for such is the royal pleasure. The king presides in state among them, and right and left, and immediately before him, seats are placed for those whose rank entitles them to the pre-eminence, while the burgesses sit apart. They are deliberating on matters of great importance; on the affairs, perhaps, of Scotland; for the young Queen Margaret is dead, and the king is devising schemes for obtaining possession of the country. It is a solemn sight to see men thus deliberating, as if eternity depended on their decision, while the very tree beneath which they meet, and the adjacent palace, might teach that human life is even as a vapour.

Gradually as the mist of ages were dispersed, so gradually do they return. They gather over the assembly, and cover, as with a light transparent mantle, the palace with its embattled parapets, and men-at-arms, the moat, and drawbridge. Fainter and fainter grows the scene; the king may yet dimly be discerned, and one among the rest seems speaking with great earnestness; now the strained eye discerns them no longer. All and each are concealed from the view. Where stood the noble oak, and those who were assembled beneath its branches, a solitary spot of ground, with an aged, riven, and time-worn tree, alone appears: in the place of a stately palace, broken ruins meet the eye, and a few straggling sheep graze beside them.


William Rufus and the Monk of Gloucester.

                                                                                                                                                                                                                                                                                                           

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