CHAPTER XXV. GOOD-NIGHT.

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Good-night, dearest Dolly,' whispered Henley, as they all stood waiting for their train in the crowded station. 'You can tell your mother as you go home.'

'Here, Dolly! jump in,' cried John Morgan, standing by an open railway-door; 'your aunt is calling you.'

'I can't come up till Tuesday,' Henley went on in a low voice, 'but I shall write to your mother to-night.'

He helped her into the dark carriage: everybody seemed to lean forward at once and say good-night; there was a whistle, a guard banged the door, Mrs. Palmer stretched her long neck through the window, but the train carried her off before she could speak her last words.

Dolly just saw Henley turning away, and George under a lamp-post; then they were gone out of the station into the open country; wide and dim it flowed on either side into the dusk. The day had come to an end—the most wonderful day in Dolly's life. Was it a real day; was it a day out of somebody else's existence? As Dolly sat down beside her mother she had felt as if her heart would break with wonder and happiness; it was not big enough to hold the love that was her portion. He loved her! She had floated into some new world where she had never been before; where people had been living all their lives, thought Dolly, and she had never even guessed at it.

Had her mother felt like this? Had Frank Raban's poor young wife felt this when he married her? So she wondered, looking up at the clear evening sky. Might not death itself be this, only greater still and completer—too complete for human beings? Dolly had got her mother's hand tight in hers. 'My dear child, take care, take care!' cried Mrs. Palmer, sharply; 'my poor fingers are so tender, Mr. Morgan; and Dolly's is such a grip. I remember once when the Admiral, with his great driving gloves....' Her voice sank away, and Dolly's mamma began telling John Morgan all about one episode in her life.

Meanwhile, Dolly went on with her speculations. How surprised Aunt Sarah would be; how surprised she was herself. Dolly had had a dream, so have most young maidens, formless, voiceless, indefinitely vague, but with a meaning to it all the same, and a soul; and here was Robert, and the soul was his, and he loved her! 'Thanks, half-way up,' murmured Mrs. Palmer to a strange passenger who did not belong to the party.

'Tired, Zoe?' said John to his sister: 'a little bit sleepy, eh?'

'Everybody thinks I'm always tired,' said Zoe, in an aggrieved tone: 'Rhoda made me rest ever so long when I didn't want to; she popped me down on a stool in that stupid old library, and said I looked quite worn out, and then she was off in a minute, and I had to wait, oh! ever so long, and I was frightened by noises.'

'Poor Zoe!' said John, laughing.

'It was too bad of her; and then they all kept leaving me behind,' continued Zoe, growing more and more miserable 'and now you say it has been too much for me: I am sure I wouldn't have missed coming for anything.'

'Next time we go anywhere you keep with me, Zoe,' said John, good-humouredly, 'and you shan't be left behind.'

'I think we are all tired,' said Mrs. Palmer, languidly, 'and we shall be thankful to get home. Dolly, my darling, you don't speak; are you quite worn out too?'

Dolly looked out from her dreams with a glance of so much life and sweetness in her bright face—even the dim lamplight could not hide her happy looks—that her mother was struck by it. 'You strange child,' she said, 'what are you made of? You look brighter than when we started.'

'Dolly is made of a capital stuff called youth and good spirits,' said John Morgan, kindly.

The rest of the journey was passed in shifting the windows to Mrs. Palmer's various sensations. They all parted hurriedly, as people do after a long day's pleasuring, only Dolly found time to give Rhoda a kiss. She felt more kindly towards her than she had done for many a day past. Rhoda looked curiously, and a little maliciously, into Dolly's face. But she could not read anything more than she guessed already.

Mrs. Palmer was greatly disturbed to find herself driving home alone with Dolly in the hansom.

'I am afraid of cabmen. I am not accustomed to them. John Morgan should have come with me,' Mrs. Palmer said. 'I am sure the Admiral would not approve of this! Ah! he will be over. Dolly, darling, ask the man if he is sober. Dear me, I wish Robert was here.'

