And Khalid, packing his few worldly belongings in one of his reed baskets, gives the rest to his neighbours, leaves his booth in the pines to the swallows, and bids the monks and his friend the Hermit farewell. The joy of the wayfaring! Now, where is the jubbah, the black jubbah of coarse wool, which we bought from one of the monks? He wraps himself in it, tightens well his shoe-strings, draws his fur cap over his ears, carries his basket on his back, takes up his staff, lights his cigarette, and resolutely sets forth. The joy of the wayfaring! We accompany him on the open highway, through the rocky wilderness, down to the fertile plains, back to the city. For the account he gives us of his journey enables us to fill up the lacuna in Shakib’s Histoire Intime, before we can have recourse to it again. “From the cliffs ’neath which the lily blooms,” he muses as he issues out of the forest and reaches the top of the mountain, “to the cliffs round which the eagles flit,––what a glorious promontory! What a contrast at this height, in this immensity, between the arid rocky haunts of the mountain bear and eagle and the spreading, vivifying verdure surrounding the haunts of man. On one side are the sylvan valleys, the thick “The horizon, as I proceed, shrinks to a distance of ten minutes’ walk across. And thus, from one circle of rocks to another, I pass through ten of them before I hear again the friendly voice of the rill, and behold again the comforting countenance of the sylvan slopes. I reach a little grove of slender poplars, under the brow of a little hill, from which issues a little limpid stream and runs gurgling through the little ferns and bushes down the heath. I swing from the road and follow this gentle rill; I can not find a better companion now. But the wanton lures me to a village far from the road on the other side of the gorge. Now, I must either retrace my steps to get to it by a long detour, or cross the gorge, descending to the deep bottom and ascending in a tangled and tortuous path to reach the main road on the breast of the opposite escarpment. Here is “And walking together a pace, he points to the dizzy precipice around which I climbed and adds: ‘Thou seest that rock? I hallooed to thee when thou wert creeping around it, but thou didst not hear me. From that same rock a woodman fell last week, and, falling, looked like a potted bird. He must have died before he reached the ground. His bones are scattered among those rocks. Thank thy God and thy mother. Her prayers have saved thee.’ “My dear mother, how long since I saw thee, how long since I thought of thee. My loving mother, even the rough, rude spirit of a muleteer can see in the unseen the beauty and benevolence of such devotion as thine. The words of this dusky son of the road, coming as through the trumpet of revelation to rebuke me, sink deep in my heart and draw tears from mine eyes. For art thou not ever praying for thy grievous son, and for his salvation? How many beads each night dost thou tell, how many hours dost thou prostrate “There, the snow birds are passing by, flitting to the lowland. The sky is overcast; there is a lull in the wind. Hark, I hear the piping of the shepherd and the tinkling bell of the wether. Yonder is his flock; and there sits he on a rock blowing his doleful reed. I am almost slain with thirst. I go to him, and cheerfully does he milk for me. I do not think Rebekah was kinder and sweeter in Abraham’s servant’s eyes than was this wight in mine. ‘Where dost thou “At eventide, descending from one hilltop to another, I reach a village of no mean size. It occupies a broad deep steep, in which the walnut and poplar relieve the monotony of the mulberries. I hate the mulberry, which is so suggestive of worms; and I hate worms, and though they be of the silk-making kind. I hate them the more, because the Lebanon peasant seems to live for the silk-worms, which he tends and cultivates better than he does his children. “When I stood on the top of the steep, the village glittering with a thousand lights lay beneath like a strip of the sidereal sky. It made me feel I was above the clouds, even above the stars. The gabled houses overtopping each other, spreading in clusters and half-circles, form here an aigrette, as it were, on the sylvan head of the mountain, there a necklace on its breast, below a cestus brilliant with an hundred lights. I descend into the village and stop before the first house I reach. The door is wide open; and the “Ah me, I no longer know how to recline on a cushion, and a rug under my feet seems like a sheet of ice. But with my dust and mud I seem like Diogenes trampling upon Plato’s pride. I survey the hall, which breathes of rural culture and well-being, and in which is more evidence of what I foresaw. On the wall hung various photographs and oil prints, among which I noticed those of the King and Queen of England, that of Theodore Roosevelt, a framed cartoon by an American artist, an autographed copy of an English Duke’s, and a large photograph of a banquet of one of the political Clubs of New York. On the table were a few Arabic magazines, a post-card album, and a gramophone! Yes, mine host was more than once in the United States. And knowing that I, too, had been there, he is anxious to display somewhat “After