Previous to the Roman conquests, the Britons were accustomed to celebrate the rites of Druidism; but as it was the custom of the Romans to carry into the lands they conquered not only their civil polity, but also their religion, the gods of the Pantheon became consequently the gods of our ancestors. Near the existing memorials of Druidical superstition there arose the majestic fanes of a more polished mythology. At Bath there is said to have been a temple dedicated to Minerva, while on the site now occupied by the splendid cathedral of St. Paul there was a temple to Diana. It appears, from a passage in King’s ‘Vale Royal,’ there was a tradition generally accepted in his day, that on the present site of Chester Cathedral was a temple dedicated to Apollo, during the period that the city was inhabited by the Legionaries. “I have heard it,” he says, “from a scholar residing in the city, when I was there, anno 1653, that there was a temple dedicated to Apollo in olden time, in a place adjoining to the Cathedral Church, by the constant tradition of the learned.” We are not aware that the supposition is capable of being verified by any existing record; but when we take into consideration the policy generally pursued by the Romans in subjugating a country, it seems to be countenanced by strong probability. With this form of Paganism, however, there came zealous men, of true apostolic stamp, whose earnest inculcation of vital principles accelerated the progress of a better faith. So conspicuous had that progress become early in the third century, that Tertullian, in his work written against the Jews, A.D. 209, states that “even those places in Britain hitherto inaccessible to the Roman arms, have been subdued by the gospel of Christ.” The ground on which the temple of Apollo once stood (if the tradition be trustworthy) was occupied, early in the second century, Hugh Lupus, following the example of most of his predecessors, lived a life of the wildest luxury and rapine. At length, falling sick from the consequence of his excesses, and age and disease coming on, the old hardened soldier was struck with remorse; and—an expiation common enough in those days—the great Hugh Lupus took the cowl, retired in the last state of disease into the monastery, and in three days was no more. The Abbey was so richly endowed by the founder and his successors, that at the dissolution its revenues amounted to no less a sum than £1,073 17s. 7d. per annum. On the general dissolution of the monasteries, Chester was erected into an independent bishopric, and St. Werburgh’s was converted into a Cathedral Church, which it has ever since remained. It was dedicated to Christ and the Blessed Virgin Mary; and a dean and six prebendaries installed in it, Thomas Clarke, the last abbot, being appointed the first dean. The principal portions of this venerable pile have been erected at different periods from the fourteenth to the sixteenth century, although there are some parts which bear indubitable marks of a much earlier origin; the greater part, perhaps, belongs to the fourteenth or fifteenth century, when the richly decorated style of Gothic architecture was at its zenith in this country. The Cathedral, from whatever side it is viewed, presents a massive appearance, and exhibits a pleasing variety of styles, in accordance with the taste of different ages. Mr. Asphitel has said that he found beauties which grew on him more and more at every visit. The Norman remains are extremely fine—there is work of all kinds of great beauty—and there are the most curious and instructive transitions from style to style that perhaps were ever contained in one building. Its general style may be termed the Norman-Gothic. It has been generally supposed that there are also some remaining specimens of the Saxon; but Mr. Asphitel, in an interesting The west front is said to have been the work of Abbot Ripley, who was appointed to the abbacy in 1485. It is now in an unfinished state, and it seems more than probable that there was an intention to form two western towers. The foundation of them was laid with much ceremony by Abbot Birchensaw in 1508, the Mayor being then present; but the project was abandoned, most likely for want of funds: had the original design been executed, says Winkle, it would not have been very imposing. The west entrance is a singular and beautiful composition: the door itself is a Tudor arch, enclosed within a square head; the spandrils are filled with rich and elegant foliations; the hollow moulding on the top is deep and broad, and filled with a row of angels, half-lengths; all this is recessed within another Tudor arch, under another square head, with plain spandrils of ordinary panelling. On each side of the door are four niches, with their usual accompaniments of crocketted canopies, pinnacles, and pendants; and instead of brackets, the statues formerly stood on pedestals, with good bases and capitals. Above this entrance is the great western window of the nave, deeply and richly recessed; it is of eight lights, with elaborate tracery of the kind most common in the latest age of the pointed style. The arch of the window is much depressed, and has above it a flowing crocketted canopy; the