TO Pippin the last month had passed like a watch in the night; say rather in the day, a watch on a hillside under a clear sky, with the sound of flutes in the air. But at Cyrus Poor Farm it had been a long month, and things had gone rather heavily. Brand, weaving baskets in his corner, thought it one of the longest months he had ever known. There had been many wet, cold days when the barn had been too chilly to work in, and though he loved the big kitchen, he preferred solitude for his work hours,—solitude, that is, enlivened by snatches of cheery talk as Jacob Bailey came and went about his own work, by whiffs of fragrant clover and hay, by the sunlight that lay warm upon him as he sat in the wide doorway, by the friendly whinnying of Molly, the pretty black mare, in her loose box close by. Then Flora May would come drifting in, and would sit down beside him, and rub her smooth cheek against his, and coo and murmur like a white pigeon. They were intimate, the blind man and the simple girl. He was Uncle Brand, she was his little gal. They spoke little as they sat together, but now and then he would pat her fair head and say, "We knowed it, little gal!" and she would nestle closer and repeat, "We knowed it!" That was all the speech they needed. But now Flora May seldom came to the barn; she There were other trials, too, that month. Some tramps came, asking shelter for the winter, pleading illness, promising work. Jacob Bailey had taken them in, not too willingly, but feeling it his duty to do so; and had thereby roused the indignation of all his other "boarders," except Brand. For three days the usually cheerful house had seethed like a witches' cauldron; then the tramps departed by night, carrying with them such small personal property as they could lay hands on, and peace reigned again. Meantime Old Man Blossom was growing weaker day by day. The poor old body, sodden with drink and worse than drink, was nearly worn out. The machine worked feebly; at any moment it might run down and stop. One thing only, Mrs. Bailey thought as she watched beside the bed, kept him alive: the longing for his child. She spent every moment she could spare, good soul, sitting beside him, knitting in hand, ready to answer the inevitable question when it came. He would lie for hours motionless, apparently sleeping. Then the lids would flutter open, the hands begin to wander and pluck at the bedclothes; the dim eyes, after rolling vacantly, would fix themselves on her, and recognition creep into them. "Ain't he come yet?" "Not yet, Mr. Blossom. He'll be here soon." "You don't think—" "Yes, Mr. Blossom?" "You don't think he's slipped one over on me?" "I think he will come as soon as he can; that is, as soon as he finds your daughter, you know. You don't want him to come without her, do you?" "If he does—" the voice dies into a whisper, faint yet vehement. Bending to catch his words, Lucy Bailey listens a moment, then straightens herself with compressed lips. Mr. Blossom is consistent, and expresses himself in his usual manner. Presently he finds his voice again, a whimper in it this time. "But ain't it hard luck, lady? I ask you, lady, if it ain't hard luck that I have to get a crook to fetch me my little gal. I ain't a con, lady! Booze was all my trouble—that an' not havin' the stren'th to work. I never got no longer jolt than a year. Now Pippin's a crook, born and bred. If he slips one over on me—" The voice sinks again into a hoarse mutter, and so lapses into silence. The face, puckered into sharp wrinkles of anxiety, seems to flatten and smooth itself till it lies like an old wax mask, ugly but peaceful. He will be quiet now for some time; Mrs. Bailey settles the bedclothes tidily and steals away. Her faithful attendance on the dying vagrant has not been fortunate for the other inmates; her firm gentle hand is missed everywhere in the house. Her husband confides to her, in the quiet hour before bedtime, that things have been kind of cuterin'. Aunt Mandy was some fractious to-day; she made Miss Pudgkins cry at dinner, callin' her a greedy old haddick; no way to talk to Miss Pudgkins, Lucy knew. Miss Pudgkins ought not to mind Aunt Mandy, Mrs. "The mean old thing!" Mrs. Bailey spoke sharply, and a spark came into her kind eyes. She could not bear to see the blind man "put upon." "Now I am glad Aunt Mandy spoke out. I hope you took the dish right straight away from her, Jacob!" Jacob looked troubled. "I couldn't do that, Lucy; women-folks, you know!" "No, you couldn't. I wish