supper, he orders me a narghilah, and winds for my entertainment that horrible instrument of torture.” Khalid did not seem to mind it; but he was anxious about the sacred peace of the hills, sleeping in the bosom of night. My Name is Billy Muggins, I Wish I Had a Pal Like You, Tickle Me, Timothy, and such like ragtime horrors come all the way from America to violate the antique grandeur and beauty of the Lebanon hills. That is what worried Khalid. And he excuses himself, saying, “I am waygone from the day’s wayfaring.” The instrument of torture is stopped, therefore, and he is shown into a room where a mattress is spread for him on the floor. “In the morning,” he continues, “mine host accompanies me through the populous village, which is noted for its industries. Of all the Lebanon towns, this is, indeed, the busiest; its looms, its potteries, and its bell foundries, are never idle. And the people cultivate little of the silk worm; they are mostly artisans. American cotton they spin, and dye, and weave into substantial cloth; Belgian iron they melt and cast into bells; and from their native soil they dig the clay which they mould into earthenware. The tintinnabulations of the loom can be heard in other parts of the Lebanons; but no where else can the vintner buy a dolium for his vine, or the housewife, a pipkin for her oil, or the priest, a bell for his church. The sound of these foundries’ anvils, translated “We descend to the potteries below, not on the carriage road which serpentines through the village, and which is its only street, but sheer down a steep path, between the noise of the loom and spinning wheel and the stench of the dyeing establishments. And here is the real potter and his clay, not the symbol thereof. And here is the pottery which is illustrated in the Bible. For in the world to-day, if we except the unglazed tinajas of the Pueblo Indians, nothing, above ground at least, can be more ancient and primitive. Such a pitcher, I muse, did Rebekah carry to the well; with such a Jar on her shoulder did Hagar wander in the wilderness; and in such vessels did the widow, by Elijah’s miracle, multiply her jug of oil. “The one silk-reeling factory of the village, I did not care to visit; for truly I can not tolerate the smell of asphyxiated larvas and boiling cocoons. ‘But the proprietor,’ quoth mine host, ‘is very honourable, and of a fine wit.’ As honourable as a sweater can be, I thought. No, no; these manufacturers are all of a piece. I know personally one of them, who is a Scrooge, and of the vilest. I watched him one day buying cocoons from the peasants. He does not trust any of his employees at the scales; they do not know how to press their hand over the weights in the pan. Ay, that little pressure of his chubby hand on the weights makes a difference in his favour of more than ten per cent. of what he buys. That little pressure “What a contrast between him and the swarthy, leathery, hungry-looking potters. I can not think that Nature has aught to do with these naked inequalities. I can not believe that, to produce one roseate complexion, she must etiolate a thousand. I can not see how, in drinking from the same gushing spring, and breathing the same mountain air, and basking in the same ardent sun, the khawaja gets a double chin and the peasant a double curse. But his collops and his ruddiness are due to the fact that he misgoverns as well as his Pasha and his Sultan. He battens, even like a Tammany chief, on political jobbery, on extortion, on usury. His tree is better manured, so to speak; manured by the widows and “But he is not the only example in the village of this superabundance of health; the priests are many more. For I must not fail to mention that, in addition to its potteries and founderies, the town is blessed with a dozen churches. Every family, a sort of tribe, has its church and priests; and consequently, its feuds with all the others. It is a marvel how the people, in the lethal soot and smoke of strife and dissension, can work and produce anything. Farewell, ye swarthy people! Farewell, O village of bells and potteries! Were it not for the khawaja who misgoverns thee, and the priests who sow their iniquity in thee, thou shouldst have been an ideal town. I look back, as I descend into the wadi, and behold, thou art as beautiful in the day as thou art in the night. Thy pink gables under a December sky seem not as garish as they do in summer. And the sylvan slopes, clustered with thy white-stone homes, peeping here through the mulberries, standing there under the walnuts and poplars, rising yonder in a group like a mottled pyramid, this most picturesque slope, whereon thou art ever beating the anvil, turning the wheel, throwing the shuttle, moulding the clay, and weltering withal in the mud of strife and dissension, this beautiful slope seems, nevertheless, from this distance, like an altar raised to Nature. I look not upon thee more; farewell. “I descend in the wadi to the River Lykos of the ancients; and crossing the stone-bridge, an hour’s ascent brings me to one of the villages of Kisrawan. On the grey horizon yonder, is the limed bronze Statue of Mary the Virgin, rising on its sable pedestal, and looking, from this distance, like a candle in a bronze candle-stick. That Statue, fifty years