gable has no parapet, but is finished off with a simple coping; the flanking-turrets are octagonal, and have belts of panelled tracery and embattled parapets. Leaving the west front, and turning to the south, a rich and deep porch presents itself behind the Consistory Court; the porch is flanked by buttresses, which once had pinnacles. The entrance is under a Tudor arch within a square head, the spandrils richly panelled; over the square head is a broad belt of quatrefoil panelling; above that a hollow moulding, adorned with the Tudor flower; above this are two flat-headed windows of two lights each, with a deep niche between them, resting on a projecting bracket; the statue is of course gone, but the projecting and richly decorated canopy remains, on both sides of which the wall above is adorned with two rows of panelling; the open embattled parapet, which once crowned the whole, has disappeared. The south side of the nave and its aisle is plain, but not without dignity; the windows The next feature of the Cathedral is a very singular one, and, indeed, unique—viz., the south wing of the transept. It is no uncommon case to find the two portions of the transept unlike each other in some respects; but in no other instance are they so perfectly dissimilar as at Chester. Here the south wing is nearly as long as the nave, and of equal length with the choir, and considerably broader than either, having, like them, aisles on both sides; while the north, which probably stands on the original foundations, has no aisles, is very short, and only just the breadth of one side of the central tower. The east and west faces of this south portion of the transept are nearly similar. The aisles have no parapet; the windows are pointed, of four lights each, with late decorated tracery and small intervening buttresses. The clerestory has a parapet similar to that of the nave; the windows are pointed, large, and lofty, with perpendicular tracery and two transoms. The south front of this transept, flat at top, is flanked with square embattled turrets and buttresses, and has a large window of the perpendicular age, filling up nearly all the space between them. The south face of the aisles, on each side, have pointed windows and sloping tops, without parapet, but flanked by double buttresses at the external angles, without pinnacles. The south face of the choir, with its aisle, is in nearly all respects similar to the south portion of the transept; but the aisle is lengthened out beyond the choir, and becomes the side aisle of the Lady Chapel, and has an octangular turret near the east end, with embattled parapet, and beyond it a plain, heavy, clumsy buttress; the sloping parapet of the east face of this aisle meets at the top the flat plain parapet of the most eastern compartment of the Lady Chapel, which projects beyond the aisle to that extent. The windows of the Lady Chapel are all pointed, and of good perpendicular character; the projecting portion has double buttresses at the external angles, and the eastern face has a low gable point. This chapel is very little higher than the side aisles of the choir, the east face of which is seen over it, with a large lofty pointed The central tower is perhaps the best external feature of this Cathedral, it is indeed only of one story above the roof ridge, but it is loftier than such towers usually are; in each face of it are two pointed windows, divided down the middle with a single mullion, with a quatrefoil at the top, and all of them having flowing crocketted canopies with finials. At each of the four angles of the tower is an octagonal turret engaged, all of which, like the tower itself, are terminated with an embattled parapet. The Cloisters, Chester Cathedral On entering the interior, through the west doorway into the nave, “some disappointment and regret,” says the same authority, “cannot but be felt: here is no vaulted roof, but a flat ceiling of wood, resting on brackets of the same material, slightly arched, which gives the nave the appearance of having less elevation than it really possesses; for the naves of many much more magnificent cathedrals are not so lofty as this by several feet, but by being The pillars of the nave are clustered, and have rich bases and foliated capitals, and the arches are pointed. In this part of the Cathedral and the north transept are several monuments worthy the attention of visitors. A pyramidical monument by Nollekens, representing a female figure resting on a rock, against which is placed a broken anchor; erected by Captain John Matthews, R.N., to the memory of his wife. One, in white marble, by Banks, representing the Genius of History weeping over an urn, having three vols., inscribed ‘Longinus,’ ‘Thucydides,’ ‘Zenophon,’ placed by it; erected to the memory of Dean Swift, the learned translator of those works. One to the memory of Mrs. Barbara Dod, erected by the minor canons. One to Captain John William Buchanan, of the 16th Light Dragoons, slain at the battle of Waterloo. One of Cavalier Sir William Mainwaring, killed at Chester during the great civil war, 1644. Against the north wall a handsome monument, enclosing a bust of Sir J. G. Egerton, Bart., erected by subscriptions of the citizens of Chester, in memory of their honourable and independent representative. One in memory of Major Thomas Hilton, who died at Montmeir, in the Burmese empire, 2nd February, 1829. One to Augusta, the wife of the Rev. James Slade, Canon of the Cathedral, and daughter of Bishop Law. One of Captain John Moor Napier, who died of Asiatic cholera, in