Dolly, too, was wishing that Robert was there instead of herself. Her heart began to beat as she thought of what she had to say. She looked up at Mrs. Palmer's pale face in the bright moonlight through which they were driving homewards; through parks silver and silent and transformed. They come to the river and cross the bridge; the water is flowing, hushed, and mysterious: the bridge throws a great shadow upon the water; one barge is slowly passing underneath the arch. The dim, distant crowd of spires, of chimneys, and slated roofs, are illumined and multiplied by strange silver lights. Overhead a planet is burning and sinking where the sun set while they were still in the college garden. The soft moon-wind comes sweeping fresh into their faces, and Dolly from this trance awakens to whisper, 'Mamma! I have something to tell you—something that Robert——'

'He will throw us over! I know he will!' interrupts Mrs. Palmer, as the cab gave a jolt. 'It is quite unsafe, Dolly, without a gentleman.'

Poor Dolly forced herself to go on. She took her mother's hand: 'Dear mamma, don't be afraid.'

'He was not sober. I thought so at the time,' cried Mrs. Palmer, with a nervous shriek, as they came off the bridge.

Then the cab went more quietly, and Dolly found words to tell her news. So the hansom drove on, carrying many agitations and exclamations along with it. The driver from his moonlit perch may have heard the sounds within. Mrs. Palmer spared herself and Dolly no single emotion. She was faint, she was hysterical, she rallied, she was overcome. Why had she not been told before? she had known it all along; she had mentioned it to the Admiral before her departure; he had sneered at her foolish dreams. Dolly would never have to learn the bitter deception of some wasted lives. Cruel boy! why had he not told her? why so reserved?

'He feared that it would agitate you,' Dolly said, feeling that Robert had been right. 'He told me to tell you now, dear.'

'Dear fellow, he is so thoughtful,' said Mrs. Palmer. 'Now he will be my son, Dolly, my real son. I never could have endured any one of those Henley girls for him. How angry Lady Henley will be. I warned Robert long ago that she would want him for one of them. Dolly, you must not be married yet. You must wait till the Admiral returns. He must give you away.'

When Dolly told her that Robert wanted to be married before he left for India, Mrs. Palmer said it was preposterous. He might have to sail any day,—that Master told her so; the fat old gentleman in the white neckcloth. 'No, my Dolly, we shall have you till Robert comes back. Let the man keep the shilling for his own use.'

They had reached the turnpike by this time, with its friendly beacon-fire burning, and the red-faced man had come out with three pennies ready in his hand. Then by dark trees, rustling behind the walls of the old gardens; past the palace avenue-gates, where the sentry was pacing, with the stars shining over his head; they come to the ivy-gate at home, and with its lamp burning red in the moonlight. Marker opened the door before they had time to ring.

'Softly, my dear,' said Marker to Dolly, in a sort of whisper. 'My lady is asleep; she has not been well, and—'

'Not well!' said Mrs. Palmer. 'How fortunate she did not come. What should we have done with her? I am quite worn out, Marker; we have had a long day. Let Julie make me a cup of coffee, and bring it up to my room. Good-night, my precious Dolly. Don't speak to me, or I shall scream!'

'Marker, is Aunt Sarah ill?' said Dolly, anxious, she knew not why.

'Don't be frightened, my dear,' said Marker; 'it is nothing; that is, the Doctor says she only wants rest.'

Dolly went up to her own room, flitting carefully along the passage, and shading her light. Lady Sarah's door was closed. Mrs. Palmer was safe for the night, with Julie in attendance. Dolly could hear their voices, as she went by. In her own little room all was in order, and cool and straight for her coming. The window was open, the moonlight fell upon her little bed, where she had dreamt so many peaceful dreams, and Dolly set her light upon the window-seat, and stood looking out. She was half radiant still, half saddened. All the sights and sounds of that long, eventful day were passing before her still: ringing, dazzling, repeating themselves on the darkness.... Was it possible that he loved her—that she loved him? The trees rustled, the familiar strokes of the church clock came striking twelve, swinging through darkness into silence. 'Do I love him? I think so,' said Dolly to herself. 'I hope so.' And with an honest heart, she told herself that all should be well. Then she wondered if she should sleep that night; she seemed to be living over every single bit of her life at once. She longed to tell Aunt Sarah her wonderful story. A cockchafer sailed in at the open window, and Dolly moved the light to save its straggling legs; a little wind came blowing in, and then Dolly thought she heard a sound as of a door below opening softly. Was her aunt awake and stirring? She caught up the light and crept down to see. She could hear Julie and Mrs. Palmer still discoursing.

