  As the actors pass across the stage of life and play their parts in its great drama, it is not difficult at the outset to docket them for the most part 'a lawyer,' 'a speculator,' 'an amiable person,' 'an intelligent, prosy man,' 'a parson,' &c.; but after watching the piece a little (on this all-the-world stage it is not the play that ends, but the actors and speculators that come and go), we begin to see, that although some of the performers may be suited to their parts, there are others whose characters are not so well cast to the piece—Robert Henley, for instance, who is not quite in his element as a very young man. But every one is in earnest in a certain fashion upon this life-stage, and that is why we find the actors presently beginning to play their own characters, instead of those which they are supposed to represent—to the great confusion, very often, of the drama itself. We have all read of a locksmith who had to act the part of a king; of a nephew who tried to wear his uncle's cocked hat, of a king who proclaimed himself a god; and of the confusion that ensued; and it is the same in private as in public life, where people are set to work experiments in love, money, sermon, hay, or law-making, with more or less aptitude for the exercise—what a strange jumble it is! Here is the lawyer making love to his client, instead of writing her will; the lover playing on the piano while his mistress is expecting him; the farmer, while his crops are spoiling, pondering on the theory of original sin. Among women, too, we find wives, mothers, daughters, and even professed aunts and nieces, all with their parts reversed by the unkind freaks of fate. Some get on pretty well, some break down utterly. The higher natures, acting from a wider conception of life, will do their best to do justice to the character, uncongenial though it may be, which happens to be assigned to them. Perhaps they may flag now and then, specially towards the middle of the performance; but by degrees they come to hear the music of 'duty done.' And duty is music, though it may be a hard sort of fugue, and difficult to practise—one too hard, alas, for our poor George as yet to master. Henley, to be sure, accomplished his ambitions; but then it was only a one-fingered scale that he attempted. Dolly's was easy music in those early days of her life: at home or in Old Street the girl herself and her surroundings were in a perfect harmony. Dolly's life was a melody played to an accompaniment of loving tones and tender words among the tranquil traditions of the old house and the old ivy-grown suburb in which it stood. Rhoda used to wonder why people cared so much for Dolly, who was so happy, who never sacrificed herself, but did as she liked, and won all hearts to her, even Robert Henley's, thought Rhoda, with a sigh. As for Dolly, she never thought about her happiness, though Rhoda did. The girl's life sped on peacefully among the people who loved her. She knew she meant so well that it had not yet occurred to her that she might make mistakes in life and fail, and be sorry some day as other folks. Rhoda, comparing her own little back-garret life in the noisy Morgan household with her friend's, used to think that everybody and everything united to spoil her. Dolly was undoubtedly Dorothea Regina—ruler of the household—a benevolent tyrant. The province of the teapot was hers—the fortress of the store-room. She had her latch-key. Old Marker and George were the only people who ever ventured to oppose her. When they did so, Dolly gave in instantly with a smile and a sweet grace that was specially her own. She was a somewhat impetuous and self-diffident person in reality, though as yet she did not know what she was. In looks she could see a tall and stately maiden, with a sweet, round, sleepy face, reflected in the glass, and she took herself for granted at the loving valuation of those about her, as people, both old and young, are apt to do. Dolly was one of those persons who travel on eagerly by starts, and then sit down to rest. Notwithstanding her impetuous, youthful manner, she was full of humility and diffidence, and often from very shyness and sincerity she would seem rude and indignant when she was half-frightened at her own vehemence; then came passionate self-reproach, how passionate none can tell but some of those who seem to have many selves and many impulses, all warring with one another. There are two great classes of women—those who minister, and those who are taken care of by others; and the born care-takers and workers are apt to chafe in early life, before people will recognise their right to do. Something is wrong, tempers go wrong, hearts beat passionately, boil over, ache for nothing at all; they want to comfort people, to live, to love, to come and go, to feel they are at work. It may be wholesome discipline for such natures to live for years in a kingdom of education of shadows and rules. They may practise their self-denial on the keys of the piano, they may translate their hearts' interest into German exercises and back into English again; but that is poor work, and so far the upper classes pay a cruel penalty unknown to girls of a humbler birth. And so time goes on. For some a natural explanation comes to all their nameless difficulties. Others find one sooner or later, or the bright edge of impatient youth wears off. Raban once called Dolly a beautiful sour apple. Beautiful