In the north transept is a piece of very fine tapestry, executed after one of the cartoons of Raphael, representing the history of Elymas the sorcerer. Wright, in his travels through France and Italy, expresses his opinion that this is much superior to any of the tapestry which he saw in the Vatican. There is also a well-executed stone monument to Roger Barnston, Esq.; and a tablet in memory of good Chancellor Peploe. A beautifully executed marble monument has lately been placed on the wall of the north transept to the memory of Colonel T. Graham Egerton, of the 77th Regiment, who fell at the siege of Sebastopol, in April, 1855. The choir well merits the attention of every visitor of taste. From the organ-loft to the Bishop’s throne, the sides are ornamented with rich spiral tabernacle work, underneath which are massive and highly ornamented stalls. The choir is separated from the nave and broad aisle by a Gothic stone screen; there are five pointed arches on each side; above them is an arcade of pointed arches, resting on slender shafts, and above it are the clerestory windows. The pavement of the choir is of black and white marble. At the west end of it are four stalls on each side of the entrance, and there are twenty others on each side of the choir; over these are rich canopies, with pinnacles and pendants in great profusion. Above the stalls on the right hand, opposite the pulpit, is the Bishop’s throne, which formerly stood at the east end in St. Mary’s Chapel, and is said to have been the shrine of
At the back of the throne is a magnificent stone screen, the gift of the Archbishop of Canterbury. The altar screen was presented by the Rev. Peploe Hamilton, of Hoole, near Chester; the chair within the communion table by the Rev. Canon Blomfield; the new Bible desk, of carved oak in the form of an eagle, by the Rev. Chancellor Raikes; the new stone pulpit, from a beautiful design by Mr. Hussey, was the liberal gift of Sir Edward S. Walker, of Chester. Towards the restoration of the Cathedral, Her Majesty the Queen also contributed a donation of £105, in the name of the Prince of Wales as Earl of Chester. Under the east window is an arch opening to the Lady Chapel, which consists of a middle and two side aisles, the stone vaulting of which is adorned with richly carved key-stones. The side aisles are divided from the middle portion of two arches, sprung from a massive pier on each side, apparently part of the original building, cut down and crusted over with clusters of light pillars, terminated in elegant pointed arches, with quatrefoils inserted in the mouldings. On the north side of the chancel, which extends beyond the side aisles, are two elegant pointed arches: one contains two piscinas; the other was apparently a seat for the officiating priest; another pointed arch appears also on the opposite side. We now direct the visitor’s attention to a portion of the Norman edifice, which has of late excited very great interest, the Promptuarium, lately excavated: “the chamber is a sort of gallery or cloister on the ground floor, about ninety feet long by forty feet wide, traversed in the centre by a row of pillars (with one exception cylindrical), which divide it into six double bays, from which pillars, and four corresponding ones at each side, spring the intersecting arches by which the building is vaulted. The side pillars are as entirely Norman in their character as the centre ones, being simply the square pier, on each face of which is the pilaster attached; the groining of the roof is without the finish of ribs at the joints, a finish characteristic of a later period. The chamber, which has at present only a borrowed light from the cloisters on the east, was originally lighted from the west side by a window in each bay, except the second bay from the south end, in which was a principal entrance. This doorway and the windows are now all choked up by the adjoining garden. On the same side, and at the north end, is a very large chimney and fire-place. A glance at the groining Mr. Asphitel, in his able lecture on Chester Cathedral, bestowed the name of Promptuarium on this Norman cloister: he says—“These are vaulted apartments of early Norman work, and are described in the charter of Henry Eighth, by which he divides the properties between the Bishop and Dean, promptuaria et pannaria, the former derived from a word denoting a butler or steward, probably a buttery; and the latter, from pannus, a cloth, probably the place for clothing.” Mr. Ayrton, in an able paper on the Norman remains of the Cathedral, read before the Chester ArchÆological Association, entered into an elaborate inquiry on the subject, stating his reasons for concluding that this is not a Promptuarium, but, in his opinion, a spacious Hall, where the splendid hospitality of the Abbots was displayed to strangers, friends, and dependents.
