Paris, November 20, 1801.

One of the private entertainments here in great vogue, and which is understood to mark a certain pre-eminence in the savoir-vivre of the present day, is a nocturnal repast distinguished by the insignificant denomination of a

THÉ.

A stranger might, in all probability, be led to suppose that he was invited to a tea-drinking party, when he receives a note couched in the following terms:

"Madame R------ prie Monsieur B--------- de lui faire l'honneur de venir au thÉ quelle doit donner le 5 de ce mois."

Considering in that light a similar invitation which I received, I was just on the point of sending an apology, when I was informed that a thÉ was nothing more or less than a sort of rout, followed by substantial refreshments, and generally commencing after the evening's performance was ended at the principal theatres.

On coming out of the opera-house then the other night, I repaired to the lady's residence in question, and arriving there about twelve o'clock, found that I had stumbled on the proper hour. As usual, there were cards, but for those only disposed to play; for, as this lady happened not to be under the necessity of recurring to the bouillotte as a financial resource, she gave herself little or no concern about the card-tables. Being herself a very agreeable, sprightly woman, she had invited a number of persons of both sexes of her own character, so that the conversation was kept up with infinite vivacity till past one o'clock, when tea and coffee were introduced. These were immediately followed by jellies, sandwiches, pÂtÉs, and a variety of savoury viands, in the style of a cold supper, together with different sorts of wines and liqueurs. In the opinion of some of the Parisian sybarites, however, no thÉ can be complete without the addition of an article, which is here conceived to be a perfect imitation of fashionable English cheer. This is hot punch.

It was impossible for me to refuse the cheerful and engaging dame du logis to taste her ponche, and, in compliment to me as an Englishman, she presented me with a glass containing at least a treble allowance. Not being overfond of punch, I would willingly have relinquished the honour of drinking her health in so large a portion, apprehending that this beverage might, in quality, resemble that of the same name which I had tasted here a few evenings ago in one of the principal coffeehouses. The latter, in fact, was a composition of new rum, which reminded me of the trash of that kind distilled in New England, acidulated with rotten lemons, sweetened with capillaire, and increased by a quantum sufficit of warm water. My hostess's punch, on the contrary, was made of the best ingredients, agreeably to the true standard; in a word, it was proper lady's punch, that is, hot, sweet, sour, and strong. It was distributed in tea-pots, of beautiful porcelaine, which, independently of keeping it longer warm, were extremely convenient for pouring it out without spilling. Thus concluded the entertainment.

About half past two o'clock the party broke up, and I returned home, sincerely regretting the change in the mode of life of the Parisians.

Before the revolution, the fashionable hour of dinner in Paris was three o'clock, or at latest four: public places then began early; the curtain at the grand French opera drew up at a quarter past five. At the present day, the workman dines at two; the tradesman, at three; the clerk in a public office, at four; the rich upstart, the money-broker, the stock-jobber, the contractor, at five; the banker, the legislator, the counsellor of state, at six; and the ministers, in general, at seven, nay not unfrequently at eight.

Formerly, when the performance at the opera, and the other principal theatres, was ended at nine o'clock, or a quarter past, people of fashion supped at ten or half after; and a man who went much into public, and kept good company, might retire peaceably to rest by midnight. In three-fourths of the houses in Paris, there is now no such meal as supper, except on the occasion of a ball, when it is generally a mere scramble. This, I presume, is one reason why substantial breakfasts are so much in fashion.

"DÉjeÛners froids et chauds," is an inscription which now generally figures on the exterior of a Parisian coffeehouse, beside that of "ThÉ À l'Anglaise, CafÉ À la crÊme, Limonade, &c." Solids are here the taste of the times. Two ladies, who very gallantly invited themselves to breakfast at my apartments the other morning, were ready to turn the house out of the window, when they found that I presented to them nothing more than tea, coffee, and chocolate. I was instantly obliged to provide cold fowl, ham, oysters, white wine, &c. I marvel not at the strength and vigour of these French belles. In appetite, they would cope with an English ploughman, who had just turned up an acre of wholesome land on an empty stomach.

Now, though a thÉ may be considered as a substitute for a supper, it cannot, in point of agreeableness, be compared to a petit souper. If a man must sup, and I am no advocate for regular suppers, these were the suppers to my fancy. A select number of persons, well assorted, assembled at ten o'clock, after the opera was concluded, and spent a couple of hours in a rational manner. Sometimes a petit souper consisted of a simple tÊte-À-tÊte, sometimes of a partie quarrÉe, or the number was varied at pleasure. But still, in a petit souper, not only much gaiety commonly prevailed, but also a certain Épanchement de coeur, which animated the conversation to such a degree as to render a party of this description the acme of social intercourse, "the feast of reason and the flow of soul."

Under the old rÉgime, not a man was there in office, from the ministre d'État to the commis, who did not think of making himself amends for the fatigues of the morning by a petit souper: these petits soupers, however, were, in latter times, carried to an excessive pitch of luxurious extravagance. But for refinements attempted in luxury, though, I confess, of a somewhat dissolute nature, our countryman eclipsed all the French bons vivans in originality of conception.

Being in possession of an ample fortune, and willing to enjoy it according to his fancy, he purchased in Paris a magnificent house, but constructed on a small scale, where every thing that the most refined luxury could suggest was assembled. The following is the account given by one of his friends, who had been an eye-witness to his manner of living.

"Mr. B---- had made it a rule to gratify his five senses to the highest degree of enjoyment of which they were susceptible. An exquisite table, perfumed apartments, the charms of music and painting; in a word, every thing most enchanting that nature, assisted by art, could produce, successively flattered his sight, his taste, his smell, his hearing, and his feeling.

"In a superb saloon, whither he conducted me," says this gentleman, "were six young beauties, dressed in an extraordinary manner, whose persons, at first sight, did not appear unknown to me: it struck me that I had seen their faces more than once, and I was accordingly going to address them, when Mr. B----, smiling at my mistake, explained to me the cause of it." "I have, in my amours," said he, "a particular fancy. The choicest beauty of Circassia would have ho merit in my eyes, did she not resemble the portrait of some woman, celebrated in past ages: and while lovers set great value on a miniature which faithfully exhibits the features of their mistress, I esteem mine only in proportion to their resemblance to ancient portraits.

"Conformably to this idea," continued Mr. B----, "I have caused the intendant of my pleasures to travel all over Europe, with select portraits, or engravings, copied from the originals. He has succeeded in his researches, as you see, since you have conceived that you recognized these ladies on whom you have never before set your eyes; but whose likenesses you may, undoubtedly, have met with. Their dress must have contributed to your mistake: they all wear the attire of the personage they represent; for I wish their whole person to be picturesque. By these means, I have travelled back several centuries, and am in possession of beauties whom time had placed at a great distance."

"Supper was served up. Mr. B---- seated himself between Mary, queen of Scots, and Anne Bullein. I placed myself opposite to him," concludes the gentleman, "having beside me Ninon de l'Enclos, and Gabrielle d'EstrÉes. We also had the company of the fair Rosamond and Nell Gwynn; but at the head of the table was a vacant elbow-chair, surmounted by a canopy, and destined for Cleopatra, who was coming from Egypt, and of whose arrival Mr. B---- was in hourly expectation."