apples want time and sunshine to ripen and become sweet. If Dolly blamed others, she did not spare herself; but she was much beloved, and, as I have said, she meant so well that she could not help trusting in herself. Something of Dolly's life was written in her face, in her clear, happy eyes, in her dark and troubled brow. Even as a girl, people used to say that she had always different faces, and so she had for the multitude; but for those who loved her it was always the same true, trusting look, more or less worn as time went on, but still the same. She had a peculiar, sudden, sweet smile, that went to the very heart of the lonely old aunt, who saw it often. Dolly never had the training of repression, and perhaps that is why, when it fell upon her in later life, the lesson seemed so hard. She was not brilliant. She could not say things as George did. She was not witty. Though she loved to be busy, and to accomplish, Dolly could not do things as Rhoda did—clearly, quickly, completely. But how many stupid people there are who have a touch of genius about them. It would be hard to say in what it consists. They may be dull, slow, cross at times, ill-informed, but you feel there is something that outweighs dulness, crossness, want of information. Dorothy Vanborough had a little genius in her, though she was apt to look stupid and sulky and indifferent when she did not feel at her ease. Sometimes when reproved for this, she would stand gaping with her grey eyes, and looking so oddly like her Aunt Sarah that Mrs. Palmer, when she came home, would lose all patience with her. There was no knowing exactly what she was, her mother used to say. One day straight as an arrow—bright, determined; another day, grey and stiff, and almost ugly and high-shouldered. 'If Dolly had been more taking,' said Mrs. Palmer, judging by the light of her own two marriages, 'she might have allowed herself these quirks and fancies; but as it was, it was a pity.' Her mother declared that she did it on purpose. Did she do it on purpose? In early life she didn't care a bit what people thought of her. In this she was a little unwomanly, perhaps, but unwomanly in the best and noblest sense. When with time those mysterious other selves came upon her that we meet as we travel along the road, bewildering her and pointing with all their different experiences, she ceased to judge either herself or others as severely; she loved faith and truth, and hated meanness and dissimulation as much as ever. Only, being a woman too honest to deceive herself, she found she could no longer apply the precepts that she had used once to her satisfaction. To hate the devil and all his works is one thing, but to say who is the devil and which are his works is another. As for George Vanborough, his temper was alternately uproarious and melancholy: there was some incongruity in his nature that chafed and irritated him. He had abilities, but strange and cross-grained ones, of no use in an examination for instance. He could invent theories, but somehow he never got at the facts; he was rapid in conclusion, too rapid for poor Dolly, who was expected to follow him wherever he went, and who was sometimes hard put to it, for, unlike George's, her convictions were slower than her sympathies. A great many people seem to miss their vocations because their bodies do not happen to fit their souls. This is one of the advantages of middle age: people have got used to their bodies and to their faults; they know how to use them, to spare them, and they do not expect too much. George was at war with himself, poor fellow: by turns ascetic and self-indulgent, morbid, and overconfident. It is difficult to docket such a character, made up of all sorts of little bits collected from one and another ancestor; of materials warring against each other, as we have read in Mr. Darwin. George's rooms at Cambridge were very small, and looked out across the green quadrangle at All Saints'. Among other instincts, he had inherited that of weaving his nest with photographs and old china, and lining it comfortably from Church House. There were papers and music-books, tankards (most of them with inscriptions), and a divining crystal. The old windows were deep and ivy-grown: at night they would often be cheerfully lighted up. 'Far too often,' say George's counsellors. 'I should like to entertain well enough,' says Henley, with a wave of the hand, 'but I can't afford it prudently. Bills have a knack of running up, particularly when they are not paid,' the young man remarks, with great originality, 'and then one can't always meet them.' George only answers by a scowl from his little ferret eyes. 'You can pay your own bills twice over if you like,' he grunts out impatiently; 'mine don't concern you.' Robert said no more; he had done his part, and he felt he could now face Dolly and poor Lady Sarah of the bleeding purse with a clear conscience; but he could not help remembering with some satisfaction two neatly tied-up bundles of bills lying with a cheque-book in his despatch-box at home. He was just going when there came a knock at the door, and a pale man with a red beard walked in and shook hands with George, then somewhat hesitatingly with his companion, and finally sat down in George's three-sided chair. Need I say that this was Raban, who had come to recommend a tutor to George? Was it to George or to Dorothea that Raban was so anxious to recommend a tutor? George shrugged his shoulders, and did not seem in the least grateful. Henley delayed a moment. 