I'd been there." "But I give Brand another dish, and filled it plumb up, so he got more than she did after all." He looked up, and received a cheerful nod of approval. "That's good. Brand likes prune sauce, and he has so few pleasures. Not that he's anyways greedy or lick-lappin'; far from it; but he tastes more than others do. Did he finish the two-bushel basket? He aimed to finish it to-day." Jacob's brow clouded again. "He would have, but he couldn't lay his hand on his splints, and I was out of the way, so he had to wait a considerable time." "Where was Flora May? Didn't she help him? I told her be sure to!" "That was the trouble!" Jacob spoke reluctantly. "Flora May had an odd spell, and she—fact is, she took and carried the splints up chamber, and run out and hid in the haymow till dinner." "She did! now, Jacob! Why didn't you call me? You "I set out to, Lucy. I came to the door to speak to you, but I heard the Old Man mournin' and I—it didn't appear as if I could go in just then." "No, you couldn't!" said his wife again. Then she sighed. "I don't hardly know what to do with Flora May," she said. "She's havin' those odd spells right along, sometimes two or three a week. She's been havin' 'em ever since—Jacob—" She looked around and lowered her voice. "I don't hardly know about his comin' back here—to stay any time, that's to say." Jacob Bailey also glanced around apprehensively and spoke almost in a whisper. "You mean—Pippin?" "Hush! Yes! She hasn't been the same girl since he was here. I'm scared for her, Jacob." "Lucy, Pippin is as good as gold. There couldn't no father nor brother have handled her better than what he did that day." "Hush! What was that?" She went quietly to the door that led to the back stairs, and opened it with a quick, noiseless motion. In the dusk of the stairway a board creaked, something white glimmered. "Who's there?" No answer. "Flora May, is that you? Answer when I speak to you!" The voice was gentle, but compelling; the answer came, half sullen, half frightened. "I want a drink of water, Aunt Lucy." "You go right back to bed, Flora May! I'll bring you a drink when I come up. Let me hear your door shut now!" She waited till a door closed upstairs; then latching the one she held in her hand, beckoned her husband, and stole to the other side of the room. "Like as "Flora May's a good girl!" Jacob spoke as if in defense of the girl who so short a time ago had been his little pet, his pretty kitten-like child plaything. "She's always been a good innocent girl, Lucy." "Oh, good!" Lucy Bailey, sixty years old, New England born and bred, made an almost impatient gesture. "Who's to say good or bad, when folks haven't their reason? I tell you there's things workin' inside that poor child that knows nothing about good or bad, things that's stronger than her. I hate to say it, but she ought not to be here any longer, Jacob." "Now, Lucy!" "There ought to be places for such as her—there is, I b'lieve, if we but knew—places where they can be kep' and cared for and learned all they can learn. Yes, I know we've done our best—" in answer to a murmur of protest—"but our best ain't good enough, that's all. There! We must go to bed, father; 'tis late, and I promised that child a drink of water. Poor lamb! She was so happy till this come up! Let Rover in, will you? He's scratchin' all that nice new paint off the door. I'll put kitty down cellar. Here, kitty, kitty! The stove is all right, father; you lock up and come right up to bed, won't you? You've had a tirin' day with all them potatoes to dig." She was tired too, good Lucy Bailey! Every part of her strong body seemed to ache; yet she lay awake long Sleep came at last, deep and sweet; from the quiet chamber it seemed to pass through the old house, laying a quiet hand on every living thing. The dog slept beside the stove, the cat in her cushioned basket in the cellar, the bird on his swinging perch; only in the attic chamber Flora May lay broad awake, staring through the dark, tossing to and fro on her narrow bed. Mary Blossom started on her journey with a heavy heart. Duty might lead her by the hand, but could not lighten her burden. She had slept ill for the past few nights, had eaten little; her head ached, and even Mr. Hadley's cheerful talk could hardly bring a smile to her It was the first time she had ever gone far from the city. The yearly excursion of the Home children had been to a grove not ten miles off; since she grew up and went to work there had been no time to think about going "any place else," as Mary would have expressed it. She watched with delight as the swift miles sped by, and responded eagerly when the chaplain pointed out this or that object of interest. That was Tankard Mountain, was it? My! wasn't it high? Mary had never seen a real mountain before. (She called it "mounting," but then so did Pippin; some people will, strive as you may to teach them otherwise.) And that was Blue Lake? Mary wanted to know! Well, it surely was blue, wasn't it? Did Mr. Hadley know what made water blue like that? 