The dimensions of the Cathedral are as follows:—Length from east to west, 350 feet; nave, 160; choir, 125; Lady Chapel, 65; transept from north to south, 180; breadth of nave, choir, and aisles, 74½ feet; south wing of transept, 80 feet square; height of nave and choir, 78 feet; tower, 127; Lady Chapel, 33; north wing of transept, 39 feet broad. The following is a list of the Bishops, from the foundation of the see, in 1541, to the present date:—
Bishop—J. Graham, D.D. Dean—F. Anson, D.D. Archdeacons. Ven. Isaac Wood, Middlewich Canons.
Minor Canons.
Honorary Canons.
Organist—Mr. Gunton. The hours of service are—Week-day, morning, 7 and 10; afternoon, 4. Sunday, morning, 11; afternoon, 4 o’clock. During the winter months the service begins at 3 in the afternoon. Through the indefatigable energy of Dr. Anson, the present Dean, many most important improvements have been introduced into the interior of this noble edifice, which have added very much The whole of the choir has been vaulted, which has greatly contributed to its improved appearance. A great number of beautiful stained-glass windows, principally the gifts of private families as obituary memorials, have been introduced since the commencement of the improvements in 1843. The large window of stained glass, at the west end, was presented by Mrs. Hamilton, of Hoole, by whose liberality a splendid restoration of the Lady Chapel has been effected. The interior of the Cathedral excites a general feeling of admiration, which the exterior fails to realize. The Church of St. Oswald’s,as already mentioned, forms the south transept of the choir of Chester Cathedral. After the introduction of regular monks into the monastery of St. Werburgh, anciently dedicated to the Holy Trinity and St. Oswald, the name of this patron saint was retained by that part of the conventual church which was set apart for the uses of the inhabitants of the parish, within which the monastery was placed. This part probably occupied the site of that transept of the Cathedral which forms the present parish church. The name of St. Oswald does not, however, appear to have been originally used for the parish. In the licence of appropriation by William Cornhall, Bishop of Coventry, it is called the parish church of St. Werburgh. It appears to have been subsequently called the Church of St. Oswald and the Church of St. Werburgh indiscriminately. It was founded in the ninth century by Ethelfleda, Countess of Mercia. So early as 1093, when Earl Leofric introduced regular monks into the Cathedral, that part of it now occupied by St. Oswald’s was set apart for the use of the parishioners, as we have just stated. The abbot and convent afterwards wishing to re-attach it to the Cathedral, built for the parishioners a small chapel, dedicated St. Oswald’s was formerly in a state of great dilapidation; and was only separated from the aisle of the Cathedral by a slight wooden screen. In 1827 it was thoroughly repaired; the whole was new flagged and pewed, a new pulpit and reading desk added; the old gallery, which was at the west side, taken down, and a new one erected at the south end. The interior was cut off from the aisle by a partition, erected by Dr. Coplestone when Dean, who expended more than £1,000 in various improvements. St. Oswald’s is a vicarage, in the gift of the Dean and Chapter of Chester Cathedral. The present vicar is the Rev. William Harrison, M.A. St. John’s Church & Priory, Chester Church of St. John the Baptist.The church is situated without the city walls, a short distance from the Newgate; it stands upon an elevation overhanging the north bank of the Dee, and the churchyard commands a beautiful and extensive prospect. This church, with its adjoining ruins, is the most interesting of the ecclesiastical buildings of Chester. The foundation of the church is ascribed by Webb to Ethelred, Ring of Mercia, and stated, on the authority of Giraldus, to have taken place in the year 689. The MS. chronicle of St. Werburgh makes a similar statement on the same authority; it is also adopted by the author of ‘Polycronicon,’ and thus quaintly recorded—
This inscription is now affixed to a pillar on the north side of the church. With respect to its foundation by Ethelred, we find the following curious passage, quoted from an early writer by King According to William of Malmsbury, St. John’s was repaired and richly endowed by Leofric, Earl of Mercia, in 1057, and it is shortly afterwards thus noticed in Doomsday Book:—“Ecclesia Sancti Johanius, in civitate habÉt viii. domos, quietas ab omnÉ consuetudine: una ex his est matricularii ecclesiÆ; aliÆ sunt canonicorum.” The seat of the See, which for some centuries after the conquest fluctuated between Chester, Coventry, and Lichfield, was, in 1075, fixed for a time in the Church of St. John, by Peter, then Bishop, which may be taken as a sufficient proof of the wealth and grandeur of the foundation, even at this early period. The succeeding Bishop, Robert de Limesey, having removed the seat of the See to Coventry, St. John’s returned to its former collegiate