Sophy smiled at her image in the mirror, and her grey eyes smiled back at her. The shadows under them—warm, golden stains like those on a bruised magnolia leaf—gave them a mysterious, impassioned look. She felt that she was going to have a happy evening.

In those days, in the early '90s, electric light was not much used in the houses in Regent's Park. Candles in brass sconces lighted her dressing-table. They brought out flickering shimmers from her gown of white brocade. Sleeves were full that year. The transparent masses of azalea pink, drooping on either side of her slender body, made it look slenderer. These sleeves were like huge orchids, and from them her arms drooped stamenlike in the soft, gold wash from the candles.

Matilda, her little Kentish maid, could not keep her eyes away from her. As she hooked the long, tightly wound sash of azalea pink she kept peering at her lady's image in the glass. There, Sophy's eyes met hers. She smiled again—at Tilda this time.

"Will you wear anything on your hair, m'm?" asked the girl, smiling shyly in return.

Sophy considered, looking at the curve of her head from different angles in a little hand-glass.

"No," she said, at last; "just the pearls to-night."

Her hair, dark and richly shaded like a breadth of veined mahogany, was drawn loosely back into a big, shining knot low on her neck. Her eyebrows were darker than her hair, long, slender, and straight. When she laughed or smiled her eyes too grew long and slender.

She glanced at the pearls that the girl was now clasping about her throat. They had been a wedding-gift from her brother-in-law, Lord Wychcote. Poor Gerald! She was fond of him. He was the only one of the family who had been really nice to her. Yes, they were fond of each other. She touched the cold, heavy pearls and thought pityingly of his dark eyes so often full of pain. Then she thought of how Cecil sometimes spoke brutally to him, and she shivered.

"A goose on your grave, m'm?" said Tilda. "Let me fetch a scarf."

She brought a scarf of old lace, delicate as the skeleton of an elm-leaf left by caterpillars, and threw it over Sophy's shoulders. Then handed her her fan, gloves, and handkerchief, and taking the white evening-cloak on her arm, waited for her mistress to leave the room.

Sophy gave a last look over her shoulder as she turned from the mirror. Yes, she liked the dark curve of her head unbroken by any ornament—besides, she did not wish to wear anything that Cecil had given her, to-night. The pink-and-white gown was three years old—had been part of her trousseau. She had had it remodelled in the house by a clever little seamstress.

She went slowly down the stairway, through the square white hall. The Georgian house was simple and cheerful. Sophy especially liked the Sheraton furniture and white panelling, because they reminded her of her Virginia home "Sweet-Waters." How happy she could have been in a house like this, if only.... Her eyes darkened. She stood still for a moment in the middle of the stairway, and Tilda halted patiently behind her. Then, before the girl could ask if anything were needed, she went on again with her swift, light step, and passed across the hall into the drawing-room.

As she had expected, her husband was there already. He was seated at one end of a deep, chintz-covered sofa holding a book close to his bent face and the light of a lamp that stood on a little table near-by. His great figure seemed hunched and crouched together. Sophy hated these crouching attitudes of his. They made her feel that he was preparing to spring on something—to worry it. And she noticed how dull his thick, fair hair looked in the lamplight—"staring" like the coat of a horse out of condition. She knew that he had not been well for the last two years, but his illness puzzled her—with its violent interruptions of alternate rage and high spirits, its long stretches of indifferent apathy.

She did not go up to him, but stood in the middle of the room as she had stood in the middle of the stairway, watching him. Was he going to be "nice," and let her enjoy her rare outing? Or was he going to be?... There were several things that Cecil Chesney could be which made his wife shiver again and draw her underlip between her teeth.

He was so absorbed in his book that he did not know she stood there watching him, studying him. His face had a curious expression. It seemed to her that it looked slightly swollen. His lips hung apart. Every now and then he moistened them slowly with his tongue. It was so like a cat licking its chops that Sophy shivered again. She was not exactly afraid of him but she felt dread.

Then she said in her warm, clear contralto:

"I'm ready, Cecil."

He did not start, but his eyelids drew together and his lips closed. He laid one hand flat upon the open pages of the book and sat gazing at her between his drawn-up lids. Then his face loosened; he hunched his shoulders still more, giving a short, harsh laugh.

"By God!" he said. "You are a beauty!"

Sophy went white. She stood still, moving one slight foot nervously on the polished floor. Chesney sat looking at her. He smiled and his upper lip curled in the middle and at the corners.

"Come here," he said.

She dropped her chin slightly and looked steadily back at him from under her straight brows. Her dilated pupils made her eyes seem black.

"What for?" she said, in a low voice.

"I'll show you when you come."

"We'll be late, Cecil. It takes over half an hour from here to the Arundels'."

The smile left his lips.