'I am glad you agree with me,' he said. 'I also have been speaking to my cousin on the subject.' Raban bowed in the shy way peculiar to him. You never could tell if he was only shy or repelled by your advances. 'You and I have found the advantage of a good coach all our lives,' the other continued, with a subdued air of modest triumph. It seemed to say, 'You will be glad to know that I am one of the most rising men of the University;' and at the same time Robert looked down apologetically at poor scowling George, who was anything but rising, poor fellow, and well up to his knees in the slough of despond. Nor was it destined that Robert Henley was to be the man to pull him out. Although he had walked over from St. Thomas's to do so, he walked back again without having effected his purpose. 'I did not know, till your sister told me, that Mr. Henley was your cousin,' said Raban, as Robert left the room. 'Didn't you?' said George. 'I suppose you did not see any likeness in me to that grenadier with the cameo nose?' and turning his back abruptly upon Raban, he began strumming Yankee-doodle on the piano, standing as he played, and putting in a quantity of pretty modulations. It was only to show off; but Raban might have been tempted to follow Henley downstairs if he had not caught sight of a photograph of a girl with circling eyes in some strange old-fashioned dress, with a lantern in her hand. It was the work of a well-known amateur, who has the gift of seizing expression as it flies, and giving you a breathing friend, instead of the image of an image. But it was in vain the young professor stayed on, in vain that he came time after time trying to make friends with young Vanborough and to urge him to work. He once went so far as to write a warning letter to Lady Sarah. It did no good, and only made Dolly angry. At Christmas, George wrote that he had not passed, and would be home on the 23rd. He did not add that he had been obliged to sign some bills before he could get away. George came home; with or without his laurels, he was sure of an ovation. Dolly, by her extra loving welcome, only showed her disappointment at his want of success. The fatted calf was killed, and the bottle of good wine was opened. 'Old Sam insisted on it,' said Lady Sarah, who had got into a way of taking shelter behind old Sam when she found herself relenting. It was impossible not to relent when Dolly, hearing the cab-wheels, came with a scream of delight flying down the staircase from George's room, where she had been busy making ready. A great gust of cold wind burst into the hall with the open door, by which George was standing, with his bag, a little fussy and a little shy; but Dolly's glad cry of welcome and loving arms were there to reassure him. 'Shut the door,' said Dolly, 'the wind will blow us away. Have you paid your cab?' As she spoke the horse was turning round upon its haunches, and the cab was driving off, and a pale face looked out for an instant. 'It's no matter,' said George, pushing to the door. 'Raban brought me. He is going on to dine somewhere near.' 'Horrid man!' said Dolly. 'Come, George, and see Aunt Sarah. She is in the drawing-room.' Lady Sarah looked at George very gravely over her knitting, and her needles began to tremble a little. 'What do you wish me to say, George? That you failed because you couldn't or because you wouldn't try?' 'Some one must fail,' said George. 'It is not fair upon me,' said Lady Sarah, 'that you should be the one. No, Dolly, I am not at all unkind.' I have said very little of the changes and economies that had been made at Church House, they affected Lady Sarah and Dolly so little; but when George came home, even in disgrace, a certain difference was made in the still ways of the house. Old Sam's niece, Eliza Twells, stayed all day, and was transformed into a smiling abigail, not a little pleased with her promotion. One of Lady Sarah's old grey gowns was bestowed upon her. A cap and ribbons were concocted by Dolly; the ribbons were for ever fluttering in and out of the sitting-room, and up and down the passages. There was a sound of voices now, a show of life. Dolly could not talk to herself all through the long months when George was away; but when she had him safe in his little room again the duet was unceasing. Eliza Twells down below in the pan-decorated kitchen, in all the excitement of her new dignities, kept the ball going. You could hear old Sam's chuckles all the way upstairs, and the maiden's loud, croaking, cheerful voice. 'It's like a saw-mill,' said George, 'but what is that?' 'That is Eliza laughing,' said Dorothea, laughing herself; 'and there is dear old Marker scolding. Oh! George, how nice it is to have you home again; and then, as most happy vibrations bring a sadder after-tone, Dolly sighed and stopped short. 'Disgrace is hard to bear,' said George moodily. 'Disgrace! What do you mean?' wondered Dolly, who had been thinking of something quite apart from those unlucky examinations—something that was not much, and yet she would have found it hard to put her thought into words. For how much there is that is not in words, that never happens quite, that is never realised altogether; and yet it is as much part of our life as anything else. |
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