establishment, but was long afterwards considered and denominated one of the three Cathedrals of the diocese, and retained in its immediate neighbourhood a palace of the Bishop, and the mansion of the Archdeacon of Chester—the remains of its former importance. At the dissolution in 1547, the college consisted of one dean, seven prebends, four vicars, a clerk, and a sexton. “In this church,” says Dr. Cowper, “was an ancient rood, or image of wood, of such veneration, that in a deed dated March 27, 1311, confirmed by Walter Langton, the church was called the Church of the Holy Cross and St. John.” “There can be little doubt, on the whole,” says Ormerod, “that some monastic foundation, dedicated to the Holy Cross, had, previously to this, merged in the college of St. John.” In 1468 the old steeple, which stood between the nave and the chancel, fell in, and destroyed great part of the choir. In 1470 the steeple was rebuilt, and the whole church covered with lead at the expense of the parishioners, to whom certain immunities were granted by the Dean on that account. In 1548, a commission was granted to certain gentlemen of Cheshire to survey the colleges, &c., within the county; in virtue whereof a return (now in the Augmentation Office) was made, wherein the annual rent of the college of St. John, arising from lands, tithes, &c., is reckoned at £146 5s. The church plate “St. Johns, when entire,” says Pennant, “was a magnificent pile. The tower once stood in the centre, but falling down in 1574, was never rebuilt.” “The church,” says Ormerod, “was in the finest style of early Norman architecture; it consisted originally of a nave and choir, with side aisles, two transepts, and a central tower, &c.” On each side of the chancel were added, at a later period, chapels in a rich style of pointed Gothic, in which some exquisite specimens of shrine work are yet remaining. The nave and choir, fitted up and repaired in 1581, as before mentioned, now form the parish church, in which public worship is celebrated. Eight arches, resting on pillars 5 feet 6 inches in circumference, with capitals variously ornamented, separate the nave from the side aisles; and above these are two rows of galleries, with pointed arches, springing from light shafts. Four massive composite pillars, which formerly supported the central tower, still remain in the nave. In the interior are some interesting relics of the architecture of our Norman ancestors. The belfry is detached from the church, at the north-west corner of which it is situate. It is a square tower, erected in the seventeenth century, 150 feet in height. It is extremely lofty, and its At the east end of the church, as now rebuilt, stand the ruins of the chapels above the choir, consisting of the outer walls, with the remains of several windows of Gothic architecture; and the eastern wall, containing a beautiful arched window, of the same style, but larger and richer in ornament than the others. Near the foot of the tower, on the north side of the church, is an ancient porch, forming the principal entrance, in the sides of which are two lancet arches, the entrance being under an acutely pointed arch, the mouldings of which rest on a number of short shafts, which converge as they retire inwards. “Within this church,” says Ormerod, “was a chantry, dedicated to St. Mary.” Within the precincts of St. John’s were also Thorneton’s chantry, the Chapel of St. Anne, which Piggott says, “in some deeds, is called the ‘Monastery of St. Anne;’ was endowed with land and houses, some of which now constitute the revenues of Northwich school:” there was also the Chapel of St. James’s, which Lysons says was the old parish church; in 1662 it is described as being then used as a stable. It has long since been entirely destroyed. On the south wall of the churchyard was an ancient building, called the “Anchorite’s Cell,” which is said to be the spot where Earl Harold retired after the battle of Hastings, in 1066; a monkish chronicle being extant, which denies the fact of his death in that fight, and states that he lived for some time after at Chester, in the disguise of a monk. In 1770 two skeletons were discovered here in coffin-shaped cavities, scooped out of the rock. The fourteen panel tables which are hung in various parts of the church, bearing the arms of the deceased to whose memory they are placed, are said to be painted by one of the Randle Holmes, the distinguished herald artists. This noble church is horridly disfigured by huge galleries and unsightly pews, for the removal of which an effort is now making, as a prelude to a general restoration of the sacred edifice. The present vicar is the Rev. W. B. Marsden, M.A. Chancel ruins of St. John’s Church, Chester St. Peter’s Church.This church stands exactly in the centre of the city, where the four principal streets meet, and close to the ancient site of the Pennant is of opinion, as we have before stated, that on this site formerly stood the Roman PrÆtorium. Tradition says that this church was built by Ethelfleda, Countess of Mercia, and that it was originally dedicated to St. Peter and St. Paul, at the time when the name of the “mother church” was changed to the Holy Trinity and St. Oswald. Bradshaw, the Monk, alluding thereto, says—