'Twas the sky reflected in it? He didn't say so! Well, creation was curious, wasn't it? Lawrence Hadley enjoyed the journey, too; the familiar landscape took on fresh beauty for him, and he began to recall bits of half-forgotten legend and tale to adorn it. "You see that steep rock, Mary, overhanging the lake? There, where the big pine is? They say an Indian maiden threw herself from that rock, long ago, into the lake, and was drowned. Her lover was false to her, I believe, poor thing!" "Poor thing!" The shadow darkened again over the girl's face, and she looked earnestly at the dark cliff. She spoke low, but with suppressed energy. Hadley glanced at her; seemed about to speak, but checked himself, and presently called her attention to another object. They were still skirting Blue Lake, a ten-mile stretch of dimpling, crinkling sapphire. "That little pile of rocks is Lone Man Island. It got its name from a hermit who lived there twenty-five years and never spoke to a soul in all that time but just once." "My! he was a caution! What did he say, sir, the time he did speak? It ought to be worth hearing." The chaplain laughed. "The story is, Mary, that his wife talked so much he couldn't stand it, and ran away. His house—it's gone now—stood on the shore, just opposite the island. He took the boat so she couldn't come out after him, but every day, they say, for a long time, she would stand on the shore and scream to him, till her voice was gone, telling him to come back. He would sit on a stone by the water's edge, rocking back and forth, rubbing his knees and never saying a word. When this had gone on for a year, more or less, the minister in the village over yonder—" he pointed to where a white spire twinkled among the trees—"thought it was his duty to interfere; so he came with his boat, and took the woman over to the island." He paused and his eyes twinkled. "Well, sir?" Mary's face was bright with eager interest. "It was then that he spoke? He freed his mind, I suppose?" "She spoke first, and then the minister spoke. They both had a good deal to say, I have been told. And while they were talking, Jotham Wildgoose—yes, that was his actual "The idea! Why, I never heard of such a thing, Mr. Hadley. Why, how did he live? How did he do his marketing?" The practical mind of the Scientific General pounced at once on the main issue. Man need not talk, but he must eat. "He lived mostly on fish; he had his boat, you see, and he was a good fisherman. When he wanted other supplies, he took a string of fish to the nearest village and got what he wanted in exchange. He was very clever in making signs; he could write, too. Yes, I believe Jotham Wildgoose lived to a good old age, and counted himself a fortunate man." "And what became of his wife?" "Poor thing! They say she scolded herself to death. She was a sad shrew, from all accounts. Of course, I am not excusing Jotham," he added hastily; "I am only explaining." Mary pondered. "'Tis a queer story!" she said at last. "'Twas strange he wouldn't listen to the minister, though. You'd thought he would!" The chaplain's eyes twinkled. "They are taken that way sometimes!" he said. "I'll bet he'd have minded if you had told him to go home!" Mary spoke with conviction, but the chaplain shook his head. "Don't be too sure, Mary! Did you ever hear about Mr. Bourne and his wife? No, how should you! It was an old song when my father was a boy. Listen, now! "Mr. Bourne and his wife One evening had a strife. He wanted bread and butter with his tea, But she swore she'd rule the roast And she'd have a piece of toast, So to loggerheads with him went she, she, she, So to loggerheads with him went she. "Now there was a Mr. Moore Lived on the second floor, A man very strong in the wrist. He overheard the splutter About toast and bread and butter And he knocked down Mr. Bourne with his fist, fist, fist, And he knocked down Mr. Bourne with his fist. "Quoth Moore, 'By my life, You shall not beat your wife. It is both a sin and disgrace.' 