When Sophy had realised the full meaning of Loring's confused, frenzied words, she had felt in addition to her unspeakable indignation and disgust, a strange sensation as of something withering and falling away from her. At the same time, in the depths of her, there was a quick clench like the snap of a vise. And she knew that this gin had set upon the past—upon her long forbearance; that inevitably, implacably her whole being had revolted, had set itself in that vise-like lock against all future temporising. It was over—done with. Her life with Morris Loring was as past as though they had lived it in another age, on another planet. She knew that she would be inflexible. Her mood might soften, pity might rise murmuring. She, herself—her very self of self—would never change—could not change indeed. It was her inmost being—her realest self—that had locked thus vise-like. Had she desired to with all her might she could not have dragged it open. One may not love, or hate, or even be wroth at will. Here her will was powerless, or rather, this was her will, the irresistible law of her nature acting Under this revelation of personality acting in utter disregard of the person—of any wish or will of the ratiocinating individual—she rested breathless. Quite independently of her reason or her conscious will, this inmost, vital nature had solved all, come to an immutable resolution. "I will be free. I am free," it had announced. "I have a supreme right to be myself. I refuse further humiliation. I repudiate further self-sacrifice." In the vigorous reaction of her whole being, she wondered at her past meekness, as at the unworthy subservience of another. How had she borne it all so long? Why had she borne it? She had behaved towards Morris just as his parents and relatives had behaved from his childhood. She had criticised them unsparingly in her thought, and all the time, she, too, had been victimising herself that he might be content, untroubled, indulged, easy in his boundless egotism. When she thought of her long patience in certain matters, she shrivelled with shame. Reaction is a terrible exaggerater. Under its influence Sophy saw herself as a wretched puppet sewn together of rags of sentiment. If at the first she had been courageous, if she had said to him fearlessly: "Either things must be different or we must part," how much better it would have been than this long-suffering condonement of what she despised! What was it in her nature, what hidden spring that had led her to act Griselda to two such men as Chesney and Loring? She knew herself fundamentally imperious, impulsive, not to be commandeered. Why, then, had she coerced herself to sit meekly in two houses of bondage, and for long, long years? She wondered and wondered over it. Yet the answer was very simple. She was tender-hearted, and she was one of the women who watch long by the sepulchre of Love, lest perchance he may be not dead but sleeping, and she not there to roll away the stone. She gave up trying to solve the riddle of her own state at last, and set to work to put her thoughts in order. First of all, then, she must be free again. To be free she must be true—quite truthful. This made her shrink. But the pain would be only temporary. His She must go away. She would write Charlotte a letter asking her to send a telegram requiring her (Sophy) to come at once to Sweet-Waters, "on a matter of importance." Harold Grey, Bobby, and Rosa should go with her. Then her mind checked again. She must have an interview with Belinda. This was an odious necessity, but unescapable. Sophy had certain things to say to Belinda. That done, she would leave at once for Virginia. Suddenly a new thought halted her. She remembered Amaldi. She could not leave like this, without even a good-by. Should she write? But what then could she write? Perhaps it would be best to see him for a few moments. Yes. That would be best. And yet her heart swelled painfully at the thought. Amaldi was too near her with his idealising friendship for her to treat him with absolute convention. And she could not speak out to him.... Or, could she? No, that was impossible. Still, it would be better to see him. She owed him and herself that much. It was the day after Loring's outbreak. His fever was high. Sophy had sent for James Griffeth, the family physician of the Lorings. He had been quite frank. "A collapse from alcohol and over-excitement," he pronounced it. She shivered uncontrollably. Griffeth begged her to go and rest. She said that she would, and when he had left went thoughtfully upstairs. She had to pass Loring's door on the way to her own room. She paused, startled, just before reaching it. Belinda was standing close to it, the knob in her hand. The door was open on a crack. Evidently some one also had hold of the knob on the other side. The door swayed to and fro in little jerks. Belinda was speaking in a hoarse, passionate whisper. "I will come in.... Let me in this minute—you impertinent woman!" she was saying. Sophy came forward. She could now see the white cap and flushed face of the trained nurse. She heard her answer: "You can't come in.... It's the doctor's orders.... Nobody but Mrs. Loring can come in.... Please let go the door...." "Belinda...." said Sophy, now close to her. She wheeled like an angry cat. "Come with me, please, for a moment," said Sophy. The nurse had shut the door. Belinda, after a side-glance at it, jerked up her chin and followed Sophy, defiance in every vigorous line of her. Sophy led the way into her writing-room and closed the door. She stood, and Belinda stood facing her. The girl was scarlet and Sophy very pale. "Belinda...." she began. Words leaped like flames from Belinda. "Oh, I know you saw us!" she said. "He loves me.... What are you going to do about it?" Sophy's eyes were so almost smilingly scornful that the girl's bravado failed her. She began changing colour. Her black brows scowled, but she held her tongue. "I wished to speak to you about ... your mother," said Sophy quietly. Belinda scowled on without a word. "I think, that for ... every one concerned ... it will be better for your mother to know nothing of all this ... at present." Belinda kept silence. "So I am going to ask you to go back to Nahant to-morrow. As soon as Morris is better, I shall have to go to Virginia on an important matter. You cannot remain here alone. If you go quietly, there will not be any need of my speaking to your mother. Tell her that your visit has been shortened by my leaving for Virginia." Now Belinda burst forth again: "Oh, I see!... Morry may be dying and you want him all to yourself!... You don't want us to be together ... even if he's dying.... You...." "Not another word...." said Sophy. Her eyes sobered Belinda. Grey eyes are the most terrible of all when utter wrath lights them. Belinda glared into those burning eyes and was silent again. Sophy went to the door and held it open. "That is all I wished to say. Do as you choose. If you do not go, I shall send for your mother." Belinda gave her one look of wild hatred, and went out. The next day she left for Nahant. She was quite desperate with rage and grief, but she dared not do otherwise. She The next day Morris was much better, but still too weak to talk. Sophy went in and out of the room at stated intervals. He always closed his eyes and feigned sleep when she was there. He could not face her or himself. He tried not to think. But thoughts, sharp and burning, clotted in his mind like sparks against the dark side of a chimney. On the fourth day came the telegram from Charlotte. Loring was now sitting up in his bedroom. Griffeth said that on the morrow he could go out. Sophy gave orders to have some necessary things packed. She had decided to leave the next night by boat. How was she to see Amaldi? More and more she felt that she must say farewell to him. People had been coming to inquire about Loring. She had not seen any callers since his illness, but to-day she decided to receive them—and in the morning she sent a note to Amaldi. She told him that she had to leave suddenly for an indefinite period. "I am seeing my friends to-day," she wrote. "If you will come about half-past six this afternoon we can have a quiet talk." Then she took Charlotte's telegram in her hand and went to Loring's rooms. |