In Domesday it is noticed under its present name, “Templum Sancti Petri.” In 1081 it was given by Robert de Rodeland to the Monks of St. Ebrulf, in Normandy, by whom it was shortly afterwards resigned to the Abbot of St. Werburgh. In 1479 the steeple was rebuilt, on which occasion the parson, and other inhabitants, ate a goose at the top of it, and flung the bones into the four principal streets beneath. In 1580 eight yards of the spire of the steeple were new built. A.D. 1637–40, the east end of the church, and the south side from the window stools, was re-edificed, the roof almost new leaded, most of the pews new made, all the rest repaired, and all the aisles nagged. At the dissolution, the patronage of St. Peter was vested in the Dean and Chapter of Chester; it afterwards reverted to the Crown, but is now solely in the gift of the Bishop. The spire of this church, having been injured by lightning, was taken down in 1780, and in 1787 the south side of the church was recased with stone. The steeple was rebuilt, and a new clock was placed in it, in 1813; other improvements in the interior have been subsequently made with good taste and effect. The Rev. John Watson is the rector. The Church of the Holy Trinityis situated on the north side of Watergate-street, adjoining the Custom House. The interior of this church consists of a nave, chancel, and side aisles, divided from the nave by three pointed arches on the south side; but on the north the arches have been removed, and their places supplied by iron pillars. A thorough repair took place in 1826, when a number of free sittings were erected in the galleries. Dr. Parnell, Archdeacon of Clogher, whose poems are familiar to every person of taste and feeling, was buried in this church, October 24th, 1718, having died at Chester, on his way to Ireland. There are several monuments worthy of attention. Within the communion rails lie the remains of Matthew Henry, the celebrated commentator, who officiated in the Presbyterian chapel in Cook-street; there is a Latin inscription to his memory on a brass plate. The Rev. F. Ayckbown, M.A., is the rector. formerly called St. Martins of the Ash, stands at the west end of White Friars and Cuppin-street. It appears to have been an ancient foundation; for it is mentioned in a deed, in the year 1250, wherein Bernard de Trannuille releases to Philip le Clerk a rent of 12d. arising from premises situate “near the Church of St. Martin in Chester.” The old church mentioned in this deed, having fallen into decay, was rebuilt in 1721, as we learn from an inscription on the front of the steeple. The open ground in front of this church bears the name of Martin’s Ash, derived in all likelihood from the circumstance of an ash tree having formerly stood on the spot. The parish is now united to that of St. Bridget, and the service in St. Martin’s is discontinued. St. Mary’s Church,anciently called Ecclesia SanctÆ MariÆ de Castello and Ecclesia SanctÆ MariÆ super Montem, but now St. Mary’s on the Hill, stands at the upper end of Castle-street, at the extreme verge of the liberties of the city. Although the precise date of the foundation of this church cannot be ascertained, yet it is not improbable that it was one of those founded early in the twelfth century by Lucy, sister of Edwin, Earl of Mercia, and widow of Randle de Meschines, Earl of Chester, a lady remarkable as a benefactress to the “holy church,” even in that church-erecting and endowing age. At all events, St. Mary’s was gifted to the Abbey of St. Werburgh, by Randle Gernons, Earl of Chester, son of the above-named lady, in one of those fits of compunction which usually followed the acts of violence into which his turbulence and ambition frequently led him. Shortly after the dissolution, the Dean and Chapter of St. Werburgh obtained a grant from the Crown of the rectory of St. Mary’s, which was surrendered by Dean Cliffe in 1550, to Sir R. Cotton, by whose agent it was sold for £100 to John Brereton, Esq., of Wettenhall, by whose heirs it was again sold to the Wilbrahams of Dorfold, from whom it passed by marriage to the Hills of Hough, in Wybunbury, from whom it was purchased by the late Marquis of Westminster. St. Mary’s consists of a nave, chancel, and side aisles, with a square tower at the west end, used as a belfry. The south aisle, called Troutbeck’s Chapel, was erected by William Troutbeck, of Dunham, in the fifteenth century. This chapel is noticed in the The tower of St. Mary’s is only 50 feet high, its further elevation having been objected to by the Governor of Chester Castle, when it was repaired in 1715, lest it should command the castle-yard. In this church are several monuments well worthy the attention of the visitor. Amongst these is one to the memory of Thomas Gamul, Recorder of Chester, who died in 1613. The deceased is represented in a recumbent posture, with his wife on his right hand, and