There is something sacred about a sick-room at times. It seems like holy ground to people coming in suddenly out of the turmoil and emotion of life. Dolly's excitement was hushed as she entered and saw Lady Sarah lying quietly stretched out asleep upon a sofa. It had been wheeled to the window, which was wide open. The curtain was flapping, all the medicine bottles stood in rows on the table and along the shelves. There lay Sarah, with her grey hair smoothed over her brown face, very still and sleeping peacefully—as peacefully as if she was young still, and loved, and happy, with life before her: though, for the matter of that, people whose life is nearly over have more right to sleep at peace than those who have got to encounter they know not what trials and troubles—struggles with others, and, most deadly of all, with that terrible shadow of self that rises with fresh might, striking with so sure an aim. What does the mystery mean? Who is the familiar enemy that our spirit is set to overcome and to struggle with all the night until the dawn? There lay poor Sarah's life-adversary, then, nearly worn, nearly overcome, sleeping and resting while the spirit was travelling I know not to what peaceful regions.

Dolly crept in and closed the door. Lady Sarah never stirred. A long time seemed to pass. The wind rose again, the curtain flapped, and the light flickered, and time seemed creeping slowly and more slowly to the tune of the sleeping woman's languid breath. It was a strange ending to the long, glittering day, but at last a flush came into Sarah Francis's cheeks, and she opened her eyes.... A strange new something was in that placid face—a look. What is it, that first look of change and blurr in features that have melted so tranquilly before us from youth to middle-age, or from middle-age to age, modulating imperceptibly? The light of Dolly's own heart was too dazzling for her to be in a very observant mood just then.

'Is that my Dolly?' said the sick woman.

Dolly sprang forward. 'Oh! I am so glad you are awake,' said the girl. 'Dear Aunt Sarah, has your sleep done you good? Are you better? Can you listen to something? Can you guess?' And she knelt down so as to bring her face on a level with the other; but she couldn't see it very plainly for a dazzle between them. 'Robert says he loves me; and, indeed, if he loves me I must love him,' Dolly whispered; and her face fell hidden against the pillow, and the mist turned to haze. Some bird in the garden outside began to whistle in its sleep. A belated clock struck something a long way off, and then all was silence and darkness again.

Lady Sarah held Dolly close to her, as the girl knelt beside her. 'Do you care for him? Is it possible?' said Lady Sarah, bewildered.

Dolly was hurt by her doubt. 'Indeed I do,' she answered, beginning to cry once more, from fatigue and excitement.

One of the two women in that midnight room was young, with the new kindling genius of love in her heart, and she was weeping; the other was old, with the first knell of death ringing in her ear; but when Dolly looked up at last she saw that her aunt was smiling very tenderly. Lady Sarah smiled, but she could not trust herself to speak. She had awakened startled, but in a minute she had realised it all. She had felt all along that this must be. She had not wished for it, but it was come. It was not only of Dolly and of Robert that Lady Sarah thought that night; other ghosts came into the room and stood before her. And then came every day, very real, into this dream-world—Marker with a bed-chamber candlestick, walking straight into conflicting emotions, and indignant with Miss Dolly for disturbing her mistress. She had been shutting up and seeing to Mrs. Palmer's coffee. She was scarcely mollified by the great news. Lady Sarah was awake; Dolly had awakened her.

'Let people marry who they like,' said Marker; 'but don't let them come chattering and disturbing at this time o' night, when they should a' known better.


                                                                                                                                                                                                                                                                                                           

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