"Come here to me," he said slowly. His voice had no expression in it; he spoke as an automaton might have spoken, but Sophy took a few reluctant steps in his direction. Then she stopped again and said:

"I do so hate to be late! Won't you start now?"

His eyes opened wide, and he threw a look at her like a missile. It was what Sophy knew as his "red look." She went swiftly up to him.

"There," she said; "show me what you want to, and then we'll go."

But his eyelids had drawn together again, and he looked up at her with his mocking smile. Yes; his face was slightly swollen—puffy about the lips and eyes.

"Won't you show it to me, Cecil?" she asked.

"I've changed my mind," he drawled.

Something in Sophy's breast shrivelled.

"Very well," she said quietly; "then we can go at once."

Chesney sank his head deeper in his shoulders, settled his body deeper in the sofa.

"That's what I've changed my mind about," he said. "I'm not going."

"But...."

"I'm not going."

"It's a dinner, Cecil.... It will be very rude."

"I'm not going."

"Shall I say you're ill?"

"You're not going, either."

He grinned it at her, gloating on the expression of her face. She went pale again, then crimson. Her eyebrows flickered passionately.

"I am going," she said, in a still voice.

Then she felt his fingers go softly round her arm.

"Sit down by me," he said, drawing her delicately downward by the arm he held. Her dignity kept her from resisting. She was drawn down among the deep cushions beside him. The warmth that his great body had left on them struck her bare arms and shoulders, giving her a feeling of repulsion. As she sat there, armed within against him, she could not escape from breathing his breath, his face was so close to hers. Its odour of mingled wines, cognac, cigarette smoke, sickened her. The strong, sooty smell of cloth from the arm against her own added a new pang, for this smell of London cloth, which was so distinct to her foreign sense, had been once associated with the fascination of love.

Now he leaned his face forward and looked into her eyes, and she noticed with that inward shrivelling how strange his were—so much paler than they used to be—curiously glassy—the pupils mere specks of black in the centre of the greenish iris.

"What's the use of posing to me?" he said, with a sort of blandness.

"Posing to you?"

"Yes—quite so. Doing the 'chastest icicle on Dian's Temple.' You forget—don't you? I've seen the hidden fire."

Sophy said nothing. The blood started to her cheek again as under a whip.

He moistened his lips in that slow way, and smiled.

"Haven't I? Eh?"

She turned him a very quiet, haughty profile.

"I don't pretend to understand your moods, Cecil."

"You shall share this present one."

"I think not."

"I think—'yes.'"

He flung his arm suddenly around her, drawing her close.

"Look here," he said; and, taking his hand from the pages of the book where it had been resting, he lifted the volume toward her. As her eyes lowered themselves to the book, his fastened upon her face. The next moment she had sprung up, thrusting him from her. The book lay sprawled on the floor between them. It was a very rare volume of morbidly licentious engravings, repulsive, abominable.

She was livid with scorn and loathing. Her breast heaved. She felt the scalding of furious tears against her eyelids. She could not speak; and with that bracelet of his big, soft fingers about her wrist, he held her, laughing silently, convulsed with laughter.

But in Sophy there sprang to life something that was as dangerous as anything in him.

She said, whispering: "You'll be sorry all your life if you don't take your hand from me."

The light eyes wavered. Then he flung back her hand.

"Damme if you're worth the candle!" he said.

She turned and began walking quietly away from him.

This seemed quite to frenzy him.

He leaped over the fallen book and came at her like a bull, his head lowered. He took her by both shoulders.

"Look here!" he said. "What do you mean by wearing those pearls of Gerald's all the time?"

Sophy looked at him whitely. She smiled.

"They were given me to wear, I believe."

"He's in love with you—with his brother's wife! But I'll not have his baubles on your neck, nor antlers on my own head. Off with them!"

She stood frozenly. Her dark eyes poured scorn upon him. He made a snatch at the necklace—another. She stood quite motionless, while the great, angry hands snatched at her throat. His last clutch broke the string. The pearls rained down, some into her bosom, the greater part upon the polished floor. He stood heavily, gazing at the little white drops, as they rolled over the dark wood of the parquet.

While he gazed as if hypnotised, Sophy went swiftly out into the hall. She closed the door behind her. Her voice roused him, saying: "Mr. Chesney isn't feeling well enough to go out to-night. I shall go alone. Is the cab there?"

He heard the butler's voice answering.

She knew that he would not make a scene before the servants. Changing quickly to another mood, he glanced at the closed, door, grinning at her astuteness. Then carefully he gathered up the fallen pearls and dropped them into his pocket.

Filling a liqueur glass with cognac from the table which the butler had already arranged for the evening, he slouched back to the sofa and lifted the fallen volume. The brandy calmed him still further. He sat there for two hours sipping the cognac, moistening his lips slowly every now and then, poring over the licentious pictures.

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