'You fool,' said Mrs. Bourne, ''Tis no business of yourn!' And she dashed a cup of tea in his face, face, face, And she dashed a cup of tea in his face. "Quoth poor Mr. Moore, As he sneaked to the door, 'I'm clearly an ass without brains. For, when married folks are flouting, If a stranger pokes his snout in. He is sure to get it tweaked for his pains, pains, pains, He is sure to get it tweaked for his pains.'" "And that is a pretty accurate statement of the case, I believe!" said the chaplain. "But here we are at Cyrus, my dear, and there, from Pippin's description, is Jacob Bailey himself waiting for us." Mary shrank, and drew in her breath with a sob. The journey, the cheery talk, had dulled for the time the pain at her heart, the suffocating dread of what was before her; now both awoke and clutched at her. She clung to the chaplain's arm, trembling and sobbing, dry-eyed. "I'm afraid!" she said. "I'm afraid!" "Yes!" said Lawrence Hadley. "Yes, you are afraid, Mary, but that does not signify. What signifies is that you are bringing light into a dark place. Light, and warmth, and joy. Be thankful, my child; be thankful!" He led her forward, and Jacob Bailey did the rest. His hearty, "Well! well! Here's the folks I'm downright glad to see," restored Mary's balance in an instant. "Elder Hadley, I presume?" he went on. "And this is Miss Blossom? Well, I am pleased to meet you! Step right this way, the team's waitin'." It was dusk when they drove up to the door of Cyrus Poor Farm. Mary was stiff after the four-mile drive—she was not used to driving—and even a little chilly; at least, she was trembling, though the evening was mild. The cheerful rays that streamed from the opening door struck warm to her heart which was still throbbing painfully. She could not speak, could only return the warm pressure of Mr. Hadley's hand as he helped her to alight. Jacob Bailey held the other little cold hand and led her forward. "This way!" he said heartily. "Here she is, Lucy. Make you 'quainted with m' wife, Miss Blossom. Reverend Mr. Hadley, make you 'quainted with Mis' Bailey. Walk in! walk in! I expect they're famished with hunger, Lucy; supper ready, hey?" Ever since word had come that morning of the impending Now they were actually here, and the inmates took their fill of staring, open-eyed and unashamed; all except Brand in his corner, polishing a basket handle, and Flora May, rocking in her chair, crooning listlessly to the cat in her lap. Pale and weary though she was, Mary's beauty shone in the doorway like a lamp, as Pippin would have said—poor Pippin, who was not there to see. Mr. Wisk rose to his feet and struck an attitude of respectful admiration; the two elderly women who had been plain all their lives uttered little whimpering moans of surprise. "What right has the daughter of that horrid old tramp to look like this?" they seemed to ask. "I expect she's stuck-up!" whispered Aunt Mandy to Miss Pudgkins. "Look at that hat!" It was the simplest possible hat, but it had an air, as all Mary's hats had. She trimmed them herself, and I believe the ribbons curved into pretty shapes for pure pleasure when she patted them. Mrs. Bailey took no note of the hat; she looked straight into Mary's eyes, as clear and honest as her own, and answered hastily the unspoken question in them. "Yes, he's livin', my dear, though feeble. I'm real glad you've come!" "Thank you! Oh, thank you! So am I!" The words came from her lips unbidden, and the girl marveled even as she spoke them. She was glad! What did it mean? "She'd better have her supper before she goes in, Lucy," said hospitable Jacob, "seein' it's all ready, and she come so far!" But his wife, still holding Mary's hand, shook her head, again in response to a mute appeal. "No, Jacob! She's goin' right in. I'll take her in a cup o' tea and a mite of something, and she can eat while she's sittin' there. This way, dearie!" The door closed, and the inmates drew a long breath; it was as if the drop curtain had descended between the acts of a drama. It was cruel to shut them off from what was going on in that other room. Miss Whetstone even discovered that she had left her pocket handkerchief up chamber, and had her hand on the door when Mrs. Bailey, returning, intervened with the offer of a spandy clean one just ironed, and a bland but firm gesture toward the table. "We'll set right down, if you please!" said the mistress of Cyrus Poor Farm. "Reverend Mr. Hadley, will you ask a blessin'?" |