hence, the people of the Lebanons will rebaptise as the Statue of Liberty. Masonry, even to-day, raises around it her mace. But whether these sacred mountains will be happier and more prosperous under its rÉgime, I can not say. The Masons and the Patriarch of the Maronites are certainly more certain. Only this I know, that between the devil and the deep sea, Mary the Virgin shall hold her own. For though the name be changed, and the alm-box thrown into the sea, she shall ever be worshipped by the people. The Statue of the Holy Virgin of Liberty it will be called, and the Jesuits and priests can go a-begging. Meanwhile, the Patriarch will issue his allocutions, and the Jesuits, their pamphlets, against rationalism, atheism, masonry, and other supposed enemies of their Blessed Virgin, and point them out as enemies of Abd’ul-Hamid. ’Tis curious how the Sultan of the Ottomans can serve the cause of the Virgin! “I visit the Statue for the love of my mother, and mounting to the top of the pedestal, I look up and behold my mother before me. The spectre of her, standing before the monument, looks down upon me, reproachfully, piteously, affectionately. I sit down at the feet of the Virgin Mary and bury my face in “Leaving this throne of modern mythology, I cross many wadis, descend and ascend many hills, pass through many villages, until I reach, at Ghina and Masshnaka, the tomb of the mythology of the ancients. At Ghina are ruins and monuments, of which Time has spared enough to engage the interest of archÆologists. Let the PÈres Jesuit, Bourquenoud and Roz, make boast of their discoveries and scholarship; I can only boast of the fact that the ceremonialisms of worship are the same to-day as they were in the days of my Phoenician ancestors. Which, indeed, speaks well for THEM. This tablet, representing an armed figure and a bear, commemorates, it is said, the death of Tammuz. And the figure of the weeping woman near it is probably that of Ashtaroth. Other figures there are; but nothing short of the scholarship of Bourquenoud and Roz can unveil their marble mystery. “At Masshnaka, overlooking the River Adonis, are ruins of an ancient temple in which can still be seen a few Corinthian columns. This, too, we are told, was consecrated to Tammuz; and in this valley the women of Byblus bemoaned every year the fate of their god. “Here, where my forebears deliquesced in sensuality, devotion, and grief, where the ardency of the women of Byblus flamed on the altar of Tammuz, on this knoll, whose trees and herbiage are fed perchance with their dust, I build my athafa (little kitchen), Arab-like, and cook my noonday meal. On the three stones, forming two right angles, I place my skillet, kindle under it a fire, pour into it a little sweet oil, and fry the few eggs I purchased in the village. I abominate the idea of frying eggs in water as the Americans do. “Now, my skillet of eggs being ready, I draw out of my basket a cake of cheese, a few olives, an onion, and three paper-like loaves, rather leaves, of bread, and fall to. With what relish, I need not say. But let it be recorded here, that under the karob tree, on the bank of the River Adonis, in the shadow of the great wall surrounding the ruins of the temple of Tammuz, I Khalid, in the thirty-fourth year of the reign of Abd’ul-Hamid, gave a banquet to the gods––who, however, were content in being present and applauding the devouring skill of the peptic host and toast-master. Even serene Majesty at Yieldiz would give away, I think, an hundred of its sealed dishes for such a skillet of eggs in such an enchanted scene. But for it, alas! such wild and simple joy is a sealed book. Poor Serene Majesty! Now, having gone through the fruit course––and is not the olive a fruit?––I fill my jug at the River to make my coffee. And here I ask, In what Hotel Cecil or Waldorf or Savoy, or in what Arab tent in the desert, can one get a better cup of coffee than this, which Khalid makes for himself? The gods be praised, before and after. Ay, even in washing my pots and dishes I praise the good gods. “And having done this, I light my cigarette, lug my basket on my back, and again set forth. In three hours, on my way to Byblus, I reach a hamlet situated in a deep narrow wadi, closed on all sides by huge mountain walls. The most sequestered, the most “Her son, a youth of not more than two score years, returns from his day’s labour a while after I had arrived. And as he stands in the door, his pick-axe and spade on his shoulder, his sister runs to meet him, and whispers somewhat about the stranger. Sitting on the threshold, he takes off his spats of cloth and his clouted shoes, while she gets the pitcher of water. After having washed, he enters, salaams graciously, and squats on the floor. The mother then brings a wicker tray on which is set the supper, consisting of only bread and olives. ‘Thou wilt overlook our penury,’ she falters out; ‘here be all we have.’ In truth, my hostess is of the poorest of the Lebanon peasants; even her sweet-oil pipkin and her jars of lentils and beans, are empty. She lays the tray before her son and invites me to partake of the repast. I go to my basket, bring forth the few onions and the two cakes of cheese I had left, lay them with an apology on the tray––the mother, abashed, protests––and we sit down cross-legged in a circle to supper. When we rise, the little girl lights a little fire, and they enjoy the cup of coffee I make for them. And the mother, in taking hers, tells me naÏvely, and with a sigh, that it is five years now since she had had a cup of coffee. Indeed, she had seen better days. And ’tis sorrow, forestalling Time, which furrows her cheeks and robs her black eyes of their lustre and spark. “She had once cattle, and a beit of her own, and rugs, too, and jars full of provision. But now she is a tenant. And her husband, ever since he emigrated to America, did not send a single piaster or even write a letter. From necessity she becomes a prey of usurers; for those Lebanon Moths, of which we saw a specimen in the village of bells and potteries, fall mostly in the wardrobe of women. They are locusts rather, who visit only the wheat fields of the poor. Her home was mortgaged to one such, and failing to meet her obligation, the mortgage is closed and he takes possession. Soon after she is evicted, her son, the first-born, a youth of much promise, dies. “‘He could read and write, my son,’ quoth she, sobbing; ‘of a sharp wit he was, and very assiduous in his studies. Once he accompanied the priest of the village on a visit to the Patriarch, and read there a eulogium of his own composition, for which he received a silver medal. The Patriarch then sent him to a Seminary; he was to become a priest, my son. He wrote a beautiful hand––both Arabic and French; he was of a fine wit, sharp, quick, brilliant. Ah, me, but those who are of such minds never live!’ “She then tells me how they lost their last head of cattle. An excellent sheep it was; which one night they forgot outside; and the wolf, visiting the village, sees it tied to the mulberry, howls for joy, and carries it off. And thus Death robs the poor woman of her son; America, of her husband; the Shylock of the village, of her home; and the wolf, of her last head of “Early in the morning I bid them farewell, and pass on my way to Amsheet, where Henriette Renan, the sister of Ernest, is buried. An hour’s walk, and the incarcerated wadi and its folk lie concealed behind. I breathe again the open air of the mountain expanse; I behold again the emerald stretch of water on the horizon, where the baggalas and saics, from this distance, seem like doves basking in the morning sun. I cross the last rill, mount the last hilltop on my journey, and lo, at the foot of the gently sloping heath are the orchards and palms of Amsheet. Further below is Jbail, or ancient Byblus, looking like a clutter of cliffs on the shore. Farewell to the mountain heights, and the arid wilderness! Welcome the fertile plains, and hopeful strands. In half an hour I reach the immense building––the first or the last of the village, according to your direction––which, from the top of the hill, I thought to be a fortress. A huge structure this, still a-building, and of an architecture altogether different from the conventional Lebanon type. No plain square affair, with three pointed arches in the faÇade, and a gable of pink tiles; but here are quoins, oriels, embrasures, segmental arches, and other luxuries of architecture. Out of place in these wilds, altogether out of place. Hard by are two primitive flat-roofed beits, standing grimly “‘You may come in for breakfast,’ she adds; and clapping for the servant, orders him to lay the table for me. I enter the beit, which is partitioned into a kitchen, a dining-room, and a parlour. On the table is spread the usual breakfast of a Lebanonese of affluence: namely, cheese, honey, fig-jam, and green olives. The servant, who is curious to know my name, my religion, my destination, and so forth, tells me afterwards that Madame is the wife of the kaiemkam, and the castle, which is building, is their new home. “Coming out, I thank Madame, and ask her about the grave of Renan’s sister. She pauses amazed, blows her narghilah smoke in my face, surveys me from top to toe, and puts to me those same questions with which I was tormented by her servant. Indeed, I had answered ten of hers, before I got this answer to mine: ‘The sister of whom, thou sayst? That Frenchman who came here in the sixties for antiquities? Yes; his sister died and was buried here, but no Christian remembers her for good. She must have been a bad one like her brother, who was an infidel, they say, and did not know or fear God.––What wouldst thou see there? Art like the idiot “We come to the cemetery near the church in the centre of the town. The vault where Henriette was laid, a plain, plastered square cell, is not far from an oak which in the morning envelopes it with its shadow; and directly across are palms, whose shades at sundown, make a vain effort to kiss its dust. No grass, no flowers around; but much of the dust of neglect. And of this I take up a handful, like ‘the idiot Franje’; but instead of carrying it away, I press therein my lips and leave my planted kisses near the vault.