his only son in the attitude of prayer at his knee: on the side of the tomb his three daughters, who died in infancy, holding skeletons in their hands. The statues of this monument are of alabaster. Another to the memory of Philip Oldfield, of Bradwell, who died in 1616, represents him in the costume of that age, leaning on his right side, with a roll of parchment in his hand. The slab is supported by kneeling figures of his four sons, with their hands upon their sword hilts: at the head are figures of his two daughters bearing shields. In the north aisle are tablets to the memory of different members of the family of Holmes, the celebrated antiquaries. Of this family, four successively bore the name of Randle. The first, who was Sheriff of Chester in 1615, and Mayor in 1633, died in 1654; the second was Mayor of Chester in 1643, and died in 1659; the third, author of the ‘Academic Armoury,’ was gentleman sewer to Charles the Second, and Deputy Garter King of Arms, and died in 1699; and the fourth was Deputy Norroy King of Arms, and died in 1707. Of these four Randle Holmes, the second and third were the celebrated antiquarian collectors; and there are some compilations of a similar nature, brought down to 1704, by the last. Several stained-glass windows have lately been introduced, the principal ones consisting of a memorial in honour of the heroes of the 23rd regiment of Welsh Fusiliers, who fell at the battle of the Alma in the Russian war: and another to the memory of the late rector, the Rev. W. H. St. Mary’s is a rectory, in the gift of the Marquis of Westminster. The present rector is the Rev. C. Boween, M.A. There are Sunday evening lectures in this church, under the patronage of the Bishop of the diocese. They are supported by annual subscriptions, aided by collections in the church. St. Bridget’s Church.The old church of St. Bridget, or St. Bride (now removed), was situate on the west side of Bridge-street, exactly opposite to St. Michael’s. There exists no correct data on which to ascertain the time of its foundation, which tradition attributes to Offa, King of Mercia, who reigned in the end of the eighth century, about which time we are told that several churches were founded in Chester. There is, however, clear evidence, from writings among the Harleian MSS., that in the twelfth century the patronage of this church belonged to the Lords of Aldford, by one of whom, in 1224, it was quitclaimed to Randle Blundeville. From another writing it appears that, in 1265, Simon, Abbot of St. Werburgh, in consideration of certain grants and donations, made to him by Bertram de Arneway, bound himself to maintain a chaplain to say mass for the soul of John Arneway, before the altar of the Virgin in St. Bridget’s Church. This church was formerly surrounded by a wall, which encroached considerably upon Bridge-street, and the ground between this wall and the church was used as a burying-place; but in 1785 the bodies were removed to a piece of ground on the south of the church, and the street widened. The church walls were refaced with freestone, and other repairs made at the same time. A gateway formerly crossed the street between St. Bridget’s and St. Michael’s churches, dividing higher from lower Bridge-street. The old church of St. Bridget was taken down in 1827, under the provisions of the New Bridge Act, in order to improve the approach into the city, and the new church was erected on the north-west side of the castle. The ceremony of laying the foundation stone was performed by the Right Rev. C. J. Blomfield, then Lord Bishop of the diocese. The length is about 90 feet, and the width 50, and the church is calculated to contain 1,000 persons. “It is rather a remarkable circumstance,” says Hemingway, “that although St. Bridget’s parish is wholly within the city, the ground occupied by the church and cemetery is neither within the parish The Rev. G. Salt, M.A., is the present incumbent. St. Michael’s Churchis situate on the east side of Bridge-street, opposite the end of Grosvenor-street, leading to the New Bridge. The time of its foundation is uncertain, but it is supposed to have been connected with the Monastery of St. Michael, which was given to the priory of Norton by Roger de Lacy in a charter, subsequently confirmed by Henry the Second; it is recorded by Bradshaw, that “the Monastery of St. Michael was burnt by the great fire which happened on Mid-Lent Sunday in 1118, at eight of the clock (all being in church), and consumed the greatest part of the city.” It is conjectured that this monastery was situated in Bridge-street, in Rock’s-court, where, Dr. Williamson says, “before it was converted into dwelling houses, one might have beheld fair, churchlike windows, and other demonstrations of its being part of a religious house.” The chancel was rebuilt in 1496, and enlarged in 1678. The old steeple, which was built in 1710, having fallen into decay, from the perishable nature of the red sandstone, was taken down in 1849, and the present handsome structure, built with white stone, was erected in its place. The