––When the mothers and the sisters of these sacred hills, O Henriette, can see the flowers of these kisses in thy dust, when they can appreciate the sacred purity of thy spirit and devotion, what mothers then we shall have, and what sisters! “I pass through the village descending on the carriage road to Jbail, or Byblus. In these diggings the shrewd antiquary digs for those precious tear-bottles of my ancestors. And everywhere one turns are tombs in which the archÆologist finds somewhat to noise abroad. His, indeed, is a scholarship which is essentially necrophagous. For consider, what would become of it, if a necropolis, for instance, did not yield somewhat of nourishment,––a limb, a torso, a palimpsest, or even an earthen lamp, a potsherd, or a coin? “At Jbail I visited the citadel, said to be of Phoenician origin, which is occupied by the mudir of the District. Entering the gate, near which is a chapel consecrated to Our Lady of that name, where litigants, when they can not prove their claims, are made to swear to them, we pass through a court between rows of Persian lilac trees, into a dark, stivy arcade on both sides of which are dark, stivy cells used as stables. Reaching the citadel proper, we mount a high stairway to the loft occupied by the mudir. This, too, is partitioned, but with cotton sheeting, into various apartments. “The zabtie, in zouave uniform, at the door, would have me wait standing in the corridor outside; for his Excellency is at dinner. And Excellency, as affable as his zabtie, hearing the parley without, growls behind the scene and orders me gruffly to go to the court. ‘This is not the place to make a complaint,’ he adds. But the stranger at thy door, O gracious Excellency, complains not against any one in this world; and if he did, assure thee, he would not complain to the authorities of this world. This, or some such plainness of distemper, the zouave communicates “But after knowing somewhat of the pilgrim stranger, especially that he had been in America, Excellency tempers the severity of his expression and evinces an agreeable curiosity. He would know many things of that distant country; especially about a Gold-Mining Syndicate, or Gold-Mining Fake, in which he invested a few hundred pounds of his fortune. And I make reply, ‘I know nothing about Gold Mines and Syndicates, Excellency: but methinks if there be gold in such schemes, the grubbing, grabbing Americans would not let it come to Syria.’ ‘Indeed, so,’ he murmurs, musing; ‘indeed, so.’ And clapping for the serving-zabtie––the mudirs and kaiemkams of the Lebanon make these zabties, whose duty is to serve papers, serve, too, in their homes––he orders for me a cup of coffee. And further complaining to me, he curses America for robbing the country of its men and labourers.––‘We can no more find tenants for our estates, despite the fact that they get “I muse meanwhile on Time, who sees in a citadel of the ancient Phoenicians, after many thousand years, that same propensity for gold, that same instinct for trade. The Phoenicians worked gold mines in Thrace, and the Syrians, their descendants, are working gold mines in America. But are we as daring, as independent, as honest? I am not certain, however, if those Phoenicians had anything to do with bubbles. My friend Sanchuniathon writes nothing on the subject. History records not a single instance of a gold-mine bubble in Thrace, or a silver ditto in Africa. Apart from this, have we, the descendants of those honest Phoenicians, any of their inventive skill and bold initiative? They taught other nations the art of ship-building; we can not as much as learn from other nations the art of building a gig. They transmitted to the people of the West a knowledge of “On these shores they hammered at the door of invention, and, entering, showed the world how glass is made; how colours are extracted from pigments; how to measure, and count, and communicate human thought. The swarthy sons of the eternal billows, how shy they were of the mountains, how enamoured of the sea! For the mountains, it was truly said, divide nations, and the seas connect them. And my Phoenicians, mind you, were for connection always. Everywhere, they lived on the shores, and ever were they ready to set sail. “In this mammoth loophole, measuring about ten yards in length,––this the thickness of the wall––I muse of another people skilled in the art of building. But between the helots who built the pyramids and the freemen who built this massive citadel, what a contrast! The Egyptian mind could only invent fables; the Phoenician was the vehicle of commerce But we have had enough of Khalid’s gush about the Phoenicians, and we confess we can not further walk with him on this journey. So, we leave his Excellency the mudir snoring on the divan, groaning under the incubus of the Gold Mine Fake, bemoaning his losses in America; pass the zabtie in zouave uniform, who is likewise snoring on the door-step; and, hurrying down the stairway and out through the stivy arcade, we say farewell to Our Lady of the Gate, and get into one of the carriages which ply the shore between Junie and Jbail. We reach Junie about sundown, and Allah be praised! Even this toy of a train brings us, in thirty minutes, to Beirut. Khalid would speak here of poached eggs, we believe. And the Americans, to be fair, are not so totally ignorant of the art of frying. They have lard––much worse than water––in which they cook, or poach, or fry––but the change in the name does not change the taste. So, we let Khalid’s stricture on fried eggs and boiled cabbage stand.––Editor. |