south, east, and a portion of the north walls of the church having also been found to be in a very defective state, they were taken down in 1850; in fact, the church has been almost entirely rebuilt, as none of the old walls remain, except the three internal arches, and a part of the north wall. The flat ceiling has been removed, but the nave and chancel roofs being principally constructed of oak, and in a good state of preservation, have been retained; they have, however, been re-slated. The north chancel has been entirely rebuilt and new roofed. The north aisle of the nave is divided from the body of the church by three pointed arches springing from octagonal columns, the capitals being ornamented with quatrefoils. The interior of the old building was very inconvenient, unsightly, and dilapidated, but it is now completely restored in proper ecclesiastical style. The chancel is paved with beautiful tiles, those within the communion rails being liberally given by Mr. Minton. Christ Churchis situated in a thickly inhabited district called Newtown; the rapid increase in the population of this locality rendering additional church accommodation necessary, the present edifice was erected to supply the need. It was consecrated on October 23, 1838. The cost was £3,390 (including £1,000 for endowment, £100 for repair fund, &c.) The Rev. W. Gibson, formerly rector of St. Bride’s, Chester, and now rector of Fawley, Hampshire, gave £1,425; the then Bishop of Chester (Dr. Sumner), the Rev. Chancellor Raikes, and Miss Rowe, £100 each; H. Raikes, Esq., £55; the late General Beckwith, £50; W. Wardell, Esq., £50; the Diocesan Church Building Society, £500. The church is built in the early English style of architecture. The Rev. R. D. Thomas is the present incumbent. St. Paul’s Church,the most unsightly church in England probably, is situated near to Barrel Well, Boughton, and was built by public subscription, St. Olave’s Churchis situated on the east side of Lower Bridge-street, opposite Castle-street. It is a small, oblong structure, in outward appearance much resembling a barn. This church is of great antiquity, having been erected before the Norman Conquest. In the eleventh century it was possessed by the Botelars, by whom it was given, with two houses in the Market-place, to the Abbey of St. Werburgh, in 1101. After the great civil war, St. Olave’s fell into disuse as a place of public worship, being only employed for baptisms and burials, on which occasions the minister of St. Michael’s officiated. It was, however, re-opened as a parish church about the middle of last century, and continued so until the year 1841, when service in the church was discontinued, and the parish united with that of St. Michael’s. Little St. John’s.We refer the reader to the notice we have already given of this ancient hospital and chapel in a former page. The present incumbent is the Rev. William Clarke, B.D. DISSENTING PLACES OF WORSHIP.The Unitarian Chapelclaims priority of notice, as being the first dissenting place of worship in Chester. The following succinct sketch of the history of this building is taken from Pigott’s ‘History of Chester:’—
Mr. Henry removed from Chester to Hackney in 1713, and died of apoplexy, at Nantwich, where he had been on a visit to his friends, in June, 1714, in the 52nd year of his age, and was buried in Trinity Church in this city. His exposition of the Bible has gone through very many editions, and is still in great repute. Mr. John Gardiner succeeded Mr. Henry in 1713, and held his appointment for more than half a century. During the latter years of his ministry, his religious opinions appear to have undergone a decided change, departing very much from the doctrines maintained by Mr. Henry, which gradually prepared the way for Independent Chapel.This place of worship is situated on the west side of Queen-street. It is a handsome brick building, having a chaste stone front, with covered portico, and pillars of the Grecian Doric order. It has galleries on three sides, and will accommodate about 1,200 persons. It contains also a good organ. The founders of this chapel were seceders from the Presbyterian congregation in Crook-street, in consequence of a departure from what they held as the principles of a sound faith, as we have already noticed. For some years they worshipped in a large room in Commonhall-street, afterwards occupied by Mr. Wilcoxon’s congregation. They formed themselves into a church in 1772, when the Rev. Wm. Armitage was chosen the pastor. The chapel in Queen-street was erected in 1777; it was very much enlarged in 1838, when great improvements were made in the arrangements of the interior. At the same time a spacious wing was added to the building, which is used as a lecture-room and as a sabbath school for girls: underneath the lecture-room is a commodious sabbath school for boys. In addition to the Sunday schools in Queen-street, there are also three branch schools in the suburbs of the city, which are supported by the congregation. The present minister is the Rev. C. Chapman. Wesleyan Methodist Chapel. |